|
|
Biografie Liam Gillick
|
 |
 |
|
1964 |
|
Born in Aylesbury, England
|
|
1983 - 1984 |
|
Hertfordshire College of Art
|
|
1984 - 1987 |
|
Goldsmiths College, University of London, B.A.
|
|
1998 |
|
Paul Cassirer Award, Berlin
|
|
2002 |
|
Turner Prize nomination, London
|
|
2008 |
|
The Vincent Award, Stedelijk Museum, Amsterdam, The Netherlands
|
|
|
|
Lives and works in London and New York
|
|
|
| Ausgewählte Ausstellungen |
|
|
|
2012
|
|
Schrift - Bild, Liam Gillick, Siggi Hofer, Satefan Sandner, Galerie Meyer Kainer, Vienna
|
|
2012
|
|
Casey Kaplan, New York (solo)
|
|
2012
|
|
Galerie Eva Presenhuber, Zurich (solo)
|
|
2012
|
|
Maureen Paley, London (solo)
|
|
2011
|
|
Air de Paris, Paris (solo)
|
|
2011
|
|
Sit on the machine, Galerie Micheline Szwajcer, Antwerp (solo)
|
|
2011
|
|
Artist Projects, curated by Mousse, Art Brussels, Brussels (solo)
|
|
2011
|
|
Liam Gillick and Lawrence Weiner: A syntax of dependency, M HKA Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium
|
|
2011
|
|
Abstract Possible, Museo Tamayo, Mexico City
|
|
2011
|
|
Dublin Contemporary – Irish Biennale, Irish Museum of Modern Art, Dublin
|
|
2011
|
|
Modern British Sculpture, Royal Academy of Arts, London
|
|
2011
|
|
A syntax of dependency, M KHA Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
|
|
2010
|
|
One long walk - Two short piers Kunst- und Ausstellungshalle der BRD, Bonn, Germany
|
|
2010
|
|
Everything Good Goes, Galerie Meyer Kainer, Vienna (solo)
|
|
2010
|
|
1848!!!’, Esther Schipper, Berlin, Germany (solo)
|
|
2010
|
|
Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Vienna, Austria (solo)
|
|
2010
|
|
Kerlin Gallery, Dublin, Ireland (solo)
|
|
2010
|
|
Casey Kaplan Gallery, New York/NY, USA (solo)
|
|
2010
|
|
Fort Worth Contemporary Arts, Fort Worth/TX, USA (solo)
|
|
2010
|
|
Air de Paris, Paris, France (solo)
|
|
2010
|
|
Shazam! Gerhardsen Gerner, Berlin, Germany
|
|
2010
|
|
Shazam! Galleria Continua, Boissy-le-Châtel, France
|
|
2010
|
|
Corporate Everything Centre d’art de Fribourg, Fribourg, Switzerland
|
|
2009
|
|
We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
|
|
2009
|
|
La Suite’, Air de Paris, Paris, France
|
|
2009
|
|
Hard Hat at Francesca Pia Galerie, Zurich, Switzerland
|
|
2009
|
|
Ufo, NRW–Forum, Düsseldorf, Germany
|
|
2009
|
|
A Factory, A Machine, A Body..., MUCA, Mexico City
|
|
2009
|
|
Oppositions & Dialogues, Kunstverein Hannover, Hannover, Germany
|
|
2009
|
|
Take the Money and Run, De Appel, Amsterdam, The Netherlands
|
|
2009
|
|
Three Perspectives And A Short Scenario, 'Museum of Contemporary Art, Chicago/IL, USA (solo)
|
|
2009
|
|
German Pavilion, 53. Biennale di Venezia, Venice, Italy (solo)
|
|
2009
|
|
Liam Gillick, Literally Based H.Z., 2006 - Irish Museum of Modern Art - IMMA, Dublin, Ireland (solo)
|
|
2009
|
|
Two Short Plays - Eastside Projects, Birmingham, Great Britain (solo)
|
|
2009
|
|
Espèces d´Espaces , Yvon Lambert, New York/NY, USA
|
|
2009
|
|
The human stain, CGAC, Santiago de Compostela, Spain
