|
Koustelanetz, Richard.
Scenarios: scripts to Perform.
Assembling Press. New York, New York. 1979.
|
 |
|
Relation work and Detour, Marina Abramovic/Ulay - Ulay/Marina Abramovic.
Idea Books. Amsterdam, Netherlands. 1980.
|
 |
|
Celant, Germano, Tim Guest.
Books by artists.
Toronto Art Metropole. Toronto, Canada. 1981.
|
 |
|
Battcock, Gregory, Robert Nickas.
The Art of Performance. A Critical Anthology.
E. P. Dutton Inc, New York, New York. 1984.
|
 |
|
Performance Art. From Futurism to the Present.
Thames and Hudson, Penguin World of Art Series. London, United Kingdom. 1987.
|
 |
|
"Marina Abramovic", text by Doris von Draathen. Artistes de l'Ecole nationale superieure des Beaux Arts.
Paris, France. 1992.
|
 |
|
Jappe, Elisabeth.
Performance, Ritual, Prozess - Handbuch der Aktionskunst in Europa.
Prestel-Verlag. München and New York. 1993.
|
 |
|
Abramovic, Marina in collaboration with Charles Atlas.
Biography.
Edition Cantz. Stuttgart, Germany. 1994.
|
 |
|
Abramovic, Marina.
Marina Abramovic, Cleaning House.
Academy Editions. London, United Kingdom. 1995.
|
 |
|
Grundmann, Heidi and Kristine Stiles.
Theories and Documents of Contemporary Art.
University of California Press. Berkeley, California. 1996.
|
 |
|
Wijers, Louwrien and Frederik Wagemans.
Art meets Science and Spirituality in a Changing Economy: From Competition to Compassion.
Academy Editions Copenhagen. Copenhagen, Denmark. 1996.
|
 |
|
Schneider, Rebecca.
The Explicit Body in Performance.
Routledge. London and New York. 1997.
|
 |
|
Oliva, Achille Bonita.
Oggetti di turno - Dall'arte alla critica.
Marsilio. Venice, Italy. 1997.
|
 |
|
Trauma specters of race and sexuality in performance video and art.
Routledge. United Kingdom. 1997.
|
 |
|
Veiled Histories: The Body, Place and Public Art.
Text by Anna Novakov. Critical Press. New York, New York. 1997.
|
 |
|
Goldberg, Rose Lee.
La Performance du Futurism a Nos Jours.
Thames and Hudson. New York. 1998.
|
 |
|
Jones, Amelia.
Body Art: Performing the Subject.
University of Minnesota Press. Minneapolis, Minnesota. 1998.
|
 |
|
O’Dell, Kathy.
Contact with the Skin: Masochism, Performance Art in the 70s.
University of Minnesota Press. Minneapolis, Minnesota. 1998.
|
 |
|
Montano, Linda M.
Performance Artists Talking in the Eighties.
University of California Press. Berkeley, California. 1999.
|
 |
|
Warr, Tracy and Amelia Jones.
The Artist's Body.
Phaidon Press Limited. London, United Kingdom. 2000.
|
 |
|
Abramovic, Marina and Alessia Bulgari.
Marina Abramovic: The Biography of Biographies.
Charta. 2001.
|
 |
|
Ardenne, Paul.
L’image du corps.
Editions du Regard. Paris, France. 2001.
|
 |
|
Martin, Sylvia.
Video Art.
Taschen. Koln, Germany. 2006.
|
 |
|
Richer, Francesca and Matthew Rosenzweig, eds.
No. 1 First Works by 362 Artists.
Distributed Art Publishers. New York, New York. 2006.
|
 |
|
von Fürstenberg, Adelina, ed.
Marina Abramovic: Balkan Epic.
Skira Editore in association with Hangar Bicocca. Milan, Italy. 2006.
|
 |
|
Heartney, Eleanor, Helaine Posner, Nancy Princenthal and Sue Scott.
After the Revolution: Women Who Transformed Contemporary Art.
Prestel. London, United Kingdom. 2007.
|
 |
|
L’art Contemporain et la Television / Imaginaire: Mode d’Emploi.
Editions Cercle d’Art. Paris, France. 2007.
|
 |
|
Stiles, Kristine, Klaus Biesenbach, and Chrissie Iles.
Marina Abramovic.
Phaidon Press Limited. London, United Kingdom. 2008.
|
 |
|
Wescott, James.
When Marina Abramovic Dies: A Biography.
MIT Press. Cambridge, Massachusetts. 2010.
|
 |
|
Richards, Mary.
Marina Abramovic.
Routledge. London, United Kingdom; New York, New York. 2010.
|
 |
[return to top]
|
| |