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Biografie Mariele Neudecker
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1965
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Born in Dusseldorf, Germany
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1984 - 1985
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University Wuppertal, Germany (Art History, Philosophy and Sciences of Literature)
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1985
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Apprenticeship in architectural model making, Pfeiffer & Voss, Düsseldorf, Germany
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1985 - 1987
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Crawford College of Art and Design, Cork, Ireland (Foundation, 1st year Diploma)
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1978 - 1990
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Goldsmiths’ College, London, UK (BA Hons Degree)
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1991 - 1992
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Chelsea College of Art and Design, London, UK (MA Sculpture)
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1993
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European Artists Pepiniere, (3 month residency) Visual Arts, Budapest, Hungary
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1996
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MOMART Prize Winner, The Whitechapel Open
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1996
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1st Prize, The Discerning Eye - New Discovery Art Prize, - HSBC Investment Bank
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1996 - 1997
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Tower Hamlets College, London, UK (Digital Image Creation Manipulation, (P/T)
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1997
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London Arts Board, Awards to Individual Artists 1996/97
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1997
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1st Prize in Sculpture, 7th International Biennial of Sculpture and Drawing, Gulbenkian Foundation, Lisbon EDCR, Portugal
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1998
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The Henry Moore Fellowship, Spike Island
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1999
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Joint prize winner Oil of Olay (Lux Centre/Make magazine), London
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1998 - 2001
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Senior Research Fellowship, The University of Wales Institute, Cardiff
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2001
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Botho-Graef-Kunstpreis of the City of Jena
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Lives and works in Bristol, UK
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Ausgewählte Ausstellungen |
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2013 |
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Kalte Rinden - Seltene Erden: Die Landschaft in der Gegenwartskunst, Städtische Galerie Bietigheim-Bissingen, Germany |
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2012 - 2013 |
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Im Schein des Unendlichen. Romatnik und Gegenwart, ALTANA Kulturstiftung im Sinclair-Haus, Bad Homburg, Germany |
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2012 |
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Kalte Rinden - Seltene Erden: Die Landschaft in der Gegenwartskunst, Märkisches Museum Witten, Germany |
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2012 |
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Kalte Rinden - Seltene Erden: Die Landschaft in der Gegenwartskunst, Stadtgalerie Kiel, Germany |
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2011 |
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XVIII. Rohkunstbau - MACHT, Schloss Marquardt, Potsdam, Germany |
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2010 |
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11. Triennale Kleinplastik 2010 in Fellbach, Stuttgart, Gemany |
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2010 |
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Extraordinary Measures, Belsay Hall, Newcastle, UK |
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2010 |
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Earthscapes, Bridport Arts Centre, Dorset, UK, curated by Sherborne House Arts, Newland Sherborne UK; Thelma Hulbert Gallery, Honiton, Devon UK |
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2010 |
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Realismus - Das Abenteuer der Wirklichkeit, Kunsthalle Emden and Kunsthalle der Hypo-Kulturstiftung München, Germany |
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2010 |
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New Works, Galerie Barbara Thumm, Berlin, Germany (solo) |
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2009 |
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Mariele Neudecker, R O O M, London, UK (solo) |
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2009 |
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Stay Forever and never come back, Aldeburgh Music, Snape Maltings Concert Hall, Snape, Suffolk, UK (solo) |
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2009 |
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Part One – (The Turn of the Screw), Aldebrough Music, Snape Maltings, UK (solo) |
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2009 |
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Pittoresk - Neue Perspektiven auf das Landschatsbild, MARTa Herford, Herford, Germany |
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2009 |
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cafka.09: Veracity, CAFKA Contemporary Art Forum Kitchener and Area, Ontario, Canada |
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2009 |
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GSK Contemporary: eARTh, Royal Academy of Arts, London, UK |
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2009 |
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Tell it To The Trees, Croft Castle, Meadow Gallery, Herefordshire, UK |
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2009 |
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DRIFT 08 , Millenium Bridge, Thames River, London |
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2009 |
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Singapore Biennial 2008 |
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2009 |
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In_Fluence, Belfast, UK (curated by Ralf Sander) |
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2009 |
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Trying to cope with things that aren‘t human, David Cunningham Projects, San Francisco, CA, UK touring exhibition |
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2008 |
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Galerie Barbara Thumm, Berlin (solo) |
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2008 |
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This Thing Called Darkness, Arts Towada, Towada, Japan (solo) |
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2008 |
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2.5 million light years, commission for the NewArtCentre, Roche Court, Salisbury, UK (solo) |
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2008 |
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Peace and Agriculture in a Pre-Romantic Ideal Landscape, without Sublime Terrors, Haunch of Venison, Berlin |
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2008 |