|
|
2008
|
|
The State Itself Becomes A Super Whatnot'Casey, Kaplan, New York/NY, USA (solo)
|
|
2008
|
|
Three Perspectives And A Short Scenario, Kunstverein München, Munich, Germany (solo)
|
|
2008
|
|
Air de Paris, Fractinonal Factories In The Snow, Paris, France (solo)
|
|
2008
|
|
Three Perspectives And A Short Scenario, Kunsthalle Zürich, Zurich, Switzerland (solo)
|
|
2008
|
|
Three Perspectives And A Short Scenario, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (solo)
|
|
2008
|
|
Made in Munich, Haus der Kunst, Munich, Germany
|
|
2008
|
|
Theanyspacewhateve, Guggenheim Museum, New York/NY, USA
|
|
2008
|
|
La Petite Histoire KUNST RAUM NOE, Vienna, Austria
|
|
2008
|
|
Blasted Allegories. Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern, Switzerland
|
|
2008
|
|
Tulips & Roses ,The Store, Vilnius, Lithuania
|
|
2008
|
|
This is the Gallery ..., Eastside Projects, Birmingham, Great Britain
|
|
2008
|
|
Daimler Contemporary, Private / Corporate V, Berlin, Germany
|
|
2008
|
|
MAN Nuoro, Mondo e Terra: La collezione del FRAC Corsica, Nuoro, Italy
|
|
2008
|
|
Biennale of Sydney 2008, Sydney, Australia
|
|
2008
|
|
Call it what you like!, Art Centre Silkeborg Bad, Silkeborg, Danmark
|
|
2008
|
|
New Yersey, Team 404 & John Armleder: Clinch/Cross/Cut, Basel, Switzerland
|
|
2008
|
|
Positionen des Abstrakten, Lenbachhaus, RHYTHMUS 21, Munich, Germany
|
|
2008
|
|
FANTASY , Museum van Hedendaagse Kunst, Antwerp, Belgium
|
|
2008
|
|
Sadie Coles HQ, TYPED, London, Great Britain
|
|
2008
|
|
Hommage à Klaus Werner, Galerie für Zeitgenössische Kunst, KW , Leipzig, Germany
|
|
2008
|
|
FORDE, IMAGES, Geneva, Switzerland
|
|
2008
|
|
Mixed Emotions, Domus Artium 2002, Salamanca, Spain
|
|
2007
|
|
The State / Commune Itself as a Super State / Commune, Galerie Micheline Szwajce, Antwerp, Belgium (solo)
|
|
2007
|
|
Liam Gillick: Five Short Texts on the Possibility of Creating an Economy of Equivalence, United Nations, Plaza, Berlin, Germany (solo)
|
|
2007
|
|
Galerie Micheline Szwajcer, The State / Commune Itself as a Super State / Commune, Antwerp, Belgium (solo)
|
|
2007
|
|
Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland
|
|
2007
|
|
ROKEBY, FUSION NOW! MORE LIGHT, MORE POWER, MORE PEOPLE, London, Great Britain
|
|
2007
|
|
If Everybody had an Ocean, Musée d´art contemporain, Bordeaux, France
|
|
2007
|
|
Projektion, Lentos Kunstmuseum, Linz, Austria
|
|
2007
|
|
Art Protects, Yvon Lambert, Paris, France
|
|
2007
|
|
FRANZ WEST: SOUFFLÉ, Kunstraum Innsbruck, Innsbruck, Austria
|
|
2007
|
|
PERSPEKTIVE 07, Lenbachhaus, Munich, Germany
|
|
2007
|
|
Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, Great Britain
|
|
2007
|
|
All you desire, PPOW, New York/NY, USA
|
|
2007
|
|
Other Men's Flowers , Venetia Kapernekas Gallery, New York/NY, USA
|
|
2007
|
|
If Everybody Had an Ocean, Tate St Ives, St. Ives, Great Britain
|
|
2007
|
|
Tomorrow Kunho Museum of Art, Artsonje Center, Seoul, South Corea
|
|
2007
