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Peter Blake    (British, 1932)

 Peter Blake - 30 Year (Prints and Multiples) h: 16.5 x w: 13.5 in / h: 41.9 x w: 34.3 cm
Peter Blake
30 Year 2010
 Peter Blake - 4 Man Up (Photographs) h: 3 x w: 3 in / h: 7.6 x w: 7.6 cm
Peter Blake
4 Man Up 2009
 Peter Blake - A Walk Along Aldeburgh Beach (Prints and Multiples) h: 25 x w: 20.5 in / h: 63.5 x w: 52.1 cm
Peter Blake
A Walk Along Aldeburgh Beach 2011
 Peter Blake - A Walk in the Tuileries Gardens (Mixed Media) h: 13.5 x w: 16 in / h: 34.3 x w: 40.6 cm
Peter Blake
A Walk in the Tuileries Gardens 2004
 Peter Blake - African Necklaces (Photographs) h: 3 x w: 3 in / h: 7.6 x w: 7.6 cm
Peter Blake
African Necklaces 2009
 Peter Blake - American Trilogy (Prints and Multiples) h: 33 x w: 22.5 cm / h: 13 x w: 8.9 in
Peter Blake
American Trilogy 2012
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1932 Born June 25 in Dartford, Kent, England
1946 - 1951 Studied at Gravesend Technical College & School of Art, London, England
1953 - 1956 Studied at Royal College of Art, London, England
1964 - 1967 Taught at Royal College of Art, London, England
1967 Made cover design for Beatles' "Sergeant Pepper's Lonely Hearts Club Band"
1970 Used watercolour to illustrate Lewis Carroll’s "Through the Looking-Glass"
1975 Founder of the Brotherhood of Ruralists
1981 Becomes a Royal Academician
1983 Major retrospective exhibition at the Tate Gallery
1994 Third Associate of the National Gallery
1998 Honorary Doctor, Royal College of Art, London
2002 Received knighthood
Lives and works in London, England

2013 The House of Fairy Tales Cartographic Portfolio, London Original Print Fair, TAG Fine Arts, Royal Academy of Arts, London
2012 Peter Blake and Pop Music, Pallant House Gallery, Chichester
2012 Sir Peter Blake, CCA at the Mall Galleries, London (solo)
2012 Sir Peter Blake at 80, CCA at the Royal Albert Hall, London (solo)
2012 Sir Peter Blake – new and vintage works, Railings Gallery, London
2012 Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria (solo)
2012 Wetterling Gallery, Stockholm, Sweden (solo)
2010 25th London Original Print Fair, TAG Fine Arts, Royal Academy, London, England
2010 AAFNYC, TAG Fine Arts, New York City, NY
2007 Peter Blake: A Retrospective, Tate Liverpool, United Kingdom
2006 Peter Blake: 1975-2005, Wetterling Gallery, Stockholm, Sweden
2006 Peter Blake Prints and Sculpture, The Harley Gallery, Welbeck
2001 - 2006 Alphabet, York College of Further and Higher Education; touring to University College, Northampton; Michael Tippett Centre, Bath; Library Gallery, Kidderminster; Kirkby Gallery; Atkinson Art Gallery, Southport; Bersham Heritage Centre, Museum of Cannock Chase, Hednesford; Pittencrieff House Museum, Dunfermline; Wakefield Art Gallery, Bedales Gallery, Petersfield; Ashfield School, Kirkby in Ashfield; Central Library, Gateshead; The Babylon Gallery, Ely; Mill Green Museum and Mill, Hatfield; Bellshill Cultural Centre; Whitstable Museum and Art Gallery; The London Road Gallery, Northwich; Aberystwyth Arts Centre; Towneley Hall Art Gallery and Museum, Burnley; Norden Farm Centre for the Arts, Maidenhead; St Paul’s School, Barnes; Arts Complex, Solihull; Wingfield Arts, Mansfield Museum and Art Gallery; The Potteries Museum and Art Gallery, Stoke on Trent; Chapel Gallery, Ormskirk; Haworth Art Gallery, Accrington; St Davids Hall, Cardiff – tour continues, further venues to be confirmed (solo)
