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Maximilien Luce    (French, 1858-1941)

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A painter, lithographer and draftsman, Maximilien Luce was born into a poor family in Paris on March 13, 1858. After an initial training as a wood carver at the Ecole des Arts décoratifs, he began to study engraving in 1872 and took evening courses to deepen his knowledge. In 1876 he entered the shop of the engraver Eugène Froment (1844-1900), with whom he traveled to London in 1877. After his return to Paris in 1879 Luce began his 4-year military service. During his service and later, up to 1885, he studied at the Académie Suisse and the studio of Carolus-Duran (1837-1917) at the Ecole des Beaux-Arts. In his painting, he became influenced by Impressionism. In the 1880s he met and established friendly contacts with many Parisian painters, including Camille Pissarro (1830-1903), Georges Seurat (1859-1891) and Paul Signac (1863-1935). Together with them he was one of the founders of Neo-Impressionism (Pointillism).
Through Camille Pissarro, Luce came under the influence of Anarchist ideas and formed friendships with the Anarchist writers and journalists Jules Christophe, Jean Grave, Georges Darien and Emile Pouget. In 1894 he became involved in the Trial of the Thirty and served a short term of imprisonment.
Until 1904 Luce lived in Montmartre, the streets of which he liked to paint. During 1904-1924, he lived in Auteuil, then moved back to Paris. Besides street scenes, factories and wharfs, he painted numerous landscapes on his travels through the Etampes, Normandy and Brittany. During the First World War he also painted war scenes, wounded and homecoming soldiers. In 1934, Maximilien Luce was elected President of the Société des Artistes Indépendants after Signac’s retirement, but soon resigned in a protest against society's policy to restrict the admission of Jewish artists.
Maximilien Luce died in Paris in 1941. He remains an important artist in Pointillism and social realism.
France: Paris (Biblioteque Nationale Cabinet des Estampes, Musée National d’Art Moderne, Musée d’Orsay); Saint-Tropez (Musée de l’Annonciade); Charleroi (Musée des Beaux-Arts); Mantes-la-Jolie, (Musée Maximilien Luce)
Finland: Amos (Anderson Art Museum)
Switzerland: Geneva (Pétit Palais, Fondazione Oscar Ghez)
UK: Glasgow (Museums and Art Galleries)
Holand: Otterloo (Musée Rijksmuseum Kröller-Müller)
Spain: Toledo (Museum of Art)
USA: Saint-Louis (Art Museum); Springfield (Museum of Fine Arts, James Philip Gray Collection); Cleveland (Museum of Art); Indianapolis (Museum of Art, The Holliday Collection); New York (The Metropolitan Museum of Art); San Diego (Museum of Art)

Enciclopedia Universale Seda della Pittura Moderna, Milano, Seda, 1969
A. M. Comanducci, Dizionario illustrato dei Pittori, Disegnatori e Incisori Italiani Moderni e Contemporanei, Milano, Luigi Patuzzi Editore, 1972
P. Cazeau, Maximilien Luce, Lausanne, Paris, La Bibliothéque des arts, 1982
J.B. Luce, D. Bazetoux, Maximilien Luce, Catalogue raisonné de l’Oeuvre Peint, Parigi, Editions JBL, 1986
B. Chavanne, B. Gaudichon, Catalogue Raisonné des peintures des XIX et XX siècle dans les collections du Musée de la Ville de Poitiers et de la Societé des Antiquaires de l’Ouest, 1988
F. Lespinasse, La Normandie vue par les peintres, Losanna, Edita, 1988
A.A.V.V., Pointillisme, sur les traces de Seurat, Losanna, Fondations de l’Hermitage, 1997
N. Coret, Autour des Néo-Impressionnistes, Paris, Somogy Editions d’Art, 1999
Noël Coret, Les peintres de la vallée de la Marne, Tournai, La Renaissance du Livre, 2000
Da Renoir a Picasso, un secolo d’arte al Petit Palais di Ginevra, a cura di Paola Gribaudo, Milano, Electa, 2001
Da Caillebotte a Picasso, I capolavori della collezione Oscar Ghez dal Museo del Petit Palais di Ginevra, a cura di L. Caramel, N. Sainte Fare Garnot, G. Gentry, Milano, Mazzotta, 2003
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