|
|
The Commune Itself Becomes a Super State, Corvi-Mora, London (solo)
|
|
2007
|
|
Weekend in So Show, The Lab at Belmar, Lakewood/CO (solo)
|
|
2007
|
|
Modelle für Morgen: Köln, European Kunsthalle, Cologne (and other stations)
|
|
2007
|
|
Door Cycle'Friedrich Petzel Gallery, New York/NY, USA
|
|
2007
|
|
Air de Paris'Centre Pompidou, Paris, France
|
|
2007
|
|
Memorial to the Iraq War , CA, London, Great Britain
|
|
2007
|
|
Before and After Palma de Mallorca, Fundacion Juan March, Spain
|
|
2007
|
|
The Shapes of Space, The Solomon R. Guggenheim Museum, , New York/NY, USA
|
|
2007
|
|
Collateral: When Art Looks at Cinema' HangarBicocca, , Milan, Italy
|
|
2007
|
|
Hommage à Charles Fourier, Musée des Beaux Arts et Archéologie, Besançon, France
|
|
2007
|
|
Pure, Sean Kelly, New York/NY, USA
|
|
2007
|
|
LCCA, Trajectory 4, Riga, Lithuania
|
|
2007
|
|
Modelle für Morgen: Köln, Cologne (and other stations), European Kunsthalle, Cologne, Germany
|
|
2007
|
|
The Re-distribution of the Sensible (cur. by Warren Neidich), Magnus Müller, Berlin, Germany
|
|
2007
|
|
COLLATERAL, Galerie für Zeitgenössische Kunst, Deutsche Geschichten, Leipzig Hangar Bicocca, Mailand, Italy
|
|
2007
|
|
Active Constellation, Brno House of Art, Brno, Czech Republic
|
|
2006
|
|
Thank You For The Music, Sprüth Magers, Munich, Germany (solo)
|
|
2006
|
|
Kiosk , ICA, London, Great Britain (solo)
|
|
2006
|
|
How to improve the world, Hayward Gallery, London
|
|
2006
|
|
Grey Flags, CAPC, Bordeaux
|
|
2006
|
|
Eye On Europe: Prints, Books & Multiples/1960 to Now, Museum of Modern Art, New York
|
|
2006
|
|
If I can’t dance, I don’t want to be part of your revolution, de Appel, Amsterdam
|
|
2006
|
|
Saigon: Open City, Saigon
|
|
2006
|
|
All Hawaii Entrees / Lunar Reggae, Irish Museum of Modern Art, Dublin
|
|
2006
|
|
The State Itself Becomes A Super Commune, Esther Schipper, Berlin (solo)
|
|
2006
|
|
Literally Based On H.Z., Kerlin Gallery, Dublin (solo)
|
|
2006
|
|
We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London (solo)
|
|
2006
|
|
Classical: Modern I, DaimlerChrysler Contemporary, Berlin
|
|
2006
|
|
Intouchable: L’Idéal Transparence, Villa Arson, Nice
|
|
2006
|
|
Undisciplined: 3rd Biennale of Ceramics in Contemporary Art, Albisola
|
|
2006
|
|
Abstract Art Now: Strictly Geometrical, Wilhelm Hack Museum, Ludwigshafen
|
|
2006
|
|
Broken Surface: ein Editionsprojekt, Galerie Sabine Knust, Munich
|
|
2006
|
|
Eine Person Allein In Einem Raum Mit Coca-Cola-Farbenen Wänden, Grazer Kunstverein, Graz
|
|
2006
|
|
Kristallisationen: 10 Künstler für Theresienthal, Andreas Murkudis Temporary, Munich
|
|
2006
|
|
Projekt Projektion, Kunstmuseum Luzern, Luzern
|
|
2006
|
|
Grey Flags, The Sculpture Center, New York
|
|
2006
|
|
Ordnung und Verführung, Haus Konstruktiv, Zurich
|
|
2006
|
|
Tate Triennial, Tate Britain, London
|
|
2006
|
|
L´Exposition Qui N´Existe Pas, MAMCO, Geneva
|
|
2006
|
|
Minimalism and After IV: Neuerwerbungen, DaimlerChrysler Contemporary, Berlin
