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1945
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born in Soissons, France
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lives and works in Brooklyn, NY, USA
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Ausgewählte Ausstellungen |
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2011 |
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Language Is only a Word and I’m so Jealous of Birds, NoPlace, Oslo (solo) |
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2011 |
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Lofoten International Arts Festival, Norway |
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2011 |
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Art Unlimited, Art 42 Basel, Switzerland |
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2010 |
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Lunds Konsthall, Lund, Sweden (solo) |
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2010 |
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Anthology Film Archives, New York, USA (colo) |
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2010 |
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Newman Popiashvili Gallery, New York, USA (solo) |
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2010 |
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Zach Feuer Gallery, New York, USA (solo) |
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2010 |
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Participant Inc., New York, USA (solo) |
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2010 |
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Dinner is Served, Four Boxes Gallery, Krabbesholm Højkole, Skive, Denmark (solo) |
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2009 |
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Heads of the Town, ScheiblerMitte, Berlin, Germany (solo) |
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2009 |
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IMAI special screening @ Art Cologne, Cologne, Germany (solo) |
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2008 |
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European Kunsthalle, curated by Anders Kreuger, Cologne, Germany (solo) |
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2008 |
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The Weather Channel, Newman Popiashvili Gallery, New York, USA (solo) |
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2008 |
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CPH:DOX 2008 Film festival, New Visions Competition, Copenhagen, Denmark (winner) |
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2008 |
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Reality Check, Statens Museum for Kunst, Copenhagen, Denmark |
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2008 |
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Technically Sweet, Overgaden Institute of Contemporary Art, Copenhagen, Denmark |
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2008 |
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BB5, Fifth Berlin Biennial V, Berlin curated by Adam Szymczyk & Elena Filipovic FID Marseille, Marseille, France |
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2008 |
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Andy Warhol, Gallery of Modern Art, South Brisbane, Australia |
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2007 |
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Alain Robbe-Grillet: Art, Architecture and Cinema, Serpentine Gallery, London, UK |
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2007 |
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Blago Bung, Emily Harvey Foundation, New York, USA |
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2007 |
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Videoex Festival, Zurich, Switzerland |
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2007 |
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Dear Mosquito of My Heart, Center for Contemporary Art, Tel Aviv, Israel |
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2007 |
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Extra City, Antwerpn, Belgium (solo) |
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2007 |
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Dope and Narcotica Series, Galleria Fonti, Napoli, Italy (solo) |
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2007 |
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Freunde der Deutschen Kinemathek, Berlin, Germany (solo) |
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2006 |
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Yvon Lambert, Paris, France (solo) |
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2006 |
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Midway Contemporary Art, Minneapolis, USA (solo) |
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2006 |
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The World Out of My Hands, Newman Popiashvili Gallery, New York, USA (solo) |
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2006 |
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The Downtown Show: New York Art Scene, 1974-1984, Grey Art Gallery Manhattan Transfer, curated by John Weber, Zone: Chelsea Center for the Arts, New York, USA |
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2005 |
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Retrospective at 11th Biennial of Moving Images, Geneva, Switzerland (solo) |
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2005 |
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Michel Auder: Viewer and Participant, Friche la Belle de Mai, Marseille, France (solo) |
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2005 |
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Other Things with Michel Auder, curated by Sabrina Gschwandtner, Ocularis, Brooklyn. NY, USA (solo) |
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2004 |
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Michel Auder: Chronicles and Other Scenes, Williams College Museum of Art, Massachusetts, USA (solo) |
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2004 |
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The Future Has a Silver Lining, Migros Museum, Zurich, Switzerland |
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2004 |
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Amator/:Camera Buff, SUITE 106 Gallery, New York, USA |
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2004 |
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Summer Shorts, Parker’s Box, Brooklyn, New York, USA |
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2004 |
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Prêts à prêter, Frac Provence-Alpes-Côte d'Azur, Marseille, France |
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2003 |
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Michel Auder: Secret Sharer, Participant Inc., New York, USA (solo) |
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2003 |
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Michel Auder: Selected Works 1970 – 2003, Anthology Film Archives, New York, USA (solo) |
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2002 |
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Michel Auder: Retrospective 1969-2002, The Renaissance Society at the University of Chicago, USA (solo) |
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2002 |
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The First Decade-Video From the EAI Archives, Museum of Modern Art, New York, USA |
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2002 |
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St. Petrischnee, Migros Museum, Zurich, Switzerland |
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2001 |
