Kim Foster Gallery

Christian Faur: Rods and Cones

Christian Faur: Rods and Cones

symmetry by christian faur

Christian Faur

Symmetry, 2012

Verkauft

girl with cigarette by christian faur

Christian Faur

Girl with Cigarette, 2012

Verkauft

from the melodie series by christian faur

Christian Faur

from the Melodie series, 2012

Verkauft

damien hirst by christian faur

Christian Faur

Damien Hirst, 2012

Verkauft

poppies by christian faur

Christian Faur

Poppies, 2012

Verkauft

from the series 50s commercials by christian faur

Christian Faur

from the series 50s Commercials, 2012

Verkauft

Donnerstag, 24. Mai 2012Mittwoch, 20. Juni 2012

529 West 20th Street
New York, NY USA

Opening Reception: Thursday, May 24, 6-8 pm

We are pleased to announce Christian Faur’s second solo exhibition at the Kim Foster Gallery, Rods and Cones. The title alludes to the photoreceptors in the human retina and the familiar shape of a crayon. In his new body of work, Faur uses over 145,000 individually hand cast wax crayons to explore the complexity of the pixel in digital photography. Faur recreates what is hidden from our visual perception by replacing the pixel with crayons. These colorful “rods and cones” are assembled by hand into rectangular frames in intricate hexagonal grids that recreate the illusion of a photograph in sculptural form. This expansion of the pixel allows us to see the structure and scaffolding behind the surface of an image, opening the viewer’s eyes to the hidden patterns and complex arrangements of points that make up a photograph.

Faur begins by deconstructing a single image into its most basic elements of tone, color, form and resolution. Using traditional artists’ pigments and an encaustic medium, Faur mixes and casts the exact colors and quantities needed for each of the crayons used in a particular work. The highly manipulated image is then reconstructed with these individually cast wax “pixels.”

The finished works for this show vary from photorealistic landscapes and portraits to completely abstracted forms. In the Melodie series, Faur uses a single constant image to explore in several iterations the weaving of colors, tones, and patterns with the intent to push the limits of the technique. The viewer can then experience the underlying nature of the construction of a photograph. In other works, Faur focuses on the removal of information through the addition of digital noise and static, exploring how visual information breaks down.

As our digital photographic and display technologies continue to advance, the pixel will eventually become so small that it will evade our awareness of its existence entirely. This show celebrates this moment of transition by deliberately raising these elemental points to our consciousness and allowing us one more good look at these colorful “rods and cones” before they disappear right in front of our eyes.

529 West 20th Street
New York, NY 10011
(212) 229-0044
[email protected]