|
|
2006
|
|
The Party, Casey Kaplan, New York
|
|
2006
|
|
Supernova, Contemporary Art Centre, Vilnius
|
|
2006
|
|
Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zurich (solo)
|
|
2006
|
|
Edgar Schmitz, ICA, London (solo)
|
|
2006
|
|
Bühne des Lebens, Kunstbau, Lenbachhaus, Munich
|
|
2006
|
|
100 Artists See God, Cheekwood Museum of Art, cur. by John Baldessari & Meg Cranston, Cheekwood
|
|
2005
|
|
Gopius-Bau, Rundlederwelten, Berlin
|
|
2005
|
|
K21, Ambiance, Düsseldorf
|
|
2005
|
|
Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens (solo)
|
|
2005
|
|
Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid (solo)
|
|
2005
|
|
As you approach the edge of town the lights are no softer than they were in the centre..., Casey Kaplan Gallery, New York (solo)
|
|
2005
|
|
Fabriken im Schnee..., Galerie Meyer Kainer, Vienna (solo)
|
|
2005
|
|
M/M (Paris), Frankfurter Kunstverein, Frankfurt (solo)
|
|
2005
|
|
The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich (solo)
|
|
2005
|
|
Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris (solo)
|
|
2005
|
|
McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (solo)
|
|
2005
|
|
Presentism, Corvi-Mora, London (solo)
|
|
2005
|
|
Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee (solo)
|
|
2005
|
|
Another 2004 Again, Baltimore Museum Of Art, Baltimore (solo)
|
|
2005
|
|
Reception, Büro Friedrich, Berlin
|
|
2005
|
|
Passion Beyond Reason, Wallstreet One Gallery, Berlin
|
|
2005
|
|
Thank You for the Music, Sprüth Magers, Munich
|
|
2005
|
|
Nur Hier? Teil III – Im Bild Sein, Hochschule für Grafik und Buchkunst, Leipzig
|
|
2005
|
|
Strictly Confidential: From the Collection of Marc & Josée Gensollen, Centre International d’Art et du Paysage de l’Ile de Vassivière, Ile de Vassivière
|
|
2005
|
|
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Guarene/Turin
|
|
2004
|
|
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Guggenheim Museum, New York
|
|
2004
|
|
Specific Objects, Galerie Mehdi Chouakri, Berlin
|
|
2004
|
|
Before the end (cur. by Stéphane Moisdon Trembley), Le Consortium, Dijon
|
|
2004
|
|
Construccion de Uno, Galeria Javier Lopez, Madrid (solo)
|
|
2004
|
|
A Group of People, Air de Paris, Paris (solo)
|
|
2004
|
|
Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen (solo)
|
|
2004
|
|
Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp (solo)
|
|
2004
|
|
(Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund (solo)
|
|
2004
|
|
Drunkenmaster , Fortes Vilaca, Sao Paulo, Brasil (solo)
|
|
2004
|
|
Law and Creativity, Konsthalle Lund, Sweden (solo)
|
|
2003
|
|
Communes, Bars and Greenrooms, ’Power Plant, Toronto, Canada (solo)
|
|
2003
|
|
Por Favor Gracias de Nada, Kurimanzutto, (with Gabriel Kuri), Mexico City (solo)
|
|
2003
|
|
Exterior Days’Casey, Kaplan, New York/NY, USA (solo)
|
|
2003
|
|
Projects 79, Literally, Museum of Modern Art, Queens, New York/NY, USA (solo)
|
|
2003
|
|
