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1969
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Born: Columbus, Georgia
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1995
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BFA, University of Tennessee, Knoxville
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Ausgewählte Ausstellungen |
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2011 |
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Keeping It Real: Act 4, Material Intelligence, Whitechapel Gallery, London, UK |
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2010 |
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Where Do We Go From Here? Selections from Colección Jumex, Contempoary Arts Center, Cincinnati, Cincinnati, OH |
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2010 |
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Wait for Me at the Bottom of the Pool, curated by Bob Nickas, Jose Martos Gallery, Sagaponack, NY |
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2010 |
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Held Up By Columns, Renwick Gallery, New York, NY |
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2010 |
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Permanent Mimesis, curated by Alessandro Rabottini, Galleria Civicia dʼArte Moderna e Contemporanea, Turin, Italy |
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2010 |
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Image Transfer, Henry Art Gallery, Seattle, WA |
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2010 |
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Kelley Walker, Thomas Dane Gallery, London (solo) |
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2010 |
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Front Room: Guyton/ Walker, The Baltimore Museum of Art, Baltimore, MD (solo) |
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2010 |
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Kelley Walker, Capitain Petzel, Berlin, Germany (solo) |
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2010 |
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Whitney on Site: New Commissions Downtown: Guyton/Walker, Whitney Museum of American Art, New York, NY (solo) |
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2010 |
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Picture Industry (Good Bye To All That), Regen Projects, Los Angeles, CA |
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2010 |
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At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard, Annandale-on-Hudson, NY |
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2010 |
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Pure, personal or abstract, curated by Alessandro Rabottini, GAM Turino, Italy |
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2010 |
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Vertically Integrated Manufacturing, Murray Guy, New York, NY |
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2009 |
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Where Do We Go From Here? Selections from Colección Jumex, Bass Museum of Art, Miami, FL |
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2009 |
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Beg Borrow and Steal, Rubell Family Collection, Miami, FL (Walker and Guyton\Walker) |
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2009 |
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Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, curated by Deb Singer, The Kitchen, New York, NY |
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2009 |
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Auto. Sueno Y Materia, laboral Centro de Arte y Creacion Industrial, Austrias, Spain; Madrid, Spain |
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2009 |
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Drawing Gifts 2009: 6th Annual Benefit Auction for the Drawing Center, New York, NY |
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2009 |
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Transitions: Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia, Italy, sponsored by Max Mara |
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2009 |
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Cave Paintings, curated by Bob Nickas, Gallery PSM, Berlin, Germany |
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2009 |
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Quand la première ivresse des succès bruyants… Château Guiraud, Sauternes, France |
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2009 |
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Five, Baibakov Art Projects, Moscow, Russia (Walker and Guyton\Walker) |
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2009 |
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Commentary, Paula Cooper Gallery, New York, NY |
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2009 |
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Biennale de Venezia, Venice (Guyton\Walker) |
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2009 |
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Espace Louis Vuitton, Paris (Guyton\Walker) |
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2009 |
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Every Revolution is a Roll of the Dice, curated by Bob Nickas, Paula Cooper Gallery, New York, NY |
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2009 |
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Kelley Walker, Capitain Petzel, Berlin, Germany (solo) |
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2008 |
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Kelley Walker, Paula Cooper Gallery, New York, NY (solo) |
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2008 |
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Kelley Walker, Wiels, Brussels, Belgium (solo) |
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2008 |
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Kunst im Heim, Capitain & Petzel, Berlin, Germany |
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2008 |
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Anita Molinero/Cady Noland/Steven Parrino/Kelley Walker Le Spot, Le Havre Centre D’Art Contemporain |
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2008 |
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Trahison, CAPC Bordeaux, France |
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2008 |
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Here Is Every: Four Decades of Contemporary Art The Museum of Modern Art, New York |
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2008 |
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Not Quite How I Remember It, The Power Plant, Toronto, Canada |
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2008 |
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God is Design , curated by Neville Wakefield, Galpão Fortes Vilaça, São Paulo, Brasil |
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2008 |
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Second Thoughts, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY |
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2007 |
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An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal |
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2007 |
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The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France |
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2007 |
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Kelley Walker, Le Magasin-Centre National d’Art Contemporain, Grenoble, France; travelling to WIELS-Centre d’art contemporain, Brussels, Belgium (solo) |
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2007 |
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Kelley Walker, Continuous Project (with Seth Price), Modern Art Oxford, curated by Suzanne Cotter, Oxford, UK (solo) |
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2007 |
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I am Scared of America (with Erik van Lieshout), Museum De Hallen Haarlem, Haarlem, The Netherlands (solo) |
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2007 |
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Mario Diacono Gallery at Ars Libri, Brookline, MA (solo) |
