Chronik

1963
Born Birmingham, United Kingdom.
1985 – 1987
Chelsea School of Art, B.TECH Art & Design
1987 – 1990
Goldsmiths' College, University of London, B.A. (Hons.) Fine Art
Currently lives and works in London
Awards
2007 Royal Academician
2007 Grazia o2 X Award for Art
2002 British Television Advertising Award, Public Service: Gold
1998 For 2 into 1, Oberhausen Short Film Festival
1998 Prize of the Ministry of Employment, Social Affairs and Urban Development, Culture and Sport
1997 Turner Prize 1997
1993 BT Young Contemporaries

Ausstellungen

2012
Whitechapel Art Gallery, London, touring to K20, Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany and Pinakothek der Moderne, Munich (solo)
2011
People, Tanya Bonakdar Gallery, New York (solo)
2008
Regen Projects, Los Angeles (solo)
2008
History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo
2008
EXISTENCIAS, MUSAC, León, Spain
2008
Irish Museum of Modern Art” Obras Fundamentales, Sala Kubo-Kutxa, San Sebastian
2008
La Collection d’art d’agnes b, JRP Ringier, Zürich
2008
Martian Museum of Terrestrial Art, Barbican Art Gallery, London
2008
Print the Legend: Contemporary Art and the Western, The Fruitmarket Gallery, Edinburgh
2008
Tarantula, Fondazione Nicola Trussardi, Milan, Italy
2008
You are my mirror 1: Je t'aime, moi non plus, Frac Lorraine, Metz, France
2008
Worlds on video, Centro di Cultura Contemporanea Palazzo Strozzi, Firenze, Italy
2007
Breaking step/Uraskoraku, Museum of Contemporary Art, Belgrade
2007
Family Monument, Galleria Civica di Arte Contemporanea, Trento (solo)
2007
Elsewhere?, Galleria Emi Fontana, Milan (solo)
2007
Held Together with Water, MAK, Vienna
2007
Passion Complex, 21st Century Museum of Contemporary Art, Kanazawa, Japan
2007
Role Exchange, Sean Kelly, New York
2007
Talking Pictures: Theatricality in Contemporary Film and Video Works, K21, Düsseldorf
2007
The Turner Prize: A Retrospective, Tate Britain, London
2007
Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum, New York
2007
ELSEWHERE?, Galleria Emi Fontana, Milan
2006
Eye On Europe: Prints, Books and Multiples / 1960 to Now, The Museum of Modern Art, New York
2006
Aftershock, Contemporary British Art 1990 – 2006, Guangdong Museum of Art, Guangzhou, China & Capital Museum, Beijing, China
2006
Before the Camera: Remaking Reality and the Make-believe, Norton Museum of Art, West Palm Beach, Florida
2006
Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne (solo)
2006
Family History, in conjunction with the Film and Video Umbrella, touring exhibition: The Forbury Hotel Apartments, Reading; Ikon, Birmingham (solo)
2006
Family History, Maureen Paley, London (solo)
2006
Local Stories, Modern Art Oxford, Oxford
2006
Live Screen, Lilian Baylis Theatre at Saddlers Wells, London
2006
Of Mice and Men, Fourth Berlin Biennial for Contemporary Art, Berlin
2006
Making History – Art and Documentary in Britain from 1929 to Now, Tate Liverpool, 2006
2006
Mouvement: Des Deux Côtés du Rhin, Museum Ludwig, Cologne
2006
People, Museo D’Arte Contemporanea Donnaregina, Naples
2006
Portrait of Artists, Luring Augustine
2006
Me, Myself and I, Contemporary Art Center of Virginia
2006
Shoot the Family, touring exhibition: Cranbrook Art Museum, and others
2006
The Monty Hall Problem, Blum & Poe, Los Angeles
2006
A Short History of Performance part IV, Whitechapel Art Gallery, London
2006
Raconte-moi/ Tell me, Casino Luxembourg, Luxembourg
2005
The Kyber Arts Center, Nova Scotia
2005
The Gesture, A visual library in progress, Macedonian Museum of contemporary Art, Thessaloniki, Greece, and Quarter, Centro Produzione Arte, Florence, 2005
2005
New Work/New Acquisitions, MOMA The Museum of Modern Art, New York
2005
Sculpture in the park, Durham Art Gallery & DLI Museum, England
2005
Body: New art from the UK, Vancouver art gallery (2005), The Ottawa art gallery (2006), Oakville galleries (2006), Edmonton art gallery (2006)
2005
Irreducible: Contemporary Short Form Video, CCAC Wattis Institute for Contemporary Arts, San Francisco, & The Bronx Museum of the Art, New York
2005
25. Twenty-five years of the Deutsche Bank Collection, Deutsche Guggenheim, Berlin
2005
raconte-moi, Musee national des beaux-arts du Quebec, Canada
2005
Snapshot, Bloomberg Space, London (solo)
2005
Outreach Award, Rencontres d’Arles Festival, Arles, France (solo)
2005
Family Pictures – Fotografia contemporanea e Video dalla Collezione del Guggenheim Museum, Galleria Gottardo, Switzerland
2004
Faces in the crowd – Picturing modern life from Manet to today, The Whitechapel art gallery, London, UK
2004
With all due intent, European Biennial of contemporary art, Spain
2004
Inaugural Show: MoMA reopening, Museum of Modern Art, New York
2004
Social Creatures: How body becomes art, Sprengel Museum Hannover
2004
ART NEWS: contemporary artists working with newspaper, Three Colts Gallery, London
2004
Revolving Doors, Fundación Telefónica, Madrid
2004
About Face, Hayward Gallery, London
2004
Busan Biennale 2004, Seoul
2004
Manifesta, San Sebastian
2004
Frans Hals Museum, Haarlem, The Netherlands (solo)
2004
Album, Regen Projects, Los Angeles (solo)
2004
Kiasma/Museum of Contemporary Art, Helsinki (solo)
2003
Album, Gorney Bravin+Lee, New York (solo)
2003
Album, Maureen Paley Interim Art, London (solo)
2003
Mass Observation, ICA Philapelphia (solo)
2003
Mass Observation, Musée d'Art Contemporain de Montréal (solo)
2003
A bigger s[lash – British art from Tate – 1960 – 2003, Pavihao lucas Nogueira Garcez – Oca Parque ibirapuera, Sao Paul & Instituto Tomie Ohtake
2003
Contemporary British Art from the Paragon Collection, Hakodate Museum of Art, Hokkkaido, Japan
2003
Fast Foreward, Sammlung Goetz
2003
Strange Days, Museum of Contemporary Art, Chicago
2003
Synopsis III - Fiction and Reality, National Museum of Contemporary Art, Athens
2003
