Jean Louis Forain  (French, 1852-1931) 

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Hier finden Sie Werke von Jean Louis Forain, die gerade in internationalen Galerien zum Kauf angeboten werden oder auf Auktionen versteigert wurden, Auktionsresultate sowie eine ausführliche Biografie und weitere Informationen.
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Kunstwerke zum Verkauf (4)
In Galerien (4)
Händlerliste (7)

Verkaufte Kunstwerke
Auktionsresultate (1281)

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Auktionen (2)

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Biografie
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Kunstwerke zum Verkauf (4)


Jean Louis Forain, Jeune fille blonde assise

 

Jean Louis Forain
Jeune fille blonde assise
Frost & Reed
Jean Louis Forain, La Danseuse

 

Jean Louis Forain
La Danseuse
Stoppenbach & Delestre
Jean Louis Forain, Au café

 

Jean Louis Forain
Au café
circa 1872

Stoppenbach & Delestre
Jean Louis Forain, Jeune fille blonde assise

 

Jean Louis Forain
Jeune fille blonde assise
Frost & Reed
  
Verkaufsresultate (1281)  Alles anzeigen
Jean Louis Forain, Der Verurteilte

 

Jean Louis Forain
Der Verurteilte
oil on canvas laid on canvas

 

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Attributed To Jean Louis Forain, Caféhausszene in Paris

 

Attributed To Jean Louis Forain
Caféhausszene in Paris
oil on canvas laid on canvas

 

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Jean Louis Forain, Le Foyer A L'Opera

 

Jean Louis Forain
Le Foyer A L'Opera
oil on canvas

 

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  Jean Louis Forain was a painter, illustrator and print maker and is frequently compared to Rembrandt for his emotional power as an etcher. After studying at the Ecole des Beaux Art in Paris under Jean Léon Gèrome he became an illustrator for the periodicals Le Monde Parisien and Le rire satirique. During this period he came into contact will all aspects of Parisian social life and started to paint the characters he encountered and at the salon of Nina de Callais in the early 1870s he met, through his friend Degas, Claude Monet on whom he is widely considered to have had a remarkable influence and it has been suggested that his small gouache Café scene (The Brooklyn Museum, New York) was the inspiration for Manet’s famous Bar at the Folies Bergère.
  Forain exhibited with the Impressionists from 1884 to 1886 and again in 1888. The critic Gustave Geoffroy called him ‘a talent capable of expressing worldly elegance’ and Octave Maus wrote in ‘Art Moderne’ in 1886 ‘He is the poet of corruption in evening clothes, of dandyism in the boudoirs, of high life masking empty hearts’.