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Biografie Slater Bradley
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1975 |
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Born in San Francisco, USA
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1996 |
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UCLA Two year Lillian Levenson Scholarship, USA
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1996 |
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UCLA President's Undergraduate Fellowship, USA
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1998 |
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BA, University of California, Los Angeles, USA
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1998 |
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UCLA Art Council Grant, USA
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2005 |
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The Louis Comfort Tiffany Foundation Award in Video, USA
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Lives and works in New York, USA
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The Solomon R. Guggenheim Museum, New York, USA
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Museum of Contemporary Art, Los Angeles, USA
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The Museum of Modern Art, New York, USA
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Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, USA
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Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY, USA
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The Elipse Foundation, Cascais, Portugal
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Frans Hals Museum, The Netherlands
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Hamburger Kunsthalle, Hamburg, Germany
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Herbert F. Johnson Museum, Cornell University, Ithaca, NY, USA
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Jumex Collection, Mexico City, Mexico
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The Kramlich Collection, San Francisco, USA
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New Orleans Museum of Art, New Orleans, USA
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Progressive Collection, Cleveland, Ohio, USA
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The Solomon R. Guggenheim Museum, New York, USA
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The Whitney Museum of American Art, New York, USA
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U.B.S. Collection, Zurich, Switzerland
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21C Museum. Louisville, USA
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| Ausgewählte Ausstellungen |
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2010
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Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA (forthcoming) (solo)
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2009
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Team Gallery, New York (with Ed Lachman, forthcoming, Fall) (solo)
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2009
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boulevard of broken dreams, Max Wigram Gallery, London (with Ed Lachman, forthcoming, May)(solo)
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2009
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Frans Hals Museum, Haarlem, The Netherlands (forthcoming, March)(solo)
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2009
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Videowork from the Guggenheim Collections, Guggenheim Museum, Bilbao, Spain
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2007 - 2009
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Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, IL, USA (travelled to the Museum of Contemporary Art, Miami and Musée d’Art Contemporain de Montréal, Montréal, curated by Dominic Molon)
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2008
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Rock My Religion, Domus Artium 02, Salamanca, Spain, (curated by Javier Panera,)
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2008
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Young at Heart (Remix), Centro Cultural de Cascais, Cascais, Portugal, (curated by Alexandre Melo)
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2008
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Accessories to an Artwork, Paul Stolper Gallery, London, England, (curated by Peter Saville)
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2008
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Auto Stop, Malmo Konsthall, Malmo, Sweden
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2008
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A Curators Gift: Contemporary Photography from Diego Cortez, New Orleans Museum of Art, New Orleans, LA
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2008
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still: Slater Bradley, Sally Mann, Nigel Poor, Center for Visual Art, Metropolitan State University, Denver, CO, (curated by Greg Watts and Cinthia Fiss)
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2008
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The Ghost in the Machine (curated by Elisabeth Byre and Susanne Sather), Kunstnernes Hus, Oslo, Norway
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2008
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VOLUME(S) (curated by Marc Clement and Kevin Muhlen), Casino Luxembourg, Luxembourg
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2008
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The object is in the mirror part II, (curated by Max Henry), Wilkinson Gallery, London, UK
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2008
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Perfect Empathy, Taka Ishii Gallery, Tokyo (September) (solo)
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2008
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Frans Hals Museum, Haarlem, The Netherlands (September) (solo)
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2007
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The object is the mirror, Layr Wuestenhagen Contemporary, Vienna, Austria
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2007
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The Present Order is the Disorder of the Future, Frans Hals Museum, Haarlem, The Netherlands
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2007
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Stop, Look and Listen, Herbert F. Johnson Museum of Art, Cornell University, Ithaca
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2007
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Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicagp
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2007
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Sweet Bird of Youth, Arndt & Partner, Berlin, Germany
