|
|
Biografie Matthew Ritchie
|
 |
 |
|
1964 |
|
Born in UK. Lives and works in New York City
|
|
1983 - 1986 |
|
BFA, Camberwell School of Art, London
|
|
1992 |
|
Boston University, Boston, MA
|
|
 |
| Ausgewählte Ausstellungen |
 |
 |
|
2012
|
|
Barbican Theatre, London, “The Long Count,”
|
|
2011
|
|
Performa Biennial, New York, NY, “The Likeness of a Crown,”
|
|
2011
|
|
L&M Arts, Los Angeles, CA
|
|
2011
|
|
Thyssen-Bornemisza Contemporary Art Foundation, Vienna, Austria, “The Morning Line,”
|
|
2011
|
|
Holland Festival, Amsterdam, “The Long Count,”
|
|
2011
|
|
Museum of Contemporary Art Tokyo, Japan, “Architectural Environments for Tomorrow
|
|
2011
|
|
Graham Gund Gallery, Kenyon College, Gambier, OH, “Seeing/Knowing,”
|
|
2011
|
|
Albright-Knox, Buffalo, New York, “Surveyor,”
|
|
2011
|
|
Massachusetts College of Art and Design, Stephen D. Paine Gallery, Boston, MA
|
|
2010
|
|
The New Jersey State Museum, Trenton, NJ, “I am the Cosmos,”
|
|
2010
|
|
The National Arts Club, New York, NY, “Contemporary Magic: A Tarot Deck Art Project,”
|
|
2010
|
|
Guggenheim Museum, New York, NY, “Contemplating the Void: Interventions in the Guggenheim Musuem
|
|
2010
|
|
Thyssen-Bornemisza Art Contemporary, Istanbul, Turkey, “The Morning Line,”
|
|
2009
|
|
bitforms, New York, NY, “Spazialismo,”
|
|
2009
|
|
Institute of Contemporary Art, Valencia, Spain, "Confines", curated by, Aaron Betsky
|
|
2009
|
|
Museum of Contemporary Art San Diego, La Jolla, CA, "Automatic Cities: The Architectural Imaginary in Contemporary Art
|
|
2009
|
|
Andrea Rosen Gallery, New York, NY, “Line Shot,” (solo)
|
|
2009
|
|
c/o - Atle Gerhardsen, Berlin, Germany, "The Need Fire" (solo)
|
|
2009
|
|
London, England, "The Last Scattering, Phase 2", Matthew Ritchie with Arup AGU (solo)
|
|
2009
|
|
Staatliche Kunstsammlungen Dresden, Germany, “To the Milky Way by Bicycle,”
|
|
2009
|
|
San Francisco Museum of Modern Art, “Between Art and Life,”
|
|
2009
|
|
Mori Art Museum, Tokyo, Japan, "The Kaleidoscopic Eye"
|
|
2008
|
|
Museum of Modern Art, New York, NY, "Wunderkammern", curated by Sarah Suzuki
|
|
2008
|
|
Jewish Museum in San Francisco, San Francisco, CA, "In the Beginning: Artists Respond to Genesis"
|
|
2008
|
|
Reykjavik Art Museum, Reykjavik, Iceland, "Experiment Marathon Reykjavík", organized by Hans Ulrich Obrist and Ólafur Elíasson
|
|
2008
|
|
Centro Andaluz de Arte Contemporáneo, Seville, Spain, "The Morning Line", Matthew Ritchie with Aranda\ Lasch and Arup AGU (solo)
|
|
2008
|
|
Guggenheim Bilbao, Spain, The Guggenheim Collection
|
|
2008
|
|
White Cube, London, England, “Ghost Operator “, May 20 - June 28 (forthcoming) (solo)
|
|
2007
|
|
St. Louis Art Museum, St. Louis, MO, New Media Series: Matthew Ritchie, The Iron City June 29 – September 30 (solo)
|
|
2007
|
|
Idyllwild Arts, Idyllwild, CA, Paintings Edge, June 23 – July 5
|
|
2007
|
|
P.S.1 Contemporary Art Center, Long Island City, NY, “Not For Sale”, February 11 – April 30
|
|
2007
|
|
James Cohan Gallery, New York, NY, “Cosmologies”, January 11 – February 12
|
|
2006
|
|
Denver Art Museum, RADAR: Selections from the Collection of Vicki and Kent Logan, October 7 – July 15, 2007
|
|
2006
|
|
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York Out of Line: Drawings from the Collection of Sherry and Joel Mallin, November 4 – December 17
|
|
2006
|
|
T-B A21, Thyssen-Bornemisza Art Contemporary, Vienna, “Nature Attitudes”, April 5 – June 17, 2006.
