|
|
|
1958
|
|
Born in Cologne, Germany
|
|
|
|
|
Lives and works in New York, USA
|
|
|
|
|
|
Ausgewählte Ausstellungen |
|
|
|
|
|
|
|
|
|
|
|
2012 |
|
The Fifth Season, Bortolami, New York, USA (solo) |
|
|
2012 |
|
Whitney Biennal 2012, Whitney Museum, New York, USA |
|
|
2011 |
|
Mad Garland, Campoli Presti, Paris (solo) |
|
|
2011 |
|
The Thirst, Moderna Museet, Stockholm (solo) |
|
|
2011 |
|
Berliner Schlüssel, Galerie Buchholz, Berlin (solo) |
|
|
2011 |
|
Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Berlin, Germany |
|
|
2011 |
|
Invitation to the Voyage, Algus Greenspon Gallery, New York, USA |
|
|
2011 |
|
The Rose-Colored Room, Overduin and Kite, Los Angeles, USA |
|
|
2011 |
|
Antidepressiva, Galerie Peithner Lichtenfels, Vienna, Austria |
|
|
2011 |
|
Sovereign Woman, Texte zur Kunst for Gallery Weekend Berlin, Linienstr.160, Berlin, Germany |
|
|
2011 |
|
Abstract-Mad-Stir-Delirium-Copper-Bottomed-Work-Stick-Shop, daad Galerie, Berlin, Germany |
|
|
2011 |
|
Gesamtkunstwerk: New Art From Germany, Saatchi Gallery, London, USA |
|
|
2010 |
|
Utopie und Monument II, Steirischer Herbst 2010, Graz, Austria |
|
|
2010 |
|
Sammlung Reininghaus, Sammlung Falckenberg - Phoenix Kulturstiftung, Hamburg, Germany |
|
|
2009 |
|
Lux Interior, Reena Spaulings Fine Art, New York, USA (solo) |
|
|
2009 |
|
Fresh Aufhebung, 371 Grand Street, New York, USA (solo) |
|
|
2009 |
|
Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New York, USA |
|
|
2009 |
|
Palindrom (kuratiert von Tom Holert und Michael Dreyer), Hermes und der Pfau – Project Space for Contemporary Art, Stuttgart, Germany |
|
|
2009 |
|
Reena Spaulings. The Belgian Marbles, Sutton Lane, Brussles, Belgium |
|
|
2009 |
|
Grand Openings, Sculpturecenter, Long Island, New York, USA |
|
|
2009 |
|
Born to Be Wild,Kunstmuseum St. Gallen, St. Gallen, Switzerland |
|
|
2009 |
|
Van Abbemuseum, Trio Exhibition 2009, Eindhoven, Netherlands (solo) |
|
|
2009 |
|
Quodlibet II, Galerie Daniel Buchholz,Cologne, Germany |
|
|
2009 |
|
Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA, USA (solo) |
|
|
2009 |
|
Sonic Youth etc.: Sensational Fix, Kunsthalle Düsseldorf, Germany |
|
|
2009 |
|
See This Sound, Lentos Kunstmuseum, Linz, Ausria |
|
|
2009 |
|
Schere, Stein, Papier, Kunsthaus Graz, Graz, Austria |
|
|
2009 |
|
Bijoux de Famille, Galerie Chantal Crousel, Paris, France |
|
|
2009 |
|
Celebration, Galerie Isabella Bortolozzi, Berlin, Germany |
|
|
2009 |
|
Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia |
|
|
2009 |
|
Cave Painting, PSM Gallery, Berlin, Germany |
|
|
2008 |
|
Galerie Chantal Crousel, Reena Spaulings: Courbet your enthusiasm, Paris, France |
|
|
2008 |
|
Badischer Kunstverein, Her Noise Archives, Karlsruhe, Germany |
|
|
2008 |
|
Ile des impressionnistes, Black Noise, A tribute to Steven Parrino, Chatou, France |
|
|
2008 |
|
Glaspavillon,Light is a kind of rhythem (part 2), Berlin, Germany |
|
|
2008 |
|
Neuer Berliner Kunstverein, Jutta Koether / John Miller, Berlin, Germany |
|
|
2008 |
|
Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), performance, Grand Openings, Vienna, Austria |
|
|
2008 |
|
Artists Space, New York (Performance), USA |
