Chronik

1964
Born in San Francisco, California
1990 – 1991
School of Visual Arts, Fine Arts Graduate Program, New York, NY
1993
MFA, California Institute of the Arts, Valencia, CA
BAS, Chemistry & Art, UC Davis, CA
Lives and works in Los Angeles, CA

Ausstellungen

2010
Anthony Meier Fine Arts, San Francisco (solo)
2009
Rock-Paper-Scissors, Pop Music as Subject of Visual Art, Kusthaus Graz, Graz, Austria
2009
Christian Stein, Milan, Italy (solo)
2009
iamthewalrus, Blum & Poe, Los Angeles, CA (solo)
2009
Allover, Not Over at All, Gladstone Gallery, Brussels, Belgium (solo)
2008
medium medium medium medium medium medium, Athony Meier Fine Arts, San Francisco, CA (solo)
2008
Sandra and Gerald Fineberg Art Wall, The Institute of Contemporary Art, Boston, MA (solo)
2008
Jeremy Deller: Marlon Brando, Pocahontas and Me, Aspen Art Museum, Aspen, CO
2008
The World on a Wheel, The approach W1, London
2008
I Like Your Music I Love Your Music, Museo de Arte Contemporáneo de Castilla y León, Spain
2007
From the Audible to the Visible, Galerie Frank Elbaz, Paris
2007
Dave Muller Art Unlimited, Art Basel, Basel
2007
Situation Comedy: Humor in Recent Art, Independent Curators International, Traveling Exhibition
2007
From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles
2007
Warhol and …, Kantor/ Feuer Gallery, Los Angeles
2007
So Wrong, I’m Right, Eddie Martinez, William J. O’Brien, Roman Wolgin and Jonas Wood, Blum and Poe, Los Angeles
2007
Bind Date, Sakip Sabanci Museum, Istanbul
2007
Institute of Contemporary Art, Boston
2007
Artists Benefit for Free Speech TV, Blum & Poe, Los Angeles, CA
2007
Panic Room – Works from The Dakis Joannou Collection, Deste Foundation Centre for Contemporary Art, Athens, Greece
2007
Public Art Fund Silent Auction, The Lighthouse at Chelsea Piers, New York, NY
2007
scale…SCALE, Anthony Meier Fine Arts, San Francisco, CA
2007
White Columns Benefit Auction, White Columns, New York, NY
2007
Piles & Globes, Likes & Loves, Blum & Poe (solo)
2006
Biennale of Sydney 2006, Sydney, Australia
2006
Good Vibrations: Le arti visive e il Rock, Palazzo delle Papesse, Siena, Italy
2006
Thank You for The Music, London Beat, Spruth Magers Lee, London
2006
White Columns Benefit Auction, White Columns, New York, NY
2006
Intersteller Low Ways, Hyde Park Art Center, Chicago, IL
2006
Seeing Blue, The Gallery at Buck House, New York, NY
2006
Piles & Globes, Likes & Loves, Blum & Poe, Los Angeles (solo)
2006
I Want It Louder, Gladstone Gallery, New York (solo)
2006
Shape without form, shade without colour, paralysed force, gesture without motion, Francesca Kauffman, Milan
2005
Looking at Words, Andrea Rosen Gallery, New York
2005
in words and pictures, Murray Guy, New York, NY
2005
8e Biennale d’Art Contemporain de Lyon 2005, Lyon, France
2005
Situation Comedy: Humor in Recent Art, Independent Curators International, New York, NY
2005
Trade, White Columns, New York, NY
2005
Likeness: Portraits of Artists by Other Artists, University Art Museum, Long Beach (travels to CCA Virginia)
2005
The Approach, London, United Kingdom (solo)
2005
The Wrong Gallery, New York (solo)
2005
Stars and Bars, Anthony Meier Fine Arts, San Francisco, CA (solo)
2005
Think Blue, Blum & Poe, Los Angeles, CA
2005
Dialogues, Creative Growth Art Center, Oakland, CA
2004
I Like Your Music, Blum & Poe, Los Angeles, CA (solo)
2004
San Francisco Museum of Modern Art, San Francisco, CA (solo)
2004
Engholm Engelhorn Galerie, Vienna, Austria (solo)
2004
Side Street Projects 11th Annual Phantom Ball, Pasadena, CA (solo)
2004
A Molecular History of Everything, Australian Center for Contemporary Art, Victoria, Australia
2004
Three Day Weekend, Public Art Fund Projects in Central Park, a collaboration with the Whitney Biennial, The Arsenal Building, New York, NY
2004
Likeness: Portraits of Artists by Other Artists, California College of Arts and Crafts, San Francisco, CA (travels to Wattis Institute, San Francisco, CA, McColl Center for Visual Art, Charlotte, NC, ICA, Boston, MA, Dalhousie University Art Gallery, Halifax, Nova Scotia, University Art Museum, California State University at Long Beach, CA, Illingworth Kerr Gallery, Calgary, Alberta, Canada)
2004
2004 Biennial Exhibition, Whitney Museum of American Art, New York, NY
2004
Playlist, Palais de Tokyo, Paris, France
2004
SPF Self-Portraits, Angles Gallery, Santa Monica, CA
2003
Blum & Poe, Los Angeles, CA
2003
It Happened Tomorrow, 7th Lyon Biennale of Contemporary Art, Lyon, France
2003
For the Record: Drawing Contemporary Life, Vancouver Art Gallery, Vancouver, B.C.
