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Cerith Wyn Evans    (British, 1958)

 Cerith Wyn Evans - ...later on they are in a garden... (Installations) h: 230 x w: 490 cm / h: 90.6 x w: 192.9 in
Cerith Wyn Evans
...later on they are in a garden... 2007
 
 Cerith Wyn Evans - Brasilia 01.09.04 (Photographs) h: 10 x w: 12 in / h: 25.4 x w: 30.5 cm
Cerith Wyn Evans
Brasilia 01.09.04 2006
 
 Cerith Wyn Evans - Faces of Our Time Penetrated, after Yousuf Karsh I (Prints and Multiples)
Cerith Wyn Evans
Faces of Our Time Penetrated, after Yousuf Karsh I 2007
 
 Cerith Wyn Evans - In Which Something Happens... (Installations)
Cerith Wyn Evans
In Which Something Happens...
 
 Cerith Wyn Evans - Ink Drawing with Alphabet (Penetrated) II (Works on Paper (Drawings, Watercolors etc.)) h: 70 x w: 50 cm / h: 27.6 x w: 19.7 in
Cerith Wyn Evans
Ink Drawing with Alphabet (Penetrated) II 2010
 
 Cerith Wyn Evans - Locus Solus (Sculptures)
Cerith Wyn Evans
Locus Solus 2010
 
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Biografie
1958 Born, Wales
1980 Graduated, St Martin’s School of Art, London
1984 MA, Film and Video, Royal College of Art, London
Lives and works in London

Ausstellungen
2012 Dérive, Galerie Buchholz, Berlin, Germany (solo)
2012 Détourne, Schikel Pavillon, Berlin, Germany (solo)
2012 Constructed Situation, MD72, Berlin, Germany (solo)
2011 Bergen Kunsthall, Bergen, Norway (solo)
2011 Assemblage, Galerie Neu, Berlin, Germany (solo)
2011 Die Fünfte Säule, Secession, Vienna, Austria (solo)
2011 Geheimgesellschaften, Schirn Kunsthalle, Frankfurt , Germany
2011 Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin , Germany
2011 Objektiv, Haubrockshows, Berlin, Germany
2011 I hate Paul Klee, Leopold Hoesch Museum, Düren, Germany
2011 Still Life with Phrenology Head, Isabella Bortolozzi, Berlin, Germany
2010 Von Realer Gegenwart, Kunstverein Düsseldorf / Kunsthalle Düsseldorf, Düsseldorf, Germany
2009 Galleria Lorcan O´Neill, Rome (solo)
2009 de Singel - International Arts Centre, Antwerp, Belgium (solo)
2009 Permit yourself..., Galerie Daniel Buchholz, Cologne, Germany (solo)
2009 A=p=p=a=r=i=t=i=o=n, Tramway, Glasgow (with Throbbing Gristle), UK (solo)
2009 Inverleith House, Edinburgh, Scotland (solo)
2009 GAGARIN the Artists in their Own Words - The first Decade, SMAK Gent
2009 Where Do We Go From Here?, Bass Museum Of Art, Miami Beach, USA
2009 The Dark Monarch, Tate St. Ives, St. Ives, UK
2009 Quodlibet II, Galerie Daniel Buchholz, Cologne, Germany
2009 The splendour of fear, Michael Benevento, Los Angeles, USA
2009 Audio, Video, Disco, Kunsthalle Zürich, Zurich, Switzerland
2009 No night No das (with Florian Hecker), screening at Teatro Goldoni, Venice, Italy
2009 Nous Tournons Dans La Nuit..., Musée département d’art contemporain, Rochechouart, France
2009 nothing to say and I am saying it, Kunstverein Freiburg, Germany
2009 Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, UK
2008 Leigh Bowery, Kunstverein, Hannover, Germany
2008 Everstill, Casa-Museo Federico Garcia Lorca, Granada, Sain
2008 This is Not a Void, Galeria Luisa Strina, Sao Paulo, Brazil
2008 Always Begins by Degrees, The Common Guild, Glasgow, UK
2008 Punk. No One is Innocent, Kunsthalle Wien, Vienna, Austria
2008 [SCENE MISSING], Georg Kargl Gallery, Vienna, Austria
2008 Martian Museum of Terrestrial Art, Barbican, London, UK
2008 In The Beginning, University Art Gallery, UC San Diego, California, USA