|
|
2008 |
|
Bumpershoot Festival, performance, Grand Openings, Seattle, USA |
|
|
2008 |
|
Dundee Contemporary Arts, Altered States of Paint, Dundee |
|
|
2008 |
|
Galerie Francesca Pia, Zurich, Switzerland (solo) |
|
|
2008 |
|
Galerie Daniel Buchholz, New Yorker Fenster, Cologne, Germany (solo) |
|
|
2008 |
|
Sutton Lane Gallery Paris, JXXXA LEIBHAFTIGE MALEREI, Paris, France (solo) |
|
|
2008 |
|
Galerie Thomas Flor, CA.BU. + BA.D.AL.MO, Düsseldorf, Germany |
|
|
2007 |
|
Galerie Fank Elbaz, Deaf 2. From the Audible to the Visible, Paris, France |
|
|
2007 |
|
Susanne Vielmetter Berlin Projects, Jutta Koether/Rodney McMillian, Berlin, Germany |
|
|
2007 |
|
Galerie Frank Elbaz, From the Audible to the Visible, Paris, France |
|
|
2007 |
|
Peter Blum Gallery, Stubborn Materials, New York, USA |
|
|
2007 |
|
Shedhalle, Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermächtigung, Zurich, Switzerland |
|
|
2007 |
|
Palais de Tokyo, Bastard Creature (1 of 3 parts of ‚La Marque Noir: Steven Parrino’), Paris, France |
|
|
2007 |
|
dePury & Luxembourg, Painting as Fact – Fact as Fiction, Zurich, Switzerland |
|
|
2007 |
|
Reena Spaulings Fine Art, Dead Already, New York, USA |
|
|
2007 |
|
von der Heydt-Museum, Symbolismus und die Kunst der Gegenwart, Wuppertal, Germany |
|
|
2007 |
|
Kunsthalle Bern, Änderungen aller Art, Bern, Switzerland (solo) |
|
|
2007 |
|
Kim Gordon and Jutta Koether, Dead Already, Reena Spaulings Fine Art, New York, USA (solo) |
|
|
2007 |
|
Secession, Kunsthaus Dresden, Shandyismus – Autorschaft als Genre – Ausstellungsgespräch, Vienna and Dresden |
|
|
2007 |
|
Zentrum für Kunst und Medientechnologie, zwischen zwei toden between two deaths, Karlsruhe, Germany |
|
|
2007 |
|
Sutton Lane Paris, For the People of Paris, Paris, France |
|
|
2007 |
|
BUIA Gallery, Quotidian, New York, USA |
|
|
2007 |
|
Blancpain Art Contemporain, What we do is secret, Geneva, Switzerland |
|
|
2006 |
|
Akademie der Bildenden Künste, love in a void (with Silke Otto-Knapp), Vienna, Austria (solo) |
|
|
2006 |
|
Metro Pictures Gallery, Galerie Daniel Buchholz at Metro Pictures, New York, USA |
|
|
2006 |
|
Herald St, Love Letter, London, UK |
|
|
2006 |
|
Institute of Contemporary Art, University of Pennsylvania, Philadelphia; the Power Plant, Toronto; Henry Art Gallery, Univ. of Washington, Seattle; Museum of Contemporary Art, North Miami, Florida, Make your own life, Philadelphia, Toronto, Seattle and North Miami |
|
|
2006 |
|
Herald St, Metalist Moment (Performance), London, UK |
|
|
2006 |
|
Paul Cooper Gallery, An Ongoing Low-Grade Mystery, New York, USA |
|
|
2006 |
|
Elizabeth Dee Gallery, Bring the war home, New York, USA |
|
|
2006 |
|
Apexart, Gifts go in one direction, New York, USA |
|
|
2006 |
|
3. Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan |
|
|
2006 |
|
P.S.1 Contemporary Art Center, Music is a better noise, Long Island City, USA |
|
|
2006 |
|
Galerie Krinzinger, Hot Spring...In Autumn, Vienna, Austria |
|
|
2006 |
|
deApple, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Amsterdam, Netherlands |
|
|
2006 |
|
“The Dimes of March,” Reena Spaulings Fine Art, New York |
|
|
2006 |
|
