|
|
|
1997
|
|
Presidential Purchase Award for Photography, Columbia College
|
|
|
1998
|
|
Presidential Purchase Award for Photography, Columbia College
|
|
|
1998
|
|
Received Albert P. Weisman Grant
|
|
|
2000
|
|
Columbia College, Chicago, IL, BA
|
|
|
2004 - 2005
|
|
School of the Art Institute, Chicago, IL
|
|
|
|
|
Lives and works in New York, NY
|
|
|
|
|
|
Ausgewählte Ausstellungen |
|
|
|
|
|
|
|
|
|
|
|
2012 |
|
Museum of Contemporary Art, Chicago, IL (solo) |
|
|
2011 |
|
Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC |
|
|
2011 |
|
ILLUMInations, curated by Bice Curiger, International Pavilion, 54th Venice Biennale, Venice, Italy |
|
|
2011 |
|
30 Americans, The Rubell Family Collection, The North Carolina Museum of Art, Raleigh, NC |
|
|
2011 |
|
Seeing Is a Kind of Thinking: A Jim Nutt Companion, Museum of Contemporary Art Chicago, Chicago, IL |
|
|
2011 |
|
Livingroom Exotica, Kunsthaus Glarus, Glarus, Switzerland |
|
|
2011 |
|
Secret Societies, Schirn Kunsthalle, Frankfurt, Germany; CAPC de Bordeaux, Bordeaux, France |
|
|
2011 |
|
Dwelling, Marianne Boesky Gallery, New York, NY |
|
|
2010 |
|
Lush Life, Lehmann Maupin, New York, NY |
|
|
2010 |
|
Contemporary Magic: A Tarot Deck Art Project, National Arts Club, New York, NY |
|
|
2010 |
|
David Adamo, Heather Cook, Brendan Fowler, Rashid Johnson, Phil Wagner, UNTITLED, New York, NY |
|
|
2010 |
|
About Us, Johann König, Berlin, Germany |
|
|
2010 |
|
Re-dressing, Bortolami Gallery, New York, NY |
|
|
2010 |
|
Hope! A contemporary art exhibition, Palais des Arts et du Festival, Dinard, France |
|
|
2010 |
|
Item, Mitchell-Innes & Nash, New York, NY |
|
|
2010 |
|
At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY |
|
|
2010 |
|
(LEAN), Nicole Klagsbrun Gallery, New York, NY |
|
|
2010 |
|
Light Breaks Where No Sun Shines, Bortolami Gallery, New York, NY |
|
|
2010 |
|
From Then to Now: Masterworks of African American Art, curated by Margo Crutchfield, MOCA Cleveland, OH |
|
|
2010 |
|
Selected Works from the MCA Collection: Focus on UBS 12x12, Museum of Contemporary Art, Chicago, IL |
|
|
2010 |
|
25 days after October, Carlson/Massimo De Carlo, London, England (solo) |
|
|
2010 |
|
Between Nothingness and Eternity, Carlson/Massimo De Carlo, London, England (solo) |
|
|
2010 |
|
There are Stranger Villages, Galerie Guido W. Baudach, Berlin, Germany (solo) |
|
|
2010 |
|
Our Kind of People, Salon 94, New York, NY (solo) |
|
|
2009 |
|
Other Aspects, David Kordansky Gallery, Los Angeles, CA (solo) |
|
|
2009 |
|
Smoke and Mirrors, Sculpture Center, Long Island City, NY (solo) |
|
|
2009 |
|
The Dead Lecturer: Laboratory, Dojo, and Performance Space, Power House Memphis, Memphis, TN (solo) |
|
|
2009 |
|
Under Control curated but Ginger Gregg Duggan, Krannert Art Museum, Champaign, IL |
|
|
2008 |
|
Made in Chicago: Photographs from the Bank of American LaSalle Collection, Chicago Cultural Center, Chicago, IL |
|
|
2008 |
|
Creswell Crags, Lisa Cooley, New York |
|
|
2008 |
|
Ah, Decadence curated by Lisa Wainright, School of the Art Institute, Chicago, IL (August) |
|
|
2008 |
|
Zero Zone curated by David Hunt, Tracey Williams, Ltd., NY |
|
|
2008 |
|
annarumma 404, Naples, Italy (nov) (solo) |
|
|
2008 |
|
The New Escapist Promised Land Garden and Recreation Center, moniquemeloche, Chicago (sept) (solo) |
|
|
2008 |
|
Cosmic Slops, Richard Gray Gallery, Chicago (sept) (solo) |
|
|
2008 |
|
Sharpening My Oyster Knife, Kunstmuseum Magdeburg, Germany (june) (solo) |
|
|
2008 |
|
Recent Acquisitions: Focus on Chicago, Museum of Contemporary Art, Chicago, IL |
|
|
2008 |
|
Contemporary Arts Center Cincinnati, Cincinnati, OH |
|
|
2008 |
|
The Dead Lecturer, Nicole Klagsbrun Gallery, New York, NY |
|
|
2008 |
|
Blackness, Magdeburger Kunstmuseum, Magdeburg, Germany |
|
|
2008 |
|
404 arte contemporanea, Naples, Italy |
|
|
2008 |
|
moniquemeloche gallery, Chicago, IL |
|
|
2007 |
|
Projet Est-Ouest, Espace 72, Dison, Verviers, Belgium , Curated by Claude Degueldre |
|
|
2007 |
|
MCA Exposed: Defining Moments in Photography, 1967-2007, Museum of Contemporary Art Chicago, Chicago, IL |
|
|
2007 |
|
