|
|
|
| Ausgewählte Ausstellungen |
 |
 |
|
2003
|
|
Affinities…Now and Then, ArtSpace, Kansas City Art Institute, Kansas City, Missouri
|
|
2003
|
|
Rocks and Stones, Eugénio de Almeida Foundation, Évora, Portugal
|
|
2002
|
|
A Proposal for an Exhibition, Monte Clark Gallery, Vancouver, British Columbia
|
|
2001
|
|
Human Intervention: Contemporary Landscape Photography, The Cleveland Msuem of Art
|
|
2001
|
|
Walker Evans and Company, Museum of Modern Art, New York, 2000, and traveled to J. Paul Getty Museum, Los Angeles
|
|
2000
|
|
Made in California: Art, Image, and Identity, 1900-2000, Los Angeles County Museum of Art
|
|
1999
|
|
Under Construction: Photography, 1900-2000, Milwaukee Art Museum
|
|
1998
|
|
The American Lawn: Surface of Everyday Life, Canadian Centre for Architecture, Montreal
|
|
1998
|
|
Digital Frontiers: Photography’s Future at Nash Editions, International Museum of Photography at George Eastman House, Rochester, New York
|
|
1997
|
|
Photographers on Location: Landscapes and Cityscapes from the National Museum of American Art, Mt. Holyoke College
|
|
1996
|
|
Crossing the Frontier: Photographs of the Developing west from 1840 to the Present, San Francisco Museum of Modern Art, traveled to: Tokyo Metropolitan Museum of Photography
|
|
1996
|
|
Long Beach Odyssey: A Photographic Survey, University Art Museum, California State University, Long Beach, CA
|
|
1995
|
|
An American Century of Photography: From Dry-Plate to Digital (The Hallmark Photographic Collection), The Nelson-Atkins Museum of Art, Kansas City, Missouri, and traveled to: Mead Art Museum, Amherst, Massachusetts, the International Center of Photography, New York City, the Auckland City Art Gallery, Auckland, New Zealand, the National Gallery of Victoria, Melbourne, Australia, the Art Gallery of New South Wales, Sydney, Australia, and the Museum of Photographic Arts, Sand Diego, California.
|
|
1994
|
|
New Acquisitions/New Work/New Directions 2: Photography from the Collection, Los Angeles County Museum of Art
|
|
1993
|
|
Selections from the Permanent Collection: Landscape, Center for Creative Photography, The University of Arizona, Tucson
|
|
1992
|
|
Joe Deal: Southern California Photographs, 1976-86, Los Angeles Municipal Art Gallery (solo)
|
|
1991
|
|
Joe Deal: Men and Women, Currents 48, St. Louis Art Museum (solo)
|
|
1991
|
|
Photographing L.A. Architecture, Turner/Krull Gallery, Los Angeles
|
|
1990
|
|
Polemical Landscapes, California Museum of Photography, University of California, Riverside
|
|
1990
|
|
e Developing Eye, 150 years of Photography, St. Louis Art Museum
|
|
1989
|
|
Photography 150 Years: Its Light and Shadow, College of Art, Nihon University and Institute of Polytechnics, Tokyo
|
|
1989
|
|
Decade by Decade: Twentieth Century American Photography, Center for Creative Photography, University of Arizona, Tucson
|
|
1988
|
|
Suburban Visions, Middle Class Dreams, Muckenthaler Cultural Center, an exhibition from the series, "Photography: Inside Out, Los Angeles
|
|
1988
|
|
Windows on the World, Photographs from the Seagram Collection, Joseph E. Seagrams and Sons, New York, N.Y.
