Chip Hooper: Surf

Chip Hooper: Surf

surf #1682 by chip hooper

Chip Hooper

Surf #1682, 2009

surf #2000 by chip hooper

Chip Hooper

Surf #2000, 2012

surf #1176, 2003 by chip hooper

Chip Hooper

Surf #1176, 2003

Donnerstag, 12. Dezember 2013Samstag, 8. Februar 2014

525 West 26th Street
New York, NY USA

Chip Hooper's purist seascapes have always been about more than just the water. Quiet ruminations in superb black-and-white, Hooper's classic silver prints of California's Pacific and New Zealand's South Pacific and Tasman Sea intimate feeling and atmosphere through the sea's shades and shapes. Large-format 8x10 film locks in each detail of experience in a meditative process of inspiration and reflection. The ocean is Hooper's muse, his barometer, and, from his longtime home on California's Monterey peninsula, his daily routine.

Yet as he's photographed these vistas, the artist has also turned his camera downwards to the water's surface, voiding shore, cliff, and horizon line to focus his lens and his pursuit of emotion. Robert Mann Gallery is pleased to present Surf, the first exhibition of these deeply personal photographs taken over the past ten years. Like Vija Celmins in her enigmatic graphite topographies, Hooper approaches abstraction by reducing nature to pattern and value. Turbid waves, intricate ripples, and soft mélanges of sea spray form textural compositions in which water is not the subject, but the medium for conveying intangible elements of consciousness.

Abstraction may be a painter's legacy, but Kandinsky's original argument is just as applicable here: the rejection of specific representation in any visual art suspends narrative in favor of perceptual interpretation. Water without place or setting becomes only agitation, tranquility, lightness, and solitude. Thus in a phenomenological sense, Hooper's waves are more closely aligned with Rothko's emotive color-fields than with Ansel Adams' western landscapes. They are moments of the external expressing the internal—found rather than created, shaped through exposure and aperture rather than brush and oil—and only what we make them to be.

Chip Hooper was born in Miami in 1962, and raised in Chicago. His work is in permanent collections at the Philadelphia Museum of Art, Cleveland Museum of Art, Santa Barbara Museum of Art, Museum of Fine Arts in Boston, Monterey Museum of Art, Portland Museum of Art, and the Tokyo Photographic Cultural Center, and has been featured in The New York Times, The New Yorker, ARTnews, The Oregonian, and the San Diego Union-Tribune, among others. He lives in Carmel Valley, California.

www.robertmann.com