2008 Voice and Void, The Aldrich Contemporary Art Museum, Ridgefield, USA
2008 You Dig The Tunnel - I'll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London, UK
2008 Typed, Sadie Coles HQ, London, UK
2008 Voice and Void, Galerie im Taxispalais, Innsbruck, Austria
2008 Cerith Wyn Evans, Galpão Fortes Vilaça, Sao Paulo, Brazil (solo)
2008 ...visibleinvisible, MUSAC, Leon, France (solo)
2008 Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo)
2007 Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh, UK
2007 Sculpture in the Close, Jesus College, Cambridge, UK
2007 The Projection Project: Budapest episode, Műcsarnok Kunsthalle, Budapest, Hungary
2007 Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, UK
2007 Before the advert of radio astronomy, Kunsthaus Bregenz, Bregenz, Austria
2007 This is the love of these, Magazin 4, Bregenz, Austria
2007 Romantic Conceptualism, Kunsthalle Nürnberg, Nurnberg, Germany; BAWAG Foundation, Vienna, Austria
2007 The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London, UK
2007 Pale Carnage, Arnolfini, Bristol, UK; Dundee Contemporary Arts, Dundee, UK
2007 Socle Du Monde, Daniel Buchholz, Cologne, Germany (solo)
2007 Remote Viewing, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo)
2007 Futa Omote (double face), Taka Ishii, Tokyo, Japan (solo)
2007 Bubble Peddler, Kunsthaus Graz, Graz, Austria (solo)
2006 Cerith Wyn Evans, Kunstbau Lenbachhaus, Munich, Germany (solo)
2006 Take my eyes and through them see you, Institute of Contemporary Arts, London, UK (solo)
2006 …in which something happens all over again for the very first time, Musée d’Art Moderne de la Ville de Paris/ARC, Paris, France (solo)
2006 The Curves of the Needle, White Cube, London, UK (solo)
2006 All Hawaii entr�es / Lunar Reggae, Irish Museum of Modern Art, Dublin, Ireland
2006 How To Improve The World, Hayward Gallery, London, UK
2006 'Nach Rokytnik', Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria
2006 Thank you for the music (London Beat), Sprüth Magers Lee, London, UK
2006 The Expanded Eye, Kunsthaus Zürich, Zurich, Switzerland
2006 Stage of Life-Rhetorics of Emotion, Lenbachhaus, Munich, Germany
2006 Tate Triennial 2006: New British Art, Tate Britain, London, UK
2005 The Sky is Thin As Paper Here, Kunsthaus Graz - BIX Media Façade, Graz, Austria (solo)
2005 Eaux d’artifice (after K.A.), The Conservatory, Barbican Centre, London, UK (solo)
2005 Once a Noun, Now a Verbï ..., Galerie Neu, Berlin, Germany (solo)
2005 299792458m/s, BAWAG Foundation, Vienna, Austria (solo)
2005 Flourish, Moravian Gallery, Brno, Czech Republic
2005 Thank you for the music, Spr�th Magers Project, Munich, Germany
2005 Light Art from Artificial Light, ZKM, Karlsruhe, Germany
2005 Pasolini E Roma, Museo di Roma, Trastevere, Italy
2005 9th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul, Turkey
2005 Seoul Film Festival, Seoul, North Corea
2005 London in Six Easy Steps, ICA, London, UK
2005 The Vanity of Allegory, Deutsche Guggenheim, Berlin, Germany
2005 I Really Should..., Lisson Gallery, London, UK
2005 Summer Exhibition 2005, Royal Academy, London, UK
2005 Bidibidobidiboo: La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Piazza del Municipio, Guarene d’Alba. Fondazione Sandretto Re Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin, Italy
2005 Light Lab, MUSEION, Bolzano, Italy
2005 Can Buildings Curate, AA School of Architecture, London, UK
2005 Ice Storm, Kunstverein München, Munich, Germany
