|
|
Biografie Susan Derges
|
 |
 |
|
1973 - 1976 |
|
Chelsea School of Art and Design, London
|
|
1976 - 1977 |
|
British Council/DAAD Scholarship to Berlin
|
|
1977 - 1979 |
|
Postgraduate studies, Slade School of Fine Art, London
|
|
1981 - 1985 |
|
Living and working in Japan
|
|
1986 - 1991 |
|
Living and working in London
|
|
1992 |
|
Living and working in Dartmoor, Devon
|
|
|
|
2008 Prix Pictet, Shortlisted Artist
|
|
|
|
2006-07 The Stille Room, Fyllingsdaten Nursing Home, Bergen, Norway
|
|
|
|
2004-05 Eden Project Education Centre/Solar Terrace
|
|
|
|
1993 South West Arts Major Award
|
|
|
|
1982-83 Postgraduate Research Tsukuba University, Japan
|
|
|
|
1981-82 Rotary Foundation Award, Japan
|
|
|
|
1979 Boise Travel Scholarship to Holland
|
|
|
| Ausgewählte Ausstellungen |
|
|
|
2010 - 2011
|
|
Shadowcatchers, The Art of Camera- Less Photography Victoria & Albert Museum, London
|
|
2010
|
|
Dust in the Mirror, Djanogly Art Gallery, University of Nottingham
|
|
2009
|
|
Hitchhikers to the Galaxy, Daejeon Museum of Art, Korea
|
|
2009
|
|
Purdy Hicks Gallery, London (solo)
|
|
2008
|
|
Water, Prix Pictet, Palais de Tokyo, Paris
|
|
2008
|
|
Johyun Gallery, Seoul and Busan, South Korea (solo)
|
|
2008
|
|
Susan Derges and Hildegard van Bingen, Ingleby Gallery, Edinburgh (solo)
|
|
2008
|
|
A History of Photography, Victoria & Albert Museum, London
|
|
2008
|
|
Night, RWA Galleries, Bristol
|
|
2007 - 2008
|
|
Something that I�ll never really see: Contemporary Work from the V&A, Sainsbury Centre for the Visual Arts, University of East Anglia, Norwich; Castle Museum, Nottingham
|
|
2006 - 2008
|
|
Gregor Mendel: Planting the Seeds of Genetics, The Field Museum, Chicago. Touring to COSI, Columbus, Ohio; Memphis Museum, Tennessee; Academy of Natural Sciences, Philadelphia
|
|
2007
|
|
Trace and Transience, Centre for Contemporary Art and the Natural World, Exeter
|
|
2006 - 2007
|
|
Alchemy, Harewood House, Leeds; Purdy Hicks Gallery, London; Abbot Hall Art Gallery, Kendal; Djanogly Art Gallery, University of Nottingham
|
|
2006
|
|
Picturing Eden, George Eastman House, New York
|
|
2006
|
|
Purdy Hicks Gallery, London (solo)
|
|
2006
|
|
Ingleby Gallery, Edinburgh (solo)
|
|
2005 - 2006
|
|
Bodies of Water, Victoria Art Gallery, Bath; Southampton City Art Gallery
|
|
2005
|
|
Photographs Without a Camera, Gallery 314, Bergen (solo)
|
|
2005
|
|
Appearance, Whitehall Waterfront, Leeds
|
|
2005
|
|
Made in Britain, Huis Marseille, Amsterdam
|
|
2004
|
|
Lightfall, Brewhouse, Taunton
|
|
2004
|
|
Photo Synthesis, Royal Albert Memorial Museum, Exeter
|
|
2004
|
|
From Here To Eternity, Ingleby Gallery, Edinburgh
|
|
2004
|
|
FotoFest 2004 � Water, Houston, Texas (solo)
|
|
2004
|
|
Dark Waters, The Terrace Gallery, Harewood House, Leeds (solo)
|
|
2004
|
|
Recent Work, Galerie Nichido, Paris (solo)
|
|
2004
|
|
Recent Work, Photo London (solo)
|
|
2003
|
|
New Work, Paul Kasmin Gallery, New York (solo)
|
|
2003
|
|
Transience of Nature, Nichido Contemporary Art, Tokyo Design Centre (solo)
|
|
2003
|
|
Ingleby Gallery (solo)
|
|
2003
|
|
Several Exceptionally Good Recently Acquired Pictures, Fraenkel Gallery, San Francisco
|
|