|
|
2006
|
|
Kunstmuseum, Bonn, Germany, “The Guggenheim Collection”, July 21, 2006 – January 7, 2007 (catalogue)
|
|
2006
|
|
Andrea Rosen Gallery, New York, September (solo)
|
|
2005
|
|
The Fabric Workshop and Museum, Philadephia, PA (solo) Portikus, Frankfurt-am-Main, Germany (solo) Whitney Museum of American Art, New York, “Remote Viewing: Invented Worlds in Recent Painting and Drawing,” curated by Elisabeth Sussman, (catalogue) Hamburger Kunsthalle, Hamburg, Germany, “Return to Space,” curated by Christoph Heinrich and Markus Heinzelmann
|
|
2005
|
|
Richard L. Feigen & Co, New York, The Third Eye: Fantasies, Dreams and Visions, November 1 – January 28, 2006
|
|
2005
|
|
Pennsylvania Academy of the Fine Arts, Philadelphia, In Private Hands: 200 Years of American Painting, October 1 – January 8, 2006
|
|
2005
|
|
Hamburger Kunsthalle, Hamburg, Germany, Return to Space, curated by Christoph Heinrich and Markus Heinzelmann, September 23 – February 12, 2006
|
|
2005
|
|
Whitney Museum of American Art, New York, Remote Viewing: Invented Worlds in Recent Painting and Drawing, curated by Elisabeth Sussman, June 2 – October 9
|
|
2005
|
|
Denver Museum of Art, Denver, Radar: Selections from the Kent and Vicki Logan Collection,”
|
|
2005
|
|
Portikus, Frankfurt-am-Main, Germany, July 9 – August 21 (solo)
|
|
2004
|
|
Mario Diacono Gallery, Boston, MA, The Two-Way Shot, December 3 – 31 (solo)
|
|
2004
|
|
21st Century Museum of Contemporary Art, Kanazawa, Japan, The Encounters in the 21st Century: the 21st Century: Polyphony - Emerging Resonances. October 9– March 21, 2005
|
|
2004
|
|
Sao Paolo Biennial XXVI, Sao Paolo, Brazil, curated by Alfons Hug, September 25 – December 19
|
|
2004
|
|
DESTE Foundation for Contemporary Art, Athens, Greece, Monument to Now, the Dakis Joannou Collection curated by Dan Cameron, Jeffrey Deitch, Alison M. Gingeras, Massimiliano Gioni, and Nancy Spector, June 22 – December 31
|
|
2004
|
|
Mass MoCA, North Adams, MA, “Matthew Ritchie: Proposition Player,” (solo) Mario Diacono Gallery, Boston, MA, “The Two-Way Shot,” (solo) Joslyn Art Museum, Omaha, NE, “Fabulism”, curated by Klaus Kertess Stiftung Opelvillen, Zentrum für Kunst, Russelheim, Germany, “Was Malerei Ist Heute”, curated by Beate Kemfert DESTE Foundation for Contemporary Art, Athens, Greece, “Monument to Now,” the Dakis Joannou Collection curated by Dan Cameron, Jeffrey Deitch, Alison M. Gingeras, Massimiliano Gioni, and Nancy Spector Sao Paolo Biennial XXVI, Sao Paolo, Brazil, curated by Alfons Hug 21st Century Museum of Contemporary Art, Kanazawa, Japan, “The Encounters in the 21st Century: Polyphony - Emerging Resonances."
