|
|
Biografie Qiu Zhijie
|
 |
 |
|
1969 |
|
Born in Zhangzhou, Fujian Province. China
|
|
1992 |
|
BFA, Printmaking Department, China National Academy of Fine Arts
|
|
|
|
Currently living and working in Beijing, China.
|
|
|
|
Associate Professor, Mixed Media Art Department, CAA, Hangzhou
|
|
|
|
Co-Director, Visual Culture Center, CAA, Hangzhou
|
|
 |
| Ausgewählte Ausstellungen |
 |
 |
|
2009
|
|
Qiu Zhijie and Tadashi Kawamata, House of World Cultures, Berlin, Germany
|
|
2009
|
|
The 4th Fukuoka Asian Art Triennale 2009, Fukuoka Asian Art Museum, Japan
|
|
2009
|
|
Future Together, Arario, Beijing
|
|
2009
|
|
A Suicidology of The Nanjing Yangzi River Bridge 3 - Breaking through the Ice, Ullens Center for Contemporary Art, Beijing, China (solo)
|
|
2009
|
|
Fukutake House, Echigo Tsumari Triennial, Nigata Prefecture, Japan
|
|
2009
|
|
Chinese Pavilion, The 53rd Venice Biennial, Venice, Italy
|
|
2009
|
|
Christian Dior and Chinese Artists, Ullens Center for Contemporary Art, Beijing, China
|
|
2008
|
|
Crosscurrents: New Media Art, Osage Gallery, Hong Kong; Osage Gallery, Singapore
|
|
2008
|
|
A Question of Evidence, Thyssen-Bornemisza Art Contemporary, Vienna, Austria
|
|
2008
|
|
Time-lag: the New Force of Chinese Contemporary Art, Magee Art Gallery, Madrid, Spain
|
|
2008
|
|
Farewell to Post-Colonialism: the Third Guangzhou Triennial, Guangdong Art Museum, Guangzhou, China
|
|
2008
|
|
We Are Your Future, 2nd Moscow Biennale, Moscow, Russia
|
|
2008
|
|
Where Are We?, Beijing Center for Arts, Beijing, China
|
|
2008
|
|
Dream of Reality – Chinese Art Today, Chambers Fine Art, Amsterdam, The Netherlands
|
|
2008
|
|
55 día en Valencia. Encuentro de arte chino (55 Days in Valencia. An Encounter with Chinese Art), IVAM Institut Valencià d’Art Modern, Valencia, Spain
|
|
2008
|
|
Our Future: The Guy & Myriam Ullens Foundation Collection, UCCA, Beijing, China
|
|
2008
|
|
01SJ Festival (presented by ZERO1), San Jose, USA
|
|
2008
|
|
Community of Tastes, Iberia Center for Contemporary Art, Beijing, China
|
|
2008
|
|
Building Code Violations II, Long March Space, Beijing, China
|
|
2008
|
|
A Suicidology of the Nanjing Yangzi River Bridge 2, Nanjing, Under the Heaven, The Singapore Tyler Print Institute, Singapore (solo)
|
|
2008
|
|
Ataraxic of Zhuang Zi – A Suicidology of the Nanjing Yangzi River Bridge 1, Shanghai Zendai Museum of Modern Art, Shanghai, China (solo)
|
|
2007
|
|
The Shape of Time, Chambers Fine Art, New York, USA (solo)
|
|
2007
|
|
Archeology of Memory, Long March Space, Beijing, China (solo)
|
|
2007
|
|
Cryptogram, Hanart TZ Gallery, Hong Kong (solo)
|
|
2007
|
|
The Real Thing: Contemporary Art from China, Tate Liverpool, Liverpool, UK
|
|
2007
|
|
Why Go to Tibet – Survey of Tibetan Subject Matter in Painting, Long March Space, Beijing, China
|
|
2007
|
|
1st Polar Biennale, Ushuaia, Argentina
|
|
2007
|
|
Collective Identity, Chinese Art Centre, Manchester, UK
|
|
2007
|
|
Moscow Biennale: I am Your Future, Moscow, Russia
|
|
2007
|
|
Post Socialism, National Gallery, Moscow, Russia
|
|
2006
|
|
China Time 2006, Kampnagel, Hamburg, Germany
|
|
2006
|
|
Yellow Box, Qingpu Village, Shanghai, China
|
|
2006
|
|
Let there be Light, Grace Li Gallery, Zurich, Switzerland (solo)
|
|
2006
|
|
Personal Space: New Perspectives from China, Thomas Erben Gallery, New York (solo)
|
|
2006
|
|
Reinventing Books in Chinese Contemporary Art, China Institute Gallery, New York (solo)
|
|
2006
|
|
