|
|
Biografie Barry McGee
|
 |
 |
|
1966 |
|
Born in San Francisco, CA
|
|
1989 |
|
Sobel Scholarship, San Francisco Art Institute
|
|
1990 |
|
Merit Scholarship, San Francisco Art Institute
|
|
1991 |
|
Reed, John. Review, Time out New York, September 29
|
|
1991 |
|
Merit Scholarship, San Francisco Art Institute, San Francisco, CA
|
|
1991 |
|
McClymonds High School, Visiting Artist Program, Oakland, CA
|
|
1991 |
|
BFA in Painting & Printmaking, San Francisco Art Institute, San Francisco, CA
|
|
1992 |
|
McClymonds High School, Artist Resident Program, Oakland, CA
|
|
1992 |
|
Life on the Water/School of the Arts, Installation, San Francisco, CA
|
|
1992 |
|
California Conservation Corps, Franklin Park Mural
|
|
1992 |
|
Mural, Yerba Buena Center for the Arts, San Francisco, CA
|
|
1992 |
|
S.F. Art Commission, Art In Transit Program, San Francisco, CA
|
|
1993 |
|
Eureka Fellowship, Fleishaker Foundation
|
|
1993 |
|
Lila Wallace, Readers Digest International Artist Program
|
|
1994 |
|
The Creative Work Fund, Walter and Elise Haas Fund
|
|
1994 |
|
509 Cultural Center/San Francisco Redevelopemnt Agency, San Francisco, CA
|
|
1995 |
|
Muni Key Stop Program, San Francisco Art Commission, San Francisco, CA
|
|
1995 |
|
Wall Installation, 1035 Howars St., Creative Work Fund, San Francisco, CA
|
|
1996 |
|
SECA Art Award San Francisco Museum of Modern Art, San Francisco, CA
|
|
1996 |
|
Young Mission Power, Mission Cultural Center, San Francisco, CA
|
|
|
|
Lives and works in San Francisco, CA
|
|
|
| Ausgewählte Ausstellungen |
|
|
|
2010
|
|
Viva la Revolucion: A Dialogue with the Urban Landscape - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA
|
|
2010
|
|
DRAW - Muestra de dibujo contemporáneo - Museo de la Ciudad de Mexico, Mexico City
|
|
2010
|
|
Orde di segnatori - Antonio Colombo Arte Contemporanea, Milan, Italy
|
|
2010
|
|
Leave It Alone & Together At Last - Barry McGee & Clare Rojas. Bolinas Museum, Bolinas, CA
|
|
2010
|
|
Brush Strokes, Todd James & Lydia Fong ,V1 Gallery, Copenhagen, Denmark
|
|
2010
|
|
The Last Night, Lydia Fong & Huskmitnavn, Alice Gallery, Brussels, Belgium
|
|
2010
|
|
The 75th Anniversary Show, San Francisco Museum of Modern Art, San Francisco, CA
|
|
2009
|
|
Mr Brown, Bonomo Gallery, Rome, Italy (solo)
|
|
2009
|
|
Mind The Gap, Barry, McGee & Phil Frost, Prism Gallery, Los Angeles, CA
|
|
2009
|
|
Born in the Streets, Fondation Cartier pour l’Art Contemporain, Paris, France
|
|
2009
|
|
American Realities, Lydia Fong, Clare Rojas & Andrew Jeffrey Wright, New Image Art Gallery, Los Angeles, CA
|
|
2009
|
|
McGee, Templeton, Pettibon, curated by Aaron Rose, CC: Circle Culture Gallery, Berlin, Germany
|
|
2008
|
|
The Big Sad: Barry McGee & Clare Rojas, Riverside Art Museum, Riverside, CA
|
|
2008
|
|
Len Lye : A Colour Box, Arcade Fine Arts, London, England
|
|
2008
|
|
A Moment for Reflection – New Work by Lydia Fong, Ratio 3, San Francisco, CA (solo)