Happiness: a survival guide for art & life, Mori Art Museum, Tokyo
2003
Outlook, International Art Exhibition 2003, Athens
2003
Inaugural Exhibition, Regen Projects, Los Angeles
2002
Face Off, Kettle's Yard, Cambridge and touring
2002
Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz, Staatliche Kunsthalle, Baden-Baden
2002
Mass Observation, Museum of Contemporary Art, Chicago (solo)
2002
A Trilogy, Vancouver Art Gallery, Vancouver (solo)
2002
Kunsthaus Glarus, Glarus, Switzerland (solo)
2002
Coming of Age, The New Art Gallery, Walsall
2002
To Whom it May Concern, California College of Arts and Crafts, San Francisco
2002
Just Love me/Die Wohltat der Kunst, Fries Museum Leeuwarden (2004), Bergen Museum of art (2003), Samnlung Goetz (2003), Staatliche Kunsthalle Baden-Baden (2002)
2002
I promise it's political, Museum Ludwig, Cologne
2002
Remix: Contemporary Art and Pop, Tate Liverpool
2002
Bienal de São Paulo, Sao Paulo, Brazil
2002
The Video Show, Centraal Museum, Utrecht
2002
Acquisitions 2001 – Part 1: Photographs, Video Installations, Video, National Museum of Contemporary Art, Athens
2001
Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool
2001
ABBILD recent portraiture and depiction, Landesmuseum Joanneum, Graz
2001
Angel Row Gallery, Nottingham (solo)
2001
Centro Galego de Arte Contemporánea, Santiago, Spain (solo)
2001
Unspoken, Kunstverein München, Munich (solo)
2001
Museo do Chiado, Lisbon (solo)
2001
Sous Influence, Musée d’Art Moderne de la Ville de Paris, Paris (solo)
2001
“la Caixa”, Madrid (solo)
2001
Bluecoat Gallery, Liverpool (solo)
2001
No World Without You, Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv
2001
W, Centre d’Art Mobile, Besançon, France
2001
Birmingham, Ikon Gallery, Birmingham
2001
Inner State of Health: The Person in the Mirror of Contemporary Art, Kunstmuseum Liechtenstein
2001
Biennale de Lyon art contemporain 2001, Lyon
2001
Milano Europa 2001, Palazzo dellaTriannale, Milan
2001
Confidence pour confidence, Casino Luxembourg, Luxembourg
2001
Video Evidence, Southampton City Art Gallery, Southampton
2001
Film Festival Rotterdam, Museum Boijmans Van Beuningen Rotterdam, Rotterdam, The Netherlands
2001
Century City, Tate Modern, London
2000
Regen Projects, Los Angeles (solo)
2000
Serpentine Gallery, London, Curated by Lisa G. Corrin (solo)
2000
Gorney Bravin+Lee, New York (solo)
2000
Autowerke, Deichtorhallen, Hamburg
2000
Intelligence: New British Art 2000, Tate Britain, London
2000
Puerile ’69, The Living Art Museum, Reykjavík
2000
Tate Modern Collection, Tate Modern, London
2000
Contemporary Art Center, Cincinnati
2000
Sydney Biennale, Museum of Contemporary Art, Sydney
2000
docudrama, Bury St. Edmunds Art Gallery, Bury St. Edmunds
2000
Tate Britain Collection, Tate Gallery, London
2000
Let’s Entertain, Walker Art Center, Minneapolis and touring
2000
Quotidiana, Castello di Rivoli, Turin
2000
Makeshift, ArtPace, San Antonio, Texas
1999
A Woman Called Theresa, Ophiuchus Collection, The Hydra Workshop, Hydra, Greece (solo)
1999
Galerie Anne de Villepoix, Paris (solo)
1999
Drunk, De Vleeshal, Middelburg, The Netherlands (solo)
1999
Maureen Paley Interim Art, London (solo)
1999
Rewind to the Future, Bonner Kunstverein, Bonn and Neue Berliner Kunstverein, Berlin
1999
People, Le Spot, contemporary art centre, Le Harve
1999
Hundstage, Gesellschaft für Aktuelle Kunst, Bremen
1999
Ex-Change, La Criee-Centre d’Art Contemporain, Rennes
1999
The Viewing Room, Kansas City Art Institute, Kansas City
1999
This Other World of Ours, TV Gallery, Moscow
1999
Rattling the Frame: The Photographic Space 1974-1999, SF Camerawork, San Francisco
1999
La Coscienza Luccicante, Palazzo delle Esposizioni, Rome
1999
6th International Istanbul Biennial, Istanbul, Turkey
1999
Garden of Eros, Centre Cultural Tecla Sala, Barcelona
1999
Common People, Fondazione Sandretto re Rebaudengo per l’Arte, Turin
1999
Sweetie: Female Identity in British Video, The British School at Rome
1999
Searchlight: Consciousness at the Millennium, The California College of Arts and Crafts, Oakland
1999
Private Room / Public Space, Almeers Centrum Hedendaagse Kunst, Al Almere, The Netherlands
1998
Spacex Gallery, Exeter, UK (solo)
1998
Gallery Koyanagi, Tokyo, Japan (solo)
1998
Centre d’Art Contemporain, Geneva, Switzerland (solo)
1998
La Concienza Luccicante, Palazzo delle Esposizioni, Rome
1998
In Visible Light, Moderna Museet, Stockholm
1998
Fast Forward Body Check, Kunstverein, Hamburg
1998
Sensation - Young British Artists from the Saatchi Collection, Museum für Gegenwart, Berlin
1998
Contemporary British Art, The Museum of Contemporary Art, Seoul, Korea
1998
Galerija Dante Marino Cettina, Umag, Croatia
1998
UK Maximum Diversity, Galerie Krinzinger, Bregenz and Künste Wein, Vienna, Austria
1998
A Collection in the Making, The Irish Museum of Modern Art, Dublin
1998
Internationale Foto Triennale/Photography as Concept, Galerien der Stadt Esslingen, Esslingen, Germany
1998
Made in London, Musea de Electricidade, Lisbon
1998
La Sphere de L’Intime, Le Printemps de Cahors, Saint-Cloud, France
1998
Real/Life: New British Art, Japanese Museum Tour, Tochigi Prefectural
1998
Museum of Fine Arts, Fukuoka City Art Museum, Hiroshima Museum of Contemporary Art, Tokyo Museum of Contemporary Art
1998
Musée du Rochechouart, (with Valerie Jouve and Rineke Dijkstra), Rochechouart, France
1998
Videorama, Depot, Kunst und Diskussion, Vienna, Austria
1998
White Noise, Kunsthalle Berne, Switzerland
1998
ENGLISH ROSE in Japan (with Tracey Emin & Georgina Starr), The Ginza Artspace, Tokyo, Japan
1997
The Turner Prize 1997, Tate Gallery, London
1997
Private Face - Urban Space, co-organised by the Hellenic Art Galleries
1997
Association & The Rethymnon Centre for Contemporary Art, Athens & Rethymnon, Greece
1997