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2007
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Noise, TH Inside, Milan, Italy
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2007
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Blum & Poe, Los Angeles, USA (solo)
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2007
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Max Wigram Gallery, London (September), (solo)
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2007
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Galeria Helga de Alvear, Madrid, (solo)
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2007
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Contemporary Art Museum, St. Louis, MO, USA, (solo)
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2007
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The Armory Show (under the auspices of Team), New York, USA, (solo)
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2007
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Warhol's Lesson, DOX, Prague, Czech Republic (forthcoming Oct, curated by Jaroslav Andel)
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2006
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I love MY Scene: Part 2, Mary Boone Gallery, New York, USA
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2006
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Human Game Winners and Losers, Fondazione Pitti, Florence, Italy
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2006
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Full House - Gesichter einer Sammlung, Kunsthalle Mannheim, Mannheim, Germany
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2006
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Belief and Doubt, Aspen Art Museum, Aspen, USA
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2006
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Youth of Today, Schirn Kunsthalle, Frankfurt a/M, Germany
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2006
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People, Madre Modern Art Museum, Naples, Italy
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2006
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Boisterous, Anderson Gallery, Copenhagen, Denmark
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2006
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Setting The Scene, Discoteca di Stato museo dell� Audiovisivo Auditorium, Rome, Italy
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2006
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Open House, Ellipse Foundation, Cascais, Portugal,
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2006
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Kunsthalle Mannheim, Mannheim, Germany, (solo)
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2006
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Team Gallery, New York, USA, (solo)
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2006
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In A Mixed State, Max Wigram Gallery, London, UK, (solo)
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2006
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Young at Heart, Galeria Presenca, Portugal
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2006
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Busan Biennale, Busan Museum of Modern Art, Busen, Korea
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2006
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Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts
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2006
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Gallery, Birmingham, UK
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2006
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The Monty Hall Problem, Blum & Poe, Los Angeles, USA
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2006
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Setting the Scene, curated by Adrienne Drake, Discoteca di Stato Museo dell�Audiovisivo Auditorium, Rome, Italy
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2006
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Youth of Today, curated by Matthias Ulrich, Schirn Kunsthalle Frankfurt, Frankfurt, Germany
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2006
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I Love My Scene: Scene 2, curated by Jos� Freire, Mary Boone Gallery, New York
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2006
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Open House, curated by Alexandre Melo, Ellipse Foundation, Cascais, Portugal
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2006
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Young at Heart, curated by Alexandre Melo, Galeria Presenca, Portugal
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2006
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Busan Biennale , Busan Museum of Modern Art, Busan, Korea
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2006
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Belief and Doubt, curated by Heidi Zuckerman Jacobsen, Aspen Art Museum, Aspen, CO
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2006
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People, curated by Eduardo Cicelyn and Mario Codagnato, Madre Modern Art Museum, Naples, Italy
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2006
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Boisterous, Andersen Gallery, Copenhagen, Denmark
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2006
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Full House, Kunsthalle Mannheim, Mannheim, Germany
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2006
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Figures of the Player, the Paradox of the Actor, Collection Lambert, Avignon, France
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2006
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Human Game, Winners and Losers, curated by Francesco Bonami, Pitti Foundation, Florence, Italy
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2006
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Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts Gallery, Birmingham, AL
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2005 - 2006
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Dark Night of the Soul, NASA Art Program with cooperation from the Museum of Natural History
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2005
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The Gravity in Art, curated by Theo Tegelaers and Rene Daalder, De Appel Foundation, Amsterdam, The Netherlands
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2005
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Le Studio: Slater Bradley, Yvon Lambert, Paris, France
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2005
