|
|
Biografie Jana Sterbak
|
 |
 |
|
1955 |
|
Born Prague, Czechoslavakia
|
|
1973 - 1974 |
|
Vancouver School of Art, Vancouver
|
|
1974 - 1975 |
|
University of British Columbia, Vancouver
|
|
1977 |
|
Université Concordia University, Montréal B.F.A.
|
|
1980 - 1982 |
|
University of Toronto, Toronto
|
|
1991 |
|
Prix John Guggenheim Memorial Foundation
|
|
1994 |
|
Prix Lynch-Stauton, Conseil de Arts du Canada, Ottawa
|
|
1994 |
|
Prix Guichard, Musée de Saint-Étienne
|
|
1996 |
|
Prix Ozias-Leduc, Fondation Émile-Nelligan, Montréal
|
|
2000 |
|
Prix Chalmers, Arts Council of Ontario, Toronto
|
|
|
|
Collections: Musée des beaux arts du Canada, Ottawa
Musée d'art contemporain de Montréal, Montréal
Musée National des Beaux-Arts du Québec, Québec
Fonds national d'art contemporain, France
Musée des Beaux Arts de Nantes
Walker Art Centre, Minneapolis
Vancouver Art Gallery, Vancouver
San Diego Museum of Contemporary Art, San Diego
Centre Georges Pompidou, Musée national d'art moderne, Paris
Musée départemental de Rochechouart
Museu d’art Contemporani de Barcelona, Barcelona
Musée d’art moderne de Saint Étienne, Saint-Étienne
FRAC Languedoc-Roussillon
Fundació "la Caixa", Barcelona
National Gallery of Australia, Canberra
Musées de Marseille, Marseille
Queensland Art Gallery, Brisbane
Folkswang Museum of Modern Art, Essen
Private collections
|
|
|
| Ausgewählte Ausstellungen |
|
 |
|
2010
|
|
Jeux de Roles, Garenne Lemot et Beaux arts de Nantes, Nantes
|
|
2010
|
|
Pleasure Point: Celebrating 25 years of Contemporary Collectors, Museum of Art of San Diego, CA
|
|
2010
|
|
2010 Edition of the Cultural Olympiad, Vancouver
|
|
2010
|
|
Difference of Display, Beur van Berlage, Amsterdam
|
|
2010
|
|
Bodies in Trouble, Saw Gallery, Ottawa
|
|
2010
|
|
Jeux de rôles, Le Gareme Lemot & Musée des Beaux Arts de Nantes, Nantes
|
|
2010
|
|
Twenty-First Century, Queensland Art Gallery, South Brisbane, Queensland
|
|
2010
|
|
Eating the Universe, Food in Art, Taxispalais, Innsbruck
|
|
2010
|
|
L’Éclatement des frontières, Musée National des Beaux-Arts du Québec, Québec
|
|
2010
|
|
Enea Righi Collection, Museion in Bolzano, Bolzano
|
|
2010
|
|
Through the eye of the other, Teatro La Fenice, Venezia (solo)
|
|
2010
|
|
Sweep me off my feet, MNBAQ, Quebec
|
|
2010
|
|
Sweep me off my feet, MAC VAL, Val de Marne
|
|
2010
|
|
Difference of Display, Beur van Berlage, Amsterdam
|
|
2009
|
|
Eating the Universe, Food in Art, Kunsthalle Düsseldorf, Düsseldorf
|
|
2009
|
|
Manoeuvres / Maniobres, Galeria Toni Tàpies, Barcelona
|
|
2009
|
|
Elles, Centre Pompidou, Paris
|
|
2009
|
|
Performance, Galerie Sabine Knust, Münich
|
|
2009
|
|
Waiting For High Water, Fonderie Darling, Montreal (solo)
|
|
2009
|
|
Septentrionale, Raffaella Cortese, Milano (solo)
|
|
2009
|
|
Waiting for High Water, Darling Foundry Montreal, Montreal (solo)
|
|
2009
|
|
Pot Luck, New Art Gallery Walsall, Walsall
|
|
2009
|
|
Pot Luck, Aberystwyth Art Centre, Aberystwyth
|
|
2009
|
|
Pot Luck, PM Gallery & House, London
|
|
2009
|
|