Strange days – British contemporary photography, Claudia gian ferrari arte contemporanea, Milan, Italy
1997
Tales from the City, Stills Gallery, Edinburgh
1997
Sensation, Saatchi Collection, Royal Academy of Art, London
1997
Pictura Britannica: Art from Britain, Museum of Contemporary Art, Sydney, Australia, travelling to Adelaide, Australia and Wellington, New Zealand
1997
Projects, The Irish Museum of Modern Art, Dublin
1997
Package Holiday - New British Art in the Ophiuchus Collection The Hydra Workshop, Hydra, Greece
1997
Splash, AAC Galerie Weimar, Germany
1997
I.D., Nouveau Musee, Villeurbanne, France
1997
Gillian Wearing/Barbara Visser, Bloom Gallery, Amsterdam, Holland
1997
Galerie Anne de Villepoix, Paris
1997
S.L. Simpson Gallery, Toronto, Canada
1997
In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford
1997
Galerie Drantmann, Brussels, Belgium (solo)
1997
Jay Gorney Modern Art, New York (solo)
1997
Wiener Secession, Vienna, Austria (solo)
1997
10 - 16, Chisenhale Gallery, London (solo)
1997
Kunsthaus Zürich, Switzerland (solo)
1997
Emi Fontana, Milan, Italy (solo)
1996 – 1997
Maureen Paley Interim Art, London (solo)
1996
Wish You Were Here (Video Evenings at De Appel), Amsterdam (solo)
1996
Le Consortium, Dijon, France (solo)
1996
Gillian Wearing, City Projects - Prague, Part II, The British Council, Prague (solo)
1996
Valentina Moncada, Rome (British Council) (solo)
1996
Maureen Paley Interim Art, London (solo)
1996
I.D., Van Abbe Museum, Eindhoven, The Netherlands
1996
Life / Live, co - curated by Laurence Bosse & Hans-Ulrich Obrist, ARC (Musée d'Art Moderne de la Ville de Paris), France
1996
Full House -Young British Art, Kunstmuseum Wolfsburg, Germany
1996
Playpen & Corpus Delirium, Kunsthalle Zürich, Switzerland
1996
a/drift: Scenes From the Penetrable Culture, curated by Joshua Decter, Center for Curatorial Studies, Bard College, New York
1996
The Aggression of Beauty, Galerie Arndt & Partner, Berlin
1996
Electronic Undercurrents - Art & Video in Europe, The Royal Museum of Fine Arts, Copenhagen
1996
Private View, Contemporary Art in the Bowes Museum, Barnard Castle, County Durham, co - curated by Penelope Curtis and Veit Görner, organised by the Henry Moore Institute
1996
The Fifth New York Video Festival, The Film Society of Lincoln Center, New York
1996
Toyama Now '96, curated by Iwona Blazwick, The Museum of Modern Art, Toyama, Japan
1996
The Cauldron, Henry Moore Institute, Leeds
1996
NowHere, (Incandescent, curator Laura Cottingham), Louisiana Museum of Modern Art, Humlebaek, Denmark
1996
Auto-reverse 2, Centre National D'Art Contemporain Grenoble, France
1996
Traffic, CAPC Musée Contemporain Bordeaux, France
1996
Imagined Communities, Oldham Art Gallery; John Hansard Gallery, Southampton; Firstsite, Colchester; Walsall Museum & Art Gallery; Royal Festival Hall, London; Gallery of Modern Art, Glasgow
1996
Pandaemonium; London Festival of Moving Images, I.C.A, London
1995
The British Art Show, National Touring Exhibitions
1995
X/Y, Centre Georges Pompidou, Paris
1995
Campo, Venice Biennale, curated by Francesco Bonami
1995
Sage, Galerie Michel Rien, Tours, France
1995
It's not a picture, Galleria Emi Fontana, Milan
1995
Brilliant! New Art from London, Walker Art Center, Minneapolis
1995
Brill: Works on Paper by Brilliant Artists, Montgomerie Glasgoe Fine Art, Minneapolis
1995
British Art Show 4, touring Great Britain
1995
Mysterium Alltag, Kampnagel, Hamburg, (with Jane & Louise Wilson, Tacita Dean, Tracey Emin)
1995
Aperto '95, Nouveau Musée, Institut d'Art Contemporain, Villeurbanne, France
1995
Hotel Mama (Aperto '95), Kunstraum, Wein, Austria
1995
Make Believe, Royal College of Art, London
1995
Mobius Strip, Basilico Fine Arts, New York
1995
Hello! Andréhn - Schiptjenko, Stockholm
1995
Gone, Blum & Poe, Los Angeles, (with Bas Jan Ader, Sam Durant, Rainer Ganahl)
1995
Western Security, Hayward Gallery, London (solo)
1994
Maureen Paley Interim Art, London (solo)
1994
Le Shuttle, Künstlerhaus Bethanien, Berlin
1994
3.016.026, Theoretical Events, Naples
1994
Uncertain Identity, Galerie Analix B & L Polla, Geneva
1994
Fuori Fase, Via Farini, Milan
1994
Domestic Violence, curated by Alison Jacques, Gio Marconi's House, Milan
1994
R.A.S, curated by Gianni Romano, Galerie Analix B & L. Polla, Geneva
1994
Not Self-Portrait, Karsten Schubert, London
1993
BT Young Contemporaries; Cornerhouse, Manchester, Orchard Gallery, Derry, The Maplin Art Gallery, Sheffield, City Museum and Art Gallery, Stoke-on-Trent, Centre for Contemporary Art, Glasgow
1993
Okay Behaviour, 303 Gallery, New York
1993
Mandy Loves Declan 100%, Mark Boote Gallery, New York
1993
2 into 1, Centre 181 Gallery, London
1993
Vox Pop, Laure Genillard Gallery, London
1993
City Racing, London (solo)
1992
Instruction, Marconi Gallery, Milan
1992
British Art Group Show, Le Musee des Beaux Arts dans Le Havre, France
1991
Piece Talks, Diorama Art Centre, London
1991
Clove 1, The Clove Building, London
1991
Empty Gestures, Diorama Art Centre, London

Öffentliche Sammlungen

ARC, Paris
Arts Council of Great Britain, London
The British Council, London
Contemporary Art Society, London
The Government Art Collection, London
The Henry Art Gallery, University of Washington, Seattle
Irish Museum of Modern Art, Dublin
Leeds City Art Gallery, Leeds
Saatchi Gallery, London
Tate Britain, London

Literatur

2010
Corris, Michael, Hunt, John Dixon, & David Lomas, Art, Word and Image: 2,000 Years of Visual/Textual Interaction, London, Reaktion Books, 2010, pp. 279 & 282
2008
Velasco, David & Wearing, Gillian, Gillian Wearing, artforum.com, 11 July 2008
2008
Art House: Gillian Wearing, Dazed & Confused, November 2008, pp.158-159
2008
Beech, Dave, Include me out!, Art Monthly, April 2008, pp.1-4
2008
Dambrot, Shana Nys, Gillian Wearing’s Pin Up’s at Regen Projects, whitehotmagazine.com, September 2008