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Superstars-The Principle of Renown, curated by Thomas Mie�gang, Heike Eipeldauer, Florian Steininger, Kunsthalle Wien, Vienna, Austria, traveling to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Artium 2002, Salamanca, Spain
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2005
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3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
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2005
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Star Star, Contemporary Arts Center, Cincinnati, Ohio
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2005
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Video II: Allegorie, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany
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2005
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Downstrokes and Feedback, curated by Lisa Schiff, Allston Skirt Gallery, Boston, MA
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2005
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video-musica-video, curated by Bob Nickas, Museo Reina Sofia, Madrid, Spain
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2005
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La Collection D' Enea Rich, Collection Lambert, Avignon, France
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2005
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Uncharted Settlements, Taka Ishii Gallery, Tokyo, Japan, (solo)
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2005
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Intermission, Galerie Lisa Ruyter, Vienna, Austria, (solo)
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2005
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Lifetime Achievement Award, Savannah College of Art and Design, Savannah, Georgia, (solo)
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2005
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Recent Acquisitions: Slater Bradley's Doppelganger Trilogy, The Solomon R. Guggenheim Museum, New York, USA, (solo)
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2005
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MATRIX 216: Slater Bradley / The Year of the Doppelganger, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA, (solo)
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2005
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The Gravity of Art, De Appel Foundation, Amsterdam, The Netherlands
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2005
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Superstars � The Principle of Renown, Kunsthalle Wien, Vienna, Austria
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2005
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3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain
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2005
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Star Star, Contemporary Arts Center, Cincinnati, USA
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2005
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Downstrokes and Feedback, Allston Skirt Gallery, Boston, USA
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2005
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Bridge Freezes Before Road, Barbara Gladstone Gallery, New York, USA
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2005
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NRW-Forum Kultur und Wirtschaft, D�sseldorf, Germany
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2005
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La Collection D� Enea Rich, Collection Lambert, Avignon, France
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2005
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Le Studio: Slater Bradley, Yvon Lambert, Paris, France
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2005
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Superstars � The Principle of Renown, Kunsthalle Wien, Vienna, Austria
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2005
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The Monty Hall Problem, Blum & Poe, Los Angeles
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2004
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I, Assassin, Wallspace Gallery, New York, USA
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2004
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STONED & DETHRONED, Team Gallery, New York, USA, (solo)
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2004
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The Doppelganger Trilogy, Blum & Poe, Los Angeles, USA, (solo)
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2004
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The Whitney Biennial, The Whitney Museum of American Art, New York, USA (cat.)
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2004
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Premieres The Museum of Modern Art, New York, USA
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2004
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Motion Stills, Savannah College of Art and Design, Atlanta, USA
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2004
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Harlem Postcards, Studio Museum in Harlem, New York, USA
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2004
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Stalemate, Museum of Contemporary Art, Chicago, USA
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2004
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Unlightment, Galerie Nationale du Jeu de Paume, Paris, France
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2004
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The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia and Montenegro (cat.)
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2004
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The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
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2004
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Playlist, Palais de Tokyo, Paris (cat.)
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2004
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I Feel Mysterious Today , Institute of Contemporary Art, Palm Beach, FL, USA
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2004
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A Very Liquid Heaven , The Tang Museum, Saratoga Springs, NY, USA (cat)
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2004
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Me, Myself and I , University Galleries, Florida Atlantic University, Boca Raton, FL, USA
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2004
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Will Boys Be Boys? Questioning Masculinity in Contemporary Art, The Salina Art Center,
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2004
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The Herbert F. Johnson Museum of Art, Cornell University, Ithaca; The Indianapolis Museum of Art, IN; with cat.)
