Chronik

Born
Lives and works in Queens
Education: Pratt Institute

Ausstellungen

2003
James Kelly Contemporary, Santa Fe, NM, Works on Paper: A Fifth Anniversary Show
2003
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, Fine Lines: From the Collection of Wynn Kramarsky
2003
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, Fine Lines: From the Collection of Wynn Kramarsky
2003
Anthony Meier Fine Arts, San Francisco
2002
D'Amelio Terras, New York
2002
Weatherspoon Art Museum, University of North Carolina-Greensboro, Greensboro, North Carolina, Art on Paper 2002
2002
Open Studios Press Gallery, Boston, MA, The Fall Line: Intuition and Necessity in Contemporary Abstract Drawing, curated by Steven Zevitas
2002
Queens Museum of Art, Queens, NY, Queens International
2001
Museum of Modern Art, New York. New to the Modern: Recent Acquisitions from the Department of Drawings
2001
Works On Paper, Los Angeles, CA.
2000
Summer Group Show, D'Amelio Terras Gallery New York, NY
2000
Summer Group Show, D'Amelio Terras Gallery New York
2000
Millenium Bug, Islip Art Museum Islip, New York
2000
John Michael Kohler Arts Center Sheboygan, Wisconsin
2000
D'Amelio Terras Gallery New York
2000
Anthony Meier Fine Arts San Francisco
1999
D'Amelio Terras Gallery New York
1999
Microwave, 123 Watts Gallery New York
1999
Pattern, James Graham & Sons New York
1999
Phenotypology, Hallwalls Buffalo, New York
1998
D'Amelio Terras Gallery New York, NY
1997
Current Undercurrent, Brooklyn Museum of Art Brooklyn, New York
1997
The Pierogi 2000 Flat Files, Brooklyn Museum of Art Brooklyn, New York
1996
Line, 450 Gallery New York, NY

Literatur

2003
Doherty, Brian. 'When Ludwig Met Chelsea,' Reason, January, pp. 64-65.
2002
Richard, Frances. 'John Morris: Drawings for the Austrian School,' Artforum, December, pp. 136-137.
2002
Glueck, Grace. 'John Morris: Drawings for the Austrian School,¹' The New York Times, October 4, p. E33.
2002
Dannatt, Adrian. 'John Morris,' The Art Newspaper, September, p. 3,
2000
2000 Johnson, Ken. 'John Morris,' The New York Times, September 15, p. E33