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Turin-Milan Hours.
Illuminated manuscript begun in the late 14th century and finished in the mid-15th, the work of French and Netherlandish illuminators and one of the major monuments of northern European art. The identification of the various sections (Paris, Bib. N., MS. nouv. acq. lat. 3093; Paris, Louvre, R.F. 20225; section in Turin, Bib. N. U., MS. K. IV. 29, destr. 1904; Turin, Mus. Civ. A. Ant., Inv. no. 47) was established by Durrieu (1902), but the history of the manuscript has been interpreted in various ways. The reconstruction presented here accounts for most, if not all, of the complex evidence.
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- Books of Hours... (cont.)
- individual manuscripts... (cont.)
- Très Riches Heures (Chantilly, Mus. Condé, MS. 65)... (cont.)
- Colombe, Jean
- drawings
- genre
- hunting scenes
- landscape paintings
- miniatures (manuscript illumination)
- Mont-Saint-Michel Abbey
- Palais de la Cité
- Turin-Milan Hours (Turin, Mus. Civ. A. Ant., MS. 47)
- Belgium, §III, 2(ii): Manuscript illumination, 1400c 1550
- Dress, §V, 2(i): Northern Europe, 13001415
- Eyck, van: (1) Hubert van Eyck, §2: Works
- Eyck, van: (2) Jan van Eyck, §1(i): Training and early works in The Hague, to 1425
- Eyck, van: (2) Jan van Eyck, §1(ii): Early works in Flanders, 142530
- Eyck, van: (2) Jan van Eyck, §2: Working methods and technique
- Miniature, §I: Manuscript
- Ouwater, Albert van
- Vienna Hours of Charles the Bold see Hours of Mary of Burgundy
- Vienna Rothschild Hours (Vienna, Österreich. Nbib., Cod. s. n. 2844)
- Visconti Hours (Florence, Bib. N. Cent., MSS Banco Rari 397 and Landau Finlay 22)
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