|
|
2008
|
|
They Don’t Make this Anymore, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom (solo)
|
|
2008
|
|
Barry McGee & Clare Rojas, Riverside Art Museum, Riverside, CA (solo)
|
|
2008
|
|
Dripsy, Galerie Olivier Robert, Paris, France
|
|
2008
|
|
Life on Mars, the 55th Carnegie International, Pittsburgh, PA
|
|
2007
|
|
Alpha, Ratio 3, San Francisco, CA
|
|
2007
|
|
EUPHORION, Pierogi Gallery, Leipzig, Germany
|
|
2007
|
|
Kinky Sex (Makes the World Go ‘Round, Lizabeth Oliveria Gallery, Los Angeles, CA
|
|
2007
|
|
The Watari Museum of Contemporary Art, Tokyo, Japan (solo)
|
|
2007
|
|
Butler Gallery, Kilkenney Castle, Ireland (solo)
|
|
2007
|
|
Redcat Gallery, Los Angeles, CA (solo)
|
|
2007
|
|
American Art in China, organized by the Guggenheim Museum, MoCA, Los Angeles, CA
|
|
2007
|
|
Shanghai, Shanghai, China
|
|
2007
|
|
Advanced Mature Work, Redcat, Los Angeles, CA (solo)
|
|
2006
|
|
We Have a Friend in Common, Nicolai Wallner Gallery, Copenhagen, Denmark (solo)
|
|
2006
|
|
The Art of Robert Pimple, Paule Anglim Gallery, San Francisco, CA (solo)
|
|
2006
|
|
Meditations In An Emergency, Museum of Contemporary Art Detroit, MI
|
|
2006
|
|
Spank the Monkey, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom
|
|
2006
|
|
Summer Show, Stuart Shave/Modern Art, London, England
|
|
2005
|
|
On Line, The Louisiana Museum, Copenhagen, Denmark
|
|
2005
|
|
Easy Tonto, Stuart Shave/Modern Art, London, England (solo)
|
|
2005
|
|
One More Thing, Deitch Projects, New York, NY (solo)
|
|
2005
|
|
John Kaldor Art Projects, Metropolitan Meat Market, Melbourne, Australia (solo)
|
|
2005
|
|
Things Are Really Getting Better, Museum Het Domein, Sittard, Netherlands (solo)
|
|
2004
|
|
Meat Market Gallery, Melbourne, Australia (solo)
|
|
2004
|
|
Rose Art Museum, Brandeis University, Boston, MA (solo)
|
|
2004
|
|
John Kaldor Projects, Sydney, Austraila (solo)
|
|
2004
|
|
Monument to Now, The Dakis Joannou Collection, Athens, Greece
|
|
2004
|
|
Beautiful Losers, The Contemporary Arts Center, Cincinatti, OH
|
|
2004
|
|
Prada Foundation, Milan, Italy (solo)
|
|
2004
|
|
Modern Art, London, United Kingdom (solo)
|
|
2004
|
|
Paule Anglim, San Francisco, CA(solo)
|
|
2002
|
|
Liverpool Biennale, Liverpool, United Kingdom
|
|
2002
|
|
Drawing Now, Museum of Modern Art, New York, NY
|
|
2002
|
|
Prada Foundation, Milan , Italy (solo)
|
|
2002
|
|
Modern Art, London, England (solo)
|
|
2002
|
|
Gallery Paule Anglim, San Francisco, CA (solo)
|
|
2001
|
|
Holdfast, Barry McGee & Margaret Kilgallen, Deste Foundation Centre for Contemporary Art, Athens, Greece
|
|
2001
|
|
Un Art Populaire, Fondation Cartier pour l’art contemporain, Paris, France
|
|
2001
|
|
Widely Unknown, Deitch Projects, New York, NY
|
|
2001
|
|
Venice Biennial, Venice, Italy
|
|
2001
|
|
Contemporary Art, Athens, Greece
|
|
2000
|
|
Street Market, Parco Gallery, Tokyo, Japan
|
|
2000
|