2003
The Approach, London, UK (solo)
2003
Murray Guy, New York, NY (solo)
2003
Subtle Occupation, Murray Guy, New York, NY
2003
Intimates, Angles Gallery, Santa Monica, CA
2003
Funny Papers, Daniel Weinberg Gallery, Los Angeles, CA
2003
The Melvins, curated by Robert Nickas, Anton Kern Gallery, New York, NY
2003
Comic Release: Negotiating Identity for a New Generation, Carnegie Mellon University,
2002
Rent-a-bench, Los Angeles, CA
2002
Air Guitar: Art Reconsidering Rock Music, Milton Keynes Gallery, Central Milton Keynes, England; travels to Cornerhouse, Manchester/Angel Row, Nottingham/Tullie House, Carlise, England
2002
Heaven Knows I'm Miserable Now, Low, Los Angeles, CA
2002
Curatorial PracticeToday, Arco International Contemporary Art Fair 2002, Panel Discussion, February 15, 2002, Madrid, Spain
2002
L.A. On My Mind: Recent Acquisitions from MOCA's Collection, Museum of Contemporary Art, Los Angeles, CA
2002
Dave Muller: Sprawling, Blum & Poe, Santa Monica, CA (solo)
2002
Dave Muller: Connections, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York (curated by Amada Cruz) (travels to Armand Hammer Museum of Art, Los Angeles) (solo)
2001
Current 85, Dave Muller: Spatial, Saint Louis Art Museum, Saint Louis, MI (solo)
2001
Clothes, Polaroids, Movies & Music, Blum & Poe, Santa Monica, CA (solo)
2001
Galleria Allesandra Bonomo, Rome, Italy (solo)
2001
Humid, The Moore Building, Miami, FL
2001
Revolutions Per Minute, Gallery 400 at the University of Illinois at Chicago, Chicago, IL
2001
Drawn from LA, home is where the heart is, Midway Initiative Gallery, St. Paul, MN,
2001
Extra Art: A Survey of Artists' Ephemera 1960-1999, CCAC Institute, San Francisco, CA
2001
Jennifer Bornstein, Mark Grotjahn, Dave Muller, Florian Maier-Aichen, Blum & Poe, Santa Monica, CA
2001
Imaginary Monumental Sculpture Lawn IMSL, Los Angeles County Museum, Los Angeles, CA
2001
The Artist's World, CCAC Institute, San Francisco, CA
2001
En el cielo, TRANS, Venice, Italy
2001
I Want More, Temple Bar Gallery and Studios, Dublin, Ireland
2001
Music, Three Day Weekend, Els Hanappe Underground, Athens, Greece
2000
L.A., Ileana Tounta Gallery, Athens, Greece
2000
White Album, Shoshana Wayne Gallery, Santa Monica, CA
2000
H20, Works on Paper, Los Angeles, CA
2000
Can Re-Mix, Blum & Poe, Santa Monica, CA
2000
Made in California: Now, Los Angeles County Museum of Art, Los Angeles, CA
2000
Dancing Horses, Acuna Hansen Gallery, Los Angeles, CA
2000
The Conversation, Murray Guy, New York, NY
2000
Ever Get the Feeling You've Been ... Cheated, A22, London, England
2000
How to Secede Without Really Trying, The Approach, London, UK (solo)
2000
Spatial, Murray Guy, New York, NY (solo)
2000
Thermal, Three Day Weekend, Los Angeles, CA (with David Hughes) (solo)
1999
here and there, Four Walls, San Francisco, CA (solo)
1999
