Walid Raad  (Lebanese, 1967) 

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Biografie Walid Raad
1967   Born in Chbanieh, Lebanon
1984 - 1985   Boston University
1985 - 1989   Rochester Institute of Technology, Undergraduate Education, Fine Arts (Photography), Rochester, NY
1993   University of Rochester, MA in Cultural and Visual Studies. Rochester, NY
1996   University of Rochester, Ph.D. in Cultural and Visual Studies. Rochester, NY
1997   New England Film and Video Festival, Boston, MA (Best Conceptual Innovation Award)
1998   Missouri Video Festival, St. Louis, MO (Award of Accomplishment Experimental)
1999   The Atlas Group was founded in New York, USA by Walid Raad as an imaginary foundation to research and document the contemporary history of Lebanon. The Atlas Group documents are organized and preserved in The Atlas Group Archive. The archive contains authored, found, and newly produced files.
1999   8th Biennial of the Moving Image, Switzerland (Grand Prize)
1999   Beirut Film Festival, Beirut, Lebanon (Best Short Film and Best Scenario for a Short Film)
1999   Black Maria Film and Video Festival, New Jersey (Director’s Citation)
2000   San Francisco International Film Festival, SF, CA, USA (Certificate of Merit)
2000   5th Biennial of Arab Cinemas, Institut du Monde Arabe, Paris, France (Special Jury Prize)
2000   Whitney Biennial, Whitney Museum of American Art, New York, USA
2000   VideoEx, Zurich, Switzerland (First Prize)
2001   Video Ex, Zurich, Switzerland (First Prize)
2001   Oberhausen Film and VideoFest, Oberhausen, Germany (Rhineland Award)
2002   Onion City Experimental Film and Video Festival (First Prize)
2002   Vidarte 2002 Festival, Mexico City, Mexico (First Prize)
2002   Oneiras Film and Video Festival, Lisboa, Portugal (First Prize)
2002   Media Arts Awards, ZKM, Karlsrhue, Germany (Special Prize)
2002   Documenta 11, Kassel, Germany
2002   Whitney Bienniale, Whitney Museum of American Art, New York, USA
2002   Black Maria Festival (Juror Citation Award)
2006   Rencontres d’Arles, Lauréat d’Aide au projet (Help for a new project), Arles, France
2007   Deutsche Börse Photography Prize (First Prize)
2007   The Alpert Award in the Arts (First Prize)
2011   Hasselblad Award
  As a member of the Arab Image Foundation, Walid Raad has co-curated with Akram Zaatari the installation titled, “Mapping Sitting”.
  Lives in Beirut and New York
Ausgewählte Ausstellungen
2014   Walid Raad, Anthony Reynolds Gallery, London, United Kingdom (solo)
2014   Marrakech Biennial 5, Marrakech, Morocco (group)
2013   in progress. Werl aus der mumok Sammlung, MUMOK, Vienna, Austria
2013   Art Basel Unlimited. Views from Outer to Inner Compartments, Basel, Switzerland (solo)
2013   Walid Raad - Preface to the First EditionLouvre, Paris, France (solo)
2013   Neue Galerie – neu gesehen, Neue Galerie, Kassel, Germany
2013   REALITÄT UND FIKTION, Villa Schöningen, Potsdam, Germany
2013   A Different Kind of Order: The ICP Triennial, International Center of Photography, New York
2013   Views from Outer to Inner Compartments, Basel Unlimited, Basel, Switzerland (solo)
2012 - 2013   Scratching on Things I Could Disavow, Sfeir-Semler Gallery, Beirut (solo)
2012 - 2013   The Shaping of New Visions: Photography, Film, Photobook, Museum of Modern Art, New York, USA
2012   RAY: MAKING HISTORY, MMK Frankfurt; Frankfurter Kunstverein, Frankfurt, Germany
2012   dOCUMENTA (13), Kassel, Germany
2012   Fremde überall - Foreigners everywhere, Jüdisches Museum Wien, Austria
2012   Bleibender Wert? Haltbarkeit und Verfall kritischer Publizistik. Kooperation "springerin", Kunsthaus Bregenz, Austria