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2004
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Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson
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2004
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Museum of Art, Cornell University, Ithaca, NY; The Indianapolis Museum of Art, IN)
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2004
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Melody, Blonde Redhead, 4AD Conquistadors (who took their share), Whitney Museum of American Art, Whitney Gala
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2004
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The Animals, Art for Art�s Sake
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2004
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Premieres, The Museum of Modern Art, New York, NY
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2004
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I Feel Mysterious Today, curated by Dominic Molon, Institute of Contemporary Art, Palm Beach, FL
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2004
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Me, Myself and I, curated by Paul Laster and Renee Riccardo, University Galleries, Florida Atlantic University, Boca Raton, FL
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2004
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A Very Liquid Heaven, The Tang Museum, Saratoga Springs, NY
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2004
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Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, curated by Shamim M. Momin, The Salina Art Center, Salina, KS, traveling to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gulf Coast Museum of Art, Largo, FL, The Indianapolis Museum of Art, IN
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2004
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Music/Video, Bronx Museum of Art, Bronx, NY
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2004
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Motion Stills, Savannah College of Art and Design, Atlanta, GA
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2004
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Harlem Postcards, Studio Museum in Harlem, New York, NY
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2004
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Stalemate, Museum of Contemporary Art, Chicago, IL
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2004
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Unlightment, Galerie Nationale du Jeu de Paume, Paris
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2004
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The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia and Montenegro
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2004
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The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria
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2004
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Portraits, Esso Gallery, New York, NY
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2004
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The Whitney Biennial, The Whitney Museum of American Art, New York, NY
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2004
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Playlist, Palais de Tokyo, Paris
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2004
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When Darkness Falls, curated by Melanie Schiff and Kirsten Van Deventer, traveled to Midway, Saint Paul, Minnesota, Gallery 400, University of Illinois, Chicago, Illinois
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2004
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An Enquiry into those Kinds of Distress which excite, Team Gallery, New York, NY
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2004
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Inaugural Show, New Space, Blum & Poe, Los Angeles, CA
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2004
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Melody, Blonde Redhead, 4AD
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2004
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Conquistadors (who took their share), Whitney Museum of American Art, Whitney Gala
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2004
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The Animals, Art for Art’s Sake
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2004
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I, Assassin, Wallspace Gallery, New York, USA
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2003
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from the flat files, curated by Brian Butler and Amada Cruz, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand,
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2003
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Study, Taka Ishii Gallery, Tokyo
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2003
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What am I doing Here?, ESSO Gallery, New York, NY
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2003
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Then The World Would Be Upside Down, curated by Randy Moore, Tina Kim Projects, New York, NY
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2003
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Country Mouse, City Mouse, curated by David Hunt, Space 101, Brooklyn, NY
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2003
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I See a Darkness, Blum & Poe, Santa Monica, CA
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2003
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The Fourth Sex: The Extreme People of Adolescence, curated by Francesco Bonami and Raf Simons, Fondazione Pitti Immagine, Florence, Italy,
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2003
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Someone to Watch Over Me, curated by Thomas Peutz and Una Henry, Smart Project Space, Amsterdam, Netherlands
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2003
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An Enquiry into those Kinds of Distress, Team Gallery, New York, USA
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2003
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from the flat files, Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand
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2003
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Study, Taka Ishii Gallery, Tokyo, Japan
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2003
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Nobody Gives a Fuck What You Go Do With Your Life, MW projects, London, UK, (solo)
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2003
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Center for Curatorial Studies Museum, Bard College, New York, USA (cat.), (solo)
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2003
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Country Mouse, City Mouse (curated by David Hunt), Space 101, NY, USA
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2003
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I See a Darkness, Blum + Poe, Santa Monica, USA
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2003
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The Fourth Sex: The Extreme People of Adolescence (curated by Francesco Bonami and Ralf Simons), Fondazione Pitti Immagine, Florence, Italy
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2003
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Someone to Watch Over Me, Smart Project Space, Amsterdam, Netherlands
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2003
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When Darkness Falls, Gallery 400, University of Illinois, Chicago, USA
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2003
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Inaugural Show, New Space, Blum & Poe, Los Angels, USA
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2003
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What am I doing Here? Esso Gallery, New York, USA
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2003
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Then The World Would Be Upside Down, Tina Kim Project, New York, USA
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2003
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Country Mouse, City Mouse, Space 101, Brooklyn, New York, USA
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2002
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Here are the Young Men, Team Gallery, New York, USA, (solo)
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2002
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The Armory Photography Show, Team Gallery, New York, USA, (solo)
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2002
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Universit�tsstadt Kaiserslautern, Kaiserslautern, Germany, (solo)
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2002
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Art + Public, Geneva, Switzerland, (solo)
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2002
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Keys in the Mailbox, Arndt & Partner, Berlin, Germany, (solo)
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2002
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The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, Galeria Helga de Alvear, Madrid, Spain
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2002
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Nuit Blanche: plus qu'une image (curated by Caroline Bourgeois), Anciennes Pompes Funebres de la Ville de Paris, Paris, France
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2002
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Music/Video, Mus�e d'Art Moderne et Contemporain, Strasbourg, France
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2002
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Slater Bradley, Mark Leckey, John Williams, Low, Los Angeles, USA
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2002
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International Contemporary and Emerging Art, Lawson_Menzies Flynn, Sydney, Australia
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2002
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The Standard Projection #3 (curated by Yvonne Force), The Standard, Los Angeles, USA
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2002
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Burst, Team Gallery, New York, NY, USA
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2002
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Dark Spring (curated by Nicolaus Schafhausen and Liam Gillick), Ursula Blickle Stiftung, Kraichtal, Germany (cat.)