|
Street Market, Deitch Projects, New York, NY
|
|
2000
|
|
Indelible Market, Institute of Contemporary Art, Philadelphia, PA
|
|
2000
|
|
UCLA Hammer Museum, Los Angeles, CA (solo)
|
|
1999
|
|
Hoss, Rice Universtiy Art Gallery, Houston, TX (solo)
|
|
1999
|
|
The Buddy System, Deitch Projects, New York, NY (solo)
|
|
1998
|
|
Regards, Walker Art Center, Minneapolis, MN (solo)
|
|
1998
|
|
Art From Around the Bay, San Francisco Museum of Modern Art, San Francisco, CA
|
|
1997
|
|
Drawing Installation-Galerie Tanya Rumpff, Harlem, Netherlands
|
|
1997
|
|
Drawing Today, San Francisco Museum of Art, San Francisco, CA
|
|
1997
|
|
John Bergruen Gallery, San Francisco, CA
|
|
1996
|
|
SECA Art Award, San Francisco Museum of Modern Art, San Francisco, CA
|
|
1996
|
|
WAVEFORMS, Santa Cruz, CA
|
|
1996
|
|
Figureheads & Red Herrings, Koplin Gallery, Los Angeles, CA
|
|
1996
|
|
Acme Custom, Acme Gallery, San Francisco, CA
|
|
1996
|
|
Wall Drawings, The Drawing Center, New York, NY
|
|
1996
|
|
City Folk, Holly Solomon Gallery, New York, NY
|
|
1995
|
|
Installation, Art & Design Studio/ K&T Lionheart LTD, Boston , MA(solo)
|
|
1995
|
|
Degenerate Art, The Lab, San Francisco, CA
|
|
1995
|
|
Post No Bills, Acme Gallery, San Francisco, CA
|
|
1995
|
|
Pro Arts Gallery, Oakland, CA
|
|
1995
|
|
Missed Connections, Market Street Installation, Luggage Store/509 Cultural Center Annex, San Francisco, CA
|
|
1995
|
|
Installation, Street Art Exhibition, Los Angeles, CA
|
|
1995
|
|
The Library, New Langton Arts, San Francisco, CA
|
|
1995
|
|
Big Jesus Trash Can, Victoria Room, San Francisco, CA
|
|
1995
|
|
Center Annex, San Francisco, CA
|
|
1995
|
|
Installation, Art & Design Studio/ K&T Lionheart LTD, Boston, MA (solo)
|
|
1994
|
|
Installation, Center for the Arts Yerba Buena Gardens, San Francisco, CA(solo)
|
|
1993
|
|
Installation, Museum Laser Segall, Sao Paulo, Brasil (solo)
|
|
1993
|
|
Twelve Bay Area Painters: The Eureka Fellowship Winners, San Jose Museum of Art, San Jose
|
|
1993
|
|
Texture of Nature, Berkeley Art Center, Berkeley, CA
|
|
1993
|
|
Folklore, Luggage Store, 509 Cultural Center, San Francisco, CA
|
|
1993
|
|
Installation, La Raza Graphics Center, San Francisco, CA
|
|
1992
|
|
U.C. Santa Cruz, Mary Porter Sesnon Gallery, Santa Cruz, CA
|
|
1991
|
|
Wet Paint, Southern Exposure, San Francisco, CA
|
|
1991
|
|
3/Play, Southern Exposure, San Francisco, CA
|
|
1991
|
|
Installation, Diego Rivera Galley, San Francisco, CA
|
|
1991
|
|
Wall of Resistance, Wall of Shame, UC Berkeley, Berkeley, CA
|
|
1991
|
|
Art Against the War. A.T.A. Gallery, San Francisco, CA
|
|
1991
|
|
Multicultural Show, Diego Rivera Gallery, San Francisco, CA
|
|
|
|
|
|
|
| Literatur |
|
|
|
2010
|
|
Barry McGee, Alleged Press, Damiani
|
|
2008
|
|
Glasner, Barbara, Patterns 2. Design, Art and Architecture. pp. 208-209
|
|
2008
|
|
Kuo, Michelle. Barry Mcgee, Artforum, April 2008: 338-339.