2005 I’d Rather Jack, National Galleries of Scotland, Edinburgh, UK
2005 E-Flux Video Rental Store, KW Institute for Contemporary Art, Berlin, Germany
2005 Ellen Cantor, Cerith Wyn Evans, Prince Charles Cinema, London, UK
2004 Thoughts unsaid, now forgotten, MIT Visual Arts Center, Boston, USA (solo)
2004 Cerith Wyn Evans, Museum of Fine Arts, Boston, USA (solo)
2004 Cerith Wyn Evans, Centre Georges Pompidou, Paris, France (solo)
2004 Cerith Wyn Evans, Kunstverein Frankfurt, Frankfurt, Germany (solo)
2004 The Sky is Thin as Paper Here, Galerie Daniel Buchholz, Cologne, Germany (solo)
2004 Meanwhile Across Town, Centre Point, London, UK (solo)
2004 Rabbit's Moon, Camden Arts Centre, London, UK (solo)
2004 Eclipse: Towards the Edge of the Visible, White Cube, London, UK
2004 Black Friday: Exercises in Hermetics, Revolver, Frankfurt, Germany
2004 The Ten Commandments, Deutsches Hygiene-Museum, Dresden, Germany
2004 Drunken Masters, Galeria Fortes Vila'a, Sao Paulo, Brazil
2004 Making Visible, Galleri Faurschou, Copenhagen, Denmark
2004 Marc Camille Chaimowicz, Angel Row Gallery, Nottingham, UK
2004 Doubtiful Dans Les Plis Du Reel, Galerie Art & Essai, Rennes, France
2004 Hidden Histories, New Art Gallery Walsall, Walsall, UK
2004 Ulysses, Galerie Belvedere, Vienna, Austria
2004 Sans Soleil, Galerie Neu, Berlin, Germany
2004 Bazar de Ver�o, Galeria Fortes Vila'a, Sao Paulo, Brazil
2004 Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria
2004 Curating the Library, DE Singel, Antwerp, Belgium
2004 Schöner Wohnen (Living Nicely), Platform voor Actuele Kunst, Waregem, Belgium
2004 Utopia Station, Haus der Kunst, Munich, Germany
2004 Uses of the Image: Photography, Film and Video In The Jumex Collection, Malba, Buenos Aires, Argentinia
2004 Quodlibet, Galerie Daniel Buchholz, Cologne, Germany
2004 Traffic d�influences: Art & Design, Tri Postal, Lille, France
2004 The Future Has A Silver Lining: Genealogies of Glamour, Migros Museum for Contemporary Art, Zurich, Switzerland
2004 Einleuchten, Museum der Moderne, Salzburg, Austria
2003 Take a Bowery: The Art and (larger than) Life of Leigh Bowery, MCA Sydney, Sydney, Australia
2003 Wittgenstein Family Likenesses, Institute of Visual Culture, Cambridge, UK
2003 Heiliger Sebastian: A Splendid Readiness For Death, Kunsthalle Vienna, Vienna, Austria
2003 Further: Artists from Wales, 50th International Venice Biennale, Venice, Italy; Aberystweth Arts Centre, Aberystweth; Glynn Vivian Art Gallery, Swansea and National Museum & Gallery of Wales, Cardiff, UK
2003 Utopia Station, 50th International Venice Biennale, Venice, Italy
2003 Adorno, Frankfurter Kunstverein, Frankfurt, Gemany
2003 Galleria Lorcan O'Neill, Rome, Italy
2003 Independence, South London Gallery, London, UK
2003 Addiction, 15 Micawber Street, London, UK
2003 Light Works, Taka Ishii Gallery, Tokyo, Japan
2003 Someone to Share My Life With, The Approach, London, UK
2003 The Straight or the Crooked Way, Royal College of Art Galleries, London, UK
2003 Cardinales, MARCO, Vigo, Spain
2003 Edïton, La Coleccion Jumex, Mexico City, Mexico
2003 Look at that picture. How does it appear to you now? Does it seem to be Persisting?, White Cube, London, UK (solo)
2003 Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA (solo)
2003 Cerith Wyn Evans, Galerie Neu, Berlin, Germany (solo)
2003 Take your desires for reality, Cerith Wyn Evans/MATRIX 201c, UC Berkeley Art Museum and Pacific Film Archive, Berkeley (solo)
2002 Cerith Wyn Evans Screening, Galerie Daniel Buchholz, Cologne, Germany (solo)
