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Verkaufte Kunstwerke
Weitere Informationen
 | Biografie |
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1942
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Born: June 1, 1942, New Brunswick, NJ
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1967
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BA Washington State University, Pullman
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1970
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MFA University of Arizona, Tucson
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Ausgewählte Ausstellungen |
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2005 |
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Sears-Peyton Gallery, New York, NY |
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2004 |
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Summer Group Show, John Davis Gallery, New York, NY |
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2004 |
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Mixed Company: Women Choose Men, AIR Gallery, New York, NY |
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2003 |
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Butters Gallery, Portland, OR |
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2003 |
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Time and Space, Hudson, NY |
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2002 |
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Sears-Peyton Gallery, New York, NY |
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2002 |
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Easy Breezy, Sears-Peyton Gallery, New York, NY |
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2002 |
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From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University, Fresno, CA |
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2001 |
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Change of View, Tamarind Institute, Albuquerque, NM |
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2001 |
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Boston Drawing Project Inaugural Exhibition, Bernard Toale Gallery, Boston, MA |
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2001 |
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Morgan Gallery, Kansas City, MO |
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2000 |
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Davis and Hall, Hudson, NY |
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2000 |
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Ambiguity: Layers of Information, Contemporary Gallery, Marywood University, Scranton, PA |
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1999 |
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Davis Street Inaugural, Butters Gallery, Portland, OR |
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1999 |
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Butters Gallery, Portland, OR |
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1998 |
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Davis and Hall, Hudson, NY |
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1998 |
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Animal as Muse, The Norton Museum of Art, W. Palm Beach, FL, Traveled to the Philharmonic Center for the Arts, Naples, FL |
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1998 |
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NY Currents, Butters Gallery, Portland OR |
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1997 |
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Bernard Toale Gallery, Boston, MA |
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1993 |
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Helander Gallery, New York, NY |
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Gebhard, David. “Drawings 1979: California, Arizona, Nevada, Utah.” University of California, Santa Barbara, 1970, exhibition catalogue. |
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Walker Art Center, Minneapolis, Minnesota. “Invitation ’74 – Breidel, Brown, Fisher, Neilson and Rose.” 1974, exhibition catalogue by Dean Swanson and Gwen Lerner. |
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Schendel, Martin. “Invitation ’74.” Minnesota Daily, May 24, 1974. |
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Steel, Mike. “Human Touch Happily Returns to Art.” Minneapolis Tribune, May 26, 1974. |
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Swanson, Dean and Lerner, Gwen. “5 Midwest Artists.” Midwest Art, June, 1974, p.12. |
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Milwaukee Art Museum, Milwaukee, Wisconsin. “Wisconsin Directions.” 1975, exhibition catalogue by I Michael Danoff and Tracy Atkinson. |
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State University of New York, Potsdam, New York. “Abstraction: Alive and Well.” 1975, exhibition catalogue by Anthony Boyle. |
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Miller, Donald. “Artists Enliven Mellon Galleries.” Pittsburgh Post Gazette, February 13, 1976. |
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Perrault, John. “Four Artists, O.K. Harris Gallery.” The Soho News, December 29, 1977, p.22. |
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Melcher, Victoria Kirsch. “Larry Brown at the Morgan Gallery.” Kansas City Star, November 19, 1978. |
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Johnson, Ken. “Larry Brown.” Galleries: Chelsea, Sears-Peyton Gallery, The New York Times, Friday, October 25, 2002, p. E36. |
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Stapley, Caprice. “Circles and Spheres Meet Science and Art.” The Kansas City Star, January 26, 2001, p. 23. |
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Devon, Marjorie, ed. “Tamarind: Forty Years.” University of New Mexico Press, Albuquerque, New Mexico. Spring, 2000. pp.78, 82, 85, 164. |
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Barton, Peter. “Painter Larry Brown’s Arcane Regions of Space.” Register Star/Hudson Valley Newspapers, June 9, 2000, p.A11. |
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Orr-Cahill, Dr. Christina and Watson, Neil, “Animal As Muse.” Norton Museum of Art, 1998, Exhibition catalogue. Curated by Neil Watson. |
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The Cooper Union School of Art, New York, New York. “Painting Faculty.” Exhibition catalogue with artists statements.1995. Curated by Robert Rindler, p.40, ill., p. 41. |
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Marimo, Meire. “Just Arrived/NY.” 21st Century Prints, Tokyo, Japan, August, 1992, p.108. |
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Thorson, Alice. “Art Journal – Larry Brown.” The Kansas City Star, March 1, 1992, p.I4. |
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Hagen, Charles. “Group Show.” The New York Times, August 23, 1991. |
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Devon, Marge and Tyler, Linda. “Collaborations: Artists + Printers.” USIA, Arts America and the Tamarind Institute, Exhibition catalogue, 1991, p. 8, ill. pp.24-25. |
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