Glass Stress, Instituto Veneto, Venezia
|
|
2009
|
|
Sweep me off my feet, MNBAQ, Quebec
|
|
2009
|
|
Sweep me off my feet, MAC VAL, Val de Marne
|
|
2009
|
|
Projections at McKenzie Art Gallery, McKenzie Art Gallery, Regina
|
|
2009
|
|
With Writing, Yukon Art Centre, Yukon
|
|
2009
|
|
Becoming Human Becoming Animal, NGBK, Berlin
|
|
2009
|
|
Niet Normaal-Difference on Display, Beurs vam BErlange, Amsterdam
|
|
2009
|
|
Waiting For High Water, Fonderie Darling, Montreal (solo)
|
|
2009
|
|
Septentrionale, Raffaella Cortese, Milano (solo)
|
|
2009
|
|
Waiting for High Water, Darling Foundry Montreal, Montreal (solo)
|
|
2008
|
|
From Here to There, Musée du Bas-Saint-Laurent, Riviere-du-Loup (solo)
|
|
2008
|
|
Seasons, Galerie Erna Hécey, Bruxelle (solo)
|
|
2008
|
|
Intros, Musée National des Beaux-Arts du Québec
|
|
2008
|
|
Peripheral Look and Collective Body, Museion, Bolzano, Italie
|
|
2008
|
|
Ne pas jouer avec des choses mortes, Villa Arson, Nice, France
|
|
2008
|
|
La Grande Traversee, Horizons photographiques, Musée du Bas-Saint-Laurent ,Riviere-du-Loup
|
|
2008
|
|
Yalos, Claudia Gian Ferrari Studio, Milano and Caterina Tognon Arte Contemporanea, Venecia
|
|
2008
|
|
Hysteria and the Body, Robert McLaughlin Gallery, Oshawa, Ontario, Canada
|
|
2008
|
|
Intrus/Intruder, Musee national des beaux-arts du Quebec, Quebec, Canada
|
|
2008
|
|
Caught in the Act: The Viewer as Performer, National Gallery of Canada, Ottawa
|
|
2007
|
|
Canada, Doris McCarthy Gallery, Scarborough campus, Ontario
|
|
2007
|
|
KaDeOs - Kaufhaus des Ostens, Konsum-Ladenzeile, Erfurt, Galerie imKunsthaus Erfurth, German
|
|
2007
|
|
De l’écriture – Œuvres choisies de la Collection du MACM, Musée d’art contemporain de Montréal
|
|
2007
|
|
Collection d'art verrier contemporain, MUDAC, musee de desing et d'art appliques contemporain, Lausanne
|
|
2007
|
|
Numerica, Palazzo delle Papesse, centro arte contemporanea, Sienna
|
|
2007
|
|
Tout Contre, Manufacture nationale de Sèvres, Sèvres
|
|
2007
|
|
Dissolution, Musée National des Beaux-Arts du Québec (solo)
|
|
2007
|
|
The Seasons, Galeria Toni Tàpies, Barcelona (solo)
|
|
2007
|
|
Sélest’art 07, Biennale d’art contemporain de Sélestat #17, Sélestat
|
|
2007
|
|
Numerica, Palazzo delle Papesse, Siena
|
|
2007
|
|
Projections: A survey of projection-based Works in the history of contemporary art in Canada 1964-2007, University of Toronto, Toronto
|
|
2006
|
|
Bêtes de style, Musée de Design et d’Arts Apliques Contemporains, Lausanne
|
|
2006
|
|
L’ombra, Palazzo delle Papéese, Siena; MAN, Nuoro
|
|
2006
|
|
Condition contrainte, Carré d’Art, Nîmes (solo)
|
|
2006
|
|
Waiting For High Water, Centre Culturel Canadien, Paris (solo)
|
|
2006
|
|
About Winter, Galerie Erna Hécey, Brussel (solo)
|
|
2006
|
|
Raffaella Cortese Gallery, Milano (solo)
|
|
2006
|
|
Corps étranger, Le Quartier. Centre d’Art Contemporain, Quimper
|
|
2006
|
|
ARTIUM de Alava, Vitoria-Gasteiz, Spain (solo)
|
|
2006
|
|
From here to There, BOZAR, Centre for Fine Arts, Brussels (solo)
|
|
2006
|
|