The Whitney Biennial, Whitney Museum of American Art, New York, NY |
|
|
2006 |
|
“Fantasia Colonia,” Kölnischer Kunstverein, Köln, Germany (solo) |
|
|
2006 |
|
“Volume 13,” Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (solo) |
|
|
2006 |
|
“The Subversive Charm of the Bourgeoisie,” Van Abbemuseum, Eindhoven |
|
|
2006 |
|
“Bring the War Home,” Elizabeth Dee Gallery, New York and QED, Los Angeles, organized by Drew Heitzler |
|
|
2005 |
|
Performa 05, Performa, New York |
|
|
2005 |
|
“Blankness is not a Void,” Standard (Oslo), Oslo |
|
|
2005 |
|
“Afterall,” Apexart, New York |
|
|
2005 |
|
Reena Spaulings, Haswellediger Gallery, New York |
|
|
2005 |
|
“Trade,” White Columns, New York |
|
|
2005 |
|
"Hysterics (Male),” Susanne Vielmetter Los Angeles Projects, Culver City, CA (solo) |
|
|
2005 |
|
“I Is Had Gone,” Thomas Erben Gallery, New York, NY (solo) |
|
|
2005 |
|
“Very Lost Highway,” Simultanhalle, Köln (solo) |
|
|
2005 |
|
“extreme harsh,” Ausstellungsraum Ursula Werz, Tübingen (solo) |
|
|
2005 |
|
Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London (solo) |
|
|
2004 |
|
“Allein, Allein!” Galerie Meerrettich, Berlin (solo) |
|
|
2004 |
|
“Fresh Aufhebung,” Reena Spaulings Fine Arts, New York, NY (solo) |
|
|
2004 |
|
“Fresh Aufhebung—Künstlerisches Interesse am philosphisch verneinten Wunderglauben,” Kölnischer Kunstverein, Köln (solo) |
|
|
2004 |
|
“Born To Be a Star,” Künstlerhaus Vienna, Austria |
|
|
2004 |
|
“Curious Crystals of Unusual Purity,” PS1, New York |
|
|
2004 |
|
“Auf dem Berlich,” curated by Silke Bauer, Köln |
|
|
2004 |
|
“Müllberg,” Galerie Daniel Buchholz, Köln |
|
|
2004 |
|
“The Big Nothing,” ICA Philadelphia |
|
|
2003 |
|
“eutschemalereizweitausenddrei,” Frankfurter Kunstverein, Frankfurt/Main |
|
|
2003 |
|
“Lordship and Bondage,” Columbia University, New York |
|
|
2003 |
|
“Vom Horror der Kunst,” Steirischer Herbst, Grazer Kunstverein, Graz, Austria |
|
|
2003 |
|
“Catholic,” at Guild & Greyshkul, New York |
|
|
2003 |
|
“Desire Is War,” Galerie Meerrettich, Berlin (solo) |
|
|
2003 |
|
“The Club in the Shadow,” in collaboration with Kim Gordon, Kenny Schachter conTEMPorary, New York (solo) |
|
|
2003 |
|
“Europe Extreme III: Farbenfieber,” Performance, Pro qm, Berlin (solo) |
|
|
2002 |
|
“Extremes Europa,” Galerie Daniel Buchholz, Köln, Germany (solo) |
|
|
2002 |
|
Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York (solo) |
|
|
2002 |
|
“Unknown Pleasures,“ Daniel Reich, New York |
|
|
2001 - 2002 |
|
“Need Change # 1-4,” at Apt 6H, New York, NY (solo) |
|
|
2000 |
|
“Ladies of the Rope,” Galerie Daniel Buchholz, Köln, Germany (solo) |
|
|
2000 |
|
“zur grünen schenke—fünf uhr nachmittags. die geheimen Bilder,” Galerie Freund, Vienna, Austria (solo) |
|
|
2000 |
|
“Kims Bedroom,” MU Art Foundation/De Witte Dame, Eindhoven |
|
|
2000 |
|
“Prophecies,” Swiss Institute, NY |
|
|
2000 |
|
“Hex Induction Hour by the Fall,” Team Gallery, NY, curated by Bob Nickas |
|
|
2007 |
|
Koether, Jutta, Black Noise, artist book Nr. 19 of Black Noise, publ. by Ecart-Publications, Geneva, 2007 (cat.) |
|
|
2006 |
|
Jutta Koether, Kölnischer Kunstverein, Cologne 2006/Kunsthalle Bern, Bern 2007 (cat.) |
|
|
|