2011 - 2012   Walid Ra´ad - 2011 Hasselblad Award HASSELBLAD CENTER Göteborg (solo)
2011   Until it makes sense Kadist Art Foundation, Paris
2011   HAUNTINGS – GHOST BOX MEDIA KUNSTVEREIN MEDIENTURM Graz
2011   Unheimlich vertraut. Bilder vom Terror C/O Berlin, Berlin
2011   Walid Ra´ad. Scratching on Things I Could Disavow Thyssen-Bornemisza Art Contemporary, Wien (solo)
2011   ATLAS. How to Carry the World on One´s Back? ZKM, Karlsruhe
2011   Abstract Possible: The Stockholm Synergies Tensta Konsthall, Spanga
2011   The Luminous Interval: The D. Daskalopoulos Collection, Guggenheim Bilbao, Bilbao
2011   Antiphotojournalism, FOAM, Amsterdam
2011   Scratching on Things I Could Disavow: A History of Art in the Arab World, TBA 21, Vienna, Austria (solo)
2011   Walid Raad - Hasselblad Award 2011, Hasselblad Foundation, Gothenburg, Sweden (solo)
2011   Scratching on Things I Could Disavow: A History of Art in the Arab World, TBA 21, Vienna, Austria (solo)
2011   Wunder Kunst, Religion und Wissenschaft vom 4. Jahrhundert bis zur Gegenwart, Deichtorhallen Hamburg, Germany / Kunsthalle Krens, Austria
2011   Wild Sky, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
2011   Serious Games - Krieg, Medien ­ Kunst, Mathildenhöhe Darmstadt, Germany
2011   Kunsthalle Zürich, Switzerland (solo)
2011   10. Sharjah Biennial, United Arab Emirates
2010 - 2011   Miraculous Beginnings, Whitechapel Gallery, London; Bildmuseet, Umea; Kunsthalle, Zürich, Switzerland (solo)
2010 - 2011   Told-Retold-Untold, Qatar
2010 - 2011   Zukunft der Tradition – Tradition der Zukunft, Haus der Kunst, Munich, Germany
2010 - 2011   Haunted: Contemporary Photography, Video, Performance, Guggenheim Bilbao, Bilbao
2010   Márgenes de Silencio, Foundation Helga de Alvear, Madrid
2010   Antiphotojournalism, La Virreina Centre de la Imatge, Barcelona
2010   Alles anders?, Kunsthalle Wien, Austria
2010   Festival d’Automne, Paris, France
2010   Camera Austria, Vienna, Austria (solo)
2010   Walid Raad, Camera Austria, Austria (solo)
2010   Media City Seoul 2010 (The 6th Seoul International Media Art Biennale): Trust, Seoul Museum of Art, Seoul, South Korea
2010   Art of War, curated by Sean Donaher, CEPA Gallery, Buffalo, NY
2010   Pictures & Statues, Country Club, Cincinnati, OH
2010   Vernacular of Violence, curated by Lisa Kirk, Invisible-Exports, New York, NY
2010   Contemplating the Void: Interventions in the Guggenheim Museum (An Anniversary Benefit Exhibition), The Solomon R. Guggenheim Museum, New York, NY
2010   Sweet Talk: Commissions (Beirut), Camera Austria, Graz, Austria (solo)
2009   Scratching on Things I Could Disavow: A History of Art in the Arab World, Galerie Sfeir-Semler, Hamburg, Germany (solo)
2009   Scratching on Things I Could Disavow: A history of art in the Arab world _ Part I _Volume 1 _ Chapter 1:Beirut (1992-2005), Paula Cooper Gallery,New York, NY (solo)
2009   Scratching on Things I Could Disavow: A History of Modern and Contemporary Art in the Arab World, part 1 volume 1_chapter 1: Beirut (1992-2005), Spazio San Francesco, Italy (solo)
2009   Scratching on Things I Could Disavow: A History of Modern and Contemporary Art in the Arab World. REDCAT, Los Angeles, CA (solo)
2009   Taswir – Pictorial Mappings of Islam and Modernity, organized by the Berliner Festspiele, Martin Gropius Bau, Berlin, Germany
2009   International Festival for Arts and Media Yokohama, Shinko Pier Exhibition Hall and BankART Studio NYK, Yokohama, Japan
2009   Darkside II – Fotografische Macht und fotografierte Gewalt, Krankheit und Tod, Fotomuseum Winterthur, Winterthur, Switzerland
2009   Commentary, Paula Cooper Gallery, New York, NY