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2002
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Art Unlimited, Art | 33 | Basel, Basel, Switzerlad
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2002
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Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
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2002
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Photographier, Collection Lambert en Avignon, Avignon, France
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2002
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Copy, Roth horowitz Gallery, New York, USA
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2002
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I�m Miserable Now, Low, Los Angels, USA
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2002
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The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, curated by Charlotte Schepke, Galeria Helga de Alvear, Madrid, Spain
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2002
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Nuit Blanche: plus qu'une image, curated by Caroline Bourgeois, Aux Anciennes Pompes Funebres de la ville de Paris, Paris, France
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2002
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Music/Video, curated by Lydia Yee, Mus�e d'Art Moderne et Contemporain, Strasbourg, France,
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2002
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Les Enfants du Paradis, Galerie Yvon Lambert, Paris, France
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2002
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Art Unlimited, Art | 33 | Basel, Basel, Switzerland
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2002
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Slater Bradley, Mark Leckey, John Williams, Low, Los Angeles, California
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2002
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International Contemporary and Emerging Art, Lawson_Menzies Flynn, Sydney, Australia
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2002
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The Standard Projection #3, curated by Yvonne Force, The Standard, Los Angeles, CA,
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2002
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Photographier, Collection Lambert en Avignon, Avignon, France
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2002
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burst, Team Gallery, New York, NY
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2002
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Copy, curated by Neville Wakefield, Roth Horowitz Gallery, New York, NY
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2002
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Heaven Knows I'm Miserable Now, Low, Los Angeles, California
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2002
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Dark Spring, curated by Nicolaus, Ursula Blickle Stiftung, Kraichtal, Germany
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2001
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Casino 2001, curated by Jeanne Greenberg Rohatyn, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium
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2001
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Art and Wellbeing � The Aesthetics of Recreation, curated by Andrea Domesle, Kunsthaus Meran-Merano Arte, Merano, Italy
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2001
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Metropolis Now, curated by Elga Wimmer, Borusan Centre for Culture and Arts, Istanbul, Turkey, traveling to the Reina Sofia, Madrid
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2001
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Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris
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2001
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Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, NY
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2001
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Schau mir in die Augen, Kleines!, curated by Ren� Block, Kunsthalle Fridericianum, Kassel, Germany
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2001
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In a Lonely Place, curated by Greg Hobson, National Museum of Film, Television and Photography, West Bradford, UK
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2001
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Dear Dead Person, curated by Banks Violette, Momenta, Brooklyn, NY
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2001
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Radio Gra Kill Rock Stars (KRS 369), Unwound
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2001
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Casino 2001, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (cat.)
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2001
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Art and Wellbeing - The Aesthetics of Recreation, Kunsthaus Meran, Merano, Italy (cat.)
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2001
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Metropolis Now, Borusan Centre for Culture and Arts, Istanbul, Turkey / Reina Sofia, Madrid, Spain
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2001
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Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, USA
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2001
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Schau mir in die Augen, Kleines!, Kunsthalle Fridericianum, Kassel, Germany (cat.)