2008
Dyer, Geoff, The Lure of the Street, Guardian: Review, 31 May 2008
2008
LA premiere for Wearing pin-ups, Art World, August 2008, p.26
2008
Lehrer-Graiwer, Sarah, Gillian Wearing, Artforum, October 2008, pp.392-393
2008
Myers, Holly, The reality behind dreams of glamour, Los Angeles Times, 15 August 2008
2008
Zellen, Jody, Gillian Wearing, Artillery, September?October 2008, p.53
2008
Schwabsky, Barry, Turner Prize: A Retrospective 1984-2006, Artforum, January 2008, p.277
2008
Stiles, Kristine and Selz, Peter, Theories and Documents of Contemporary Art, University of California Press, 2008
2007
Innovative Ikon gets tough, Art World, December 2007, p.17
2007
Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52-55
2007
Marinos, Christopher, Focus Greece: Dakis Joannou, Flash Art, October 2007, pp.100-101
2007
Meneghelli, Luigi, Italian Landscape: Gillian Wearing, Flash Art, July 2007, p 83
2007
Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum/ Merrell
2007
Breaking step/U raskoraku, Museum of Contemporary Art, Belgrade
2007
Cavallucci, Fabio & Natalicchio, Christina, Gillian Wearing: Family Monument, Work, Summer 2007, pp.39-49
2007
Bosco, Orian, Formato tv, Work, Summer 2007, pp.50-51
2007
Higgins, Charlotte, Who’s Shocking Now?, The Guardian Weekend, 8 September 2007, p.30
2007
Julia, Princess, Turner Prize: A Retrospective, I-D, December 2007, p.172
2007
Smolik, Noemi, Talking Pictures, Artforum, December 2007, p.367
2007
Wearing, Gillian, On The Record, Art Review, November 2007, p.214
2007
Family History, Film and Video Umbrella, Maureen Paley, London (solo publication)
2006
Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne (solo publication)
2006
Contemporary Subject, Routledge, 2006, pp 157-9
2006
Briers, David, Insignificance, Art Monthly, April 2006, p7-10
2006
Bock, John & Wearing, Gillian, directed by Cattelan, Maurizio, Tarzan & Jane: Madness, domus, 06 June 2006, p98&99
2006
C, R, Making History: Liverpool, The Guardian Guide, 06 February 2006
2006
Clark, Robert, Gillian Wearing: Family History, Guardian Guide, 9 September 2006, p.36
2006
Cousins, Mark, The aesthetics of documentary, Tate ETC, March 2006
2006
Cripps, Charlotte, Arts Previews: These are the days of our lives, The Independent, 17 January 2006
2006
Crompton, Sarah, When reality TV was the real world, The Daily Telegraph, 12 July 2006, p28
2006
Von Mäusen und Menschen / Of Mice and Men, 4th Berlin Biennial for contemporary art, Hatje Cantz, 2006
2006
Ewing, William A., FACE: The New Photographic Portrait, Thames & Hudson, 2006, p. 91
2006
Gardiner, Juliet, Candid Culture, History Today, April 2006, p5&6
2006
Gray, Louise, Sex, Lies and videotape – Tea with Gillian Wearing, Blind Date, 2006, p94& 148-151 & 217
2006
Hruska, Libby, (editor), Eye On Europe: Prints, Books and Miltiples / 1960 to Now, The Museum of Modern Art, 2006, pp 225-6, 227, 259, 287
2006
Hubbard, Sue, Even artists are getting real, The Independent: extra, 2 November 2006
2006
James, Sarah, Documenting Documentary, Art Monthly, April 2006, p1-4
2006
Jefferies, Stuart, Get real, The Guardian, G2, 06 July 2006, p18-21
2006
Jones, Amelia, Self/ Image: Techinology, Representation and the Photographs: Kraus, Alex, Blind Date Seligenstadt, Deutsche Bank, May 2006
2006
Kuhn, Nicola, Zimmer mit Einsicht, Tagesspiegel, 24 March 2006
2006
Lack, Jessica, Gillian Wearing: Family History, Reading, Guardian Unlimited: The Guide, 03 July 2006
2006
Lee, David, An obsession with art, Ag, Spring 2006, p56-65
2006
Lippiatt, Matt, Keeping it in the family, The Times, 03 October 2006
2006
Lubbock, Tom, Here comes everybody…, The Independent, 06 February 2006, p44&45
2006
Martin, Sylvia, Video Art, Taschen, Germany
2006
Nairne, Andrew, Local Stories, Modern Art Oxford, 2006, pp 26-31
2006
Nairne, Sandy & Howgate, Sarah, The Portrait Now, National Portrait Gallery Publications, 2006
2006
Nairne, Osterberg, Catherine, The Portrait Now, Contemporary, May 2006, p79
2006
Roberts, Russell, Stranger than Fiction, Source, March 2006, p48&49
2006
Russell Taylor, John, The poetic truth in black and white, times2, 07 February 2006, p19
2006
Ruyters, Domeniek, Exposed and Worse, Metropolis M, October / November, 2006, p93-95
2006
Schneider, Arnd, Wright, Christopher, Contemporary Art and Anthropology, Berg, 2006
2006
Schwan, Gary, Remaking Reality and the Make-believe, palmbeachpost.com, 22 October 2006
2006
Steeds, Lucy, Local Stories, Katerina Seda, Art Monthly, No. 295, April 2006, p22-23
2006
Walsh, Maria, Gillian Wearing, Art Monthly, No. 300, October 2006, p26&27
2006
Making History – Art and Documentary in Britain from 1929 to Now, Tate Publishing, 2006
2006
West, Esme, (editor), New Art on View, Scala, 2006, p 51
2006
A serious look at the world: Crossing the line between art and documentary, The Daily Post, 10 February 2006
2006
An Artistic Frame of Mind, liverpoolcitywise, April 2006, p22&23
2006
Gillian Wearing - Family History, filmlondon.org.uk, 20 June 2006
2006
Gillian Wearing, Phaidon 2006/2007, June 2006, p60
2006
Projects: Family History, Gillian Wearing, artistsinthecity.org.uk, 07 July 2006
2006
The glittering prizes, Art Newspaper, March 2006
2006
Time off: ‘Making History: Art and Documentary in Britain from 1929 to now’, Gazette, 04 February 2006
2006
News, Art Newspaper, March 2006
2006
A Short history of Performance Part IV, Whitechapel Gallery, 2006
2006
View from the streets, The Guardian, 14 January 2006
2005
Bright, Susan, Art Photography Now, Thames & Hudson, 2005, p18, 42-43
2005
Cotter, Holland, Art Review, Irreducible, Videos, Long and Short, That Can Really Move, The New York Times, 16 December 2005
2005
guardami, percezione del video, Palazzo Delle Papesse Centro Arte Contemporanea, 2005, p148-149
2005
Colour Photography – Fifty Postcards, The Museum of Modern Art, Nº50
