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Ernst Ludwig Kirchner
Liegender Akt (Reclining Nude)
, 1911
20 x 27,8 cm (7,9 x 10,9 in)
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Ernst Ludwig Kirchner
Liegender Akt (Reclining Nude)
, 1911
20 x 27,8 cm (7,9 x 10,9 in)
close
Ernst Ludwig Kirchner
Liegender Akt (Reclining Nude)
, 1911
20 x 27,8 cm (7,9 x 10,9 in)
close
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Ernst Ludwig Kirchner
deutsch, 1880 - 1938
Liegender Akt (Reclining Nude)
,
1911
Ernst Ludwig Kirchner
Liegender Akt (Reclining Nude)
, 1911
20 x 27,8 cm (7,9 x 10,9 in)
close
Ernst Ludwig Kirchner
Liegender Akt (Reclining Nude)
, 1911
20 x 27,8 cm (7,9 x 10,9 in)
close
Ernst Ludwig Kirchner
Liegender Akt (Reclining Nude)
, 1911
20 x 27,8 cm (7,9 x 10,9 in)
close
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für weitere Bilder
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Medium
Druckgrafik und Editionen, Holzschnitt auf Japan-Bütten
Größe
20 x 27,8 cm (7,9 x 10,9 in)
Kennzeichnungen
Signed lower right and inscribed ‘Handdruck’. With the estate stamp and the inscription ‘H 168 II’ in India ink, the numbers ‘K 10014’, ‘9696’ and ‘35665’ in pencil and the stamp ‘Unverkäuflich E L Kirchner’ on the verso.
Preis
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Galerie Henze & Ketterer
Wichtrach/Bern
Kunstwerke
Künstler
Ausstellungen
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Edition
One of only 2 so far known prints pulled by the artist.
Größenangaben
20 x 27,8 auf 35,5 x 44 cm
Kunstbewegung
Moderne Kunst
Werkverzeichnis
WVZ-Nr. Dube H 184,
Provenienz
Ernst Ludwig Kirchner (until his death in 1938); Ernst Ludwig Kirchner's widow Erna Kirchner, Davos until her death in 1945; Kirchner estate, deposited in the Kunstmuseum Basel from 1946-1954; 1954 - today Stuttgart Kunstkabinett Roman Norbert Ketterer and his successors from his family.
Ausstellungen
05/01/2025 - 07/17/2026 Kirchner and Baselitz. Remix: Repetition in the Woodcut
02/25/2022 - 05/25/2022 ERNST LUDWIG KIRCHNER & GEORG BASELITZ in Dialogue
10/29/2016 - 04/29/2017 UNMITTELBAR
Brücke - Informel - Neue Figuration - Neue Wilde
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Beschreibung
‘Naked, reclining woman in full figure, the head in the upper right corner of the picture, the feet of the half-drawn and spread legs at the left edge of the picture. She is lying on her back with the r. half of her body slightly upright. He is lying on his back with the r. half of his body slightly raised and holding his r. hand on his l. shoulder, under the figure a blanket with the depiction of grimacing heads at the corners.’
The heads of two wood-carved figures, possibly ‘Crouching, head inclined to the left’, Henze 1910/14, on the left and ‘Standing of high plinth’, Henze 1910/24, in the centre at the top centre and left. The influence of African sculpture is also noticeable here in the forms of the woodcut, creating a wonderfully intense atmosphere.
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