2002 Documenta11, Kulturbahnhof, Museum Fridericianum, Documenta-Halle, Orangerie/Karlsaue and Binding-Brauerei, Kassel, Germany
2002 Mirror: Its Only Words, London College of Printing, The London Institute, London, UK
2002 Shine, The Lowry Centre, Manchester, UK
2002 My Head is on Fire but My Heart is Full of Love, Charlottenborg Museum, Copenhagen, Denmarl
2002 Lost Past/2002-1914, Merghelynck Museum, Ypres, France
2002 Screen Memories, Contemporary Art Centre, Art Tower Mito, Ibaraki, Japan
2002 Iconoclash. Image Wars in Science, Religion and Art, Center for Art and Media, Karlsruhe, Germany
2002 Void Archive, Centre for Contemporary Art, Kitakyushu, Japan
2002 It's Only Words, Mirror Gallery, The London Institute, London, UK
2002 ForwArt, Palais des Beaux-Arts, Brussels, Belgium
2002 In the Freud Museum, Freud Museum, London, UK
2001 Wales: Unauthorized versions, part of Welsh days festival, Extended Media Gallery and House of the Croatians Artists, Zagreb, Croatia
2001 Yokohama 2001: International Triennale of Contemporary Art, Yamashita Pier, Yokohama, Japan
2001 There is something you should know: Die EVN Sammlung im Belvedere, Öterreichische Galerie Belvedere, Vienna, Austria
2001 Gymnasion, Bregenzer Kunstverein, Bregenz, Austria
2001 My Generation 24 Hours of Video Art, Atlantis Gallery, Londonm, UK
2001 Wir, Comawoche. Film Screening, Metropolis Cinema, Hamburg, Germany
2001 How do you change, Institute of Visual Culture, Cambridge, UK
2001 Bridge the Gap, Industrial Club of the West of Japan/Centre for Contemporary Art, Kitakyushu, Japan
2001 Dedalic Convention, Museum für angewandte Kunst, Vienna, Austria
2001 Zusammenhänge in Biotop Kunst, Kunsthaus Muerz, Muerzzuschlag, Austria
2001 Video Screening, Anthony Wilkinson Gallery, London, UK
2001 The Stunt/The Queel, London Institute, RAMC, London, UK
2001 What's Wrong?, Trade Apartment, London, UK
2001 Diesseits und jenseits des Traums, Sigmund Freud Museum, Vienna, Austria
2001 Cerith Wyn Evans, Galerie Daniel Buchholz, Cologne, Germany (solo)
2001 Cerith Wyn Evans, Kunsthaus Glarus, Glarus, Switzerland (solo)
2001 Cerith Wyn Evans, Georg Kargl Gallery, Vienna, Austria (solo)
2001 Cerith Wyn Evans The Art Newspaper project: Venice Biennale, Venice, italy (solo)
2000 Cleave 00. Art Now, Tate Britain, London, UK (solo)
2000 Cerith Wyn Evans, fig-1, London, UK (solo)
2000 Has the film already started?, Galerie Neu, Berlin, Germany (solo)
2000 Sensitive, Printemps de Cahors, Saint-Cloud, Farnce
2000 Rumours, Arc en Reve Centre d'Architecture, Bordeaux, France
2000 La Ville, le Jardin, la Memoire 1998-2000, The French Academy at Rome, Villa Medici, Rome, italy
2000 Ever get the feeling you've been, A22 Projects, London, UK
2000 There is something you should know, Die EVN Sammlung im Belvedere, Vienna, Austria
2000 Out There, White Cube, London, UK
2000 The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh, UK
2000 The Greenhouse Effect, Serpentine Gallery in collaboration with The Natural History Museum, London, UK
2000 Lost, Ikon Gallery, Birmingham, UK
1999 Group exhibition, Re Rebaudengo Collection, Re Rebaudengo Gallery, Turin, Italy
1999 54x54, Financial Times Building, London, UK
1999 Group exhibition, Galerie Neu, Berlin
1999 Retrace your steps: Remember Tomorrow, Sir John Soane’s Museum, London, UK
1999 La Memoire, The French Academy in Rome, Rome, Italy
1999 Fourth Wall, Public Art Development Trust, Royal National Theatre, London, UK