2005
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2005
Burnett Craig, The Legacy of Diane Arbus, V&A MAGAZINE, Winter 2005 - 6, p43
2005
Cripps, Charlotte, From Gillian With Love, The Independent Magazine, 8 October 2005, pp 27 – 30
2005
Coleman, Sarah, Interview with Gillian Wearing, Photo Metro, Volume 16, Issue 31, March 2005, p28-31
2005
Dault, Julia, Body Slam, Vancovers mega-celebration of the human form holds nothing back, National Post, 07 July 2005
2005
De Salvo, Donna, (editor), press PLAY, contemporary artists in conversation, Phaidon Press Limited, 2005, p642 - 657
2005
Elwes, Catherine, Video Art, A Guided Tour, I.B. Tauris, 2005
2005
Field, Marcus, The Dark Art, The Sunday Review – The Independent on Sunday, 9 October, pp20 – 23
2005
Gessell, Paul, A body of art in your face, Ottawa Citizen, 28 November 2005, pD1-D2
2005
Herbert, Martin, Gillian Wearing, Bloomberg, Time Out London, Nº.1835, 16-26 October 2005, p42
2005
O’Reilly, Sally, Self-reflexivity, Art Monthly, Nº289, September, pp 7- 289
2005
O’Hagan, Sean, Put me off at the strawberry, The Observer, July 10, p10
2005
Malik, Amna, Faces in the crowd, Picturing Modern life from Manet to today, Art Monthly, February, Nº283, pp31-33
2005
Milroy, Sarah, They sing the body eclectic, National Post, 30 July 2005
2005
Rugoff, Ralph, Irreducible: Contemporary Short Form Video, CCA Wattis Institute for Contemporary Arts, San Francisco, p 11
2005
Cavalli, Roberto, Party Party Party, Tatler, September, p155-157 & 170
2005
Thatcher, Jennifer, Review, Gillian Wearing, Snapshot, Bloomberg SPACE, Pluk, Issue 27, November - December 2005, p34-35
2004
Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2004, p30, 196
2004
Kent, Sarah, Visage d’or, Time Out, 8-15 December
2004
Cornell, Frida, Stillsamma Samt, Konstperspektiv, p. 8 – 11, September
2004
Ouroussoff, Nicolai, Art Fuses With Urbanity in an Aesthetically Pure Redesign of the Modern, The New York Times, 15 November
2004
Bush, Kate, Young British Art: Kate Bush on the YBA sensation, Artforum, October
2004
Fox, Dan, Manifesta 5 European Biennial of Contemporary Art, Frieze , September
2004
Frigstad, Gard Olav, Manifesta med selvtillit, Aftenposten (Norway), August, p10
2004
Roos, Robbert, Een Wereld In Het Hoofd, Kunstbeeld, p. 6 – 13, September
2004
Velde, Paola van de , Jeugdtrauma’s en familieportretten, 20 June
2004
Cameron, Dan, I’m Deperate: Gillian Wearing’s Art of Transposed Identities, Parkett, No. 70, May 2004, p98-103
2004
Rabinowitz, Cay Sophie, Gillian Wearing on her Album Series (2003), Parkett, No. 70, May 2004, p124-127
2004
Burn, Gordon, The Encounter with Reality, Parkett, No. 70, May, p108-115
2004
Gilian Wearing, NRC, 20 May
2004
Wesseling, Janneke, Wearing kijkt achter het masker, NRC, 18 May
2004
Huygen, Frederike, Biechtstoel of peepshow, Museumtijdschrift, April May
2004
Wetering, Geert van de, De wanhoop van Gillian Wearing, De Volkskrant, 21 April
2004
Pagel, David, Fantasy, Reality: Wearing her Art, Los Angeles Times, 9 April
2004
Poppe, Ine, Kunstmatige families, Mr Motley – Familie Issues, Nº2, pp54-59
2004
Keijer, Kees, Biechten aan de videocamera, Het Parool, 7 April
2004
Hoore, Cees van, Het duistere innerleik van de mens, Haarlem Dagblad, 3 April
2004
Dunn, Melissa, Gillian Wearing, Gorney Bravin + Lee, Flash Art, March - April
2004
Kivirinta, Marja-Terttu, Tuskallisia tunnesiteitä, Helsingin Sanomat, 6 March
2004
Taylor, John Russell, Glad Hand for a Baltic Exchange, The Times, 3 March
2004
Schwabsky, Barry, The eyes have it: Gillian Wearing on Diane Arbus, Artforum, February
2004
Vincent, Martin, The British Art Show, Metro, 24 November 2004
2004
Art Newspaper, February 2004
2004
Losing Face / Saving Face, About Face, 24 June 2004
2003
Campony, David, Art and photography, Phaidon, p128
2003
Sumpter, Helen, Gilian Wearing, Art Review, December 2003/January 2004
2003
Johnson, Ken, Gillian Wearing, ‘Album’, The New York Times, 19 December
2003
Tebbs, Paul, Album, Gillian Wearing, Source, Winter 2003
2003
Mcafee, Dionne, Gillian Wearing, Canadian Art, Fall 2003
2003
Aletti, Vince; Blank, Gil; Neri, Louise; Traub, Charles, How have some of the questions that Meatyard was asking been approached by successive generations? Influence, Issue 1, p36-41
2003
O’Reilly, Sally, Gillian Wearing, Time Out, 5 – 12 November, No. 1733
2003
Slyce, John, That Essence Rare: Gillian Wearing’s Family Album, contemporary, 2003, p26-30
2003
Smee, Sebastian, The art of the matter, The Independent Magazine, 18 October
2003
Princenthal, Nancy, Gillian Wearing, Private I, Art in America, Nº3, March
2002
City Racing – The life and times of an artist run gallery, 1988 - 1998, Black Dog Publishing
2002
New title – Gillian Wearing, Mass Observation, Merrell, Autumn, p13
2002
Gravagnuolo, Emma, Piú forte dello scandalo, Arte, November
2002
Morton, Tom, Everyone’s a Winner, Tate, November/December 2002, p70-75
2002
Smith, Roberta, How Masks can Amplify as Well as Conceal, The New York Times, 3 December
2002
Craddock, Sacha, gillian wearing, tema celeste, No. 93, September/October
2002
Coomer, Martin. Vogue's galleries, Time Out, Nº1675 25 Sept - 02 Oct
2002
Frankel, David, Gillian Wearing, Artforum, XLI, No.1, September
2002
Christophe Kihm, Les DJ Sont-Ils Modernes? briseglace, June
2002
Calhoun, Dave. ‘Another Thing I Wanted to Tell You’ by Gillian Wearing, Another Magazine, Spring Summer
2002
Mass Observation, Museum of Contemporary Art, Chicago (solo publication)
2001
Broad Street, Gillian Wearing, Museu do Chiado, Lisbon (solo publication)
2001
Gillian Wearing ‘Sous influence’, Musée d’Art Moderne de la Ville de Paris (solo publication)
2001
Gillian Wearing, Fundacio “la Caixa”, Madrid (solo publication)
2001
Berrebi, Sophie. Génération Sensation, Connaissance des Arts, Nº589, December