De la performance al vídeo, Artium, Vitoria-Gasteiz (solo)
|
|
2005
|
|
ARTIUM, Centro-Museo Vasco de Arte Contemporàneo, Vitoria-Gasteiz, Spain
|
|
2005
|
|
Bing Bang. Destruction et creation dans l’art du 20ieme siecle, Centre Pompidou, Paris
|
|
2005
|
|
Visions of the Body, Seoul Museum of Art, Seoul
|
|
2005
|
|
International Biennale of Contemporary Art, National Gallery, Prague
|
|
2005
|
|
Strange Familiar and Unforgotten, Galerie Herna Hécey, Brussels
|
|
2005
|
|
Starving images, Regional Archaeological Museum, Aosta
|
|
2005
|
|
Dual. Trànsits i encreuaments per la història de l'art, Centre d’Art La Panera, Lleida
|
|
2005
|
|
Citizens, PM Gallery & House, London; Pitzhanger Manor Museum, London; The City Gallery, Leicester; Oriel Davie, Powys; The Ormeau Baths, Belfast
|
|
2004
|
|
From Here To There, Musée des Beaux Arts de Nantes (La Chapelle) Brandt‘s Kunsthallen Klaedefabrik, Odense, Denmark
|
|
2004
|
|
La grande bouffe en français, Bordeaux
|
|
2004
|
|
The Nature Machine: Contemporary Art, Nature and Technology, Queensland Art Gallery, Brisbane
|
|
2004
|
|
Thinking out loud, Heide Museum of Modern Art, Bulleen Victoria
|
|
2004
|
|
Hors d’oeuvre: ordre et désordres de la nourriture, capc Musée d’art contemporain, Bordeaux
|
|
2004
|
|
Galerie Barbara Gross, Munich
|
|
2004
|
|
Grande Bouffe d’art, Bielefeld
|
|
2004
|
|
Jana Sterbak. Videoinstallations. Brandts Klaedefabrik, Odense (solo)
|
|
2004
|
|
Planetarium, Galeria Toni Tàpies, Barcelona (solo)
|
|
2004
|
|
From here to there, Musée des Beaux Arts, Nantes (solo)
|
|
2003
|
|
From here to there, Biennale di Venezia, Venice (solo)
|
|
2003
|
|
Galerie Barbara Gross, Munich
|
|
2003
|
|
Collection du FNAC, Musee de Marseille, Marseille
|
|
2003
|
|
Musee des Beaux Arts, Nantes
|
|
2003
|
|
Nude, Art in Bologna, Bologna
|
|
2003
|
|
Medientechnologie Karlsruhe, Germany
|
|
2001 - 2003
|
|
Musée d’art Moderne, Montréal (solo)
|
|
2001 - 2003
|
|
Biennale di Venezia, Venice (solo)
|
|
2002
|
|
Jana Sterbak: Photopractice, Art Gallery of Subdury, Subdury (solo)
|
|
2002
|
|
La lune à l’école, Ecole Nationale Superieure des Beaux-Arts, Paris (solo)
|
|
2001 - 2002
|
|
Jana Sterbak, Barbara Gross Galerie, Munich (solo)
|
|
2001 - 2002
|
|
Jana Sterbak, Malmö Konsthall, Mälmo; Haus der Kunst, Munich (solo)
|
|
2001 - 2002
|
|
Le Dépeupleur/The Lost Ones, Galerie de l’UQAM, Université du Québec, Montréal
|
|
2001 - 2002
|
|
Unbearable/Unwearable, Musée des arts décoratifs, Cologne
|
|
2001
|
|
Arkadia, National Gallery of Canada, Ottawa
|
|
2001
|
|
Jana Sterbak. Penser tout Aut./Thinking Out Loud, Galerie de l’UQAM, Université du Québec, Montréal (solo)
|
|
2001
|
|
Faradayurt, Galeria Toni Tàpies, Barcelona (solo)
|
|
2001
|
|
Jana Sterbak, Retrospective, Konstall, Malmö Sweden
|
|
2001
|
|
Dissolution, Galerie Herba Hécey, Luxembourg (solo)
|
|
2001
|
|
Nancy Spero, Jana Sterbak, Galerie de l'Université de Qubéc à Montréal Montréal, Canada
|
|
2001
|
|
Arcadia, Musée des beaux-arts du Canada Ottawa, Canada
|
|
2000
|
|
Jana Sterbak, Erna Hecey, Luxembourg (solo)
