|
|
Biografie Urs Fischer
|
 |
 |
|
1973 |
|
Born in Zurich, Switzerland
|
|
1995 |
|
Received grant from the Bundeamt für Kultur, Zurich
|
|
1997 |
|
Kiefer-Hablitzel grant
|
|
1999 |
|
Providentia Prize, YoungArt
|
|
1999 |
|
Received grant from the Bundeamt für Kultur, Zurich
|
|
|
|
Lives and works in New York, USA
|
|
|
|
Studied Photography at the Schule für Gestaltung, Zurich
|
|
|
|
Visited de atelier, Amsterdam, The Netherlands
|
|
|
|
Artist in residence, Delfina Studios, London, UK
|
|
 |
| Ausgewählte Ausstellungen |
 |
 |
|
2010
|
|
Die Nase des Michelangelo, Group Exhibition curated by Galerie Peter Kilchmann, Niederdorf Zurich, Switzerland
|
|
2010
|
|
Collection – migros museum für gegenwartskunst Zürich, Museo D’Arte Contemporanea Donna Regina,Napoli, Italy
|
|
2010
|
|
The New Decor, The Garage Center for Contemporary Culture, Moscow, Moscow, Russia
|
|
2010
|
|
Skin Fruit. Selections from the Dakis Joannou Collection, New Museum, New York/NY, USA
|
|
2010
|
|
Voici und dessin suisse, Musée Rath, Geneva, Switzerland
|
|
2010
|
|
Douglas Sirk, Sadie Coles HQ, London, Great Britain (solo)
|
|
2010
|
|
The Modern Institute, Glasgow, Scotland (solo)
|
|
2010
|
|
The Brant Foundation, Greenwich/CT, USA (solo)
|
|
2010
|
|
Art Unlimited, Art Basel, Basel, Switzerland (solo)
|
|
2009
|
|
Beg Borrow and Steal, Rubell Family Collection, Miami/FL, USA
|
|
2009
|
|
Where Do We Go From Here? Selections from La Colección Jumex, Bass Museum of Art, Miami/FL, USA
|
|
2009
|
|
Les enfants terribles, Galeria de Fundación Jumex, Mexico City, Mexico
|
|
2009
|
|
Investigations of a Dog. Works from the FACE Collections, Fondazione Sandretto Re Rebaudengo, Torino, Italy
|
|
2009
|
|
The living and the dead, Gavin Brown’s Enterprise, New York/NY, USA
|
|
2009
|
|
Urs Fischer, Mark Handforth og Georg Herold, Kunstnernes Hus, Oslo, Russia
|
|
2009
|
|
Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi/Punta della Dogana, Venice, Italy
|
|
2009
|
|
Magritte et la Lumière, Almine Rech Brussels, Belgium
|
|
2009
|
|
Saints and Sinners, The Rose Art Museum, Waltham/MA, USA
|
|
2009
|
|
A GUEST + A HOST = A GHOST – Works from the Dakis Joannou Collection - Deste Foundation, Centre for Contemporary Art, Athens, Greece
|
|
2009
|
|
Marguerite de Ponty, New Museum, New York/NY, USA (solo)
|
|
2009
|
|
Kunstnernes Hus, Oslo (with Mark Handforth) Peter Brant Foundation, Greenwich, CT (solo)
|
|
2009
|
|
The Modern Institute, Glasgow (solo)
|
|
2009
|
|
Palazzo Grassi, Venice The Rose Art Museum, Saints and Sinners, Waltham, MA
|
|
2008
|
|
Galerie Eva Presenhuber, Blurry Renoir Debussy, Zürich (solo)
|
|
2008
|
|
Kunstmuseum Luzern, Blasted Allegories. Works from the Ringier Collection, Luzern (group)
|
|
2008
|
|
Galeria Fortes Vilaça, God is Design, curated by Neville Wakefield, Sao Paulo (group)
|
|
2008
|
|
Shafrazi Gallery, Who’s Afraid of Jasper Johns?, a show conceived by Urs Fischer and Gavin Brown, New York Migros Museum für Gegenwartskunst, Sammlung / Collection, Zurich
|
|
2008
|
|
Countdown, Hessel Museum of Art & Curatorial Studies Galleries at Bard College, Annandale-on-Hudson/NY, USA
|
|
2008
|
|
