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1965
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Born in Providence, Rhode Island
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1983
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William Bingham Grant
Pemaquid Art Association Scholarship
Boothbay Harbour Arts Council Scholarship
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1984 - 1985
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Pratt Institute Fine Art Grant
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1986
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Pratt Institute Fine Art Grant
Charles Dana Foundation Fellowship
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1987
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BFA, Pratt Institute, Brooklyn, New York
Charles Dana Foundation Fellowship
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1998 - 1999
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National Foundation for Advancement in the Arts, Fellowship in the Visual Arts, Miami, FL
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Ausgewählte Ausstellungen |
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2005 |
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States of Instability, Ingalls & Associates, Miami, FL |
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2005 |
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Painting + Sculpture, Kustera/Tilton Gallery, New York, NY |
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2005 |
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Langage Plastique, Art Mur, Montreal, Quebec, Canada |
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2005 |
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In Limbo, Victoria H. Myhren Gallery, University of Denver School of Art and Art History, Denver, CO |
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2004 |
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The Print Show, Exit Art, New York, NY |
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2004 |
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Bottle: Contemporary Art and Vernacular Tradition, The Aldrich Contemporary Art Museum, Ridgefield, CT |
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2004 |
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Sleeper, Michael Steinberg Fine Art, New York, NY |
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2003 |
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Marella Arte Contemporanea, Milan, Italy
Fast Forward: Twenty Years of White Rooms, White Columns, NY, NY (catalogue)
Today’s Man, John Connelly Presents, NY, NY traveled to: Hiromi Yoshii Gallery, Tokyo, Japan
Rendered, Sara Meltzer Gallery, NY, NY
Tirol Transfer, Krinzinger Projekte, Vienna, Austria traveling to: The Museum of Modern Art, Bromberg, Poland
TV Influenza, Art Mur, Montreal, Canada |
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2003 |
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Fast Forward: Twenty Years of White Rooms, White Columns, New York, NY |
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2003 |
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Today’s Man, John Connelly Presents, New York, NY |
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2003 |
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Today’s Man, Hiromi Yoshii Gallery, Tokyo, Japan |
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2002 |
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Roberts & Tilton, Los Angeles, CA
Family, The Aldrich Museum of Contemporary Art, Ridgefield, CT
I’m Amazed, curated by Patrick Callery, Liebman Magnan Gallery, NY, NY
Acquiring Taste, Real Art Ways, Hartford, CT (catalogue)
Super Natural Playground, Marella Arte Contemporanea, Milan, Italy |
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2001 |
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University Art Museum, University of New Mexico, Albuquerque, New Mexico
Boomerang: Collector’s Choice, Exit Art/The First World, New York, NY
Snakes, Snails & Puppy-Dog Tails, curated by Bill Previdi, Nikolai Fine Art, NY, NY
Locating Drawing, organized by Maureen Mahony and Doug Lawing, Lawing Gallery, Houston, TX |
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2000 |
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Jack Tilton/ Anna Kustera Gallery, NY, NY |
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1999 - 2000 |
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National Foundation for Advancement in the Arts Fellowship Exhibition, The Corcoran Gallery of Art, Washington, DC |
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1999 |
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Conversation Exhibition: Sean Mellyn & Joyce Pensato, A.R.T. Inc., NY, NY |
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1998 |
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Cold Storage, Anna Kustera Gallery, New York, NY |
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1996 |
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Anna Kustera Gallery, New York, NY (Brochure) |
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1995 |
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White Room, White Columns, New York, NY |
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1994 |
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Created, Mutated, Mary Carlson and Sean Mellyn, Dru Arstark, New York, NY
Sean Mellyn and Bill White, Gallery Lok, New York, NY |
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2003 |
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Lehmann, Henry. “A Threat To Innoncence”, The Gazette, Montreal, Canada, February 15, 2003
Lamarche, Bernard. “L image de la television”, Le Devoir Les Samedi, Montreal, February 23,2003 |
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2002 |
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Sims, Carol. “The Aldrich Takes On Œfamily,” Antiques and The Arts Weekly, June 14, 2002, p. 28-9
“i padri,” Carnet, September 2002, p. 21-22
Melandri, Lea. “La Mostra”, ArtNet Italy, September 2002 , p.21-22 |
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2001 |
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Steinberg, Michael. Up and Coming: An Inside Guide to the Emerging Art Scene in New York
Vilo International, New York |
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1999 |
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The New Yorker, Color Reproduction, Fiction Section, June 21&28, p.85, New York, NY |
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1998 |
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The Progressive Corporation Annual Report 1997, Mayfield Village, OH
Simon Says, Front Cover color reproduction, April, Vol.2, Issue 8, New York, NY |
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1997 |
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First Look, brochure, Downtown Arts Festival, NYC, front cover color reproduction |
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