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Thomas Wilmer Dewing   (American, 1851-1938) 

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Kunstwerke zum Verkauf (5)

Thomas Wilmer Dewing, Lydia in Green
Thomas Wilmer Dewing
Lydia in Green
1898

Adelson Galleries
Thomas Wilmer Dewing, Model in a Turban
Thomas Wilmer Dewing
Model in a Turban
1878

Adelson Galleries
Thomas Wilmer Dewing, Pastel #119
Thomas Wilmer Dewing
Pastel #119
circa 1922

Gavin Spanierman, LTD
Thomas Wilmer Dewing, Green and Gold
Thomas Wilmer Dewing
Green and Gold
1923

Bernard Goldberg Fine Arts, LLC
Thomas Wilmer Dewing, A Reflective Moment
Thomas Wilmer Dewing
A Reflective Moment
1926

Spanierman Gallery
 

Verkaufsresultate (50)  View All
Thomas Wilmer Dewing, The song
Thomas Wilmer Dewing
The song, 1891
Auktionstermin: Dec 4, 2002
Losdetails
Thomas Wilmer Dewing, The music lesson
Thomas Wilmer Dewing
The music lesson
Auktionstermin: May 23, 2001
Losdetails
Thomas Wilmer Dewing, Woman in black - Portrait of Maria Oakey Dewing
Thomas Wilmer Dewing
Woman in black - Portrait of Maria Oakey Dewing, 1887
Auktionstermin: May 25, 2000
Losdetails
 
Thomas Wilmer Dewing (1851-1938) was a founding member of the Ten American Painters, who seceded from the Society of American Artists in 1897. He represented the group’s tonalist wing, while Childe Hassam was at the opposite end with full-blown impressionism. Dewing, born in Newton Lower Falls, Massachusetts, first studied drawing under William Rimmer in Boston. After a brief period in Paris, he taught at the School of the Museum of Fine Arts, Boston, and became a leader of the Boston School of painting. Both John Gellatly and Charles Lang Freer, outstanding art patrons of the Gilded Age, collected Dewing’s works.

The great subtlety of his paintings, containing a "mysterious shadowy beauty," was noticed by the critics. Others suggested that Dewing’s unique style approached the mysterious world of the French symbolists. This figure, seated on some type of bank or wall, has been defined merely by a few quick brushstrokes and glistening highlights against a vague background. Only the fleeting impression of the human form -- perhaps a distant memory -- interested the artist.



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