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2001
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Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris, France
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2001
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In a Lovely Place, National Museum of Film, Television and Photography, West Bradford
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2001
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Trompe Le Monde, Galerie Yvon Lambert, Paris, France, (solo)
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2001
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Home Town Hero, Refusalon, San Francisco, USA, (solo)
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2001
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Statements, Art/32/Basel, Basel, Switzerland (under the auspices of Team Gallery), (solo)
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2001
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Video Cube, FIAC, Paris (under the auspices of Galerie Yvon Lambert), (solo)
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2001
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Dear Dead Person, Momenta, Brooklyn, New York, USA
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2001
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Gra Kill Rock Stars (KRS 369), Unwound
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2000
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Friction Fiction, Echo Park Projects, Los Angeles, USA
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2000
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1:1, Refusalon, San Francisco, USA
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2000
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The World is Not Enough, Museum of Contemporary Art, Washington, USA
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2000
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Special Projects Series, P.S.1, New York, USA, (solo)
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2000
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Charlatan, Team Gallery, New York, USA, (solo)
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2000
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I was rooting for you, Irvine Fine Arts Center, Irvine, USA, (solo)
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2000
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Friction Fiction, Echo Park Projects, Los Angeles, CA
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2000
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1:1, Refusalon, San Francisco, CA
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2000
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The World is Not Enough, curated by Lisa Ruyter, Museum of Contemporary Art, Washington, DC
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1999
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SoCal Car Culture, Irvine Fine Arts Center, Irvine, CA
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1999
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PO + KU ART REVOLUTION, curated by Takashi Murakami, Parco Gallery, Tokyo
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1999
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Oh my god, I live on the thirteenth floor in Holland, which does not exist in the United States, or no?, curated by Jay Batlle, Alternative Space, Amsterdam
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1999
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long cold winter in an endlessnameless, Studio 870, Los Angeles, CA
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1999
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The Fried Liver Attack, Team Gallery, New York, USA, (solo)
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1999
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SoCal Car Culture, Irvine Fine Arts Center, Irvine, USA (cat.)
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1999
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PO + KU ART REVOLUTION, Parco Gallery, Tokyo, Japan
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1999
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On my god, I live on the thirteenth floor in Holland, which does not exist in the United State,
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1999
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ot no? Alternative Space, Amterdam
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1999
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long cold winter in an endlessnameless, Studio 870, Los Angeles
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1998
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Blind Date with Erik Wesselo, W139, Amsterdam, The Netherlands (cat.)
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1998
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A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, USA
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1998
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Text and Numbers, Remba Gallery, Los Angeles, USA
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1998
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Blind Date with Erik Wesselo , W139, Amsterdam
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1998
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A sound goodbye demand with Jay Batlle, Studio 870, Los Angeles, CA
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1998
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Text and Numbers, Remba Gallery, Los Angeles, CA
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1997
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Ca 90001-185, W139, Amsterdam
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1997
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Ca 90001-185, W139, Amsterdam, The Netherlands
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1997
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New memory, Spanish Kitchen, Los Angeles, USA
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| Literatur |
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2009
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Elisabeth Kley, Immortal Beloved, artnet online, December 2009 http://www.artnet.com/magazineus/features/kley/slater-bradley12-2-09.asp
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2009
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Martin Coomer, UK Reviews- Slater Bradley: boulevard of broken dreams, Art Review September 2009, p.125
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2009
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Elizabeth Kley, Slater Bradley: Perfect Empathy, Eyemazing Issue 02, 2009, pp. 6-15 (illustrated)
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2008
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Carrie Paterson, Slater Bradley: Blum & Poe, Flash Art, January/February, pp.148-9 (*with illustration)
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2007
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Tyler Coburn, Slater Bradley: Man in the Mirror, ArtReview, December, pp.10, 74-77 (with illustration)
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2007
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Brian Scholis, Reviews, Artforum, Feb 2007, p.295
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2006
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Doppelganger, Busan Biennial Catalogue, p. 266 - 267
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2006
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Melissa E. Feldman, Berkeley And Los Angeles, Art In America, Jan, pp. 128 - 129
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2006
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Charlotte Bonham-Carter, Showdown, Art Review, March, p.25
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2006
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Martin Herbert, Slater Bradley, Time Out London, May 3 – 10, p.37
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2006
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Pelin Uran, Journey To The Far Side Of The Sun, Uovo Magazine, Issue 11, pp.157-169
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2006
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Daniel Kunitz, Cinephile: Slater Bradley, Art Review, Issue 05, November, p.46 Daniel Kunitz, Cinephile: Slater Bradley, Art Review, Issue 05, November, p.46
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2006
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Elisabeth Kley, Reviews, Time Out New York, November 30 – December 6, p.76.