A Film, A Clip and a Documentary (with Sean Dack), Corvi Mora, London, Great Britain (solo)
|
|
2003
|
|
Hills and trays and..., Schipper & Krome, Berlin (solo)
|
|
2003
|
|
...punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin (solo)
|
|
2003
|
|
Perfect Timeless Repitition, c/o Atle Gerhardsen, Berlin
|
|
2003
|
|
Re-Produktion 2, Georg Kargl, Vienna
|
|
2003
|
|
Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich
|
|
2002
|
|
Urgent Painting, ARC Musée d'Art Moderne de la Ville de Paris, Paris
|
|
2002
|
|
Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
|
|
2002
|
|
The Wood Way, Whitechapel Art Gallery, London (solo)
|
|
2002
|
|
Light Technique, Galerie Meyer Kainer, Vienna (solo)
|
|
2002
|
|
Liam Gillick, ’Galerie Rüdiger Schöttle, Munich, Germany (solo)
|
|
2001
|
|
Liam Gillick, Corvi-Mora, London, Great Britain (solo)
|
|
2001
|
|
Dedallic Convention, Salzburger Kunstverein, Salzburg, Austria (solo)
|
|
2001
|
|
Deadallic Convention , Museum für Angewandte Kunst, MAK, Vienna, Austria (solo)
|
|
2001
|
|
Annlee You Proposes, ’Tate Britain, London, Great Britain (solo)
|
|
2001
|
|
Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich (solo)
|
|
2001
|
|
Liam Gillick, Galeria Javier Lopez, Madrid (solo)
|
|
2001
|
|
Century City, Tate Modern, London
|
|
2001
|
|
Demonstration Room: Ideal House, Apex Art, New York
|
|
2000
|
|
Continuum 001, CCA, Glasgow
|
|
2000
|
|
Stortorget i Kalmar, Stadens Konstråds Galleri, Kalmar
|
|
2000
|
|
Liam Gillick, Galleri Charlotte Lund, Stockholm (solo)
|
|
2000
|
|
Liamm Gilllick. Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin (solo)
|
|
2000
|
|
Liam Gillick, Casey Caplan, New York/NY, USA (solo)
|
|
2000
|
|
Renovation Filter: Recent Past and Near Future, Arnolfini, Bristol, Great Britain (solo)
|
|
2000
|
|
Literally No Place, Air de Paris, Paris, France (solo)
|
|
2000
|
|
Woody, CCA Kitakyushu Project Gallery, Kitakyushu, Japan (solo)
|
|
2000
|
|
Schmerz in einem Gebäude, Fig. 1, London, Great Britain (solo)
|
|
2000
|
|
Consultation Filter, Westfälischer Kunstverein, Münster, Germany (solo)
|
|
2000
|
|
Applied Complex Screen, Hayward Gallery, London, Great Britain (solo)
|
|
1999
|
|
Liam Gillick, Galerie Rüdiger Schöttle, Munich, Germany (solo)
|
|
1999
|
|
David, Frankfurter Kunstverein, Frankfurt am Main, Germany (solo)
|
|
1999
|
|
Liam Gillick, Kunsthaus Glarus, Glarus (solo)
|
|
1999
|
|
Playtimes, Centre National d' Art Contemporain de Grenoble, Grenoble
|
|
1999
|
|
Oldnewtown, Casey Kaplan, New York
|
|
1998
|
|
Fast Forward, Kunstverein in Hamburg, Hamburg
|
|
1998
|
|
Liam Gillick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Vienna
|
|
1998
|
|
Liam Gillick, Kunstverein in Hamburg, Hamburg (solo)
|
|
1998
|
|
Le Magasin, ‘The Trial of Pol Pot (with Philippe Parreno)‘, Grenoble (solo)
|
|
1998
|
|
Air de Paris, 'Up on the twenty-second floor', Paris, France (solo)
|
|
1998
|
|
British Council, 'When Purity was Paramount', Prague (solo)
|
|
1998
|
|
Orchard Gallery, 'Big Conference Center', Derry, Great Britain (solo)