2009   Walid Raad, Scratching on Things I Could Disavow, 25 September – 31 October 2009 at Anthony Reynolds Gallery, London (solo)
2009   1_Chapter 1, Beirut 1992-2005, a project by Walid Raad, RedCat, Los Angeles (solo)
2009   The Atlas Group (1989- 2004). Un Proyecto de Walid Raad, Reina Sofia, Madrid (solo)
2009   Scratching on Things I Could Disavow, A History of Art in the Arab World,Part 1_Volume (solo)
2009   1_Chapter 1, Beirut 1992-2005, a project by Walid Raad, Fondazione Antonio Ratti, Como Walid Raad, Paula Cooper, New York (solo)
2009   Sfeir-Semler Gallery, Hamburg, Germany (solo)
2008 - 2009   Walid Raad. I MIGHT DIE BEFORE I GET A RIFLE, Kunstverein Heidelberg, Germany (solo)
2007 - 2009   Brave New Worlds, Walker Art Center, Minneapolis, MN (solo)
2008   List Art Center, Brown University, Providence, RI
2008   MFA, Houston, TX (solo)
2008   Archive Fever, International Center of Photography, New York, NY
2008   Quadrennial for Contemporary Art, Copenhagen
2008   Montpellier Festival, Montpellier
2008   A History of Modern and Contemporary Arab Art: Part I_Chapter 1: Beirut (1992-2005), Sfeir-Semler, Beirut (solo)
2008   Not Quite How I Remember It, Power Plant, Toronto
2008   Deadpan: Photography and History, James Gallery, CUNY Graduate Centre, New York
2008   Selected Works by Gallery Artists, Anthony Reynolds Gallery, London
2008   2Move: Irland, Belfast Exposed Photography and Solstice Art Centre, Belfast- Navan
2008   Curating Architecture, The Showroom, London
2007   Sfeir-Semler, Hamburg (solo)
2007   Sfeir-Semler, Beirut (solo)
2007   The Atlas Group (1989-2004), a project by Walid Raad, touring exhibition, Museo Tamayo Arte Contemporaneo, Mexico (solo)
2007   The Atlas Group (1989-2004), a project by Walid Raad, touring exhibition,Culturgest, Lisbon (solo)
2007   cross-Border:Photography and Video Art from the MUMOK Vienna, Kunstmuseum, Stuttgart (solo)
2007   Sfeir-Semler Gallery, Beirut (solo)
2007   In The Poem About Love You Don`t Write The World Love, Overgaden Institute of Contemporary Art, Copenhagen
2007   Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, Photographers Gallery, London
2007   Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, Deutsche Börse Group’s headquarters, Frankfurt
2007   Re-Thinking Beirut, aMAZE cultural lab, Milan
2007   6th Mercosur Biennial, (I Only Wish That I Could Weep), Porto Alegre, Brazil
2007   Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, C/O Gallery, Berlin
2007   No place, Cheekwood Museum, Nashville, Tennessee
2007   (We Decided to Let Them Say “We Are Convinced” Twice. It Was More Convincing This Way.) A Project by Walid Raad, Paula Cooper Gallery, New York
2007   AfterShock – Conflict, Violence, and Resolution in Contemporary Art, touring exhibition, University of Hertfordshire Galleries, Hatfield
2007   The Screen eye or The New Image, Casino Luxembourg Forum d'Art Contemporain, Luxembourg
2007   AfterShock – Conflict, Violence, and Resolution in Contemporary Art, touring exhibition, Sainsbury Centre for Visual Arts
2007   3rd Auckland Triennial, Auckland
2007   Her(his)tory, N.P. Goulandris Foundation - Museum of Cycladic Art, Athens
2007   Documents, the Memory of the Future, touring exhibition, Museo de Arte Contemporaneo de Vigo, Spain
2007   Documents, the Memory of the Future, touring exhibition, Koldo Mitxelena Kulturunea, San Sebastian, Spain
2007   Ah, les belles images!, in Situ-Fabienne Leclerc, Paris
2007   Distorted Fabric, De Appel Museum, Amsterdam
2007   CLUB VOYEUR: CORCORAN, Strategies of Confinement in the Age of Biopolitics
2007   Montevideo Time Based Arts, Amsterdam
2007   (We Decided to Let Them Say “We Are Convinced” Twice. It Was More Convincing This Way.)