Chelsea, Project Wall, Rosamund Felsen Gallery, Santa Monica, CA (solo)
1998
Blum & Poe Santa Monica, CA
1998
Apple, Curt Marcus Gallery, New York, NY (solo)
1997
Love is All Around, Spanish Box Santa Barbara, CA
1997
Quartzose, Galleri Tommy Lund Odense, Denmark
1997
Hot Coffee, Artist's Space New York, NY
1996
Los Angeles Visits, P-House Tokyo, Japan
1996
Studio 246, Kunstlerhaus Bethanian Berlin
1995
Smells Like Vinyl, Roger Merians Gallery New York, NY
1994
On the Eve of New Years Eve, A Cocktail Party, Three Day Weekend Los Angeles, CA
1993
Sound Art Derby, Beyond Baroque Venice, CA
1993
A Number of Ladders Borrowed, Broad Studio #2 Cal Arts, CA
1993
Rex Ravenelle, David A. Muller, Due North, D300 Gallery, California Institute of the Arts, Valencia, CA (solo)
1992
Woo, Mint Gallery Cal Arts, CA
1990
Games, Oblong Salon, Davis, CA (solo)
1989
Basement Gallery, UC Davis Davis, CA

Literatur

2006
Muller, Dave, “The Return of UbuWeb,” Artforum, January 2006, pp. 104. 2005
2006
Cambell, Clayton, “News; Los Angeles,” Contemporary, Issue 88 2006, pp. 21-22.
2006
Hershenson, Roberta, “Hospital Art Designs That Keep Healing in Mind,” The New York Times, 22 January 2006, p. WE 5.
2006
Muller, Dave, “Bedrock of Pop Culture,” The Walrus, February 2006, pp. 28-32.
2006
Thornton, Sarah, “Off the Record,” Art Review, Volume X, February 2006, pp. 96-99.
2006
Roussel, Noelle, “Los Angeles: Elsewhere is Everywhere,” Artpress, April 2006.
2006
Plagens, Pete, “Madison Avenue Ennul,” Art In America, June/July 2006, pp. 76-79.
2006
Hilger, Stephen, “Dave Muller,” Teme Celeste, July/August 2006, p. 69.
2006
Wilder, Matthew, “Dave Muller,” Artforum.com, 20 December 2006.
2006
Pagel, David, “Around the Galleries: For your listening pleasure,” Los Angeles Times, 22 December 2006, p. E 38.
2005
Baker, Kenneth. “Muller mulls pop music at Meier,” San Francisco Chronicle, January 22, 2005
2005
Gagnon, Adrienne. “Dave Muller: Stars & Bars (American),” SFWeekly.com, January 26-February 1, 2005
2005
Myers, Julian. “Dave Muller,” Frieze, January/February 2005, pg. 113-114
2005
Orden, Abraham. “Reviews: Dave Muller,” Flash Art, March/April 2005, pg. 118
2005
Pagel, David. “A lens in a mirror,” Los Angeles Times, September 7, 2005, pg. E3
2005
Engberg, Juliana. A Molecular History of Everything* (*well not everything), [cat.] Dec. 17-Feb 27, 2005. Australian Centre for Contemporary Art. Pgs. 12-13
2005
Kraus, Chris (ed.) et al. Dave Muller, LA Artland, Black Dog Publishing, London 2005, pg. 172-173
2005
Tumlir, Jan. Lessons of the Class of 90: Sighting Recent Art in Los Angeles. LA Artland, Black Dog Publishing, London 2005, pg. 24-39
2004
Roberts, Jo, “As an artist, Muller Rocks,” The Age, 22 December 2004
2004
Higgs, Matthew “My Pop”, Artforum, October 2004, p. 55
2004
Rothkopf, Scott, “Subject Matters,” Artforum, May 2004, p. 176.