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Televisions, Kunsthalle Vienna, Austria |
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2001 |
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Michel Auder: Video, Film, Photography 1969-2001, Rooseum Center for Contemporary Art, Malmö, Demark (solo) |
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2001 |
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Portrait of Alice Neel, Philadelphia Museum of Art, USA (solo) |
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2001 |
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Museum of Modern Art, New York , USA (solo) |
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2000 |
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The Vanuatu Chronicles, AC Project Room, New York, USA (solo) |
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2000 |
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Jacob Fabricius-Nicolaï Wallner Gallery, Copenhagen, Denmark (solo) |
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2000 |
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Kunsthalle St. Gallen, Austria (solo) |
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2000 |
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Thread Waxing Space, New York, USA (solo) |
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2000 |
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Anthology Film Archives, New York, USA (solo) |
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2000 |
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The Whitney Biennial, Whitney Museum of American Art, New York, USA |
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1999 |
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Daniel Buchholz Gallery, Cologne, Germany (solo) |
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1999 |
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All My Worldly Posessions, with Wolfgang Tillmans, Neuer Aachener Kunstverein Halle für Kunst e.V. Lüneburg, Germany (solo) |
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1999 |
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Robert Prime Gallery, London, UK (solo) |
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1999 |
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Cleopatra, Anthology Film Archives, New York, USA (solo) |
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1998 |
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A Personal Narrative of Travel to Bolivia, AC Project Room, New York, USA (solo) |
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1998 |
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Re-Make, Re-Model. Secret Histories of Art, Pop, Life and the Avant-garde, Steirischer, Herbst, Graz, Austria |
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1998 |
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Hollywood Realism, with Jeremy Blake, Venetia Kapernekas Fine Arts, New York, USA |
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1998 |
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Inglenook, Feigen Contemporary, New York, USA |
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1998 |
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The Cultured Tourist, Leslie Tonkonow Artworks and Projects, New York, USA |
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1997 |
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5 Ring Circus, AC Project Room, New York, USA (solo) |
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1997 |
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Transmission Gallery, Glasgow, UK (solo) |
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1996 |
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Museum of Contemporary Art, Tokyo, Japan |
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1996 |
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Galerie Froment Puttman, Paris, France |
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1996 |
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Voyeurs Delights, Franklin Furnace, New York, USA |
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1996 |
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The Real, The Fictional, The Virtual, Les Rencontres Internationales de la Photographie, Arles, France |
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1996 |
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Ariane Lopez-Huici and Michel Auder, AC Project Room, New York, USA |
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1996 |
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Mondo Cane V.R., International Video Week, Saint-Gervais, Geneva, Switzerland |
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1996 |
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Video Viewpoints, Museum of Modern Art, New York, USA |
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1996 |
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Pure Hinterland, Randolph Street Gallery, Chicago, USA |
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1996 |
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Better Living through Chemistry, Randolph Street Gallery, Chicago, USA |
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1995 |
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A Personal Narrative of Travel to Bolivia, Nicole Klagsbrun Gallery, New York, USA (solo) |
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1994 |
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Screen Life, Studio Guenzani, Milan, Italy (solo) |
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1994 |
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Voyage to the Center of the Phone Lines, Nicole Klagsburn Gallery, New York, USA (solo) |
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1993 |
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Diaries, Long Beach Museum of Art, Long Beach, California, USA (solo) |
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1993 |
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The Rome Project, David Winton Bell Gallery, Brown University, Providence, USA |
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1992 |
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Selected Video Works 1970 – 1991, Anthology Film Archives, New York , USA (solo) |
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1990 |
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Alice Neel, Keene State College, Umkreis, New Hampshire, USA (solo) |
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1990 |
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A Coupla White Faggots Sitting Around Talking, University of Wisconsin, USA (solo) |
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1990 |
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Seduction of Patrick, University of Oklahoma, USA (solo) |
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1990 |
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TV America, Williams College, Massachusetts, USA (solo) |
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1990 |
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Cindy Sherman, I.T.A. Corporation, Bard College, Mexico (solo) |
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1988 |
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Chasing the Dragon, The Kitchen, New York, USA (solo) |
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1988 |
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Cindy Sherman, B.R.T. Television, Brussels, Belgium (solo) |
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1988 |
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The Arts for Television, Stedelijk Museum, Amsterdam, the Netherlands |
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1988 |
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Museum of Contemporary Art, Los Angeles, USA |
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1988 |