1999 Essential Things, Robert Prime, London, UK
1997 - 1999 Sensation, Royal Academy of Arts, London and Hamburger Bahnhof, Berlin, Germany
1998 How will we behave?, Robert Prime, London, UK
1998 From the Corner of the Eye, Stedelijk Museum, Amsterdam, the Netherlands
1998 View Four, Mary Boone Gallery, New York, USA
1998 Ray Rapp, Tz’Art & Co., New York, USA
1998 Close Echos: Public Body and Artificial Space, City Art Gallery, Prague and Kunsthalle, Krems, Austria
1997 7th International Video Week, Geneva, Switzerland
1997 A Print Portfolio from London, Atle Gerhardsen, Oslo, Norway
1997 Gothic, ICA Boston, Boston, USA
1997 False Impressions, The British School at Rome, Rome, Italy
1997 Material Culture, Hayward Gallery, London, UK
1996 Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris, France and Centro de Exposições do Centro Cultural de Belém, Lisbon, Protugal
1996 Against, Anthony d’Offay, London, UK
1996 Some Drawings From London, 20 Princelet Street, London, UK
1996 British Artists in Rome, Studio Casagrande, Rome, Italy
1996 Kiss This, Focal Point Gallery, Southend, UK
1995 Sick, 152 Brick Lane, London, UK
1995 Stoppage, FRAC Tours, Tours, France
1995 General Release: Young British Artists, Scuola di San Pasquale, Venice, Italy
1995 Faction Video, Royal Danish Academy of Fine Arts, Copenhagen, Denmark
1995 Future Anterior, Eigen + Art’s/IIAS - Young British Artists, London, UK
1994 Potato, IAS, London, UK
1994 Olive Tree Installation, The Orangery, Holland Park, London, UK
1994 Superstore Boutique, Laure Genillard Gallery, London, UK
1994 People Must Bed God to Stop..., Performance at Fete Worse than Death, London , UK
1994 Flux, Minema Cinema, London , UK
1994 Liar, Hoxton Square, London, UK
1994 5th Oriel Mostyn Open Exhibition, Oriel Mostyn, Llandudno, UK
1993 Modern Medicine, Installation/event at the Barley Mow with Angus Fairhurst and Leigh Bowery in association with Factual Nonsense Gallery, London, UK
1993 Speaking of Sofas, Tate Gallery, London, UK and Gavin Brown’s Enterprise, New York, USA
1992 240 Minutes, Galerie Esther Schipper, Cologne, Germany
1992 Cerith Wyn Evans and Gaylen Gerber, Wooster Gardens Gallery, New York, USA
1990 Sign of the Times, MOMA, Oxford, UK
1990 Image and Object in Current British Art, Centre Georges Pompidou, Paris, France
1988 Degrees of Blindness, Edinburgh Film Festival, Edinburgh, UK
1988 The Melancholy Imaginary, In collaboration with Jean Mathee, London Film Makers Co-op, London, UK
1987 The Elusive Sign, Tate Gallery, London, UK
1985 Syncronisation of the Senses, ICA, London, UK
1985 The New Pluralism, Tate Gallery, London, UK
1984 The Salon of 1984, ICA, London, UK
1984 Artist as Film Maker, National Film Theatre, London
1983 The New Art, Tate Gallery, London, UK

Literatur
2007 Seifermann and Jörg Heiser (Eds.). Romantic Conceptualism, Bielefeld/Leipzig: Kerber Verlag, 2007
2007 Schafhausen, Nicolaus and Max Hollein (Eds.). Kunst/Art: Lufthansa Aviation Center, Frankfurt: Revolver, 2007
2007 Mair, Robert and Rod Mengham. Sculpture in the Close, Cambridge: Jesus College, 2007
2007 Bracewell, Michael and Tom Trevor. Pale Carnage, Arnolfini, Bristol, 2007
2007 König, Walther. Bubble Peddler, Cologne: Kunsthaus Graz, 2007
2006 …in which something happens all over again for the very first time, Paris: Musée D’Art de la Ville de Paris/ARC, 2006
2006 Rugoff, Ralph, Michael Archer, Marjorie Allthorpe-Guyton and Roger Malbert. How to Improve the World: 60 Years of British Art, London: Hayward Gallery, 2006