2005 Peter Blake: 1-10 (Collages, Constructions, Drawings & Sculpture) & The Marcel Duchamp Paintings, Waddington Galleries, London, England
2005 New Prints by Peter Blake, The Charing X Gallery, London, England
2003 Peter Blake: Commercial Art, The London Institute Gallery, London, England (graphic design)
2003 Peter Blake: Sculpture, The London Institute Gallery, London, England (sculpture)
2003 Peter Blake, Artiscope (Zaira Mis), Brussels, Belgium (solo)
2002 Over the Rainbow, Harley Gallery, Welbeck (solo)
2002 Sir Peter Blake/And Now We Are 70, Paul Morris Gallery, New York, NY (solo)
2000 Peter Blake: About Collage, Tate Liverpool, United Kingdom (solo)
1999 A Cabinet of Curiosities from the Collections of Peter Blake, Morley Gallery, London, England (solo)
1996 - 1997 Now We Are 64: Peter Blake at the National Gallery, National Gallery, London, England ; touring to Whitworth Art Gallery, Manchester, United Kingdom (solo)
1995 Galerie Claude Bernard, Paris , France (solo)
1993 The Tabernacle Cultural Centre, Machynlleth (silk-screen prints) (solo)
1992 Govinda Gallery, Washington D.C. (Eric Clapton sketches) (solo)
1990 Wetterling Gallery, Gothenburg, Sweden (solo)
1990 Waddington Galleries, London, England (solo)
1990 Govinda Gallery, Washington DC (Eric Clapton sketches)
1988 Nishimura Gallery, Tokyo, Japan (solo)
1986 - 1987 Watermans Art Centre, Brentford, Middlesex; touring to Turnpike Gallery, Leigh (solo)
1984 Galerie Claude Bernard, Paris, France (solo)
1983 Tate Gallery, London (retrospective); touring to Kestner Gesellschaft, Hannover, Germany (solo)
1980 Galleria Documenta, Turin, Italy (drawings and prints) (solo)
1979 Bohun Gallery, Henley-on-Thames, United Kingdom (drawings and prints) (solo)
1978 Waddington Graphics, London, England (solo)
1977 Waddington and Tooth Galleries, London, England (solo)
1974 Natalie Stern Gallery, London, England (print retrospective) (solo)
1973 - 1974 Stedelijk Museum, Amsterdam; touring to Kunstverein Hamburg; Gemeentemuseum, Arnhem; Palais des Beaux-Arts, Brussels (solo)
1972 Waddington Galleries, London, England (watercolours and drawings (solo)
1970 Ashgate Gallery, Farnham, united Kingdom (solo)
1969 Robert Fraser Gallery, London , England(solo)
1969 City Art Gallery, Bristol, United Kingdom(solo)
1969 Leslie Waddington Prints, London, England (solo)
1965 Robert Fraser Gallery, London, England (solo)
1962 Portal Gallery, London, England (solo)

2006 ‘September’, DACS 2006 calender
2005 Grimwood, Brian: ‘Waxworks to Cossacks’, The Journal of the Associations of Illustrators, February/March, pp. 14-21
2004 Bennett, Oliver: ‘Post-war excitement: the attraction of collecting Pop Art’, The Independent, 20 March, pp. 10-11
2003 Harrison, David: ‘Getting back to nature’, Bristol Evening Post, 11 February,
2002 Roberts, Eric: ‘An old master’s pick of the pops’, Yorkshire Post, 28 August, p.13
2001 Lacey, Hester (interview): 'How we met: Peter Blake & Rick Stein', , 4 March, p.62
2000 Johnson, Holly: 'Meeting the Magician', Modern Painters, Spring, pp.90-94
1999 Dutt, Robin: 'Custodian of curiosities', Evening Standard, 8 October, p.33
1998 Lyttelton, Celia: 'My greatest work of art', High Life (British Airways), May
1997 The 20th-Century Art Book, Phaidon Press, London
1996 Hyatt, Derek: 'What is Real?', Modern Painters, Spring, pp.106–107
1995 Lambirth, Andrew: 'Peter Blake, Patrick Caulfield, Howard Hodgkin: Paintings from the 60's and 70's', What's On in London, 15–22 March
