Kay Rosen  (American, 1949) 

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Biografie und Links

Biografie Kay Rosen
1949   Born in Corpus Christi, Texas, USA
  Lives in Gary, Indiana
  Teaches at The School of the Art Institute of Chicago
Ausgewählte Ausstellungen
2008 - 2009   Kay Rosen, Yvon Lambert Gallery, Paris, France
2008   Kay Rosen, Yvon Lambert Gallery, New York
2008   Kay Rosen, Ingleby Gallery, Edinburgh, Scotland
2008   In the Beginning: Artists Respond to Genesis, Contemporary Jewish Museum, Inaugural Exhibition, San Francisco, USA
2008   Always There, Max Hetzler Gallery, Berlin, Germany
2008   Prospect .1 New Orleans, an international biennial curated by Dan Cameron
2007   La parola nell'arte, Mart–Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy
2007   Words Fail Me, Museum of Contemporary Art Detroit (MOCAD), USA
2007   Emerging Wor(l)ds, Billboard Projects for Tina B.– The Prague Contemporary Art Festival 2007, Prague, Czech Republic
2007   Been Down So Long It Looks Like Up To Me, Presentation House Gallery, Vancouver, Canada
2007   Go Between, curated by Dan Devening, Devening Projects + Editions, Chicago, USA
2007   Touch-Down, Galerie Freidrich, Basel, Switzerland
2007   numerica, Palazzo delle Papesse - Centro Arte Contemporanea, Siena, Italy
2007   Kay Rosen: Editions and Multiples, Helga Maria Klosterfelde Edition, Berlin, Germany
2006   Kay Rosen: Wall Paintings and Drawings 2002-2006, Yvon Lambert Gallery, New York
2006   Project (04-05/06), Yvon Lambert Gallery, Paris, France
2006   Wall Paintings and Drawings, Yvon Lambert New York, NY
2006   Kay Rosen: Project (04/05/06, Yvon Lambert Paris, France
2006   Under the Skin: Tattoos and American Culture, NC, curated by Ron Platt, Asheville Museum of Art
2006   Gaylen Gerber, Fondation Musee d’Art Moderne Grand-Duc Jean, Luxembourg
2006   Having New Eyes, Aspen Art Museum, Aspen, CO, curated by Heidi Zuckerman Jacobson
2006   40th Anniversary Exhibition, Yvon Lambert Paris, France
2006   Role Playing, BCB Gallery, Hudson, New York
2006   No Lemons, No Melon, David Krut Projects, New York, curated by Sheila Pepe and Carrie Moyer
2005   Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York
2005   General Ideas, CCA Wattis Institute for Contemporary Arts, San Francisco, curated by Matthew Higgs CA, "A Thousand Words," Inman Gallery, Houston, TX
2005   R3: Reading, 'Ritin, 'Rithmatic 30 Years Later, Castle Gallery, The College of New Rochelle, New Rochelle, NY, curated by Susan Canning
2005   Navy Pierwalk 2005, Chicago, IL, curated by Peter Schjeldahl
2005   Gray Kapernekas Gallery, New York, NY
2005   Kay Rosen: (No) Comment, Galerie Klosterfelde, Berlin, Germany
2004   "Kay Rosen: HALFULL, Recent Wall Paintings and Collages," University Art Museum, University of California at Santa Barbara, California
2004   Kay Rosen: Big Talk, organized by Justin Paton, Dunedin Public Art Gallery, Dunedin, New Zealand
2004   New Word Order: Kay Rosen, Second Street Gallery, Charlottesville, Virginia
2003   Kay Rosen, The Suburban, Oak Park, Illinois, (2003-4)
2003   Kay Rosen: Rooms, Galerie Friedrich, Basel, Switzerland
2002   Kay Rosen: Collages 1999-2002, The Drawing Center’s The Drawing Room, New York
Literatur
2006   HELLO AGAIN, commission, Spertus Institute of Jewish Studies, Chicago
2005   BLUE MONDAY, Web Page Project, Bronx Museum of Art
2005   ARTUS, "The Center is a Concept," Issue 5/6, pp. 32-35, January-February
2005   NEVER ODD OR EVEN, a permanent installation for the Indianapolis Museum of Art
2004   "[SIC]", cover + 12-page portfolio
2001 - 2002   BLACK BOOK MAGAZINE, "Fact Annihilates Fantasy," pp. 66-67, New York, NY
2000   BIENNIAL VOICES, Whitney Museum of American Art, 2000 Biennial, Audio CD (Kay Rosen, "Banner Yet Wave," track 6)
1999   PUBLIC + ARTISTS PROGRAM, The Museum of Contemporary Art, Los Angeles, CA, (CD Audiotour written and produced by artist for "Kay Rosen: Lifeli[k]e"
1998   CHICAGO REVIEW (front and back covers), University of Chicago, Vol. 44, No.2
  LANDFALL (Journal of Arts and Letters, University of Otago Press, Dunedin, New Zealand), Issue 207