Hiroshi Senju | Day Falls / Night Falls (Hong Kong)

Hiroshi Senju | Day Falls / Night Falls (Hong Kong)

falling water<br/>[second image: under ultraviolet light] by hiroshi senju

Hiroshi Senju

Falling Water
[second image: under ultraviolet light],
2013

falling water<br/>[bottom image: under ultraviolet light] by hiroshi senju

Hiroshi Senju

Falling Water
[bottom image: under ultraviolet light],
2013

falling water<br/>[bottom image: under ultraviolet light] by hiroshi senju

Hiroshi Senju

Falling Water
[bottom image: under ultraviolet light],
2013

falling water<br/>[bottom image: under ultraviolet light] by hiroshi senju

Hiroshi Senju

Falling Water
[bottom image: under ultraviolet light],
2013

falling water<br/>[bottom image: under ultraviolet light] by hiroshi senju

Hiroshi Senju

Falling Water
[bottom image: under ultraviolet light],
2013

falling water<br/>[bottom image: under ultraviolet light] by hiroshi senju

Hiroshi Senju

Falling Water
[bottom image: under ultraviolet light],
2013

Dienstag, 16. April 2013Sonntag, 9. Juni 2013


Hong Kong, China

Opening cocktail reception: Tuesday, April 16, 2013

Hiroshi Senju (b.1958), one of Japan’s most celebrated contemporary artists, will present new fluorescent waterfall paintings at Sundaram Tagore Gallery in Hong Kong.

Noted worldwide for his sublime waterfall and cliff images, often monumental in scale, Hiroshi Senju combines a minimalist visual language rooted in Abstract Expressionism with ancient painting techniques unique to Japan.

In his most recent paintings, the New York-based artist uses fluorescent pigments to create waterfall images, a style he first explored in 2003. These paintings are black and white in daylight, yet under ultraviolet light they fluoresce an arresting electric blue. An ode to the ubiquitous city lights of our contemporary existence, Senju’s waterfalls hover between night and day as he successfully straddles the realms of industry and nature, the material and the ethereal.

Hiroshi Senju was the first Asian artist to receive an Honorable Mention Award at the Venice Biennale (1995) and has participated in exhibitions around the world, including the Beauty Project at the London Museum of Contemporary Art in 1996; The New Way of Tea, curated by Alexandra Munroe, at the Japan Society in New York in 2002; and Paintings on Fusuma, at the Tokyo National Museum in 2003. Also in 2003, Mr. Senju completed seventy-seven murals at the Annex of Daitokuji-Jyukoin, a prominent Zen Buddhist temple in Japan. In 2004, he was the art director for the new Haneda Airport Terminal in Tokyo, where he completed one of his largest installations. The Benesse Art Site of Naoshima Island, designed by Tadao Ando, also houses two large-scale installations.

Hiroshi Senju’s work is in the Museum of Contemporary Art in Los Angeles; The Museum of Modern Art, Toyama, Japan; Yamatane Museum of Art in Tokyo; The Tokyo National University of Fine Arts and Music; and the Kushiro Art Museum, Hokkaido, Japan. The Hiroshi Senju Museum, designed by Ryue Nishizawa, opened in October 2011 in Karuizawa, Japan.

Sundaram Tagore Gallery, established in 2000, is devoted to examining the exchange of ideas between Western and non-Western cultures. With spaces in Hong Kong, Singapore and New York City (in Chelsea and on Madison Avenue), the gallery was the first to focus exclusively on the rise of globalization in contemporary art. The gallery represents painters, photographers, sculptors and installation artists from around the world.