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Fernand Léger   (French, 1881-1955) 

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Fernand Léger, Girl with hoop
Fernand Léger
Girl with hoop
1953

ZONE: CONTEMPORARY ART
Fernand Léger, Etude pour un masque negre
Fernand Léger
Etude pour un masque negre
1942

Lillian Heidenberg Fine Art
Fernand Léger, Nature morte sur fond rouge
Fernand Léger
Nature morte sur fond rouge
1928

Galerie Jeanne Bucher
Fernand Léger, Les mains
Fernand Léger
Les mains
1939

Galerie Jeanne Bucher
Fernand Léger, Feuille et profil
Fernand Léger
Feuille et profil
1926

Galerie Jeanne Bucher
Fernand Léger, Formes
Fernand Léger
Formes
1942

Galerie Ziegler SA

Verkaufsresultate (5480)  View All
Fernand Léger, La femme en bleu (study)
Fernand Léger
La femme en bleu (study), 1912-1913
Auktionstermin: May 7, 2008
Losdetails
Fernand Léger, La femme en rouge et vert
Fernand Léger
La femme en rouge et vert, 1914
Auktionstermin: Nov 4, 2003
Losdetails
Fernand Léger, Le moteur
Fernand Léger
Le moteur, 1918
Auktionstermin: Nov 6, 2001
Losdetails
1881   Born: Argentan, France
1903   Ecole des Arts Décoratifs
1905   Académie Julian
1909   Ranked as one of the three major Cubists
1911   Became a member of the Puteaux group
1955   Died: Gif-sur-Yvette, France. (August 17th)
1955   Awarded Grand Prix from the Biennale de Sao Paulo. Brazil.
1960   The Musée Fernand Léger was inaugurated in Biot, France.
  Fernand Léger was born in Argentan, France in 1881. He is associated with the Cubist movement and was an innovator in abstract art. Léger studied architecture and worked as an apprentice draughtsman in an architect's office. He later served in the Engineering Corps and became involved with stage and film design in Paris. By 1911 he had become friendly with Georges Braque and Pablo Picasso and had exhibited at the Salon des Independants.

Léger was prolific in many media and gained recognition as one of the most prominent artists in Paris in the first half of the 20th century. Besides being a painter, filmmaker and designer, Léger also became successful printmaker, experimenting with lithography. Léger's steady intention was to provide art for the people. His ideas and philosophy attracted many students in both Europe and the Americas. He always had a great interest in industrial evolution and its relationship to man. This became one of the central themes of his oeuvre. Léger continually experimented with color, shape, movement, and space. Geometric forms and elements of a machine culture (cranks, pistons, robots, etc.) were important motifs in his many creations.

In 1940, to escape German forces in Paris, Léger fled to the United States. The industrialism found in America heavily inspired his work of this period. While in the U.S., Léger taught at Yale University and at Mills College, California. Léger returned to France in 1945 and later in his life, he was awarded with many awards and exhibitions. Today his paintings and prints can be seen in prominent museums throughout the world.

2008   Oct. 2 - Oct. 25, "Fernand Leger, El cubista afable", Fundacion Unicaja, Malaga
2008   Sept. 29, "La partie de campagne: Fernand Léger et ses amis photographes", Musee du Sud de la France
1998   Feb. 15 - May 12, "Fernand Leger", The Museum of Modern Art, NY
1949   XXV Viennale de Venise. Venice, Italy.
1949   Retrospective. Musée National d'Art Moderne. Paris, France.
1937   Exposition Universelle. Paris, France.
1935   Art Insitute. Chicago, IL.
1935   MoMA New York, NY.
1928   Galerie Fleichteim. Berlin, Germany.
1925   Exhibition of the Arts Décoratifs. Paris, France.


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