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Command and Control, Standpoint Gallery, London |
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2008 |
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Acclimatation, Villa Arson, Nice, France |
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2008 |
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Monochrome. Drawings and Prints, Rabley Contemporary Drawing Centre, Marlborough, UK |
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2008 |
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Arts Towada, Towada Art Center, Towada, Japan |
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2008 |
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Wonder, Singapore Biennale, curated by Fumio Nanjo |
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2008 |
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DRIFT, London, curated by Illuminate Productions, London |
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2007 |
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Real and Imagined Landscapes, Seattle Art Museum, Seattle, USA |
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2007 |
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Reality Crossings 2. Foto Festival curated by Christoph Tannert -Mannheim- Ludwigshafen-Heidelberg, Wilhelm Hack Museum, Ludwigshafen, Germany |
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2007 |
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[C]Artography: Map-Making As Artform, Crawford Municipal Art Gallery, Cork, Ireland |
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2007 |
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Afterlife, Egyptian Collection, Bristol’s City Museum and Art Gallery, Bristol, UK (solo) |
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2007 |
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Reality Bites - Making Avant-Garde Art in Post-Wall Germany, Sam Fox Arts Center at Washington University, St. Louis, USA |
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2006 |
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Melancholie. Genie und Wahnsinn in der Kunst., Neue Nationalgalerie Berlin, Germany |
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2006 |
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The Sublime is Now!. Das Erhabene in der Kunst von Barnett Newman bis heute, Museum Franz Gertsch, Burgdorf, Switzerland |
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2006 |
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ARS 06, Museum of Contemporary Art Kiasma, Helsinki, Finland |
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2006 |
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Kindertotenlieder, Salts Mill, Saltaire, UK, Colston Hall Bristol, Bonnington Gallery, Nottingham, UK (solo / DVD-cat.) |
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2006 |
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Ambassador, Republic Tower Billboard Project, Centre for Contemporary Art in Association with Visible Art Foundation, Melbourne, Australia (solo) |
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2006 |
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Drawing Residency, R O O M, Bristol, UK (solo) |
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2005 |
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Winterreise life performances: Shaw Room, National Gallery of Ireland, Dublin, Ireland (solo) |
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2005 |
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Linbury Theatre, Royal Opera London, UK (solo) |
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2005 |
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All Saints Church, leamington Spa, UK (solo) |
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2005 |
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Everyman Theatre, International Festival of Music, Cheltenham, UK (solo) |
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2005 |
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Kindertotenlieder, Impressions Gallery, York, UK (solo) |
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2005 |
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Elemental Insight, BBC London, then touring Vertigo, Sudley Castle, UK |
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2005 |
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Modellräume, Stadt., Museum Nordhorn, Germany |
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2005 |
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Wunderkammer: The Artificial Kingdom, Lincoln, UK |
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2005 |
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Salvator Rosa: Wild Landscapes, Compton Verney, Warwickshire, UK |
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2005 |
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Munch revisited. Edvard Munch und die heutige Kunst, Museum am Ostwall, Dortmund, Germany |
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2004 - 2005 |
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Over and Over, Again and Again, Tate Britain, London, UK (solo) |
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2004 |
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Much Was Decided Before You Were Born, Galerie Barbara Thumm, Berlin, Germany (solo) |
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2004 |
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Over and Over, Again and Again, Tate St. Ives, St. Ives, Cornwall, UK (solo) |
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2004 |
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Between Us, Tullie House, Carlisle, UK (solo) |
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2004 |
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Into My World: Recent British Scupture, The Aldrich Contemporary Art Museum, Ridgefield, USA |
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2004 |
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Zwischenwelten, Haus Esther- Haus Lange, Krefeld, Germany |
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2004 |
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Elemental Insight, MET Office, Exeter, UK |
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2004 |
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Natural Histories: Realism Revisited, Scottsdale Museum of Contemporary Art (SMoCA), Scottsdale, Arizona, USA |
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2004 |
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Other Times, City Gallery Prague, Prague, Czech Republic |
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2003 |
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Berlin-Moskau,Moskau-Berlin: 1950-2000, Walter-Gropius-Bau, Berlin, Germany |
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2003 |
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Orifice, Museum of Modern Art, Melbourne, Australia |
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2003 |
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From Dust to Dusk, Museum of Contemporary Art, Copenhagen, Denmark |
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2003 |
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Between Us, Bluecoat Gallery, Liverpool; Leeds City Art Gallery, Leeds; The Glynn Vivian Art Gallery, Swansea, UK (solo) |
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2002 - 2003 |
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New Work, Chapter Art Centre and Howard Gardens Gallery, Cardiff, Wales, UK (solo) |
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2002 |
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Humid, The Auckland City Art Gallery, Auckland, New Zealand |
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2001 |
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At Sea, Tate Liverpool, UK |
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2001 |