The Maze of Conundrum: A mix-media live performance, Mingyuan Art Center, Shanghai
|
|
2006
|
|
We—Zhang Peili and Qiu Zhijie, CCC Art Space, Hangzhou
|
|
2005
|
|
Living in Interesting Times-A Decade of New Chinese Photography, Open Museum of Photography, Tel Hai, Israel
|
|
2005
|
|
On the Edge: Contemporary Chinese Artists Encounter the West, Cantor Arts Center at Stanford University, USA
|
|
2005
|
|
Trading Place, Taipei Museum of Contemporary Art, Taiwan
|
|
2005
|
|
Light and Words, Hanart TZ Gallery, Hong Kong (solo)
|
|
2005
|
|
Melancholy Man, Gallery Loft, Paris (solo)
|
|
2005
|
|
Black and White Zoo, Gallery of Dartington Art academy, UK (solo)
|
|
2005
|
|
2nd Yokohama Triennale: Art Circus-Jumping from the Ordinary, Yokohama, Japan
|
|
2005
|
|
Archeology of the Future – 2nd Triennale of Chinese Art, Nanjing, China
|
|
2004
|
|
The Monk and the Demon: Chinese Contemporary Art, Museum of Contemporary Art, Lyon, France
|
|
2004
|
|
Regeneration: Contemporary Chinese Art from China and the US, Samek Art Gallery - Bucknell University, Lewisburg, USA
|
|
2004
|
|
Social Portrait, Courtyard Gallery, Beijing, China (solo)
|
|
2004
|
|
Asian Parallel Times, Shenzhen Art Institute, Shenzhen (solo)
|
|
2004
|
|
Asian Parallel Times, Hong Kong Art Museum, Hong Kong, China (solo)
|
|
2004
|
|
Asian Parallel Times, Casa Asia, Barcelona, Spain (solo)
|
|
2004
|
|
On the Edge: Contemporary Chinese Artists Encounter the West, Cantor Arts Center at Stanford University, USA
|
|
2004
|
|
Me,Me,Me!, Courtyard Gallery, Beijing, China
|
|
2004
|
|
Space Anew:Qiu Zhijie,Wang Jianwei,Yang Fudong, Shanghai Gallery of Art, Shanghai, China
|
|
2004
|
|
Between The Past and the Future, International Photography Center, New York, NY, USA
|
|
2004
|
|
The David and Alfred Smart Museum of Art, University of Chicago, Chicago, IL, USA
|
|
2004
|
|
Hua Jia Di Artists, China Art Seasons Gallery, Beijing, China
|
|
2004
|
|
5th Shanghai Biennial, Shanghai Art Museum, Shanghai, China
|
|
2003
|
|
Tower of Babel, Mainz City Museum, Germany
|
|
2003
|
|
Left Hand, Right Hand, Dashanzi Art Zone, Beijing, China
|
|
2003
|
|
Trojan horse Project, Shenghua Art Center, Nanjing, China
|
|
2003
|
|
Leftside, Leftbank art Gallery, Beijing, China
|
|
2003
|
|
Experimentual Realty Show, Di Tan Park, Beijing, China
|
|
2003
|
|
Lijang International Art Workshop, Lijing, China
|
|
2003
|
|
Two Fold Time: Asian Art Exhibition, Museum of China Academy of Art, Hangzhou, China
|
|
2003
|
|
Distance, Guangdong Art Museum, Guangzhou, China
|
|
2003
|
|
That’s China, Centre Pompidou, Paris, France
|
|
2003
|
|
UFO:Qiu Zhijie Photography/Calligraphy, Gallery Loft, Paris, France (solo)
|
|
2003
|
|
The Minority Is Subordinate to the Majority, Bizart, Shanghai, China
|
|
2002
|
|
25th Sao Paulo Biennale, Sao Paulo, Brazil
|
|
2002
|
|
Gwangju Biennale, Gwangju, South Korea
|
|
2002
|
|
The Long March – A Walking Visual Display, various sites throughout China
|
|
2001
|
|
Post-Sense Sensibility – Spree, Beijing Film Academy Theater, Beijing, China
|
|
2001
|
|
Nemesis, Master Seed Garden, Beijing, China
|
|
2001
|
|
Sound-2, Master Seed Garden, Beijing, China
|
|
2001
|
|
Translated Acts, Haus Der Kulturen der Welt, Berlin, Germany; Queens Museum, New York, USA
|
|
2001
|
|
The First Chengdu Biennial, Chengdu Contemporary Art Museum, Chengdu, China
|
|
2001
|
|
Exhibition of Contemporary Architecture, National Gallery of China, Beijing, China
|
|
2001
|
|
Qiu Zhi Jie Exhibition, Gallery Gen, Koshigaya, Japan.
