Michael Ayrton  (British, 1921-1975) 


Hier finden Sie Werke von Michael Ayrton, die gerade in internationalen Galerien zum Kauf angeboten werden oder auf Auktionen versteigert wurden, Auktionsresultate sowie eine ausführliche Biografie und weitere Informationen.
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Michael Ayrton, Study on the theme of Temptation of St. Anthony


Michael Ayrton
Study on the theme of Temptation of St. Anthony

Mark Barrow Fine Art
Michael Ayrton, Cumaean Sybil


Michael Ayrton
Cumaean Sybil

Osborne Samuel
Michael Ayrton, Icarus Falls


Michael Ayrton
Icarus Falls

Tadema Gallery
Verkaufsresultate (867)  Alles anzeigen
Michael Ayrton, Oracle, version 1


Michael Ayrton
Oracle, version 1, 1962


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Michael Ayrton, Wing Maker


Michael Ayrton
Wing Maker, 1960


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Michael Ayrton, Still life


Michael Ayrton
Still life, 1954
oil on board


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  Sculptor, painter in a variety of media and printmaker of figures and landscapes; illustrator, draughtsman, theatrical designer; film maker, writer and art critic. He studied at art schools in London, lived in Vienna in 1936 and between 1937 and 1939 spent long periods in France, sharing a studio with John Minton in Paris where they studied with Eugene Berman. He also worked in Chirico's studio and in 1938 went to Les Baux with Minton and Michael Middleton.
  He travelled widely througout his life, particularly in France, Italy and Greece and he first exhibited with Minton in 1942 at the Leicester Galleries. He subsequently showed regularly in London galleries and internationally.
  His work is represented in public collections including the Tate Gallery and MOMA, New York. His work is characterised by its range: he illustrated many books and his interest in theatre design was stimulated by collaborations with Minton and Constant Lambert. As a film maker he worked with Basil Wright and his own writing ranged from novels to art criticism.
  In Vienna in 1936 he was influenced by Flemish art but later in the mid 1940s his neo-romantic landscapes show the influence of Sutherland and Nash. He began to sculpt in bronze in the early 1950's, receiving some advice from Henry Moore and visited Cumae in 1956-7 and Greece in 1958, turning to Greek myth as his principal source of inspiration particularly the legends of Daedelus and Icarus, the Minotaur and the image of the maze. His powerful style sought to reinterpret mythological ideas in terms of the figure.