Jerry Saltz

2010
November
On MoMA’s women, auction madness and George W. Bush’s official portrait.
On conflict of interest, being shy and the New Museum.
Bad art dealers, big spaces in the U.S., and managing a critic’s schedule.
September
Dan Colen is making 2007 art in 2010.
Oktober
A new feature: Critic Jerry Saltz answers his reader’s questions on elitism, careerism and cronyism.
Juni
How "Marina Abramovic: The Artist Is Present" turned the viewer into the viewed.
Mai
The untamed beauty of Monet’s last paintings.
Februar
Twenty years ago, Wolfgang Tillmans reimagined what a photo could be. Now he’s doing it again.
2009
Dezember
Jeff Koons is the artist of the 2000-2009 decade.
The German master deploys his ultrapowerful technique to evoke 9/11.
November
The Urs Fischer-izing of a four-story institution.
Oktober
Despite the dire predictions, galleries and artists are busting out.
Juli
In Belgium 120 years ago, James Ensor let his freak flag fly.
Juni
Art about art at the 53rd Venice Biennale. Plus, is something coming out of the other side of that black hole?
X-Initiative’s "No Soul For Sale" shows the way.
Three Charles Ray sculptures at Matthew Marks are a total trip.
Mai
“The Pictures Generation” better than the criticism that grew up around it.
April
Godd bless the New Museum’s tantalizing triennial.
März
Two new gallery spaces in New York are, if not fully realized, rich in possibility.
The art market is more moral than the stock market isn’t it?
Februar
White Columns’ anniversary show proves that galleries can (and should) enliven art.
The Last Days of Pipilotti Rist’s Pour Your Body Out (7354 Meters).
Januar
Vic Muniz’s "Rebus" offers a formula to save MoMA.
Pipilotti Rist gives a masculinist MoMA a redeeming shot of estrogen.
2008
Dezember
The best art shows of 2008.
November
Giorgio Morandi and the pleasures of being minor.
September
The good, the bad and the terrible of the new Chelsea art season.
Is the apocalyptic art of "After Nature" a sign of newfound earnestness?
A colloquy with architecture critic Justin Davidson on the new Museum of Arts and Design in Manhattan.
An art critic gets ravished by a legendary Spanish chef.
August
Jeff Koons, better than you think.
Juli
Does Philippe Vergne have what it takes to keep Dia from being DOA?
Olafur Eliasson’s New York City Waterfalls come on with a wink, not a whoosh.
Juni
Tony Shafrazi, the man who tagged Guernica, tries another way of superimposing new art and old.
David Altmejd’s otherworldly figures create narrative just by standing still.
Does a Warhol look different when it’s hanging above someone’s TV set? Ask Louise Lawler.
Mai
Remembering Rauschenberg.
Dan Flavin’s 1964 breakout show, in meticulous reproduction.
März
Towards a No Painting Biennial.
A show about archives gets brilliantly lost in the vaults.
Februar
"Jasper Johns: Gray" shows off an imagination that works in non-imaginative ways.
2007
Dezember
At Gavin Brown, Urs Fischer takes a jackhammer to Chelsea itself.
November
On MoMA’s identity politics.
Kara Walker’s silhouettes don’t just broach America’s touchiest subject they detonate it.
Oktober
Why you should give a crap about Chris Ofili’s new paintings.
September
Trying to take the "heim" out of the Guggenheim.
August
Immer seltener wird die kuratorische Tätigkeit als eine dunkle Kunst zelebriert, sondern auf Theorie oder Broterwerb reduziert.
Juli
Examining the 52nd Venice Biennale, Documenta XII and Sculpture Projects Münster.
Mai
Is Andreas Gursky, the highest-priced photographer alive, running out of ideas
Rirkrit Tiravanija makes dinner for gallerygoers. Plus, Gordon Matta-Clark.
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