|
|
2001
|
|
Invisibility: Qiu Zhijie, Ethan Cohen Fine Arts, New York, NY, USA (solo)
|
|
2000
|
|
Koshigaya Artist in Residence, Gallery Gen, Koshigaya, Japan.
|
|
2000
|
|
Daily Touch, Orient Foundation, Macao (solo)
|
|
2000
|
|
Family? Contemporary Art Projects, International Furniture Center, Shanghai, China
|
|
2000
|
|
Power of the Word, Faulconer Gallery at Grinnell College, Iowa, USA
|
|
1999
|
|
Transience: Chinese Experimental Art at the End of Twentieth Century, The Smart Museum of Art, University of Chicago
|
|
1999
|
|
Beijing in London, Institute of Contemporary Art, London, UK
|
|
1999
|
|
Post-Sense Sensibility, Alien Bodies & Delusion, Beijing, China
|
|
1999
|
|
Innate Forces-mixed media works, Art Beatus Gallery, Vancouver, Canada (solo)
|
|
1998 - 1999
|
|
Calendar 1998,Gallery of central Academy of fine arts, Beijing, China (solo)
|
|
1998
|
|
‘Transmediate ’98, 11th Video Festival,’ Podewil, Berlin, Germany
|
|
1998
|
|
Per Video:Videos from Artists International, Ludwig Museum, Koln, Germany
|
|
1998
|
|
Photography as Concept: 4th International Photo Triennial, Stadtmuseum, Esslingen. Germany
|
|
1998
|
|
Inside Out: New Chinese Art, Asia Society Gallery, New York, USA; P.S. 1 Contemporary Art Center, New York, USA; San Francisco MOMA, San Francisco, USA; Contemporary Art Museum of Mexico, Mexico
|
|
1997
|
|
Logic: 5 Video-installation, Gallery of Central Academy of Fine (solo)
|
|
1997
|
|
New Photography Artists of China, Neuer Berliner Kunstverein, Berlin, Germany
|
|
1995
|
|
From the Central Kingdom: Chinese Avante-Garde Artists, Centre d’Art Santa Monica, Barcelona, Spain
|
|
1995
|
|
Out of the National Ideology: Avante-Garde Art of China, Kampnagel, Hamburg, Germany
|
|
1994
|
|
Phenomenon/Image: Video Art in China, Gallery of National Academy of Fine Arts, Beijing, China
|
|
1993
|
|
China’s New Art, Post-1989, Hong Kong Arts Festival, Hong Kong Arts Center, Hong Kong
|
|
1992
|
|
Concern To The New Life, Museum Of National Academy of fine Arts, Hangzhou, China
|
|
 |
| Selected Public Collections |
 |
 |
|
|
|
FAIF Collection, Zurich, Switzerland
|
|
 |
| Literatur |
 |
 |
|
2007
|
|
China Art Book. Uta Grosenick / Caspar Schübbe (Ed.), 680 pages, approx. 850 images, trilingual: Engl./Ger./Chin., Dumont Buchverlag, Cologne 2007. www.chinaartbook.de
|
|
 |
|