2007   A Project by Walid Raad, Henry Art Gallery, Seattle (solo)
2007   Under the Same Sky, Det Nationale Fotomuseum, Copenhagen
2006   Video: an Art, a History, Miami Art Central (MAC), Miami
2006   Grey Flags, touring exhibition, Capc-Musée d'Art Contemporain de Bordeaux, Bordeaux
2006   Grey Flags, touring exhibition, Sculpture Center, Long Island City, NY
2006   Ghost in the Machine, SF Camerawork, San Francisco
2006   Raw, Olot, Barcelona
2006   Video Sequence 2, Maison des Arts, Malakoff
2006   Faith, Real Art Ways, Hartford, Connecticut
2006   While we were sleeping, Platform Garanti Contemporary Art Center, Istambul
2006   Une vision du monde - la collection video d' Jean-Conrad et Isabel Lemaitre, La Maison Rouge, Paris (cat.)
2006   Out of Beirut, Museum of Modern Art Oxford
2006   Word into Art – Artists from the Modern Middle East, British Museum, London
2006   100 Tag =100 Videos, Heidelberger Kunstverein e.V., Heidelberg
2006   Migros Museum, Zurich (solo)
2006   National Galerie im Hamburger Bahnhof, Berlin (solo)
2006   Concordia Art Gallery, Kingston, Canada (solo)
2006   The Kitchen, New York (solo)
2006   Sydney Biennale
2006   Seventeen days of Looking, MOMA, New York
2005   Flight 405, Galerie Sfeir-Semler, Hamburg
2005   Flight 405, Sfeir-Semler Gallery, Beirut
2005   Kunstverein Bregenz
2005   Contemporary Feature and The Davies Foundation Galleries
2005   Art Gallery of York University, Toronto
2005   Museum for Contemporary Art, Montreal (solo)
2005   Gallery Reynolds, London (solo)
2005   Fact, Liverpool, Great Britain (solo)
2005   The Kitchen, New York (solo)
2005   Sfeir-Semler Gallery, Beirut Lebanon (solo)
2005   Le Magasin, Grenoble
2005   In the Poem about Love you don't write the word Love, CCA, Glasgow
2005   Information/Transformation, Extra City Center for Contemporary Art, Antwerp
2005   Mirage, Alexander and Bonin, New York
2005   Funny How Thin This Line Is: Documents from The Atlas Group Archive, FACT, Liverpool (solo)
2005   Contemporary Arts Center, Cincinnati, Ohio (solo)
2005   Queen’s University, Kingston, Ontario (solo)
2005   Mapping Sitting, Grey Art Gallery, New York (with the Arab Image Foundation) (solo)
2005   Borrowed Time, Pratt Manhattan Gallery, New York
2005   Le Magasin, Grenoble
2005   In the Poem about Love you don't write the word Love, CCA, Glasgow
2005   Information/Transformation, Extra City Center for Contemporary Art, Antwerpen
2004   House of World Culture, Berlin. I/P
2004   Palais de Tokyo, Paris. I/P
2004   Kunsten Festival des Arts, Brussels. I/P
2004   Ashkal Alwan, Beirut. I and premiere of new project
2004   Beyond East and West: Seven Transnational Artists (with Rovner, Amer, Kami, Sikander, Al-Ani, Hatoum), touring to Hood Museum Dartmouth College, Williams College)
2004   University of Illinois Krannert Art Museum, Illinois. I
2004   Sfeir Semmler, Hamburg. I
2003   Portland Institute of Contemporary Art, Oregon
2003   Hanover Kunstverein, Hanover. I
2003   Mousonturm, Frankfurt. P
2003   La Gallerie Noisy le Sec. I
2003   Spiel Art, Munich. P