2001
Grosenick, Uta & Burkhard Riemschneider, Icons - Art Now, Taschen, pp 170–171
2001
Strange, Raimer. The Public is Private, Women Artists in the 20th & 21st Century, publ. Taschen, pp536-541
2001
Wainwright, Jean. Can we talk about contemporary video and film art in terms of genres, PLUK, Issue 2, September October
2001
Long, Declan. Edge of Anxiety: Artists at the City Limits, ssi newsletter, September October
2001
Rodney, Lee. Nostalgia and Nationalism/Two London Surveys, C International Contemporary Art, Issue #70 Summer
2001
Gualdi, Stefano. Gillian Wearing, Fundacio “la Caixa”, Madrid, tema celeste, 85, May June
2001
Newman, Michael. The Demotic Art of Gillian Wearing, Parachute, 102
2001
Shreef, Zaria. Semi-detached, The Big Issue in the North, 05-11 March
2001
Howarth, Sophie. Pretty fascinating boredom, tate, Issue 24/Spring
2001
San Martin, Francisco Javier, Freedom under vigil. Artistic creation and criminal identity in 20th Century Art, Exit, January 2001
2000
Myers, Holly. Beginnings and Endings, The Los Angeles Times, 29 December
2000
Ramos, Steve. A Cinema of Loneliness , City Beat (Cincinnati, citibeat.com), 16-22 November
2000
Shone, Richard, London, Gillian Wearing, Burlington Magazine, November
2000
Gleeson, David, True confessions, britart.com, November
2000
Bishop, Claire. Uncomfortable Observations, Untitled, Nº 23
2000
Vogel, Carol. Inside Art: Beemer Shots, The New York Times, 13 October
2000
Gleeson, David. True Confessions, britart.com, October
2000
Buck, Louisa, Moving targets 2 – A user’s guide to British art now, Tate, pp 103-105
2000
Kent, Sarah. Drunken exploits, (Critics Choice), Time Out, Nº1572, 04-11 October
2000
Brown, Neal. My name is Gillian. I can turn your sad life into art, The Independent on Sunday, 01 October
2000
Molon, Dominic. Framed: Gillian Wearing, Tate: The Art Magazine, August Cork, Richard. Unmasking mystery in the mundane, The Times, Times 2, 27 September
2000
Bishop, Claire. The pleasure in pain, The Evening Standard, 27 September
2000
Riding, Alan. Another Opening, Another Sensation, The New York Times, 25 September
2000
Cumming, Laura. A staggering work…, The Observer Review, 17 September
2000
Jones, Jonathan. Down and out, The Guardian Saturday Review, 16 September
2000
Sawyer, Miranda. Daring Wearing, Observer Life, 03 September, p10-15
2000
Sex & Porno, frame, 04 September/October
2000
Schwabsky, Barry. Gillian Wearing, Gorney Bravin + Lee, Artforum, XXXIX, Nº1, September
2000
Graham-Dixon, Andrew. Wearing Masks, Vogue, September
2000
Wearing, Gillian, How I want my clothes to be seen, Dazed & Confused, September 2000
2000
Kent, Sarah. Brains of Britain, Time Out, Nº1560, 12-19 July
2000
Slyce, John & Collings, Matthew. Video Art A Top Twenty, Modern Painters, Summer
2000
K. Scott, Andrea. What They’re Wearing in Chelsea, edificerex.com, 03 May
2000
Viveros-Faune, Christian. Fall Down, Get Up, No Problem, New York Press (nypress.com), Vol 13, Nº 19
2000
Basilico, Stefano. Gillian Wearing, Drunk and A Woman Called Theresa, Time Out, 11-18 May
2000
Levin, Kim. Village Choice: Gillian Wearing, The Village Voice, 16 May
2000
Townsend, Chris. Gillian Wearing, Hotshoe International, March April
2000
I’OR, The new Brits on the block, Tate, March 2000
2000
Bishop, Claire. being boring, Untitled, Nº 21
2000
Müller, Katrin Bettina. Die Lust der Maschinen, taz, 26 January
2000
Pilz, Michael. Frau Hase und der schreckliche Voyeur, Die Welt, 19 January
2000
Lützow, Gunnar. Zugriff von allen Seiten, Berliner Morgenpost, 15 January
2000
Mercer, Kobena. Ethnicity and Internationality, Third Text, Nº49
2000
Gorucheva, Tania. This Other World of Ours, Flash Art, January February
2000
Gillian Wearing, Serpentine Gallery, London (solo publication)
1999
Gillian Wearing Phaidon Press, London (solo publication)
1999
A Woman Called Theresa, The Hydra Workshop (solo publication)
1999
Dreams, Foundazione Sandretto Re Rebaudengo, Realised on the occasion of the 48º Esposizione Internationale d’Arte – The Venice Biennial of Visual Arts
1999
The British Unveil Another World, The Russia Journal, 6-12 December
1999
Rushton, Steve and Tozer, John. Gillian Wearing, Camera Austria International, Nº 68
1999
Gallez, Florence. Nukes, Lovers Get Their 15 Minutes, The Moscow Times, 19 November
1999
Müller, Donka. Rewind to the Future, Bonner, November
1999
Previews: Rewind to the Future, Contemporary Visual Arts, Issue 26
1999
Thrift, Julia. Gillian Wearing, Interim Art, Time Out, Nº1525 November 10-17
1999
Cumming, Laura. Gillian Wearing, Interim Art, The Observer, 07 November
1999
Grant, Simon. All about love, The Guardian Guide, 16-22 October
1999
Jones, Jonathan. What a scream, The Guardian Guide, Saturday Review, 23 October
1999
Collings, Matthew. rabble rousing, Vogue, October
1999
Titz, Susanne. Gillian Wearing, Art at the End of the Millennium, publ. by Taschen, Cologne
1999
Gladstone, Neil. Book Marks: Gillian Wearing, Nylon, Premier Issue
1999
Tone, Lillian. Gillian Wearing, The Museum as Muse: Artists Reflect publ. Museum of Modern Art, New York 1999, p. 168
1999
Polaroid Diary, The Observer Magazine, 02 May
1999
Bennett, Oliver. Exhibitionist, The Independent Magazine, 01 May wears well, i-D, Nº 186, May
1999
Greenberg, Sarah. Gillian Wearing v. Saatchi, The artist claims the ad man stole her idea, The Art Newspaper, Nº 91, April
1999
Takano, Yuko.‘99 What’s New?, Figaro, Japan, Nº 150
1998
Lillington, David, Voyeuristiche Pleziertjes – Interview Gillian Wearing, Metropolis M, Nº6, December/January 1997/1998, pp51-57
1998
Sanger, Daniel. Declaration of Independents: Seven People who choose to be Different, Shift, December /January 1999 (cover portrait)
1998
Allen, Vaughn. Hide and seek, The Big Issue in the North, Nº 241, 28 December 1998 - January 3 1999
1998