Château de Tokyo / Palais de Fontainebleau, Fontainebleau, France
|
|
2008
|
|
Who’s Afraid of Jasper Johns?, Tony Shafrazi Gallery, New York/NY, USA (a show conceived by Urs Fischer and Gavin Brown)
|
|
2008
|
|
Jumex Collection, Ecatepec, Mexico
|
|
2008
|
|
Archeology of Mind, Kuntsi Museum of Modern Art, Vaasa, Finland
|
|
2008
|
|
Ombres, New Galerie de France, Paris, France
|
|
2008
|
|
ART TLV 08 / Helena Rubinstein Pavilion and Yaacob Garden,Tel Aviv Museum of Art, Tel Aviv, Israel
|
|
2008
|
|
Archeology of Mind, Fondazione Morra Greco, Naples, Greece
|
|
2008
|
|
Archeology of Mind, Malmö konstmuseum, Malmö, Sweden
|
|
2008
|
|
Tutti Frutti, Base / Progetti per l’arte, Florence, Italy
|
|
2008
|
|
The Hamsterwheel, Malmö Konsthall, Malmö, Sweden
|
|
2007
|
|
Euro-Centric, Part 1: New European Art from the Rubell Family Collection, Rubell Family Collection, Miami/FL, USA
|
|
2007
|
|
Franz West - Souffle, eine Massenausstellung, Kunstraum Innsbruck, Innsbruck, Vienna
|
|
2007
|
|
Vanhaerents Art Collection, Disorder in the House, Brussels
|
|
2007
|
|
Unmonumental: The Object in the 21st Century, The New Museum, New York
|
|
2007
|
|
Large, dark & empty, Galerie Eva Presenhuber, Zurich (solo)
|
|
2007
|
|
Museion, Domestic Irony, Bolzano
|
|
2007
|
|
Palazzo Grassi, Pinault Collection, Sequence 1, Venice
|
|
2007
|
|
The Hamster Wheel, Tese della Novissima, Arsenale di Venezia, Venice
|
|
2007
|
|
Traum and Trauma. Works from The Dakis Joannou Collection, Athens, MUMOK und Kunsthalle, Vienna
|
|
2007
|
|
9e Biennale de Lyon 2007, La biennale d'art contemporain de Lyon, Lyon, France
|
|
2007
|
|
The Third Mind, Palais de Tokyo, curated by Ugo Rondinone, Paris
|
|
2007
|
|
The Hamster Wheel, Festival Printemps De Septembre, Toulouse
|
|
2007
|
|
Fractured Figure, Deste Foundation Centre for Contemporary Art, N. Ionia, Athens
|
|
2007
|
|
Makers and Modelers, Barbara Gladstone Gallery, New York
|
|
2007
|
|
Cockatoo Island, Kaldor Art Projects and the Sydney Harbour Federation Trust, Sydney (solo)
|
|
2007
|
|
Church San Stae, Venice, 52nd Venice Biennale (with Ugo Rondinone) (solo)
|
|
2007
|
|
Sadie Coles HQ, London (solo)
|
|
2007
|
|
Gavin Brown’s enterprise, New York (solo)
|
|
2006
|
|
Big Bang, Centre Pompidou, Paris
|
|
2006
|
|
Strange I’ve Seen That Face Before, Museum Abteiberg, Mönchengladbach
|
|
2006
|
|
Where are we going?, selection from the François Pinault Collection, The Palazzo Grassi, Venice
|
|
2006
|
|
Infinite Painting – Contemporary Painting and Global Realism, Villa Manin Centre of Contemporary Art, Passariano, Codroipo (Udine)
|
|
2006
|
|
Day for Night, Whitney Biennial 2006, New York
|
|
2006
|
|
Cinq milliards d’ années, Palais de Tokyo, Paris
|
|
2006
|
|
The Studio, The Hugh Lane Museum, Dublin
|
|
2006
|
|
The Vincent 2006, Stedelijk Museum, Amsterdam
|
|
2006
|
|
Museum Boymans van Beuningen, Paris 1919, Rotterdam (solo)
|
|
2006
|
|
Galerie Eva Presenhuber, Zurich (solo)
|
|
2006
|
|
blaffergallery, The Art Museum of the University of Houston, Urs Fischer: Mary Poppins, Houston, Texas (solo)
|
|
2006
|
|
The Modern Institute, Glasgow (solo)
|
|
2006
|
|
Galleria Massimo de Carlo, Milan (solo)
|
|
2006
|
|