|
|
1998
|
|
Robert Prime, `Liam Gillick`, London, Great Britain (solo)
|
|
1998
|
|
Villa Arson, 'Révision: Liam Gillick', Nice, France (solo)
|
|
1998
|
|
Schipper & Krome, 'When do we need more tractors?', Berlin, Germany (solo)
|
|
1998
|
|
c/o Atle Gerhardsen, `Liam Gillick`, Oslo, Norway (solo)
|
|
1997
|
|
Discussion Island – A What If? Scenario Report, Kunstverein Ludwigsburg,Ludwigsburg, Germany (solo)
|
|
1997
|
|
A House in Long Island, Forde Espace d'art contemporain, L'usine, Geneva, Switzerland (solo)
|
|
1997
|
|
Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow, Great Britain (solo)
|
|
1997
|
|
Realisations, The What if? Scenarios, Le Consortium, McNamara Papers, Erasmus and Ikuba!, Dijon, France (solo)
|
|
1997
|
|
Reclutamento!, Galleria Emil Fontana, Milan, Italy (solo)
|
|
1997
|
|
Discussion Island, Basilico Fine Arts, New York (solo)
|
|
1997
|
|
Life/ live, Centro Cultural de Belém, Lisbon
|
|
1996
|
|
Co-operators, Southampton City Art Gallery, Southampton
|
|
1996
|
|
Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin (solo)
|
|
1996
|
|
Schipper & Krome, ‘Documents’ (with Henry Bond), Cologne (solo)
|
|
1996
|
|
Raum Aktueller Kunst, `Liam Gillick`, Vienna, Austria (solo)
|
|
1996
|
|
Robert Prime, 'The What if? Scenario', London, Great Britain (solo)
|
|
1995
|
|
Air de Paris, 'Ikuba! (Part 1)', Paris, France (solo)
|
|
1995
|
|
Kunstverein ElsterPark, ‘Documents’ (with Henry Bond), Leipzig, Germany (solo)
|
|
1995
|
|
Künstlerhaus, 'Ikuba! (Part 2)', Stuttgart, Germany (solo)
|
|
1995
|
|
Ikuba!, Galleria Emi Fontana, Milan, Italy (solo)
|
|
1995
|
|
Part Three, Basilico Fine Arts, New York/NY, USA (solo)
|
|
1994
|
|
Documents, Ars Futura (with Henry Bond), Zurich, Switzerland (solo)
|
|
1994
|
|
Liam Gillick, Interim Art, London, Great Britain (solo)
|
|
1994
|
|
McNamara, Schipper & Krome, Cologne (solo)
|
|
1993
|
|
An Old Song and a New Drink, Air de Paris, (with Angela Bulloch), Paris, France (solo)
|
|
1993
|
|
Documents, CCA, (with Henry Bond), Glasgow (solo)
|
|
1992
|
|
McNamara, Hog Bikes and GRSSPR',Air de Paris, Paris, France (solo)
|
|
1991
|
|
Documents, A.P.A.C, (with Henry Bond), Nevers, France (solo)
|
|
1991
|
|
Documents, Karsten Schubert Ltd, (with Henry Bond), London, Great Britain (solo)
|
|
1991
|
|
Documents, (with Henry Bond), Gio’ Marconi, Milan (solo)
|
|
1989
|
|
84 Diagrams, Karsten Schubert Ltd, London, Great Britain (solo)
|
|
|
|
|
|
|
| Literatur |
|
|
|
2007
|
|
Liam Gillick: Proxemics, Selected Writings (1988-2006), JRP Ringier, Zürich
|
|
2006
|
|
The Metaphor Problem Again: A Conversation Between John Baldessari, Lawrence Weiner, and Liam Gillick, ed. Beatrix Ruf, Springer Verlag, Vienna
|
|
2006
|
|
Between Artists, Liam Gillick Lawrence Wiener, A.R.T. Press, Canada
|
|
2006
|
|
de Brugerolle, Marie, „Liam Gillick“, Flash Art No. 246, January-February 2006, pict. p. 110
|
|
2006
|
|
Glover, Michael, „Best of British Lights up the Tate“, The Times, Feb. 25.