2006 Thomas, Rachael. All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art (IMMA), Dublin, 2006
2006 Curiger, Bice, Ina Blom, Diedrich Diederichsen, Kurt W. Forster, Al Rees and Rüdiger Wehner. The Expanded Eye: Sehen – entgrenzt und verflüssigt, Ostfildern: Kunsthaus Zürich: Hatje Cantz Verlag, 2006
2006 Rebentisch, Juliane. Stage of Life – Rhetorics of Emotion, Köln: Lenbachhaus München: Verlag der Buchhandlung Walther König, 2006
2006 Ruf, Beatrix, Clarrie Wallis, Jan Verwoert, Gair Boase, Siobhan McCracken, Emily Pethick, Katherine Stout, Catherine Wood. Tate Triennial 2006: New British Art, London: Tate Britain: Tate Publishing, 2006
2005 The Curves of the Needle, Wien : BAWAG Foundation, 2005
2004 Spiegl, Andreas, Jan Verwoert, Juliane Rebentisch and Manfred Hermes. Cerith Wyn Evans, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2004
2004 Arning, Bill. Thoughts unsaid, now forgotten…, Boston: MIT List Visual Art Center, 2004
2004 Higgie, Jennifer. Cerith Wyn Evans, London: Camden Arts Centre, 2004
2004 Biesenbach, Klaus, Frank Crusemann, Roger N. Lancaster, Ulf Poschardt, Christian Höller, Jan Verwoert, Hartmut Krauss, Navid Kermani, Alexander Meschnig, Genevieve Hesse, Desmond Morris, Ilona Ostner, Susan Sontag, Dietmar Mieth, Dennis Altman, Linda Singer, Kevin Bales, Christiane Grefe, Christiane Leidinger, Gabriele Cleve, Isabelle Graw and Niklas Maak. Diezehngebote, Dresden: Deutsches Hygiene Museum and Ostfildern-Ruit: Hatje Cantz, 2004
2004 Bonami, Francesco and Gigiotto Del Vecchio. Sensi Contemporanei in Campana, Venice: La Biennale di Venezia, 2004
2004 Holert, Tom, Heike Munder, Ian Penman and Terre Thaemlitz. The Future Has A Silver Lining, Zurich: Migros Museum für Gegenwartskunst Zurich and JRP/Ringier 2004
2004 Van Winkel, Camiel and Moritz Küng. Schöner Wohnen (Living Nicely), Waregem: Platform voor actuele kunst, 2004
2004 Shani, Annushka. Eclipse: Towards The Edge of the Visible, London: Jay Jopling/White Cube, 2004
2004 Trummer, Thomas. Ulysses, Vienna: Galerie Belvedere, 2004
2004 Petry, Michael. Hidden Histories: Twentieth Century Male Same Sex Lovers In The Visual Arts, London: Artmedia Press, 2004
2004 Mavridorakis, Valérie, Elvan Zabunyan and David Perreau. Doubtiful dans les plis du reel, Rennes: Art & Essai, University of Rennes, 2004
2004 Zyman, Daniela. ein-leuchten, Vienna: Museum der Modern Salzburg, 2004
2003 Shani, Annushka. Look at that picture… How does it appear to you now? Does it seem to be Persisting?, London: Jay Jopling/White Cube, 2003
2003 A. Kaye, Richard, Carlo Santoli, Germaine Greer and Gerald Matt. Heiliger Sebastian: A Splendid Readiness for Death, Vienna: Kunsthalle Wien and Bielefeld: Kerber Verlag, 2003
2003 Manacorda, Francesco. The Straight or Crooked Way, London: Royal College of Art, 2003
2003 Graw, Isabelle and Georg Schöllhammer. Adorno: The Possibility of the Impossible Vol II, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003
2003 Hirsch, Michael, Vanessa Joan Müller and Nicolaus Schaufhausen (Eds.). Adorno: The Possibility of the Impossible Vol I, Frankfurt: Frankfurter Kunstverein and New York: Lukas & Sternberg, 2003
2003 Fleming, Patricia, Julia Heynen, Kris Cohen, Sarah Cook, Caoimhín Mac Giolla Léith, Jan Verwoert and Will Bradley. Further: Artists from Wales at the 50th International Art Exhibition, Venice, Cardiff: Wales Art International, 2003
