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Dieses Kunstwerk, Petroglyph, wird derzeit bei Heather James Fine Art zum Verkauf angeboten.
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TITEL:
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Petroglyph
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ENTSTEHUNGSJAHR:
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circa 25000 v. Chr.
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KATEGORIE:
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Skulptur
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GRÖSSE:
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h: 15 in / h: 38.1 cm
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STIL:
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Antiquitäten
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PREIS*:
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Contact Gallery for Price
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BESCHREIBUNG:
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Petroglyphs are often thought to be astronomical markers, maps, and other forms of symbolic communication, including a form of "pre-writing". They might also have been a by-product of other rituals: sites in India, for example, have been identified as musical instruments or "rock gongs”. Petroglyph images probably had deep cultural and religious significance for the societies that created them; in many cases this significance remains for their descendants. Many petroglyphs are thought to represent some kind of not-yet-fully understood symbolic or ritual language. Later glyphs from the Nordic Bronze Age in Scandinavia seem to refer to some form of territorial boundary between tribes, in addition to possible religious meanings. It also appears that local or regional dialects from similar or neighboring peoples exist. The Siberian inscriptions almost look like some early form of runes, although there is not thought to be any relationship between them. They are not yet well understood. Some researchers have noticed the resemblance of different styles of petroglyphs across different continents; while it is expected that all people would be inspired by their surroundings, it is harder to explain the common styles. This could be mere coincidence, an indication that certain groups of people migrated widely from some initial common area, or indication of a common origin. In 1853 George Tate read a paper to the Berwick Naturalists' Club at which a Mr. John Collingwood Bruce agreed that the carvings had "...a common origin, and indicate a symbolic meaning, representing some popular thought." In his cataloguing of Scottish rock art, Ronald Morris summarised 104 different theories on their interpretation. Other, more controversial, explanations are mostly grounded in Jungian psychology and the views of Mircea Eliade. According to these theories it is possible that the similarity of petroglyphs (and other atavistic or archetypal symbols) from different cultures and continents is a result of the genetically inherited structure of the human brain. Other theories suggest that petroglyphs were made by shamans in an altered state of consciousness perhaps induced by the use of natural hallucinogens. Many of the geometric patterns (known as form constants) which recur in petroglyphs and cave paintings have been shown to be "hard-wired" into the human brain; they frequently occur in visual disturbances and hallucinations brought on by drugs, migraine and other stimuli.
Inventory Number AF216
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