2003
|
|
Recycling Lucifer's Fall, Houldsworth Gallery, London
|
|
2003
|
|
Observed: Photographs, Gallery Kayafas, Boston
|
|
2003
|
|
The Camera-less Image, Photo-eye, santa Fe, NM
|
|
2003
|
|
New to View: Recent Acquisitions in Photography, The Art Institute of Chicago, Chicago, USA
|
|
2003
|
|
The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME
|
|
2003
|
|
Prima Facie, Nina Freudenheim Gallery, buffalo, New York, USA
|
|
2003
|
|
The Camera-less Image, Photo-eye, santa Fe, NM
|
|
2003
|
|
New to View: Recent Acquisitions in Photography, The Art Institute of Chicago, Chicago, USA
|
|
2003
|
|
The Disembodied Spirit, Bowdoin College Museum of Art, Brunswick, ME
|
|
2003
|
|
Synthetic Lightening: Complex Simulations of Nature, Center for Photography at Woodstock, Woodstock, NY
|
|
2002
|
|
Natural Magic, Michael Hue-Williams Fine Art, London
|
|
2002
|
|
The Genius of Genetics Gregor Mendel, Abbey of St Thomas, Brno
|
|
2002
|
|
Landscape and Photography, Ingleby Gallery
|
|
2002
|
|
Now What is Photography, Gana Art Gallery, Seoul, Korea
|
|
2002
|
|
New Work, Michael Hue-Williams Fine Art, London (solo)
|
|
2002
|
|
Liquid Form, Ediciones Wu, Lima (solo)
|
|
2002
|
|
The Streens, Trace Gallery, Weymouth, Dorset (solo)
|
|
2002
|
|
Metamorphing, Science Museum, London
|
|
2001
|
|
Summer Exhibition, Paul Kasmin Gallery, New York
|
|
2001
|
|
From The Dark Room, Michael Hue-Williams Fine Art, London
|
|
2001
|
|
Sea Change, Spacex Gallery. Exeter
|
|
2001
|
|
Kingswood, St Mary�s Church, Ashford, Kent (solo)
|
|
2001
|
|
Natural Magic, Museum of History and Science, Oxford (solo)
|
|
2001
|
|
This is not a Photograph, traveling exhibition through 2002
|
|
2000
|
|
Susan Derges/Christopher Bucklow, Recent work, Vaknin Schwartz, Atlanta
|
|
2000
|
|
Liquid Form, Howard Yezerski Gallery, Boston
|
|
2000
|
|
Now! Modern Photography from the Permanent Collection, Metropolitan Museum of art, NY
|
|
2000
|
|
New Art Centre Sculpture Park & Gallery, Roche Court, Wilshire (with Hideo Furuta)
|
|
2000
|
|
Howard Yezerski Gallery, Boston (solo)
|
|
2000
|
|
Particle Accelerators: At the Intersection of Photography, Science & Technology Photographic Resource Center, Boston
|
|
2000
|
|
This is Not a Photograph, Pace University Choate Art Gallery (touring)
|
|
2000
|
|
Summer 2000 Unique Photographs, Paul Kasmin Gallery
|
|
2000
|
|
Anti-Memory, Yokohama Museum of Art
|
|
200 - 2000
|
|
Fluid Flow, James Graham & Sons, NY
|
|
1999
|
|
Phenomena, Ansel Adams Center for Photography, San Francisco
|
|
1999
|
|
Woman Thinking River, James Danziger Gallery, New York (solo)
|
|
1999
|
|
Woman Thinking River, Fraenkel Gallery, San Francisco (solo)
|
|
1999
|
|
Recent Work, Michael Hue Williams Fine Art (solo)
|
|
1999
|
|
Ingleby Gallery (with Patricia Macdonald)
|
|
1999
|
|
20 Twenty, Fraenkel Gallery
|
|
1998
|
|
Woods and Water, Kettle�s Yard, Cambridge (with Andrew Smith)
|
|
1998
|
|
River Taw (two person exhibition) Inverleith House, Royal Botanical Gardens, Edinburgh
|
|
1998
|
|
Dark Matter, Harris Museum & Art Gallery, Preston; Turnpike Gallery, Leigh (touring)
|
|
1998
|
|
Dust Breeding, Fraenkel Gallery
|
|
1998
|
|