|
 |
|
2003
|
|
c/o Atle Gerhardsen, Berlin, Germany, “After the Father Costume” (solo) Contemporary Arts Museum, Houston, TX, “Matthew Ritchie: Proposition Player” (solo) c/o Atle Gerhardsen, Oldenberg, Germany, “160 Meisterzeichnungen” Palais de Tokyo, Paris, France, “GNS”, Kunstmuseum Wolfsburg, Wolfsburg, Germany, “Painting Pictures”, (catalogue) Oldenburger Kunstverein, Oldenburg, Germany, “Hands Up, Baby, Hands Up! 160 Jahre Oldenburger Kunstverein, 160 Arbeiten auf Papier”, (catalogue) Art Gallery of South Australia, John Kaldor Art Projects and Collection, Adelaide, Australia,“Journey to Now”
|
 |
|
2002
|
|
Andrea Rosen Gallery, New York (solo) Reverberator, Houldsworth, London (The World May Be) Fantastic, Biennale of Sydney, Sydney, Australia (catalogue) Flights of Reality, Kettle’s Yard, Cambridge and Turnpike Gallery, Manchester (catalogue) Sprawl, Contemporary Arts Center, Cincinnati, Ohio, curated by Sue Spaid Urgent Painting, LARC/Musee d’Art Moderne, Paris Virginie Barré + Christophe Berdaguer & Marie Péjus + Alain Declercq + Michael Elmgreen & Ingar Dragset + Naomi Fisher + Gelatin + Subodh Gupta + Alexander Györfi + Kay Hassan + Gunilla Klingberg + Surasi Kusolwong + Michel Majerus + Paola Pivi + Matthew Ritchie + Franck Scurti + Wang-Du +Sislej Xhafa + Jun'ya Yamaide, Palais de Tokyo, Paris
|
|
2001
|
|
Concentrations 38: Matthew Ritchie, Dallas Museum of Art, Dallas, Texas(solo) The Family Farm, White Cube/Jay Jopling, London(solo) Form Follows Fiction, Castello di Rivoli, Torino, Italy, curated by Jeffrey Deitch
|
|
2000
|
|
Parents and Children, Andrea Rosen Gallery, New York(solo) The Fast Set, Miami Museum of Contemporary Art, Miami (catalogue) (solo)
|
|
1999
|
|
The Big Story, Cleveland Center for Contemporary Art, Cleveland, Ohio (catalogue(solo)
|
|
1998
|
|
Fundação Cultural de Distrito Federal, Brasília, Brazil (solo) Paco Imperial, Rio de Janeiro, Brazil(solo) Galeria Camargo Vilaca, Sao Paolo, Brazil, (catalogue)(solo) The Gamblers, Basilico Fine Arts, New York(solo) Mario Diacono Gallery, Boston(solo)
|
|
 |
 |
 |
|
|
| Literatur |
 |
 |
|
2003
|
|
Matthew Ritchie: Proposition Player. Published by the Contemporary Arts Museum, Houston, and Hatje Cantz, 2003.
|
|
2001
|
|
Matthew Ritchie. Incomplete Projects 02. Published by Dallas Museum of Contemporary Art, 2001
|
|
1999
|
|
Matthew Ritchie. The Big Story. Published by Cleveland Center for Contemporary Art, Ohio, 1999
|
|
1998
|
|
Matthew Ritchie. Projects. Published by Basilico Fine Arts, NY, 1998
|
|
1996
|
|
Matthew Ritchie. The Hard Way. Published by Galerie Meteo, Basilico Fine Arts, c/o- Atle Gerhardsen, 1996
|
|
 |
|