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San Francisco Museum of Modern Art, USA |
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1988 |
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Hamburg Forum Messe, Germany |
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1988 |
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Vienna Museum Moderne Kunst, Austria |
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1988 |
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Pallazo dei Diamanti, Florence, Italy |
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1988 |
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Institute of Contemporary Art, Boston, USA |
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1988 |
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Twilight, Festival Belluard Bollewerk, Fribourg, Switzerland |
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1988 |
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Roles, Representation, Sexuality Series, Rhode Island Museum of Art, Providence, USA |
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1987 |
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L’Epoque, La Morale, La Mode, La Passion, Centre Georges Pompidou, Paris, France |
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1987 |
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Roles, Representation, Sexuality Series, Temple University, Philadelphia, USA |
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1987 |
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Two Moon July Benefit, The Kitchen, New York, USA |
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1987 |
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Meditated Narratives, Institute of Contemporary Art, Boston, USA |
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1987 |
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Famous for Thirty Seconds (Artist in the Media), Artists Space, New York, USA |
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1987 |
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Fragments, Stories told, Mysterious Landscapes, Millennium Film Workshop, New York, USA |
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1987 |
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Video Viewing Room, P.S.1, Long Island City, New York, USA |
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1987 |
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Transference, White Columns, New York, USA |
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1987 |
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Video: Heroes/Anti-Heroes, Contemporary Arts Museum, Houston, USA |
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1987 |
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Festival Internazionale del Video, Campo Boario, Rome, Italy |
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1987 |
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May 27, 1984, “TV Americaâ€, Metro Pictures, New York, USA |
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1987 |
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Annie Sprinkle, Arts and Commerce Gallery, New York, USA |
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1987 |
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Benefit Bash at the World for White Columns, New York, USA |
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1987 |
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The 17th Sao Paulo International Biennale, Brazil |
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1987 |
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Progressive Video, “Six Television: Cityscape…Landscape…Escapeâ€(installation) Jon Leon Gallery, New York, USA |
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1987 |
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New Soap Video, Institute of Contemporary Art, Boston, USA |
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1987 |
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Video Tape Review, Video Data Bank, Chicago Art Expo, Chicago, USA |
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1987 |
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The Red Bar, Arts and Commerce, New York, USA |
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1986 |
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Fragments/Text/Notes/Documents…, Los Angeles Contemporary Exhibitions, L.A., USA (solo) |
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1986 |
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All Lights off, Short Reports, The Kitchen, New York, USA (solo) |
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1986 |
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Alice Neel, Gippsland Institute, Churchill, Australia (solo) |
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1986 |
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Alice Neel, Alexandria Museum, Louisiana, USA (solo) |
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1986 |
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Cindy Sherman, Cincinnati Museum, Ohio, USA (solo) |
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1986 |
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Cindy Sherman, Laguna Gloria Art Museum, Austin, USA (solo) |
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1984 |
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Installation (Cindy Sherman), Laforet Museum Harajuku, Tokyo, Japan (solo) |
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1983 |
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Stories, Myths, Ironies, Songs, Squat Theater, New York, USA (solo) |
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1983 |
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The Kitchen, New York, USA (solo) |
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1982 |
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Hallwalls, Buffalo, New York, USA (solo) |
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1982 |
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The Video Diary of a Madman, The Kitchen, New York, USA |
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1982 |
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A.F.I. National Video Festival, Los Angeles, USA |
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1982 |
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J.F.K. Center for the Performing Arts, Washington, DC, USA |
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1982 |
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Meet the Makers, Donnell Library Center, New York Public Library, USA |
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1982 |
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A Coupla White Faggots Sitting Around Talking, The Kitchen, New York, USA |
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1982 |
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Jesus, The Kitchen, New York, USA |
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1982 |
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Video vis a Tergo, Firehouse Gallery, Nassau Community College, Garden City, NY, USA |
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2004 |
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Chavoya, Ondine: "Michel Auder: chroniques et autre scènes,” 11E Biennale De L’Image Mouvement, February 2004. |
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2004 |
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Chavoya, Ondine: "Michel Auder: Chronicles and Other Scenes,” Williams College Museum, February 2004. |
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1981 |
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Riley, Bob: The Arts Television” exhibition catalogue , Stedelijk Museum, Amsterdam; The Museum Contemporary Art, Los Angeles, CA |
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