|
|
2008
|
|
Gateshead: Barry McGee, Baltic Centre for Contemporary Art, The Art Newspaper, March, p. 53
|
|
2008
|
|
Barry McGee, MUSAC, Volume II, p. 318-321
|
|
2007
|
|
Sarica, Frederico. Don’t Stop: Dumbo and Barry McGee in Conversation, Mousse, September-November, p. 83-85
|
|
2006
|
|
La ley de la calle se impone en ARCO, que tira de artistas urbanos, de spray y de graffity, El Pais, February 11, p. 60
|
|
2006
|
|
Azkarraga, Joseba. Punto de Mira, La Razon, February 10, p. 3
|
|
2006
|
|
Torres, G. David. The Power of Urban Art, ABCDARCO, February 12, p. 13
|
|
2006
|
|
Virus, El Zirus. _One More Thing, Series B, p. 78-81
|
|
2006
|
|
Fallah, Amir H. Barry McGee, Beautiful Decay, December 2006, p. 90-98
|
|
2005
|
|
Things are Really Getting Better, Museum Het Domein Sittard
|
|
2005
|
|
Kold, Anders. Noget tegner sig, Louisana Magasin, November, p. 34
|
|
2005
|
|
Mendelsohn, Adam E. Review, Time Out New York, July 14
|
|
2005
|
|
Steyck, C.R. One More Thing, Juxtapoz, Fall special
|
|
2005
|
|
Deitch Projects, Artnews, October, p. 164
|
|
2005
|
|
Beck, Olly. Nightmare on Vyner Street, The Critical Friend, p. 6-9
|
|
2005
|
|
Deitch Projects, The New Yorker, July
|
|
2005
|
|
Smith, Roberta. Urban Outsider Artists Evoke Society’s Margins, The New York Times, August 3
|
|
2005
|
|
Lack, Jessica. Riot On An Empty Street, i-D, September
|
|
2005
|
|
Johnson, Dominic. Review, frieze, September
|
|
2005
|
|
J.L. The Guide, Guardian, September 17, p. 37
|
|
2005
|
|
Heuer, Megan. Barry McGee: One More Thing, The Brooklyn Rail, July/August
|
|
2004
|
|
Barry McGee, Rose Art Museum of Brandeis University
|
|
2004
|
|
Safe, Georgina. From a Different Cloth, The Weekend Australian, October 30-31
|
|
2004
|
|
Perez, Christopher. Review, Contemporary
|
|
2004
|
|
Barclay, Alison. Just Spraying Alive, Herald Sun, October 26
|
|
2004
|
|
Roberts, Jo. How’s this for a Twist?, the Age, October 27, pg. 73
|
|
2004
|
|
Pheasant, Bill. Melbourne’s Meat Market a Work for Modern Art, The Australian Financial Review, October 28, pg. 48
|
|
2004
|
|
Prada, Progetto. Fondazione Prada, Milan
|
|
2004
|
|
Bennett, Oliver. The Quality of Mersey, The Observer Review, September 15
|
|
2004
|
|
Platow, Raphaela, Barry McGee, The Rose Art Museum of Brandeis University.