1994 Barnes, Rachel: 'Have a nice day, Mr Blake', The Guardian, 18 March, pp.6
1993 Bernard, Kate: 'Tempera fugit', Harpers & Queen, March, pp.150–53,154
1992 Davies, Hunter: 'Portrait of the artist (a work in progress)', The Independent, 19 May
1991 McHugh, Fionnuala: 'Blake's Progress', The Telegraph Weekend Magazine, 5 January
1990 'Film Star Marilyn is just Peter's palette', Western Daily Press (Bristol), 21 February
1989 Brown, Jane: 'The Brotherhood of Ruralists and their friends in the Secret Garden', Hortus, Spring, no.9
1988 'Art' Column, Asahi Journal (Japan), 17 June, p.44
1987 Kemp, John: 'Peter Blake talks to John Kemp', Artseen, no.15, pp.8–10
1986 Brown, John: 'Blake's Heaven', London Gentleman, March, p.27
1985 'Peter the Painter', (Peter Blake talking to David Litchfield and Celia Lyttelton), Ritz, March
1984 D.M.Z: 'Queer Goings on at Sadlers Wells', Artline, April, vol.II, no.1
1983 'Rocking at the Tate', The Standard, 6 January
1982 von Joel, Mike (interview): 'Peter Blake: In Retrospect', Art Line Newspaper, no.2, November, pp.5–7
1981 Vaizey, Marina: 'Elegy for a country garden' (review), The Sunday Times, 19 April, p.41
1980 Dury, Ian (interviewed on Peter Blake): New Musical Express, 19 July, pp.27–28
1979 Fuller, Peter: 'Peter Blake meets Peter Fuller', Aspects, Spring, no.6
1978 Blake, Peter: 'Contrariwise', Aspects, no.3, pp.1–2
1977 Vaizey, Marina: 'Jim Dine and Peter Blake' (review), Arts Review, 15 April, vol.29, no.8, pp.253–254
1976 Overy, Paul: 'Superstars for a day: the rise of Pop art in England' (review), The Times, 2 June, p.12
1975 Greenwood, Michael: 'British Painting '74' (review), Artscanada, March, no.196/7, pp.29–34
1974 Metken, Sigrid: 'Facteur Chevals Posttasche: die Bildpostkarte in der Kunst', Das Kunstwerk, January, vol.27, no.1, p.7
1973 Von Graevenitz, Antje: 'Museen und Galerien: Niederlande' (review), Pantheon, January/February/March, vol.32, no.1, p.98
1972 Russell, John: 'Best of Boys' (review), The Sunday Times, 10 December, p.37
1971 Denvir, Bernard: 'London Letter' (review), Art International, February, vol.15, no.2, pp.42–45
1970 Coleman, Roger: 'Peter Blake's Nostalgia' (review), Art and Artists, January, vol.4, no.10, pp.30–32
1969 Field, Simon: 'The pleasure principle' (review), Art and Artists, May, vol.4, no.2, pp.56–57
1968 Roberts, Keith: 'Blake, Dine, Hamilton/Arts Council Gallery' (review), Varsity, 20 January, p.17
1967 Overy, Paul: 'On the streets' (review), The Listener, 13 July, vol.78, no.1998, p.45
1966 Baro, Gene: 'London: a busy, vigorous season' (review), Arts Magazine, January, vol.40, no.3, pp.45–49
1965 Russell, John: 'London/NYC: the two-way traffic', Art in America, April, vol.53, no.2, pp.134,136
1964 Roberts, Keith: The Burlington Magazine (review), March, vol.106, no.732, pp.137–142
1963 Nordland, Gerald: 'Europe in California' (review), Arts Magazine, vol.37, no.9,
1962 Farr, Dennis: 'The John Moores Liverpool Exhibition', The Burlington Magazine, January, vol.104, no.706, pp.30–31
1961 Ironside, Robin: 'The Prize Paintings' (review), The Sunday Times, 19 November, p.38
1960 'Is it art?' (review of I.C.A. exhibition), Daily Sketch, 20 January
1959 Blake, Peter: 'Supermidget with Mini-man' (cartoon strip), Ark, no.24, Winter, p.44
1958 Melville, Robert: Architectural Review (review), April, vol.123, no.735, pp.278–279
1956 Wallis, Neville: 'Designs for tomorrow', The Observer, 12 August, p.10
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