|
|
2006
|
|
Abstract Art Now. Strictly Geometrical?, Wilhelm-Hack-Museum, Ludwigshafen, pp. 62-65
|
|
2006
|
|
Site 9/1, a hausammeer production, September 2006, pp. 34-37
|
|
2006
|
|
Broken Surface, Sabine Knust Matthias Kunz Editions, München, 2006, pict. pp. 14-16
|
|
2005
|
|
Magasin 1986 – 2006, ed. Yves Aupetitallot, JPRlRingier, Zürich, 2005, pp. 136-145
|
|
2005
|
|
Version 0.6, Colouring Book, onestarpress, 2005, p. 25
|
|
2005
|
|
Art at 30 St Mary Axe, Swiss Reinsurance Company, Zurich, pp. 23 - 29
|
|
2005
|
|
Go Between, Bregenzer Kunstverein Magazin 4, Bregenz, p. 86-93
|
|
2005
|
|
Place, T. Dean & J. Millar, Thames & Hudson, London, 2005, pp. 34-35
|
|
2005
|
|
EVN 95-05, MUMOK, Vienna, 2005, pict. p 113
|
|
2002
|
|
Bourriaud, Nicolas, Postproduction, Collection Documents sur l’art, Dijon 2003, pp. 22, 52-55, 73
|
|
2002
|
|
Metronome 8b.
The Queel, London
|
|
2002
|
|
100 Reviews
London: Alberta Press
|
|
2002
|
|
Magazin 6
Salzburger Kunstverein, Salzburg
|
|
2002
|
|
The Producers: Contemporary Curators in Conversation
Baltic Centre, Gateshead
|
|
2002
|
|
The Wood Way
Whitechapel Art Gallery, London
|
|
2002
|
|
Conceptual Art
London: Phaidon
|
|
2002
|
|
Art Since 1960
London: Thames & Hudson
|
|
2002
|
|
EVN Sammlung. Ankäufe 2000-2002
EVN AG, Vienna
|
|
2001
|
|
Century City
Tate, London
|
|
2001
|
|
Museen ohne Zukunft
MAK, Vienna
|
|
2001
|
|
Mutations
Centre d'Architecture, Bordeaux
|
|
2001
|
|
Histoire de coeur: collection Michel Poitevin
Fondation Guerlain, Les Mesnuls
|
|
2001
|
|
After Work
cat. 4th Werkleitz Biennale, Tornitz
|
|
2001
|
|
2nd Berlin Biennale
Berlin
|
|
2001
|
|
Annlee You Proposes
Tate Britain, London
|
|
2001
|
|
Everything Can be Different
ICI, New York
|
|
2001
|
|
Neue Kunstkritik
New York: Lukas & Sternberg
|
|
2001
|
|
Yokohama Triennale 2001
Yokohama
|
|
2000
|
|
29th International Film Festival
Rotterdam
|
|
2000
|
|
Liam Gillick
Oktagon Verlag, Cologne
|
|
2000
|
|
British Art Show 5
Touring Exhibition, Edinburgh
|
|
2000
|
|
What If
Moderna Museet, Stockholm
|
|
2000
|
|
Intelligence
Tate Gallery, London
|
|
2000
|
|
Protest and Survive
Whitechapel Gallery, London
|
|
2000
|
|
Renovation Filter: recent past and near future
Arnolfini, Bristol
|
|
2000
|
|
Fresh Cream
London: Phaidon
|
|
1999
|
|
UK Maximum Diversity
Galerie Krinzinger, Wien
|
|
1999
|
|
Weather Everything
Galerie für Zeitgenössische Kunst, Leipzig, Cantz
|
|
1999