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2005
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Monty DiPietro, New Art Seen, The Japan Times, 17th November (with illustration)
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2005
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Kristin Jones, Bridge Freezes Before Road, Frieze, October Issue, pp. 217-8 (with ill.)
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2005
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Fisun Güner, Threshold, Metro, London, 4 August, p. 24
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2005
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Holland Cotter, 5 X U, The New York Times, 22 July, p. E32
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2005
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Holland Cotter, Fanciful to Figurative to Wryly Inscrutable, The New York Times July 8, pp. 28-29
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2005
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Melissa Lo, Slater Bradley, Flash Art, March-April, pp. 117-118
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2005
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Slater Bradley, Speak Memory: Reflections on the Doppelganger Trilogy, PAJ: A Journal of Performance and Art, January, pp.108-110
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2005
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Elisabeth Kley, The Disappearing Subject: Looking for Slater Bradley, PAJ: A Journal of Performance and Art, January, pp.102-107
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2005
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Jonathan Keats, Popshots, San Francisco, April
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2004
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Lucas Hilderbrand, Grainy Days and Mondays: Superstar and Bootleg Aesthetics, Camera Obscura 57, Volume 19, Number 3, published by Duke University Press, pp. 56-91
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2004
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Holly Willis, The Doppelganger Trilogy, LA Weekly, December 24-30, p.74
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2004
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Kyoko Wada, Boys' Life: Slater Bradley, Brutus, August, pp. 90-93, 116
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2004
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Michael Wilson, I, Assasin, Frieze, May, p. 107
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2004
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Renato Diez, Alla Biennale del Whitney torna la pittura, Arte, April, pp.104-111
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2004
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Jerry Saltz, The OK Corral, The Village Voice, March 17-23, p.80
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2004
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Michael Kimmelman, Touching All Bases At The Biennial, The New York Times, March 12, pp. 27-38
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2004
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Peter Schjeldahl, What's New: The Whitney Biennial, The New Yorker, March 22, pp.100-01
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2004
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Randee Dawn, Artist Salutes Cobain With New Music Video, Billboard.com
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2004
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Anne Stringfield, Art Picks, The New Yorker, March 8, p 17
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2004
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Elizabeth Schambelan, Critics Picks, Artforum.com
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2004
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Karen Rosenberg, Come as You Art, New York, February 23, p 76
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2004
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Mark Sladen, Buried Treasures, Art Review, January, p 37-38
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2004
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Eleanor Heartney, The well – tempered Biennial, Art in America, June – July, pp.71-77
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2004
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Randee Milroy, Artist Salutes Cobain With New Music Video, Billborad.com
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2003
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|
