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BESCHREIBUNG:
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In later paintings Immendorff turns his concerns to the politics of the art world, drawing reference from and adding to a critical lexicon of art history. In Door to the Sun, his theatre is seen from backstage. The haloed silhouette of his mentor Beuys, dominating the arena, is rendered as a Wizard of Oz construction: not a man, but a museum, being slowly uncrated into the form of Immendorff. His ice forms, which previously symbolised the freezing decay of a nation, now embody the tools of painting.
www.saatchi-gallery.co.uk/artists/jorg_immendorf.htm
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