|
|
2000
|
|
Jana Sterbak, Galerie Barbara Gross, München (solo)
|
|
2000
|
|
Jana Sterbak: Fabric Workshop "Oasis", Philadelphia (solo)
|
|
1998
|
|
Museum of Contemporary Art, Chicago (solo)
|
|
1998
|
|
Galerie René Blouin, Montréal (solo)
|
|
1998
|
|
Galeria Toni Tàpies- Edicions T, Barcelona (solo)
|
|
1998
|
|
Addressing the Century, Hayward Gallery, London; Kunstmuseum Wolfsburg
|
|
1998
|
|
Crossings/Traversées, Musée des beaux-arts du Canada, Ottawa
|
|
1998
|
|
Oeuvres récentes, Galerie Chantal Crousel, Paris
|
|
1998
|
|
The Quiet in the Land, Institute of Contmeporary Art, Boston
|
|
1998
|
|
Spectacular Optical, Thread Waxing Space, New York; Museum of Contemporary Art, North Miami, Florida
|
|
1998
|
|
Disidentico: maschile femminile e altro, Palazzo Branciforte, Palermo
|
|
1998
|
|
The Secret Life of Clothes, Mitsubishi-jisho Artium/The Nishinippon, Fukuoka
|
|
1998
|
|
Desde el Cuerpo. Alegorías de lo femenino, Museo de Bellas Artes, Caracas
|
|
1997
|
|
Five Years of Collecting, Leonard & Bina Ellen Art Gallery, Concordia University, Montréal
|
|
1997
|
|
Fifth international Istanbul Biennial, Istanbul
|
|
1997
|
|
Trash quando i rifiuti diventano arte, Palazzo delle Albere, Trento
|
|
1997
|
|
Love hotel: Plimsoll Gallery, University of Tasmania, Hobart; Australian Centre for Contemporary Art, Melbourne; 1998: Brisbane City Gallery, Brisbane; Auckland Art Gallery, Auckland, New Zealand; The John Curtin Gallery, Curtin University of Technology, Perth
|
|
1997
|
|
The Quiet in the Land, Institute of Contemporary Art, Portland, Maine
|
|
1997
|
|
Floating Images of Women in Art History: from the Birth of the Feminism toward the Dissolution of the Gender, Tochigi Prefectural Museum of Fine Arts, Tochigi
|
|
1997
|
|
Le songe de Constantin, Villa de Noailles, Hyères
|
|
1997
|
|
Art/Fashion, Guggenheim Museum SoHo, New York
|
|
1997
|
|
Objectif corps, Musée des beaux-arts de Montréal, Montréal
|
|
1997
|
|
Introvertions, Museu d’Art Contemporani, Barcelona
|
|
1997
|
|
Inside the Visible, Art Gallery of Western Australia, Perth
|
|
1997
|
|
Art on the Edge of Fashion, ASU Art Museum, Nelson Fine Arts Center, Tempe, Arizona et 1998: Cranbrook Art Museum, Bloomfield Hills, Miami
|
|
1997
|
|
Jana Sterbak: Metamorphosis, David Winton Bell Gallery, Brown University, Providence (solo)
|
|
1996
|
|
Jana Sterbak: New Photoworks, Donald Young Gallery, Seattle (solo)
|
|
1996
|
|
Trichotilomania III, Galerie René Blouin, Montréal (solo)
|
|
1996
|
|
Corps étrangers, Musée des beaux-arts du Canada, Ottawa
|
|
1996
|
|
L’oeil du collectionneur, Musée d’art contemporain de Montréal, Montréal
|
|
1996
|
|
Il tempo e la moda, Biennale di Firenze, Firenze
|
|
1996
|
|
Embedded Metaphor, Independant Curators Incorporated, New York
|
|
1996
|
|
NowHere, Louisiana Museum of Modern Art, Humlebaek, Danmark
|
|
1996
|
|
L’Art au corps, MAC, galeries contemporaines des musées de Marseille, Marseille
|
|
1996
|
|
Collection/Parcours (Geneviève Cadieux, Annette Messager, Jana Sterbak), Musée départemental de Rochechouart