2002 Enwezor, Okwui. Documenta 11_Platform 5: Exhibition, Kassel: Museum Friedericianum Veranstaltungs-GmbH and Ostfildern-Ruit: Hatje Cantz, 2002
2002 Bezzan, Cécilia. ForwArt, Brussels: Palais des Beaux-Arts, 2002
2002 Iida, Takayo. Screen Memories, Ibaraki: Contemporary Art Center, Art Tower Mito, 2002
2002 Bradley, Will, Henriette Bretton-Meyer and Toby Webster. My Head is on Fire but my Heart is Full of Love, Copenhagen: Charlottenborg Museum, 2002
2002 Anderson, Emma and Alistair Robinson. Shine, Balford: Lowry Press, 2002
2001 Fig.1: the commemorative book. London: Spafax Publishing and Tate Publishing, 2001
2001 Farquharson, Alex. ‘Wales’: Unauthorized versions, Zagreb: Croatian Association of Artists, 2001
2001 Lee, Jane, David Beech, Peter Lewis and Victor Burgin. Gymnasion, Bregenz: Bregenzer Kunstverein, 2001
2000 Meredith, Rachel. Cerith Wyn Evans. Art Now, London: Tate Publishing, 2000
2000 Rugoff, Ralph, Lisa Corrin, Simon Morley and Mark Dion. The Greenhouse Effect, London: Serpentine Gallery, 2000
2000 Kovats, Tania. Lost, Ikon Gallery, Birmingham, 2000
2000 Macel, Christine, Pascal Beausse, Marie-Frédérique Hallin and François Piron. Sensitive, Saint-Cloud: Printemps de Cahors, 2000
2000 Watkins, Jonathan, Tania Kovats and Irit Rogoff. Lost, Birmingham: Ikon Gallery, 2000
1999 Bonami, Francesco and Hans-Ulrich Obrist. Dreams, Turin: Fondazione Sandretto Re Rebaudengo, 1999
1999 Die EVN Sammlung im Belvedere Ankäufe 1997-99, Vienna: EVN AG, 1999
1998 Close Echos: Public Body and Artificial Space, Prague: City Art Gallery and Krems: Kunsthalle Krems, 1998
1998 Aydemir, Murat, Leontine Coelewij, Rudi Fuchs, Martijn van Nieuwenhuyzen and Hripsimé Visser. From the Corner of the Eye, Amsterdam: Stedelijk Museum, 1998
1998 Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, Berlin: Hamburger Bahnhof, 1998
1998 Wyn Evans, Cerith. Cerith Wyn Evans. In Girum Imus Nocte et Consumimur Igni, Kyoto: Centre for Contemporary Art Kitakyushu and Korinsha Press, 1998
1997 Jacques, Alison. False Impressions, Rome: The British School at Rome, 1997
1997 Lapa, Pedro, Laurence Bossé and Guy Brett. Life/Live, Musee d’Art Moderne de la Ville de Paris, Paris 1997
1997 Archer, Michael and Greg Hilty. Material Culture, London: Hayward Gallery, 1997
1997 Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, London: Royal Academy of Arts, 1997
1996 Life/Live, Paris: Musée d’Art Moderne de la Ville de Paris and Lisbon: Centro de Exposições do Centro Cultural de Belém, 1996
1996 British Artists in Rome, Rome: Studio Case Grande, 1996
1995 Faction Video, Copenhagen: Royal Danish Academy of Fine Arts, 1995
1995 General Release: Young British Artists, Venice: Scuola di San Pasquale, 1995
1994 Potato, London: IAS, 1994
1993 5th Oriel Mostyn Open Exhibition, Llandudno: Oriel Mostyn, 1993
1992 240 Minutes, Cologne: Galerie Esther Schipper, 1992
1990 Sense and Influence, The Hague: Kijkhuis, 1990
1990 Sign of the Times, Oxford: Modern Art Oxford, 1990
1989 Solo Exhibition 79-89, London: ICA Cinematheque, 1989
1989 A Certain Sensibility, London: ICA Cinematheque, 1989
1987 O’Pray, Michael, Catherine Lacey and Tamara Krokorian. The Elusive Sign. British Avant-Garde Film & Video 1977-1987, London: Arts Council of Great Britain and The British Council, 1987
1985 Syncronisation of the Senses, London: ICA Cinematheque, 1985
1985 O’Pray, Michael. British Film & Video 1980-1985. The New Pluralism, London: Tate Publishing, 1985
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