DiPietro, Monty. Artist asks, ‘What’s your sign?’, The Japan Times, 24 October
1998
Kino, Carol. Cutting Edge, but comfy, The Atlantic Monthly, November
1998
Stern, Edward. Translating the Big Idea into Japanese, Asashi Evening News, 22 October
1998
Neumaier, Otto. Alles bekennen... Gespräch mit Gillian Wearing, noëma art journal, Nº 49, October/November
1998
Gillian Wearing, Habitat Art Broadsheet, October 1998
1998
Picture, Frieze, Issue 42, September October
1998
Williams, Gilda. Wah-Wah: The Sound of Crying or the Sound of an Electric Guitar, Parkett, Nº 52, p146-149
1998
Buck, Louisa, VW bugs Wearing, The Art Newspaper, July - August
1998
Miles, Anna. Pictura Brittanica, Te Papa Museum, Tongewara, Artforum XXXVI Nº 10 Summer
1998
McGann, Paul. VW ad firm stole my ideas, claims artist, The Independent, 12 June
1998
Carol Midgley. VW ad rips of my work, says artist, The Times, 12 June
1998
Turner Prize Winner issues legal threat to BMP over VW ads, Campaign, 12 June
1998
Coleman, Sarah. Interview with Gillian Wearing, photo metro, volume 16, issue 149
1998
T. Turner, Grady. Gillian Wearing, BOMB, Spring
1998
Del Re, Gianmarco. Why would a businessman say “I’m deperate”? A-Z of Gillian Wearing, Flash Art, Vol. XXXI Nº 199, March - April
1998
Slyce, John. Wearing a Mask, Flash Art, Vol. XXXI Nº 199, March - April
1998
Smith, Roberta. Art of the Moment, Here to Stay, The New York Times, Arts and Leisure, 15 February
1998
Cork, Richard. Wearing her heart on the sleeve, The Times, 13 January
1998
Israel, Nico. Gillian Wearing, Artforum, January
1998
Princenthal, Nancy. Gillian Wearing, Art in America, January
1998
Campbell-Johnston, Rachel. Wearing: her heart on her sleeve, The Times/metro, Jan. 3 - Jan. 9
1998
Emin, Tracey, Freedman, Carl, Starr, Georgina, Wearing, Gillian, English Rose, Le Millenium, No 23 1998
1997
Coleman, Sarah, London Rundown, Photo Metro, Vol15, Issue 143, 1997, p32-33
1997
Shand Kydd, Johnnie, Spit Fire – Photographs from the art world London 1996/97, Thames & Hudson, p68, 74, 84, 91, 187
1997
Riding, Alan. No Sexism, Please; They’re British, New York Times/The Arts, December 29
1997
Johnson, Boris. Portrait of the artist of silent nuances, The Daily Telegraph, December 8
1997
Fuller, Wendy. Modern art? This is worthy of Constable, The Express, December 3
1997
Thorncroft, Anthony. Artist brushes paint aside to win Turner Prize, The Financial Times, December 3
1997
Ginn, Kate. & Judd, Terri. Constable picture wins the Turner (no, not that Constable), Daily Mail, December 3
1997
Alberge, Dalya. Moving pictures take Turner Prize, The Times, December 3
1997
Lister, David. Uproar as video entry snaps up the Turner, The Independent, December 3
1997
Reynolds, Nigel. ‘Frozen Policemen’ video wins Turner Prize, The Telegraph, December 3
1997
Searle, Adrian and Serota, Nicholas, Turner Prize winner: Gillian Wearing’s arresting image, The Guardian, December 3
1997
Glaister, Dan. Silence is Golden for Turner winner, The Guardian, December 3
1997
Wearing, Gillian, Kelly and Melanie, Elle, December 1997, p84-89
1997
Lewis-Smith, Victor. Kylie at arm’s length as she hits topless C, The Evening Standard, 14 November
1997
Goldberg, Vicki. The Artist Becomes a Storyteller Again, The New York Times, 9 November
1997
Buck, Louisa. Life, Art and the Turner Women, The Evening Standard, 28 October
1997
Buck, Louisa, Moving targets: A users guide to Brittish art now, Tate, pp93-95
1997
Kimmelman. Gillian Wearing, The New York Times, Art Guide, October 24
1997
Greene, David A. Kids, Village Voice, October 21
1997
Slyce, John. The Odds on the Turner Prize, Flash Art, October
1997
Jobey, Liz. A rat race?, The Guardian Weekend, 4 October
1997
Collings, Mathew, Blimey, 21, p126
1997
Collings, Matthew. The New Establishment, The Independant Sunday Review, 31 August
1997
Murphy, Fiona. A shopping sensation, The Guardian Weekend, 27 September
1997
Wiener Secession 1997, Gillian Wearing , (catalogue)
1997
Kimmelman, Michael, Gillian Wearing at Jay Gorney, The New York Times, 26 September 1997
1997
MacMillan, Ian, Signs of the Times, Modern Painters. Autumn 1997
1997
Hoge, William, Arriving in New York After Taking Off in London / Video Maker with a Taste for Secrets. The New York Times, 14 Sept. 1997
1997
Ronson, Jon, ORDINARILY SO. Jon Ronson on documentary film-making and Gillian Wearing, frieze, Issue 36 September-October 1997
1997
Feldman, Melissa E., Gillian Wearing at Interim Art, Art in America, July 1997. p. 102
1997
Fiedler, Peter- Alexander. Diesen Sommer baden wir in der virtuellen welt, TLZ Treffpunkt, Nº 672, 26 July
1997
Schierz, Kai Uwe, Verführung der Kirschtorte, Thüringen, Nº 30 26 July
1997
Laws, Roz, The art of making a £10,000 video
1997
The ‘failure’ from Brum who made it to the top. Sunday Mercury, Birmingham, July 13 1997 p. 13
1997
Dahan, Eric & Lefort, Gerard, Par dela le corps gay et lesbien, Liberation, 28-29 Juin Cahier Europride
1997
Buck, Louisa, Three cheers for art that shatters complacency. The Express, June 19 1997
1997
Alberge, Dalya, All-women shortlist takes Turner by suprise. The Times, June 18 1997
1997
Reynolds, Nigel, The Turner shortlist is for women only. Daily Telegraph, 18 June 1997
1997
Glaister, Dan, A woman’s place - in the gallery. The Guardian, 18 June 1996
1997
Stringer, Robin, The all woman Turner Prize and not a painting in sight. The Evening Standard, 17 June 1997
1997
Blazwick, Iwona, City nature, Art Monthly, No. 207, June 1997, P. 10
1997
Dorment, Richard, Out of the mouths of babes, The Daily Telegraph, May 21 1997
1997
Coomer, Martin, Gillian Wearing, Time Out, Nº 1396, May 21-28 1997
1997
Wearing their heart on her sleeve, The Art Newspaper, Nº 70 May 1997
1997
Searle, Adrian, Bring on the naked dwarf, The Guardian, May 6, 1997, G2 P. 14
1997
Lyttelton, Celia, Indecent Exposures, Esquire, May 1997, P. 34