|
|
1987
|
|
Recent Acquisitions, Museum of Modern Art, New York
|
|
1986
|
|
Nagase Photo Gallery, Tokyo and Osaka, Japan (solo)
|
|
1985
|
|
American Images: Photography 19451980, Barbican Art Gallery, London
|
|
1985
|
|
The Lay of the Land, University Art Gallery, University of Missouri, Kansas City. Traveled to: University of Missouri, St. Louis; Museum of Art and Archeology, University of Missouri, Columbia; Creighton University Art Gallery, Omaha; University Art Gallery, Northwestern University, and Sioux City Art Center, Iowa
|
|
1983
|
|
Photographs of Real and Potential Disasters: Joe Deal and Frank Gohlke, Film in the Cities Gallery, Minneapolis, Minnesota
|
|
1983
|
|
Center for Creative Photography, University of Arizona, Tucson (solo)
|
|
1982
|
|
Susan Spiritus Gallery, Newport Beach, California (solo)
|
|
1982
|
|
Kirk deGooyer Gallery, Los Angeles, California (solo)
|
|
1982
|
|
California Photography, Museum of Art, Rhode Island School of Design, Providence
|
|
1981
|
|
Light Gallery, New York (solo)
|
|
1980
|
|
Long Beach: A Photography Survey, Art Gallery, California State University at Long Beach (Funded by the National Endowment for the Arts)
|
|
1979
|
|
Attitudes: Photography in the 1970s, Santa Barbara Museum of
|
|
1978
|
|
The History of Photography in New Mexico, University Art Museum, University of New Mexico, NM
|
|
1978
|
|
Los Angeles Institute of Contemporary Art 1978 (sponsored by the Los Angeles Center for Photographic Studies) (solo)
|
|
1977
|
|
Cityscapes: San Francisco and Los Angeles, The San Francisco Museum of Art, CA
|
|
1977
|
|
Contemporary American Photographic Works, Museum of Fine Arts, Houston, 1977. Traveled to: Lowe Art Museum, Coral Gables, Florida, 1979 and Museum of Contemporary Art, Chicago, IL
|
|
1976
|
|
New Topographics: Photographs of a ManAltered Landscape, International Museum of Photography at George Eastman House, Rochester, New York. Traveled to: Otis Art Institute, Los Angeles; and Princeton University Art Gallery, NJ
|
|
1976
|
|
Orange Coast College, Costa Mesa, California (solo)
|
|
1975
|
|
Light Gallery, New York (solo)
|
|
1975
|
|
Photographs of Sculpture and Architecture by 19th and 20th Century Photographers, Museum of Fine Arts, Boston, MA
|
|
1974
|
|
Ten American Photographers, The Photographers' Gallery, London
|
|
1973
|
|
Yale University Art Gallery, New Haven, CT
|
|
1973
|
|
Light Gallery, New York (solo)
|
|
1972
|
|
Summer Light, Light Gallery, New York
|
|
|
|
|
|
|
| Literatur |
|
|
|
1999
|
|
Gerace, Gloria, ed. Between Nature and Culture: Photographs of the Getty Center by Joe Deal. Foreword by Richard Meier. Essays by Weston Naef and Joe Deal. Los Angeles: The J. Paul Getty Museum, 1999
|
|
1998
|
|
Topos. Los Angeles: The J. Paul Getty Trust, 1990 and 1998. (Photographs of site and construction of J. Paul Getty Center, Los Angeles)
|
|
1992
|
|
Johnstone, Mark; Leffingwell, Edward. Joe Deal: Southern California Photographs: 1976- 86. Foreword by J. B. Jackson. Albuquerque: The University of New Mexico Press in conjunction with the Los Angeles Municipal Art Gallery, 1992
|
|
1986
|
|
Site Documents. Los Angeles: The Museum of Contemporary Art, 1986. (Photographs of construction of the Museum of Contemporary Art, Los Angeles)
|
|
1981
|
|
The Fault Zone. Essay by Anita V. Mozley. Riverside, California, 1981. (Self-published portfolio)
|
|
1979
|
|
New California Views. Landweber Artists, Los Angeles, 1979. (Portfolio in an edition of 100 signed copies and containing the work of 20 contemporary photographers, with articles on the work by Therese Heyman, Victor Landweber, and John Upton)
|
|
|
|
|
|