Clay Weiner, The Importance of Being Slater Bradley, Dazed and Confused,November, pp. 100-104
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2003
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Jane Harris, An Enquiry..., Time Out New York , October 2, p. 63
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2003
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|
Simon Watson, Post Bubble, Issue, Fall, pp. 118 - 139
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2003
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Benjamin Genocchino, Video and Photographs That Teeter on the Edge, August
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2003
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Holland Cotter, Upstate - From Eerie Video to Moods of Shaker Calm, The New York Times, July 25
|
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2003
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Sarah Valdez, The Observer, Paper Magazine, August, p. 48
|
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2003
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Alex Mar, Gallery Going, The New York Sun, July 3, p. 16
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2003
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Charles LaBelle, I See a Darkness, Frieze, June-August, p. 116
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2003
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Christopher Knight, On the Underbelly of the Zeitgeist, The Los Angeles Times, February 21, p. 24
|
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2003
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|
Manami Fujimori, Very New York, Bijutsu Techo, January, p. 45
|
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2002
|
|
Michael Cohen, Slater Bradley at Team, Flash Art International, July/September, p. 118
|
|
2002
|
|
Holland Cotter, Art In Review: 'Slater Bradley', The New York Times, May 17
|
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2002
|
|
Martha Schwendener, Review, Time Out New York, May 23-30, p. 76
|
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2001
|
|
Kim Levin, Voice Choice: Objects in Mirror are Closer Than They Appear, The Village Voice, September 18, p. 78
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2001
|
|
Louise Lepore, Early Risers, W, September, pp. 458-462
|
|
2001
|
|
Charles-Arthur Boyer, Review of exhibition at Yvon Lambert, Art Press, June, pp. 79-80
|
|
2001
|
|
Elizabeth Kley, In Search of False Time: Slater Bradley/T.J. Wilcox/Isaac Julien, PAJ: A Journal of Performance and Art, No. 68, May, pp. 61-67
|
|
2001
|
|
Holland Cotter, Review: Dear Dead Person, The New York Times, May 25, p. 29
|
|
2001
|
|
Michel Guerrin, Intimacies rangeantes, Le Monde, April 1
|
|
2001
|
|
Max Henry, Review, Art in America, April, p. 144
|
|
2001
|
|
Takayo Iida, Slater Bradley, Bijitsu Techo, March
|
|
2001
|
|
Claudine Ise, Feature, Res Magazine, March
|
|
2001
|
|
David Hunt, Review, Frieze, March
|
|
2001
|
|
Lindsey Westbrook, Review: Home Town Hero, The San Francisco Bay Guardian, January 17-23, p. 85
|
|
2000
|
|
Margaret Sundell, Review, Artforum, November, p. 157
|
|
2000
|
|
Jeremy Lin, Prodigies: View Master, Surface, No. 26, November, pp. 108 - 110
|
|
2000
|
|
Dana Plasse, Dress Rehersal for Death: Slater Bradley's JFK Jr. October 6
|
|
2000
|
|
Max Pizarro, Georgetown gallery strives to keep it real with exhibit, The Georgetown Current, September 27, pp. 16-18.
|
|
2000
|
|
Andrea Scott, Art Picks, The New Yorker, October 9, p. 18
|
|
2000
|
|
Kim Levin, Voice Choice: Recommended, The Village Voice, October 10, p. 104
|
|
2000
|
|
Robert Mahoney, Review Time Out New York, September 21-28, p. 69
|
|
2000
|
|
Roberta Smith, Review, The New York Times, September 15, p. 33
|
|
1999
|
|
Kim Levin, Voice Choice: Recommended, The Village Voice, July 6
|
|
1999
|
|
Max Henry, Edgy New Artist, artnet.com, July
|
|
1998
|
|
Blind Date show (two promotional interviews), Bellissima, Dutch TV
|
|
1998
|
|
Blind Date show (two live interviews), P.A.R.K4D, Dutch TV
|
|
1998
|
|
Claudine Ise, By the Numbers, LA Times, 21 August
|
|
1998
|
|
Takashi Murakami, 1998 Fall LA Art Scene News, Studio Voice, December
|
|
1998
|
|
Kevin Fisher, Recital for Fight, World Wide Video Festival, September
|
|
1998
|
|
Erik Hagoort, What makes a blind date a bad experience, Volkstraat, September
|
|
1997
|
|
Karin Veraat, Volkstraat, December 11
|
|
1997
|
|
Scholarship support offers lifelong opportunities, UCLA Arts Magazine, fall
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