Silver and Syrup, Victoria & Albert Museum, London
|
|
1998
|
|
River Taw, Newlyn Art Gallery, Newlyn, Cornwall (solo)
|
|
1998
|
|
River Taw, Musee D�Elysee, Lausanne (solo)
|
|
1998
|
|
River Taw, Spacex Gallery, Exeter (solo)
|
|
1998
|
|
Recent work, Gallery Mocca, Gottenberg, Sweden
|
|
1997 - 1998
|
|
About Painting, Robert Miller Gallery, New York
|
|
1997
|
|
On the Bright Side of Life - Contemporary British Photography, Neue Gesellschaft fur Bildende Kunst, Berlin
|
|
1997
|
|
Eye of the Beholder: Photographs from the Avon Collection, International Centre of Photography, New York
|
|
1997
|
|
River Taw, Michael Hue-Williams Fine Art (solo)
|
|
1997
|
|
Several Exceptionally Good Recently Acquired Pictures XI, Fraenkel Gallery
|
|
1996
|
|
Under the Sun, Fraenkel Gallery
|
|
1996
|
|
Elective Affinities, Michael Hue-Williams Fine Art
|
|
1996
|
|
Light, Time, Focus, The Museum of Contemporary Photography, Chicago
|
|
1995
|
|
Possibilities of Extention, Aspex Gallery, Portsmouth
|
|
1995
|
|
Heaven�s Embroidered Cloths, National Museum of Film, Photography & Television, Bradford
|
|
1995
|
|
Content and Discontent in Today�s Photography, Ansel Adams Centre for Photography
|
|
1995
|
|
Print Room, The Photographers� Gallery, London (solo)
|
|
1995
|
|
James Danziger Gallery (solo)
|
|
1995
|
|
Embodied, Arnolfini Gallery, Bristol (solo)
|
|
1994
|
|
The Observer and the Observed, James Danziger Gallery (solo)
|
|
1994
|
|
Wellsprings, Bath Festival, Bath
|
|
1994
|
|
Growth and Form, Ruskin Gallery, Sheffield
|
|
1994
|
|
Umbra Penumbra Signals Festival of Women Photographers, Spacex Gallery
|
|
1994
|
|
Cameraless Photography, Yokohama Museum of Art, Yokohama
|
|
1993
|
|
Between Sun and Earth, The Photographers� Gallery (solo)
|
|
1993
|
|
Full Circle, Cairn Gallery, Stroud (solo)
|
|
1992
|
|
Salama-Caro Gallery, London
|
|
1992
|
|
New Inhabitants, Royal Albert Museum and Art Gallery
|
|
1992
|
|
New Acquisitions, Arts Council Collection, South Bank Centre, London
|
|
1991
|
|
Post Modern Prints, Victoria & Albert Museum
|
|
1989
|
|
Machine Dreams, The Photographers Gallery�, London
|
|
1989
|
|
AVE Festival of Audio Visual Arts, Arnhem
|
|
1989
|
|
Phenomenart, Saibu Gas Museum, Fukuoka
|
|
1989
|
|
Gallery ON, Poznan (solo)
|
|
1989
|
|
Tokyo Science Museum, Exploratorium, Tokyo (video) (solo)
|
|
1989
|
|
Studio 2000, Seibu Department Store, Tokyo
|
|
1988
|
|
Presence 2, Gallery ON Poznan
|
|
1987
|
|
O� Art Museum, Tokyo (video) (solo)
|
|
1985
|
|
JVC VIC Centre, Tokyo (video) (solo)
|
|
1985
|
|
Gallery Okazaki, Tokyo (solo)
|
|
1985
|
|
High Technology Art, Seibu Department Store, Tokyo
|
|
1984
|
|
Art Space Niji, Kyoto (solo)
|
|
1984
|
|
Art and Technology, Gekkoso Gallery and Seibu Department Store, Tokyo
|
|
1984
|
|
Hara Annual, Hara Museum of Contemporary Art, Tokyo
|
|
1983
|
|
Union des Femmes Peintres, Luxembourg Museum, Paris
|
|
1981
|
|
The House Construction Show, House Gallery, London
|
|
1981
|
|
Art into Architecture, Swiss Cottage Library, London
|
|
1980
|
|
Galerie im Zentrum, Berlin (solo)
|
|
1978
|
|
Kunstlerhaus Bethanien, Berlin (solo)
|
|
1978
|
|
Hayward Annual, Hayward Gallery, London
|
|
|
|