For the Love of the Game: Race and Sports, The Amistad Center for Art & Culture at the Wadsworth Athenaeum |
|
|
2007 |
|
Museum of Art, Hartford, CT, Curated by Franklin Sirmans and Rehema Barber |
|
|
2007 |
|
Look Into The Rays…, (in collaboration with Rob Davis and Mike Langlois), moniquemeloche gallery, Chicago, IL |
|
|
2007 |
|
Color Line , Luanda Triennial, Luanda, Angola, Curated by Odili Donald Odita; travels to: Jack Shainman |
|
|
2007 |
|
Gallery, New York, NY; CIEL, Centre international d'exposition de Larouche, Canada, (Fall 2007); |
|
|
2007 |
|
University of South Africa Art Gallery, UNISA, Pretoria, (Spring 2008) |
|
|
2007 |
|
404 arte contemporanea, Naples, Italy (solo) |
|
|
2007 |
|
Dark Matters, James Harris Gallery, Seattle, WA (solo) |
|
|
2006 |
|
Look Into the Rays of the New Solar Sun Rising, Markus Winter Gallery, Berlin, Germany |
|
|
2006 |
|
Scarecrow, Postmasters, New York, NY. Curated by David Hunt |
|
|
2006 |
|
A noir, E blanc, I rouge, U vert, O bleu: colors, Kunstmuseum Magdeburg, Germany |
|
|
2005 |
|
Young, Gifted and Black, 404 arte contemporanea, Naples, Italy (solo) |
|
|
2005 |
|
Stay Black and Die, moniquemeloche gallery, Chicago, IL (solo) |
|
|
2005 |
|
The Production of Escapism, Indianapolis Museum of Contemporary Art, Indianapolis, IN (solo) |
|
|
2005 |
|
NAPOLI PRESENTE Posizioni e Prospettive dell-Arte Contemporarea, PAN Contemporary Art Museum, Naples, Italy |
|
|
2005 |
|
Wish, COCA Center of Contemporary Art, Seattle, WA |
|
|
2005 |
|
*Only Skin Deep: Changing Visions of the American Self, San Diego Museum of Art and Museum of |
|
|
2005 |
|
Photographic Arts, CA, Curated by Coco Fusco |
|
|
2005 |
|
*Crossings: 10 artists from Kaohsiung & Chicago, Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan, Co-curated by Greg Knight & Tseng Fangling |
|
|
2005 |
|
Prague International Biennale of Contemporary Art, Prague, Czech Republic |
|
|
2005 |
|
In Search of a Continuous Present, MCA Chicago, Chicago, IL, Curated by Lynne Warren |
|
|
2005 |
|
Not Too Loose and Not Too Tight, DCKT Contemporary, New York, NY |
|
|
2004 |
|
*Only Skin Deep: Changing Visions of the American Self, Seattle Art Museum, Seattle, WA, Curated by Coco Fusco |
|
|
2004 |
|
A Perfect Union…More or Less, Renaissance Society at the University of Chicago, Chicago, IL, Curated by Hamza Walker |
|
|
2004 |
|
Solo project booth, moniquemeloche gallery, LISTE The Young Art Fair in Basel, Basel, Switzerland (solo) |
|
|
2004 |
|
About Face: Photographic Portraits from the Collection, Art Institute of Chicago, Chicago, IL |
|
|
2004 |
|
Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC |
|
|
2004 |
|
Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum of American Art, New York, NY |
|
|
2004 |
|
The Perfect Number, 404contemporanea, Naples, Italy |
|
|
2003 |
|
*Only Skin Deep: Changing Visions of the American Self, ICP, New York, NY, Curated by Coco Fusco |
|
|
2003 |
|
*The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN, Curated by Olukemi Ilesanmi |
|
|
2003 |
|
A Century of Collection: African American Art, Art Institute of Chicago, Chicago, IL, Curated by Daniel Schulman |
|
|
2003 |
|
The Rise and Fall of the Proper Negro, moniquemeloche gallery, Chicago IL (solo) |
|
|
2002 |
|
12x12: New Artist/New Work, Museum of Contemporary Art, Chicago, IL (solo) |
|
|
2002 |
|
New Work, G.R. N’Namdi Gallery, Chicago, IL (solo) |
|
|
2002 |
|
Manumission Papers, Sunrise Museum, Charleston, WV |
|
|
2002 |
|
Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL, Curated by Michael Rooks |
|
|
2001 |
|
*Freestyle, Studio Museum in Harlem, New York, NY, Curated by Thelma Golden |
|
|
2001 |
|
Bastard (son of hot sauce), Law Office, Chicago IL |
|
|
2001 |
|
Musings: Contemporizing Tradition, Gallery 312, Chicago, IL, Curated by Kathryn Hixson and Nathan Mason |
|
|
2000 |
|
A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI |
|
|
2000 |
|
Manumission Papers, G.R. N’Namdi Gallery, Birmingham, MI (solo) |
|
|
1999 |
|
Seeing In the Dark, G.R. N’Namdi Gallery, Birmingham, MI |
|
|
1999 |
|
New Artists, Old Techniques, Schneider Gallery, Chicago, IL |
|
|
|