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2007 |
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Summer Group Show, Richard Telles Fine Art, Los Angeles, CA |
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2007 |
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NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY |
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2007 |
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Compulsive , presented by Jalouse at Palais de Tokyo, Paris, France |
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2006 |
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Kelley Walker, Galerie Catherine Bastide, Brussels, Belgium (solo) |
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2006 |
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Black Star Press, Power House Memphis, Memphis, TN (solo) |
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2006 |
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Andy Warhol and Sonny Liston Fly on Braniff (When you got it, flaunt it.) Paula Cooper Gallery, New York, NY (solo) |
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2006 |
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Planet 22, Geneva, Switzerland |
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2006 |
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Civil Restitutions, curated by Jeffrey Uslip and Simon Preston, Thomas Dane Gallery, London, England |
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2006 |
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Defamation of Character, organized by Neville Wakefield, PS1 Contemporary Arts, Queens, NY |
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2006 |
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The Gold Standard, organized Bob Nickas and Walead Beshty, P.S. 1 Contemporary Arts, Queens, NY |
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2006 |
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Black/White & Chewing Gum, curated by Gerold Miller, Krobath Wimmer, Vienna, Austria |
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2006 |
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Shiny: Critical Bling , curated by Helen Molesworrth, Wexner Center for the Arts, Columbus, OH |
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2006 |
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USA Today, Royal Academy of Arts in collaboration with The Saatchi Gallery, London, England |
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2006 |
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Guyton, Price, Smith, Walker , Kunsthalle Zürich, Zürich, Switzerland |
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2006 |
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Deaf: From the Audible to the Visible , Galerie Frank Elbaz, Paris, France |
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2006 |
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Day For Night, Whitney Biennial 2006, Whitney Museum of Art, New York, NY |
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2005 |
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Crash/Cars, Museo de Arte Contemporanea de Vigo (MARCO), Vigo, Spain |
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2005 |
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Bridge Freezes Before Road, curated by Neville Wakefield, Barbara Gladstone Gallery, New York, NY |
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2005 |
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Invisible Hands and the Common Good, curated by Walead Beshty, Champion Fine Art, Los Angeles, CA |
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2005 |
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7th Shorjah Biennial, United Arab Emirates |
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2005 |
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Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY |
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2005 |
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Pictures Are the Problem, curated by Walead Beshty, Pelham Art Center, Pelham, NY |
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2005 |
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Log Cabin, Artists Space, New York, NY |
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2005 |
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Situational Prosthetics, New Langton Center for the Arts, San Francisco, CA |
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2005 |
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La Salle de Bains, Lyon, France |
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2004 |
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Last One On is a Soft Jimmy, curated by Kelley Walker, Paula Cooper Gallery, New York, NY |
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2004 |
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The Age of Optimism, curated by Fabrice Stroun, Galerie Peter Kilchmann, Zurich, Switzerland |
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2004 |
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La Lettre Volée, F.R.A.C. Franche-Comté Musée des Beaux-Arts de Dole, France |
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2004 |
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pOp, curated by Vincent Pécoil, Galerie Francesca Pia, Bern, Switzerland |
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2004 |
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Tuesday Is Gone, Club 22, Tbilisi, Georgia |
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2004 |
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Curious Crystals of Unusual Purity, organized by Steve Lafreniere and Bob Nickas, P.S.1 Contemporary Art Center, New York, NY |
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2003 |
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Paula Cooper Gallery, New York, NY |
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2003 |
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Le Rayon Noir, Circuit, Lausanne, Switzerland |
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2003 |
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My People Were Fair and Had Cum in their Hair (but Now They’re Content to Spray Stars from your Boughs), curated by Bob Nickas, Team Gallery, NYC |
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2003 |
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Melvins, Anton Kern Gallery, NYC |
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2002 |
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Miss Sissel Kardel, Kelley Walker, Assume Vivid Astro Focus (a.k.a. Eli Sudbrack) , John Connelly Presents, NYC |
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2002 |
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Painting as Paradox, curated by Lauri Firstenberg, Artists Space, NYC |
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2002 |
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Retrofit, curated by Lauri Firstenberg, Lombard Freid Fine Arts, NYC |
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2002 |
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From the Observatory, curated by Bob Nickas, Paula Cooper Gallery, NYC |
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2001 |
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Alpha Flight, John Connelly Presents, NYC |
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2001 |
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Exposition W, curated by Robert Nickas, Musée des Beaux-Arts de Dole, France |
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2001 |
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The Bermuda Triangle, Ten in One project space, NYC |
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2001 |
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Spring 2001, curated by Chivas Clem and Michele Maccarrone, The Fifth International, NYC |
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2001 |
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Infinite Jest, Ten in One Gallery, NYC |
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1999 |
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Answer Yes, No, or Don’t Know, curated by Ricci Albenda, Andrew Kreps Gallery, NYC |
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