2004
Diez, Renato. “Alla Bienale del Whitney: Torna la Pittura,” Arte. April 2004. pg. 104-111
2004
Knight, Christopher “Binary days at the Biennial”, Los Angeles Times, April 11, 2004, p. E43
2004
Bourriaud, Nicolas Playlist, Palais de Tokyo, Paris February 2004, p.147
2004
Higgs, Mathew. Likeness, Portraits of Artists by Other Artists, exhibition catalogue, CCA Wattis Institute, Independent Curators International, February 2004, p.17, p.49
2003
Stern, Steven. “Dave Muller, ‘May I Please Speak with Mr. Murray Guy?,’” Time Out New York, No. 391, March 27-April 3, 2003, p. 54
2003
“Dave Muller”, The New Yorker, 19 March
2003
Grabner, Michelle The Suburban, The Early Years 1999-2003, 2003, p.24, 82
2002
Diaconescu, Sorina. "Return of the Long Weekend," Los Angeles Times, November 14, 2002, pg. E13
2002
Cruz, Amada, “Dave Muller's Connections,” Dave Muller: Connections, Center for Curatorial Studies/Bard College Publications, October 2002, p. 7-11
2002
Harvey, Doug, "Sam & Dave: The Politics of Mixology," LA Weekly, October 18-24, 2002, p. 32-33
2002
Higgs, Matthew, “Dear Dave,” Dave Muller: Con\nections, Center for Curatorial Studies/Bard College Publications, October 2002, p. 19-23
2002
Higgs, Matthew, “Best of 2002,” Artforum, December 2002, p. 110-111
2002
Mahony, Emma, "Anyone can play guitar," Air Guitar: Art Reconsidering Rock Music, exhibition catalogue
2002
Molon, Dominic, "Climatic Conditions," Humid, exhibition catalogue
2002
Pagel, David, “MOCA Sampler Is a Mixed Treat,” The Los Angeles Times, February 8, F1, F26.
2002
Pagel, David, “Variations on a Commercial Theme,” The Los Angeles Times, December 2, 2002, p. E5
2002
Smith, Roberta, "Hudson Valley Shows Focus on America", The New York Times, July 26, 2002, p. B31
2002
Young, Paul, “Always the Bass Player,” Angeleno, November 2002, p. 232-233
2001
Erickson, Karl, “Dave Muller at Blum & Poe,” Flash Art, July - September 2001, vol. XXXIV, no. 219, p. 122
2001
Godfrey, Mark, “Dave Muller: The Approach, London; Murray Guy, New York,” frieze, March 2001, p. 102-103
2001
Knight, Christopher, “Still Life With Quirk,” Los Angeles Times, May 18, 2001, p. F 16
2001
McLaren, Duncan, “Dave Muller and Peter Harris,” Contemporary Visual Arts, Issue 33, 2001, p. 48-53
2001
Rugoff, Ralph, “Working Weekend: The Art of Dave Muller,” Artforum, May 2001, p. 162-165
2000
Grabner, Michelle, “Dave Muller and Three Day Weekend,” New Art Examiner, November 2000, p. 22-25, 68
2000
Beasley, Mark, “Dave Muller Interviewed,” Untitled, No. 22, Summer 2000, p. 8-10
2000
Intra, Giovanni, “Dave Muller: Free Software,” Art/Text, May-July 2000, p. 68-71
1999
Johnson, Ken, “After the Gold Rush,” The New York Times, June 18, 1999
1999
Harvey, Doug, “Futurama, Post-millennial deja vu at Luckman Fine Arts,” LA Weekly, April 9 - 15, 1999, p. 45
1998
Baltin, Brian, “Small is Psychedelic, Los Angeles under a microscope,” LA Weekly, November 28 - December 3, 1998, p. 47
1998
Darling, Michael, “Michael Darling's Top 10 Plus 10,” LA Weekly, January 8-14, 1999, p. 50
1998
Wilson, William, “'Lilliput': Small Art in the Big City of L.A.,” Los Angeles Times, November 24, 1998, p. F10 - F11
1998
Frankel, David, “Jane Kaplowitz/Dave Muller, Curt Marcus Gallery,” Artforum, November 1998, p. 133-134
1998
Haines, Gordon, “Dave Muller at Blum & Poe,” Artissues, September/October 1998, No. 54, p. 45
1998
Frank, Peter, “Pick of the Week,” LA Weekly, June 5 - 12, 1998, p.159
1997
Darling, Michael, “The Muller Temporary,” The L.A. Weekly, November 7 -13, 1997, p. 39
1997
Pagel, David, “Muller Celebrates Art in the Real World,” Los Angeles Times, May 22, 1998, p. F28
1997
Greene, David A., Frieze, September/October 1997
1997
Knight, Christopher, “Right Here, Right Now,” Los Angeles Times, May 18, 1997, p. 1, 3, 52-53
1997
Saltz, Jerry, “Regular, No Sugar,” Time Out New York, February 1997
1997
Schjeldahl, Peter, “La-la Band,” Village Voice, February 18, 1997, p. 91
1996
Knight, Christopher, “Riding Tradition's Currents to a Higher Consciousness,” Los Angeles Times, October 10, p. F4, F6