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Until Now, Galerie Barbara Thumm, Berlin; Künstlerhaus Bethanien, Berlin, Germany; 1stSite at the Minorities, Colchester, UK (solo) |
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2000 |
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Until Now, Ikon Gallery, Birmingham, UK (solo) |
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2000 |
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Utopias, Mead Gallery, Warwick, UK |
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1999 |
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In Uso, Michettin Museum, Pescara, Italy |
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1996 |
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Stolen Sunsets, Studio Galeria, Budapest, Hungary (solo) |
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1989 |
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Bilder und Objekte, Kunsthaus Mettmann, Dusseldorf, Germany (solo) |
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1989 |
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37 Seconds, Slaugterhouse Gallery, London, UK |
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2009 |
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Anna Picard: „Britten‘s masterpiece comes home with a kiss“, The Independent, 1. November |
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2009 |
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Gabriel Coxhaed: „Mariele Neudecker“, time out, November 5-11 |
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2008 |
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Towada Art Center exibition catalogue, p. 42, This Thing Called Darkness, Japan, 2008 |
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2008 |
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10,000 to 50 - Contemporary Art from the Members of Business Arts, exhibition catalogue, Irish Museum of Modern Art, Dublin, 2008 |
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2007 |
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European Photography - Art Magazine, issue devoted to „Reality Crossings“, No. 82, Volume 28, Issue 2, Winter 2007/2008, with DVD |
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2007 |
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Skulpturenführer Münsterland - 42 Positionen zeitgenössischer Kunst im Münsterland, Aktion Münsterland e.V., Münster, 2007 |
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2007 |
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Hans Pietsch: „Die unheimliche Kälte der Romantik“, art - das Kunstmagazin, Nr. 10 / October 2007, pp. 36 - 40 |
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2007 |
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Reality Bites - Making Avant-Garde Art in Post-Wall Germany (exh. cat.), Mildred Lane Kemper Art Museum, Hatje Cantz Verlag, 2007 |
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2006 |
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Gabriella Coslovich: Mortality at corner of La Trobe and Queen, in: The Age, AU, September 15, 2006 |
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2005 |
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Tania Kovats: Mariele Neudecker, from: Salvator Rosa: Wild Landscapes, Compton Verney |
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2004 |
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Frieze Yearbook, Frieze Art Fair, London, 2004 |
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2004 |
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Mariele Neudecker. Over and Over, Again and Again (exh.cat.), Tate St. Ives, 2004 |
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2004 |
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Zwischenwelten (exh. cat.), Museum Haus Esters Krefeld, Kerber |
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2004 |
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Waldemar Januszczak: Scenes through a glass starkly, Sunday Times (UK), 13. 06. 2004 |
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2003 |
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Susan McCulloch, MCA swims into wider waters, Liquid Sea, MCA Sydney, in: Weekend Australian, April 12-13, 2003, p. R21 |
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2003 |
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Kate Davidson, “Journeying to other worlds: Liquid sea at the Museum of Contemporary Art, Sydney, in: Art Monthly Australia, no. 161, July 2003, p. 29-32 |
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2003 |
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Elspeth Probyn, Serious might of the main, in: The Australian, 2nd April 2003, p.33. |
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2003 |
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Brightness – works from the Thyssen-Bornemisza Contemporary Art Foundation (exh.cat.9, Museum of Modern Art Dubrovnik, publ. by MW Projects London |
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2003 |
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Mariele Neudecker: Between Us (exh.cat.), Chapter and Howard Gardens Gallery |
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2003 |
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Cardiff micro/macro - British Art 1996-2002 (exh.cat.), The British Council/ Kunsthalle Budapest |
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2003 |
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Liquid Sea, Museum of Contemporary Art, Sydney, Australia |
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2002 |
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Der Berg (exh.cat.), Heidelberger Kunstverein, Heidelberg, Germany |
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2002 |
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Christopher Phillips, Crosscurrents in Yokohama, in: Art in America, Jan. 2001, p.84-91 |
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2002 |
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Bernard van Lierop, The Ironic Sublime, in: Planet, issue 156, December 2002/ January 2003, p. 32 - 38 |
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2001 |
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Moira Jeffrey, Total object Complete with Missing Parts, Tramway, Glasgow, review in: The Herald, Sept 10 |
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2001 |
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IMAGINATION-Romantik (exh.cat.), Kulturamt der Stadt Jena/Jenoptik AG(ed.) |
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2000 |
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Landscape, The British Council |
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2000 |
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Adrian Searle, If you go down to the woods today...., The Guardian, Oct. 3 2000 |
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1999 |
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Mariele Neudecker (monograph) in collaboration with 1stSite at the Minorites, Texts by Eszter Barbarczy, Maite Loréss and Francis McKee |
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1999 |
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John Gustafson, New Art Examiner, page 42-43, June 1999 |
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1993 |
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Mariele Neudecker, Exhibition at Barcsay Exhibition Hall, Preface by Lazlo Beke, Essay by Eszter Barbarczy |
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1989 |
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Thomas Lekis, Kunst, ein Spektrum der Variabilität, Westdeutsche Zeitung, (ill.), (4. April) |
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1989 |
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Claudia Zimmermann, Mariele Neudecker stellt im Kunsthaus aus, Rheinische Post, (ill.), (8. April) |
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