Victoria & Albert Museum, London
|
|
|
|
National Museum of Film, Photography and Television, Bradford
|
|
|
|
Huis Marseille, Amsterdam
|
|
|
|
Kunstlerhaus Bethanien, Berlin
|
|
|
|
Neuer Berliner Kunstverein, Berlin
|
|
|
|
Museum of Fine Arts Boston
|
|
|
|
The Art Institute of Chicago
|
|
|
|
Museum of Fine Arts Houston
|
|
|
|
Metropolitan Museum of Art, New York
|
|
|
|
San Francisco Museum of Modern Art
|
|
|
|
Saibu Gas Museum, Fukuoka
|
|
|
|
The Hara Art Museum, Tokyo
|
|
|
|
Citibank Private Bank Collection, London
|
|
|
|
Hess Collection Napa, Bern, London
|
|
|
|
|
|
|
| Literatur |
|
|
|
2006
|
|
Stilled Lives – Contemporary Still Life Photography by Women, Ffoto Gallery
|
|
2006
|
|
Picturing Eden, George Eastman House (Steidl)
|
|
2005
|
|
Surface, University of Plymouth
|
|
2003
|
|
Transience of Nature (catalogue) Nichido Contemporary Art, Tokyo
|
|
2003
|
|
Next Level Magazine, London
|
|
2003
|
|
Recycling Lucifer’s Fall (catalogue) Houldsworth Fine Art, London
|
|
2002
|
|
Kingswood (book) Photoworks and Stour Valley Arts Project
|
|
2002
|
|
Now What is Photography (catalogue) Gana Art Gallery, Seoul
|
|
2002
|
|
Portfolio Magazine Issue 34
|
|
2002
|
|
The Genius of Genetics Gregor Mendel (catalogue) ARTAKT
|
|
2000
|
|
20 Twenty (catalogue) Fraenkel Gallery, San Francisco
|
|
1999
|
|
Woman Thinking River (book) Fraenkel and Danziger Galleries, US,
|
|
1999
|
|
Susan Derges Liquid Form (book) Michael Hue Williams Fine Art, London.
|
|
1999
|
|
Essay by Martin Kemp
|
|
1998
|
|
Dark Matter (catalogue) Harris Museum, Preston, and Turnpike Gallery, Leigh
|
|
1998
|
|
Essays by Clive Cazeau, Michael Petry and David Peat
|
|
1998
|
|
Dust Breeding - Photographs, Sculpture & Film Fraenkel Gallery. Essay by Steve Wolfe
|
|
1997
|
|
River Taw (book) Michael Hue-Williams Fine Art. Essay by Richard Bright.
|
|
1996
|
|
Elective Affinities (catalogue) Michael Hue-Williams Fine Art. Essay by Mark Haworth - Booth
|
|
1996
|
|
Under the Sun (catalogue) Fraenkel Gallery, San Francisco. Essay by David Alan Mellor
|
|
1996
|
|
On the Bright Side of Life - Contemporary British Photography, Neue Gesellschaft fur Bildende Kunst, Berlin. Essays by David Chandler, Val Williams, David A. Bailey, David Alan Mellor, Brett Rogers
|
|
1995
|
|
Possibilities of Extension (catalogue) Aspex Visual Arts Trust, Portsmouth. Essay by Lisa Moran
|
|
1995
|
|
Content and Discontent in Today’s Photography Independent Curators Incorporated, New York. Essay by Andy Grundberg.
|
|
1995
|
|
Embodied (catalogue) Arnolfini, Bristol. Essays by Tessa Jackson and Christopher Bucklow
|
|
1994
|
|
Umbra Penumbra (catalogue) Spacex Gallery, Exeter
|
|
1994
|
|
Well Spring (catalogue) Bath Festivals Trust, Bath. Essay by Antonia Payne
|
|
1993
|
|
New Inhabitants - Seven Artists on Dartmoor (catalogue) Royal Albert Museum &
|
|
1993
|
|
Between Sun and Earth (catalogue) Photographers’ Gallery, London. Essays by David Chandler and Christopher Bucklow
|
|
1989
|
|
Phenomenart (catalogue) Saibu Gas Museum, Fukuoka
|
|
1984
|
|
Hara Annual (catalogue) Hara Museum of Contemporary Art, Tokyo
|
|
1978
|
|
Hayward Annual 1978 (catalogue) Arts Council of England
|
|
|
|
|
|