|
|
Independent Spaces
Genf, JRP éditions
|
|
1999
|
|
Art at the Turn of the Millennium
Burkhard Riemschneider, Uta Grosenick (Hg.), Köln
|
|
1999
|
|
Seven Wonders of the World
London, Book Works 1999
|
|
1999
|
|
Designs for a four storey building
New York, Open City
|
|
1999
|
|
La Capitale
Sete, Centre regionale d'art contemporain
|
|
1999
|
|
The Space Here is Everywhere
Villa Merkel, Esslingen
|
|
1998
|
|
Hospital, Sarah Morris
Galerie Max Hetzler, Berlin
|
|
1998
|
|
Artist/Author: Contemporary Artist's Books
(ed. Cornelia Lauf/Clive Phillpot) New York, American Federation
|
|
1998
|
|
McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios
Deutsche Übersetzung des Consortiums Kataloges, ed. Kunstverein in Hamburg
|
|
1998
|
|
Enter: KünstlerInnen, Publikum und Institution
Hrsg. Barbara Steiner, Kunstmuseum, Luzern
|
|
1998
|
|
Art from Britain
Hamburg, Sammlung Goetz
|
|
1998
|
|
Interactive An Exhibition of Contemporary British Sculpture
London, Amerada Hess
|
|
1998
|
|
L'île de discussion/le grand centre de conférence
Nice/Dijon, Villa Arson/Les presses du réel
|
|
1998
|
|
Mise en Scène
Grazer Kunstverein, Graz
|
|
1998
|
|
Minimal-Maximal
Neues Museum Weserburg, Bremen
|
|
1998
|
|
X Mal Documenta X
Kunsthochschule der Universität, Gesamthochschule, Kassel
|
|
1998
|
|
Dominique Gonzalez-Foerster, Pierre Huyghe, Philippe Parreno
Paris, ARC, Musee d'art moderne de la Ville de Paris
|
|
1998
|
|
Cream
London, Phaidon Press
|
|
1998
|
|
Eric Troncy
Paris, Les presses du réel
|
|
1998
|
|
Absurd
Self Service, Paris
|
|
1998
|
|
Dijon/Le Consortium.coll
Dijon/Paris, Les presses du réel/Centre Georges Pompidou
|
|
1998
|
|
Ein Rückblick aus dem Jahre 2000 auf 1887
Eduard Bellamy, Leipzig
|
|
1998
|
|
Zing Magazine
Volume 2, Fall
|
|
1998
|
|
Øjeblikket
The Meaning of Site,Copenhagen
|
|
1998
|
|
Innerscapes
(edited by Maurizio Pellegrin), Trieste, Contemporanea
|
|
1997
|
|
Des Livres d'Artistes
L'Ecole d'Art de Grenoble, Grenoble
|
|
1997
|
|
Ajar
Oslo, Galleri F15
|
|
1997
|
|
Enter: Audience, Artsist, Institution
Kunstmuseum, Luzern
|
|
1997
|
|
documenta X, Politics and Poetics
Kassel, Cantz
|
|
1997
|
|
Unbuilt Worlds: Unrealised Artists Projects
Münster, Cantz
|
|
1997
|
|
Erasme est en retard (translated by Philippe Parreno)
Dijon, Les Presses du Réel
|
|
1997
|
|
McNamara Papers, Erasmus and Ibuka! realisations The What If ? Scenarios
Dijon Les Presses du Réel
|
|
|
|