1997
Higgie, Jennifer, Gillian Wearing, Frieze, Issue 33, March - April 1997, P. 80
1997
Ebner, Jorn, Tramdeutung und Befragen, neue bildende kunst Februar - Marz 1997, P. 80
1997
Williams, Gilda, New Work, Art Monthly No. 203, Feb. 1997 P. 26 - 27; Gibbs, Michael, ID - An International Survey on the notion of Identity in Contemporary Art, Art Monthly No. 203, Feb. 1997 P. 34 - 36
1997
Judd, Ben, Interview with Gillian Wearing, Untitled No. 12, Winter 1996/7, p4-5
1997
Signs that say what you want them to say and not Signs that say what someone else wants you to say Maureen Paley Interim Art (solo publication)
1996
Lyttleton, Celia, The now art book, Korinsha Press, pp168-169
1996
Wearing, Gillian, guest: Gillian Wearing, Documents sur l’art, Nº9, pp41-66
1996
Muir, Gregor, Sign Language, Dazed & Confused Issue 25, P. 52 - 55
1996
Kent, Sarah, New Work, Interim Art, Time Out, Dec 11-18
1996
ID, 125 page catalogue with text on Gillian Wearing by Gregor Muir, published by Stedelijk Van Abbemuseum, Eindhoven, P. 95 - 97
1996
Muir, Gregor, Sign Language , Dazed and Confused, No. 25, P. 52 - 55
1996
Artisti britannici a Roma, 82 page catalogue, published by Umberto Allemandi & C, Torino , Italy
1996
The Henry Moore Institute, Leeds. The Cauldron (catalogue) published by The Henry Moore Institute, Leeds
1996
Private View - Contemporary Art at the Bowes Museum, (catalogue)
1996
Simmons & Simmons, London, Made in London, (catalogue)
1996
NowHere, 3-volume catalogue, Louisiana Museum of Modern Art, Denmark
1996
Garner, Lesley, Cops on top in Cauldron, Daily Express, August 2, P. 40
1996
Usherwood, Paul, The Cauldron, Art Monthly, July / Aug, Nº 198, P. 30 - 31
1996
Hall, James, Letter From London - Towers of London, Artforum, Summer issue, P. 31 - 33
1996
Buck, Louisa, Silver Scene, Artforum, Summer issue, P. 34 - 36
1996
Bang Larsen, Lars, Traffic, Flash Art, Summer issue, Nº 189, P. 126 -127
1996
Walters, Guy, State of the Art, The Times Magazine on Saturday, 20 July
1996
Bickers, Patricia, The Young Devils, Art Press, June, Nº 214, P. 34 - 35
1996
Traffic, catalogue by CAPC Musée D'Art Contemporain Bordeaux
1996
Le Shuttle, 150 page catalogue, published by Künstlerhaus Bethanien
1996
Imagined Communities (catalogue) National Touring Exhibitions, Hayward Gallery and Arts Council Collection
1996
Photography and styling: Tillmans, Wolfgang, Traffic, Switch, Vol 14, No. 3, April 1996
1996
Imagined Communities, Blueprint
1996
Masterson, Piers, Imagined Communities, Art Monthly, March, Nº 194
1995
Januzczak, Waldemar, Cool Britannia, The Sunday Times-Culture Section, 3 Dec
1995
These are the Rising Stars of 96', Independent-Weekend Section, 30 Dec
1995
Cork, Richard, Forthcoming Attractions, The Times Magazine, 18 Nov
1995
Corrigan, Susan, Get the Picture, British Art's Next Superstars, I-D Magazine, December
1995
Kastner, Jeffrey, Brilliant, Art Monthly, Dec / Jan 1996
1995
Garnett, Robert, The British Art Show, Art Monthly, Dec / Jan 1996
1995
Tomkins, Calvin, London Calling, The New Yorker, 11 December
1995
Smith , Roberta, Some British Moderns Seeking to Shock, New York Times, December
1995
MacRitchie, Lynn, Shock Artists, Financial Times,17 Nov
1995
Patrizio, Andrew, Hayward Shoot Out, Galleries Guide, September Hall, James, Butterfly Ball, Guardian, 14 Nov
1995
Searle, Adrian, British Art with Attitude, Independent, 14 Nov
1995
Feaver, William, Where Theres a Wilt…, Observer Review, 19 Nov
1995
Barratt, David, Hayward Gallery, Art Monthly, Nov
1995
Gayford, Martin, Youth, formaldehyde and the spirit of the age, The Telegraph Magazine, 11 Nov
1995
Currah, Mark, Group Show; Interim Art, Time Out, 11 Oct
1995
Morrish, John, Wildlife, Martyrs to their art, Telegraph Magazine, 7 Oct
1995
Searle, Adrian, Faces to Watch In The Art World, Independent, 26 Sept
1995
Hall, James, Western Security, Guardian, Sept
1995
Currah, Mark, Action Replayed, Time Out, 20 Sept
1995
Harvey, Will, Bodies of Work, Observer Life Magazine, 9 Sept
1995
Cavendish, Dominic, Gallery Gunslingers on a Shoot to Thrill, Independent,11 September, P. 6
1995
Wearing, Gillian, Homage to the Woman with the Bandaged Face who I saw Yesterday Down Walworth Road, Blocnotes, Numero 9, P. 18 - 19
1995
A Short Love Story by Gillian Wearing, Nummer 3, Sept, P. 81
1995
Bonaventura, Paul, Profile: Wearing Well, Art Monthly, March, Nº 184
1995
Faure Walker, Caryn, Signs of the Times, Creative Camera, Feb. / March
1995
Cosmo Landesman & Simon Rogers, Talking Pictures, The Big Issue, 6 - 12 Feb, Nº 116, P. 12 - 14
1995
Kent, Sarah, Make Believe, Time Out, 22 Feb - March, P. 46
1995
British Art: Don't Knock It, Independent Weekend, 24 June, P. 1 & 4
1994
Lillington, David, Real Life in London, Paletten, April, Nº 219, P. 12
1994
Searle, Adrian, Frieze Magazine, Sept / Oct, issue 18, P. 61 - 62
1994
Muir, Gregor, World Art Magazine, Inaugural U.S Edition, November, P. 117
1994
Jaio, Miren, Cinco Artistas Inglesas: Voces En El Espacio, Lapiz, Oct / Nov, Nº 106, P. 12 - 19
1994
Currah, Mark, Time Out, Nº 1245, 29 June - 6 July, P. 50
1994
Craddock, Sacha, The Times, 14 June
1994
Savage, Jon,Vital Signs, Artforum, March issue, P. 60 - 63, Bush, Kate, Vox Pop, Untitled, London
1994
Harpers Magazine, Vol. 288, Nº. 1728, P. 21
1994
Searle, Adrian,Vox Pop, Time Out, January 5 - 12, P. 42
1993
Feaver, William.Treasures in the Wendy House of the Lost Boys, The Observer, 4 July, Arts 4 / P. 59
1993
Guha,Tania.Time Out
1993
Archer, Michael. O Camera O Mores, Art Monthly
1993
Stallabass, Julian. Power to the People, Art Monthly
1993
Graham-Dixon, Andrew. That Way Madness Lies, The Independent Flash Art, Italy
1993
Milner, Catherine. Positive Exposure for New Talent, The Saturday Times
1992
Hype, The Face, No. 51, December
1992
The Independent on Sunday, 27 December