Defamation of Character, P.S.1 MoMA, New York/NY, USA
|
|
2005
|
|
Schweizer Druckgraphik 1980 - 2005, Helmhaus Zürich, Zurich, Switzerland
|
|
2005
|
|
Looking at Words, Andrea Rosen Gallery, New York/NY, USA
|
|
2005
|
|
Goethe Abwärts – Deutsche Jungs etc. - Meilahti Art Museum, Helsinki, Finland
|
|
2005
|
|
Ma Non Al Sud, Gallerie Civica d’Arte Contemporanea di Siracusa, Siracusa, Italy
|
|
2005
|
|
Closing Down, Bortolami, New York/NY, USA
|
|
2005
|
|
Sammlung Hauser & Wirth (Swiss Made) The Art of Falling Apart, St. Gallen, Switzerland
|
|
2005
|
|
Put It In Your Mouth / I’ll see you on the dark side of the prune, Rivington Arms, New York/NY, USA
|
|
2005
|
|
Closing Down, Bortolami Dayan Gallery, New York/NY, USA
|
|
2005
|
|
Universal Experience: Art, Life, and the Tourist’s Eye, Museum of Contemporary Art, Chicago/IL, USA
|
|
2005
|
|
Urs Fischer, Modern Institute Glasgow, Glasgow, Scotland
|
|
2005
|
|
Fig, Nut & Pear, Gavin Brown’s Enterprise, New York (solo)
|
|
2005
|
|
Jet Set Lady, Fondazione Nicola Trussardi, Milan (solo)
|
|
2005
|
|
Camden Arts Center, London (solo)
|
|
2005
|
|
Hamburger Bahnhof, Flick Collection, Berlin (solo)
|
|
2005
|
|
Mr. Watson --- Come Here --- I Want to See You, Hydra Workshops, Hydra, Greece (solo)
|
|
2005
|
|
Cobra Museum of Modern Art, Amstelveen (Amsterdam)
|
|
2004
|
|
Central Station, Collection Harald Falckenberg, La Maison Rouge, Paris, France
|
|
2004
|
|
Skulptur: Prekärer Realismus zwischen Melancholie und Realismus, Kunsthalle Wien, Vienna, Austria
|
|
2004
|
|
Die Künstlereditionen des Kunstmuseums Luzern, Kunstmuseum Luzerne, Luzerne, Switzerland
|
|
2004
|
|
MEMORABLE MEMORY, Collection Migros Museum für Gegenwartskunst, Kunst Halle St. Gallen, St.Gallen, Switzerland
|
|
2004
|
|
Group Show, Regen Projects, Los Angeles/CA, USA
|
|
2004
|
|
Monument to Now, Deste Foundation, Athens, Greece
|
|
2004
|
|
L’Air du Temps – Collection Printemps/Été 2004, Migros Museum für Gegenwartskunst, Zurich, Switzerland
|
|
2004
|
|
Urs Fischer / Koo Jeong-A, Centre Pompidou, Musée National d´Art Moderne, Paris, France
|
|
2004
|
|
Elton John?, Sadie Coles HQ, London, Great Britain (solo)
|
|
2004
|
|
315, Centre Pompidou, Paris, France (solo)
|
|
2004
|
|
Kir Royal, Kunsthaus Zürich, Zurich, Switzerland (solo)
|
|
2004
|
|
Feige, Nuss und Birne, Gruppe Oesterreichische Guggenheim, Wien, Austria (solo)
|
|
2003
|
|
Portrait of a single raindrop, Gavin Brown’s Enterprise, New York/NY, USA (solo)
|
|
2003
|
|
Need no chair when walking, Sadie Coles HQ, London, Great Britain (solo)
|
|
2003
|
|
Invite - silver convention, Galerie Giti Nourbakhsch, Berlin, Germany
|
|
2003
|
|
Unplugged, Galleria Civica di Arte Contemporanea, Trento, Italy
|
|
2003
|
|
Game over, Galerie Grimm & Rosenfeld, Munich, Germany
|
|
2003
|
|
Bewitched Bothered and Bewildered, Migros Museum für Gegenwartskunst, Zurich, Switzerland
|
|
2003
|
|
Bewitched Bothered and Bewildered, Laznia Center for Contemporary Art, Gdansk, Poland
|
|
2003
|
|
50. Biennale di Venezia, Dreams and Conflicts: The Viewer’s Dictatorship, Venice, Italy
|
|
2003
|
|
Kunstpreis der Böttcherstrasse, Kunsthalle Bremen, Bremen, Germany
|