2003   Whitechapel Art Gallery, London. P
2003   Anthony Reynolds Gallery, London. I
2003   Global Priority, University of Massachussetts, Mass. I
2003   Experimenta 03, Cardiff. P
2003   Musee Niepce, Chalon sur Soane. P_Mapping Sitting (Arab Image Foundation)
2003   Video Brasil, Sao Paolo. P/ I Mapping Sitting (Arab Image Foundation)
2003   Kampnagel, Hamburg. P
2003   Belluard Theater Festival, Fribourg. P
2003   50 Biennale di Venezia, Venice. I/V
2003   Disorientation, House of World Cultures, Berlin. P / I_Mapping Sitting (Arab Image Foundation)
2003   Kunstnernes Hus, Oslo. I_Mapping Sitting (Arab Image Foundation)
2003   New York University, New York. P
2003   Carnegie Mellon University, Pittsburgh. P
2003   Columbia University, New York. P
2003   Witness, Barbican Centre, London. V
2003   In Transit, House of World Cultures, Berlin. P
2002   Real Art Ways, Hartford, Connecticut. V/P
2002   Documenta11, Kassel. I/P
2002   Witte de With, Rotterdam. I
2002   Palais des Beaux Arts, Brussels. I_Mapping Sitting (Arab Image Foundation)
2002   MEMEAC, CUNY Graduate Center, New York. P
2002   Watson Insitute for International Studies, Providence, Rhode Island. I
2002   Princeton University Art Museum, Princeton, NJ. I
2002   Mousonturm, Frankfurt. P
2002   Fondacio Antoni Tapies, Barcelona. I/P
2002   Migros Museum for Contemporary Arts, Zurich. V/P
2002   Eurokaz Festival, Zagreb. P
2002   2002 Whitney Biennale, Whitney Museum of American Art, New York. P
2002   What, A Tale of Images, Memling Museum, Brugge. I
2002   Saratoga Springs Public Library, Saratoga Springs, New York. P
2002   Atlanta Center for the Arts, Atlanta. I
2002   Akademie Schloss Solitude, Stuttgart. P
2002   Foundation Cartier, Paris. P
2002   Rotterdam Film Festival, Rotterdam. V
2002   Negation and Consumption, Ocularis Cinema, Williamsburg, NY. V
  I = Installation
  V = Video Screening
  P = Performance/Lecture
Selected Public Collections
  IFEMA, Madrid, Spain
Kunstmuseum Stuttgart, Germany
  MOMA, Museum Of Modern Art, New York, USA
  Kunsthalle Hamburg, Galerie der Gegenwart, Hamburg, Germany
  FNAC, Centre National des Arts Plastiques, Paris, France
  Kunsthaus Zürich, Zurich, Switzerland
  TATE Modern, London, United Kingdom
  Museum für Moderne Kunst, Frankfurt/Main, Germany
  MUMOK, Museum Moderner Kunst, Vienna, Austria
  FRAC Languedoc Roussillon, Montpellier, France
  Museum of Contemporary Art, Athena, Greece
  Centre National d´Art et de Culture Georges Pompidou, Paris, France
Literatur
2011   Ben Davis, ‘Walid Raad on Why the Guggenheim Abu Dhabi Must Be Built On a Foundation of Workers’ Rights’, www.artinfo.com, 16 June
2010   21st Century: Art in the First Decade, catalogue, Queensland Art Gallery | Gallery of Modern Art
2010   Francis Hodgson, ‘Walid Raad, Whitechapel Gallery, London’, www.ft.com 13th December
2010   Marcus Verhagen, ‘Walid Raad: Miraculous Beginnings’, Art Monthly, Dec-Jan
2010   Ossian Ward , ‘Walid Raad’, Time Out (London), 25 November – 1 December
2010   Ed. Achim Borchardt-Hume, 'Miraculous Beginnings: Walid Raad', catalogue, Whitechapel Gallery Press
