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Biografie Joseph Nechvatal
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1951
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Born in Chicago, Illinois
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Lives and works in Paris and New York City
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Ausgewählte Ausstellungen |
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2008 |
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Galerie Jean-Luc & Takako Richard, Paris (solo) |
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2007 |
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The End(s) of Photography: Modeling the Photographic, McDonough Museum of Art, Youngstown, OH |
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2007 |
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Insatiable Streams, Beijing BS1 Contempoary Art Center, Caochangdi, China |
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2006 |
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The Butler Institute of American Art’s Beecher Center, Youngstown, OH (solo) |
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2006 |
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The Downtown Show : The New York Art Scene 1974-1984, Grey Art Gallery. NYU |
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2006 |
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The Downtown Show : The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburgh |
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2005 |
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Contaminations, Le Château de Linardié, Senouillac, France (solo) |
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2005 |
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ElectroScape Shanghai Zendai Museum of Modern Art, Shanghai, China |
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2004 |
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East Village USA, New Museum, New York, NY |
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2004 |
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Digital Sublime :Gwangju Biennale MOCA Taipei, China |
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2003 |
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Notebook, Maryland Institute College of Art, Baltimore, MD |
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2003 |
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The Spiritual in Digital Art, Evergreen Cultural Centre, Coquitlam, Canada |
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2002 |
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Post-Flesh, University Gallery, California State University, Sacramento, CA |
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2002 |
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Media_City Seoul 2002, Seoul Museum of Art, Seoul, South Korea |
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2001 |
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Cin-o-matic: Memory and Cinematic Perception, The New Museum, New York, NY |
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2000 |
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The Perpetual Well, Samuel Harn Museum of Art, Gainesville, FL, Parrish Art Museum, Southampton, NY |
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1999 |
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Digital Hybrids, McDonough Museum of Art, Youngstown, OH |
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1999 |
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Ma(r)king, Central Arts, Tucson, AZ |
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1998 |
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Thundergulch: Computer Arts Fellows, New York Technology Center, New York, NY |
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1997 |
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Zoom (Fractal), State University of New York, New York, NY |
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1995 |
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Blast Bioinformatica, Kölnischer Kunstverein, Cologne, Germany |
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1995 |
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Reinventing The Emblem, Yale University Art Gallery, CT |
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1994 |
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Figures d'Origines, Chapelle Salpetriere, Paris , France |
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1993 |
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Computer Virus Project, La Saline Royale, Arc-et-Senans, France (solo) |
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1993 |
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Excess in the Techno-Mediacratic Society, Musee d'Arbois, France |
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1992 |
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Tombeaux, Brooke Alexander, New York, NY (solo) |
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1992 |
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L'Epreuve Numerique, Centre National de la Photographie, Paris |
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1990 |
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Joseph Nechvatal, Musee des Beaux Arts, Dole, France (solo) |
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1989 |
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Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY |
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1989 |
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Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo, Sweden |
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1988 |
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Joseph Nechvatal Computer-Robotic Paintings: 1986-1987, Illinois State University, Normal, IL(solo) |
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1988 |
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Committed to Print, The Museum of Modern Art, New York, NY |
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1987 |
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Documenta 8, Kassel , Germany |
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1986 |
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Drawings from the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, Penn State, University, State College, PA |
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1985 |
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Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY |
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1984 |
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Motives, Albright-Know Art Gallery, Buffalo, NY |
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1983 |
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New York, NY, Kunstmuseum, Aalborg, Aalborg, Randers Kunstmuseum , Randers, Denmark |
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1981 |
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The Occult Power of Technology: Part I, P.S.1, Long Island City, NY (solo) |
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2007 |
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Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I |
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2007 |
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Edmond Couchot, Des Images, du temps et des machines, édité Actes Sud |
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2006 |
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Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes Madrid |
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2006 |
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Frank Popper, From Technological to Virtual Art, MIT Press, |
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2006 |
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Maximillien de Lafayette,United States and the World Face to Face: America's Best and Worst ISBN: 0-595-40990-3 |
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2006 |
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Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd |
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2005 |
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Joline Blais & Jon Ippolito, The Edge of Art,Thames & Hudson Ltd |
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2005 |
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Ken Reingold, Interactive Electronics for Artists and Inventors |
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2004 |
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Henri-François Debailleux, Peinture. Les travaux de Joseph Nechvatal exposés à Paris, 27 octobre 2004, Liberation |
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2004 |
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Brandon Taylor on Joseph Nechvatal in the book Collage, Thames & Hudson Ltd |
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2004 |
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John Reed “Joseph Nechvatal” Artforum Web 3-2004 Critc’s Picks |
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2004 |
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Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago Press 2004 |
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2004 |
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Évelyne Rogue “Interview with Joseph Nechvatal” artcogitans.com |
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2004 |
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Suzanne Anker on Joseph Nechvatal in “reprotech” catalogue |
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2003 |
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Joe Lewis “vOluptuary: an algorithmic hermaphornology” March issue Art in America |
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2003 |
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Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson) |
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2003 |
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Rachel Greene on Joseph Nechvatal March 26th www.rhizome.org |
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2003 |
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David M. Roth ‘Postfesh’ Artweek April 2003 |
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2003 |
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Sarah Maline on Joseph Nechvatal in “ polyALTERITY” UMF catalogue |
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2002 |
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Robert C. Morgan “vOluptuary: an algorithic hermaphornology” Tema Celeste Magazine #93 |
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2002 |
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Ken Johnson on Joseph Nechvatal, New York Times |
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2002 |
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Barbara Weidle “Computer paintings” artnet.com |
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2001 |
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Nanette Wylde Regarding a Digital Aesthetic: Speculation in Context |
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2001 |
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Margot Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of Electronic Media", Prentice Hall Press |
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2001 |
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Ellen Levy on Joseph Nechvatal in “Responses”, Art Journal Spring 2001 |
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2000 |
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ROBERT C. MORGAN. “Joseph Nechvatal at Universal Concepts Unlimited “,NY Arts Magazine, December Issue |
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2000 |
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David Ebony, “Joseph Nechvatal at Universal Concepts Unlimited”, Artnet Magazine - See article online |
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2000 |
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Joy Garnett, “Newsgrist's Top 3: Nechvatal, Held, Ritchie”, Newsgrist, Volume 1, no. 51 |
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2000 |
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Robert C. Morgan, “Digital Hybrids”, in Art Press #255 (March) |
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