|
2003
|
|
Durchzug-Draft, Kunsthalle Zürich, Zurich, Switzerland
|
|
2002
|
|
What should an Owl do with a Fork, Santa Monica Museum of Art, Project Room, Santa Monica/CA, USA (solo)
|
|
2002
|
|
Mystique Mistake, The Modern Institute, Glasgow, Scotland (solo)
|
|
2002
|
|
Bing Crosby, Contemporary Fine Arts, Berlin, Germany (solo)
|
|
2002
|
|
Exile on Main Street, NICC, Antwerp, Belgium
|
|
2002
|
|
The Object Sculpture, The Henry Moore Institute, Leeds, Great Britain
|
|
2002
|
|
My head is on fire but my heart is full of Love, Kunsthal Charlottenborg, Copenhagen, Denmark
|
|
2002
|
|
Lowland Lullaby (with Ugo Rondinone John Giorno), Swiss Institute, New York/NY, USA
|
|
2001
|
|
walcheturm 00.07: mind-sediments, Kunstraum Walcheturm, Zurich, Switzerland
|
|
2001
|
|
Squatters, Ocupacoes, Museu Serralves, Porto, Portugal
|
|
2001
|
|
Ziviler Ungehorsam, Kestner-Gesellschaft, Hannover, Germany
|
|
2001
|
|
Enduring Love, Klemes Gasser & Tanja Grunert, New York/NY, USA
|
|
2001
|
|
Galerie Hauser & Wirth & Presenhuber, Mastering the Complaint, Zurich (solo)
|
|
2000
|
|
Drawings, Sommer Contemporary Art, Tel Aviv, Israel
|
|
2000
|
|
Manifesta 3, European Biennial of Contemporary Art, Ljubljana, Slovenia
|
|
2000
|
|
Sammlung Hauser und Wirth (1). The Oldest Possible Memory, Lokremise, St. Gallen, Switzerland
|
|
2000
|
|
Delfina, Capillon – Urs just does it for the girls, (with Amy Adler), London, Great Britain (solo)
|
|
2000
|
|
Tagessuppen/Soups of the Days and Domestic Pairs Project, (with Keith Tyson), Kunsthaus Glarus, Glarus, Switzerland (solo)
|
|
2000
|
|
The Membrane – Why I don’t mind bad-mooded People, Stedelijk Museum Bureau, Amsterdam, The Netherlands (solo)
|
|
2000
|
|
Without a Fist - Like a Bird, Institute of Contemporary Art (ICA), London, Great Britain (solo)
|
|
1999
|
|
Eidgenössische Preise für Freie Kunst, Kunsthalle Zürich, Zurich, Switzerland
|
|
1999
|
|
999, Centro d'Arte Contemporanea Ticino, Bellinzona, Switzerland
|
|
1999
|
|
Le repubbliche dell’arte, Palazzo delle Pappesse, Siena, Italy
|
|
1999
|
|
Holding Court, Entwistle Gallery, London, Great Britain
|
|
1999
|
|
Peace; Migros Museum für Gegenwartskunst, Zurich, Switzerland
|
|
1999
|
|
Galerie Hauser & Wirth & Presenhuber, Espressoqueen – Worries and other stuff you have to to think (solo)
|
|
1998
|
|
ironisch/ironic, Museum für Gegenwartskunst, Zurich, Switzerland
|
|
1998
|
|
de ateliers, De Ateliers, Amsterdam, The Netherlands
|
|
1997
|
|
Dokumentation, Hotel, Zurich, Switzerland
|
|
1997
|
|
Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy
|
|
1997
|
|
Été 97, Centre Genevois de Gravure Contemporain, Geneva, Switzerland
|
|
1997
|
|
Hammer, Galerie Walcheturm, Zurich, Switzerland (solo)
|
|
1996
|
|
Urs Fischer, Galerie Walcheturm, Zurich, Switzerland (solo)
|
|
1995 - 1996
|
|
Calypso (with Antonietta Peeters and Avery Preesman), Stedelijk Museum Bureau, Amsterdam, The Netherlands
|
|
1995
|
|
Assistent (with Maurus Gmür), Binz 39, Zurich, Switzerland
|
|
1995
|
|
Karaoke 444&222 too, South London Gallery, London, Great Britain
|
|
1995
|
|
Bundesstipendianten, Kunsthaus Glarus, Glarus, Switzerland
|
|
 |
 |
 |
|
|
|
|
|