2010   ‘Márgenes de Silencio’, Essay by José María Viñuela, Centro de Artes Visuales de Cáceres, June
2010   Alice Pfeiffer, ‘Paging Atlas Group’, Artinamerica.com, 4 November
2010   Lou Forster, ‘Walid Raad, L’Archive en délai’, Art21, Autumn
2010   Sue Steward, ‘Obsessed by Lebanon’s Past’, Evening Standard, 22 October
2010   ‘Walid Raad: Sweet Talk: Commisions (Beirut)’, Camera Austria, No 111
2010   JJ Charlesworth, ‘Walid Raad: Miraculous Beginnings’, Art Review, October
2010   Emma Crichton-Miller, ‘Chaos Theories’, Financial Times (Collecting Supplement), 9 October
2010   Kaelen Wilson – Goldie, ‘Walid Raad: Miraculous Beginnings’, Previews, Art Forum, September
2010   Alan Gilbert, ‘Walid Raad (Re)Invents The Archive, Aperture, Spring
2010   Kathy Battista, ‘A Look at The Hugo Boss Prize 2010’, Res, March
2010   Yulia Tikhonova, ‘Walid Raad’, Flash Art, March – April
2009   Kara L. Rooney, ‘ArtSeen: WALID RAAD: Scratching on Things I Could Disavow: A History of Art in the Arab World / Part 1_Volume
2009   1_ Chapter 1 (Beirut: 1992-2005)’, The Brooklyn Rail, December 2009
2009   ‘The Atlas Group (1989-2004), a project by Walid Raad’, Art and Text, Black Dog publishing, London
2009   Ghalya Saadawi, ‘Necessary Fables’, Canvas, March/April
2009   Judith Souriau, ‘Un certain usage de la fiction dans l’art contemporain’, Art Presence, January
2009   Carrie Lambert-Beatty, Make-Believe: Parafiction and Plausibility, October Magazine, Summer 2009
2009   Vered Maimon, The Third Citizen: On Models of Criticality in Contemporary Art Practices, October Magazine, Summer
2009   Alessandra Pioselli, ‘Walid Raad’, www.artforum.com, 11 August
2009   Barbara Casavecchia, ‘Walid Raad, Fondazione Antonio Ratti, Como, Italy’, Frieze, July
2008   Anthony Lappe, ‘Menassat.com doges bullets, bombs and government censors, Tar Mag, premier issue
2008   Benjamin Carlson, ‘The Power Plant, Toronto, Canada’, Frieze, November/ December
2008   Architectur/Talk, ‘Curating Architecture’, www.kulturefalsh.net, 14 December
2008   Cristina de Marchi, ‘Beirut. Una questione privata’, Exibart.onpaper, November/December
2008   Therese St-Gelais (ed.), ‘The Undecidable – Gaps and Displacements of Contemporary Art’, Les editions esse.
2008   Julia Bryan-Wilson ‘Not Quite How I Remember It’, Artforum, May
2007   Ramsay Short, ‘With Lens Like These…’, Tank, Volume 4, Issue 9
2006   Christina Tilmann, ‘ Vampir Erinnerung’, Der Tagesspiegel, 22 September (ill.)
2006   Jarrod Rawlins, ‘2006 Biennale of Sidney: Zones of Contact’, Flash Art International, October (ill.)
2006   'Biennale of Sydney', The Sydney Morning Herald, July
2006   Nikoleta Szabados, 'Walid Raad, The Bachar Tapes, 2001', Artwrite, online: //blogs.cofa.unsw.edu.au/blog/artwrite, Issue 35, June
2006   Rosalie Higson, 'Welcome to the Contact Zone', The Australian, June
2006   Zara Stanhope, ‘An Affair to Remember’, Photofile, nr 78 Spring (ill)
2006   Tracey Clement, 'Bigger Than Christmas', Cover, Spring
2006   'Daring to Be Different', The Canvas Guide / The New Zealand Herald, Spring (ill.)