|
|
2002
|
|
Mandrini, Riccarda. Street Art, L’Uomo Vogue, August
|
|
2002
|
|
Baker, Alex. Stickers, Street Markets, Fantasy Folks Ruminations from Philadelphia, Tokyo, May/June
|
|
2002
|
|
Joo, Eungie, The New Folk, Flash Art, May/June
|
|
2002
|
|
Helfand, Glen. Barry McGee, Artforum.com, May 16
|
|
2002
|
|
Giovannini, Stefano. Talent Show, Nylon, February
|
|
2002
|
|
Heartney, Eleanor. Speaking for Themselves, Art in America, February, p. 53-55
|
|
2002
|
|
Joo, Eungie. The New Folk, Flash Art, May/June
|
|
2002
|
|
Powers, Bill. Quiet! Dad is Dusting His G.I Joes, The New York Times, December 30
|
|
2002
|
|
Smith, Roberta. Widely Unknown, The New York Times, December 14
|
|
2001
|
|
Aletti, Vince. Top 10 of 2001, ArtForum, December
|
|
2001
|
|
Juxtapoz, September/October, p. 6
|
|
2001
|
|
Schmidt, Jason. The Venice Biennale, V Magazine, September/October
|
|
2001
|
|
Birnbaum, Daniel. More is Less, ArtForum, September, p. 55-57
|
|
2001
|
|
Cohen, Michael. Street Market, Flash Art, January/February
|
|
2001
|
|
Amos, Sandy. Street Market, zingmagazine
|
|
2001
|
|
Valdez, Sarah. Street Market at Deitch Projects, Art in America, December
|
|
2001
|
|
Avgikos, Jan. Street Market, ArtForum, December
|
|
2001
|
|
Oliver, Suzanne. Bombs Away, The Face, November, p. 50
|
|
2001
|
|
Yablonsky, Linda. Street Market, Time Out New York, November 2-9
|
|
2001
|
|
Powers, Bill. Quiet! Dad is dusting his G.I Joes, The New York Times, December 30 2001: 1, 8.
|
|
2001
|
|
Smith, Roberta. Widely Unknown, The New York Times, December 14, 2001.
|
|
2000
|
|
Valdez, Sarah. Street Market at Deitch Projects, Art in America, December
|
|
2000
|
|
Avgikos, Jan. Street Market, Artforum, December
|
|
2000
|
|
Oliver, Suzanne. Bombs Away, The Face, November 2000: 50.
|
|
2000
|
|
Yablonsky, Linda. Street Market, Time Out New York, November 2-9 2000
|
|
2000
|
|
Street Market exhibition catalogue, Japan: Little More Publishers
|
|
2000
|
|
Baker, Alex. Indelible Market exhibition catalogue, Philadelphia: Institute of Contemporary Art
|
|
2000
|
|
Flannigan, Eileen. SoHO Exhibit Sparks Mental Flames, New York Amsterdam News, October 26-November 1
|
|
2000
|
|
Juicy Fruits, Tokion, November-December 2000
|
|
2000
|
|
Tokyo Jammin’, October 2000
|
|
2000
|
|
Siegal, Nina. Exhibit Becomes Opportunity for Arrest, The New York Times, October 10, p. B4
|
|
2000
|
|
Stecyk, C.R. Some Other Small Planet, Super X Media, April
|
|
2000
|
|
Venus, Rosa. The Artists in Their Studios, Flaunt Magazine, March
|
|
1999
|
|
Buddy System exhibition catalogue, New York: Deitch Projects
|
|
1999
|
|
Mccormick, Carlo. Barry McGee’s Twist of Faith, Paper, p. 33
|
|
1999
|
|
Leffingwell, Edward. Barry McGee at Deitch Projects, Art in America
|
|
1999
|
|
Scherr, Apollinaire. Stealing Beauty, San Francisco Magazine, November
|
|
1999
|
|
Smith, Roberta. The New York Times, April
|
|
1999
|
|
Blake, Nayland. Barry McGee, Interview Magazine, February, p. 44-46
|
|
1999
|
|
Kalm, James. Old School, New School, NY Arts
|
|
1998
|
|
Caniglia, Julia. ArtForum, 1998
|
|
1996
|
|
Bonetti, David. San Francisco Examiner, September 1996
|
|
1994
|
|
Baker, Kenneth. San Francisco Chronicle, June 1994
|
|
|
|
|
|