2006   Alan Giolbert, 'The Atlas Group/ Walid Raad' , Zones of Contact 2006 Biennale of Sidney (cat.) (ill)
2006   Martha Schwendener, Critics’ Picks, Gray Flags, Artforum, online:http://www.artforum.com, June
2006   Andreas Leventis, Home Truths, Modern Painters, May (ill.)
2006   Tirdad Zolghadr, City Report: Beirut, Frieze, May (ill.)
2006   Emilia Terracciano, On Now On Soon, Flash Art, May-June (ill.)
2006   Isabelle Dupuis, Reviews, Flash Art, May-June (ill.)
2006   Kaelen Wilson-Goldie, New Art For A New Middle East, Art and Auction, March (ill.)
2006   We Can Make Rain But No One Came To Ask: Documents from the Atlas Group Archive, Galerie Leonard & Bina Ellen, Montréal
2006   Mark Beasley, Back, Frieze, March (ill.)
2006   Roberta Smith, 'Mixing Fact And Fiction To Open Up Larger Reality', The New York Times, March (ill.)
2006   ‘The Atlas Group / Walid Raad’, Une Vision du Monde la Collection Video d’Isabelle et Jean Conrad Lemaitre, February (cat.) (ill.)
2006   Andreas Leventis, The Atlas Group, Modern Painters, February
2006   Jerry Saltz, 'Interrogation Nation', Village Voice Art, February (ill.)
2006   Martha Schwendener, 'Walid Raad, "The Dead Weight of a Quarrel Hangs: Documents from The Atlas Group Archive"', February (ill.)
2006   T.J. Demos, ‘Out of Beirut’, Artforum, October (ill.)
2005   The Atlas Group and Walid Raad, Volume 2: My Neck Is Thinner Than A Hair, Buchhandlung Walther König, Köln
2005   Adrian Searle, 'True Lies', The Guardian, 06 December (ill.)
2005   Moira Jeffrey, ‘Love as a Model for Visual Art’, Glasgow Herald, November
2005   Sarah Kent, 'The Atlas Group', Time
2005   Chen Tamir, The Atlas Group and Walid Raad, Art Gallery of York University
2005   Vid Ingelevics, The Atlas Group and Walid Raad, AGYU at Prefix ICA, Torornto, CV ciel variable 66, Mai (ill.)
2004   “The Atlas Group”: Kaelen Wilson-Goldie, in: Bidoun, Fall 2004, Issue 02, Volume 01, p. 16-25
2004   “The Atlas group and Walid Raad”, Volume 1, The Truth Will Be Known When The Last Witness Is Dead, Verlag der Buchhandlung Walther König, 2004
2004   “Mapping Sitting”, Le Monde. 16.04.2004
2003   "A Secret History.", Saul Anton, Frieze. January/February 2003 (72): 68-69.
2003   "Missing in Action.", Lee Smith, Artforum. February 2003 (6): 124-129.
2003   "Mapping the disaster.", Deborah Root, Prefix Photo. May 2003 (7): 30-41.
2003   "Already Been in a Lake of Fire," Framework Forthcoming, Fall 2003.
2002   "Mapping Sitting" (Zaatari, Maasri, Bassil and Raad eds., The Arab Image Foundation, (Mind the Gap Publications: Beirut [Lebanon]), 2002
2002   "Walid Raad.", Alan Gilbert, Bomb. Fall 2002: 38-45.
2002   "Forging History, Performing Memory.", Sarah Rogers, Parachute. October 2002 (108): 68-79.