|
|
1996
|
|
Feed and Greed, Musée des Arts Décoratifs, Wien
|
|
1995
|
|
Colisiones-Collisions, Arteleku, Donosti
|
|
1995
|
|
Picola Scultura, Padova Biennale, Padova
|
|
1995
|
|
Fémininmasculin: le sexe de l'art, Musée national d'art moderne, Centre Georges Pompidou, Paris
|
|
1995
|
|
Muse?, Galerie Thaddaeus Ropac, Paris
|
|
1995
|
|
Beyond the Borders, Kwangju Biennale, Corea
|
|
1995
|
|
PerForms: Janine Antoni, Charles Ray, Jana Sterbak, ICA, Philadelphia
|
|
1995
|
|
Angles Gallery, Santa Monica
|
|
1995
|
|
Die Muse?, Thaddaeus Ropac Gallery, Salzburg
|
|
1995
|
|
Traces de la danse, Musée d'art de Joliette, Joliette
|
|
1995
|
|
Knokke Video Festival, Knokke
|
|
1995
|
|
Rites of Passage, Tate Gallery, London
|
|
1995
|
|
Inside the Visible, Kanaal - Art Foundation, Courtrai
|
|
1995
|
|
Premiers Dons 1964-1965 et Dons 1989-1994, Musée d'art contemporain de Montréal, Montréa
|
|
1995
|
|
Images in perspectives, Zerynthia, Serre di Rapolano, Toscana
|
|
1995
|
|
Chocolate!, The Swiss Institute, New York
|
|
1995
|
|
Bildende Kunstler im TAT, phase 1, Theater Am Turm, Frankfurt
|
|
1995
|
|
Spirits on the Crossing: Travellers to/from Nowhere-Contemporary Art in Canada 1980-94, Setagaya Art Museum, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art, Sapporo
|
|
1995
|
|
Jana Sterbak, Donald Young Gallery, Seattle
|
|
1995
|
|
Jana Sterbak: VELLEITAS, Musée d'art moderne de Saint-Etienne; Fundació Antoni Tapies, Barcelona; et 1996: Serpentine Gallery, London (solo)
|
|
1994
|
|
Jana Sterbak: Déclaration, Musée des Beaux-Arts de Nantes (solo)
|
|
1994
|
|
Jana Sterbak: Déclaration, Musée d'art contemporain de Montréal, Montréal (solo)
|
|
1994
|
|
Jana Sterbak, Louisiana, Museum of Modern Art, Humlebaek (solo)
|
|
1994
|
|
I Want You to Feel the Way I Do, Fundació "la Caixa", Barcelona (solo)
|
|
1994
|
|
Jana Sterbak: Lénine rétréci, Galerie René Blouin, Montréal (solo)
|
|
1994
|
|
Social Fabric, Beaver College Art Gallery, Glenside, Pensylvania
|
|
1994
|
|
Heart of Darkness, Kröller Müller Museum, Oterloo, Nederland
|
|
1994
|
|
The Montclair Art Museum, Montclair
|
|
1994
|
|
Trans, Galerie Chantal Crousel, Paris
|
|
1994
|
|
Hors limite, Centre Georges Pompidou, Musée national d'art moderne, Paris
|
|
1994
|
|
Donald Young Gallery, Seattle
|
|
1994
|
|
...ou les oiseaux selon Schopenhauer, Musée des beaux-arts d'Agen, Agen
|
|
1994
|
|
Walker Art Center, Minneapolis
|
|
1994
|
|
Scénographie-danse (avec Javier Pérez), O'Vertigo, Montréal
|
|
1994
|
|
Séduction, Galerie René Blouin, Montréal (Jana Sterbak, Javier Pérez, Sarah Stevenson)
|
|
1993
|
|
Uber Leben, Bonner Kunstverein, Bonn
|
|
1993
|
|
Space of Time: Contemporary Art from the Americas, Americas Society, New York; Center for the Fine Arts, Miami
|
|
1993
|
|
De la main à la tête, l'objet théorique, Centre d'art contemporain du domaine de Kerguéhennec, Locminé
|
|
1993
|
|
Elective Affinities, Tate Gallery Liverpool, Liverpool
|
|
1993
|
|
Ordnung und Zerstorung, München
|
|
1993
|
|
Canada, une nouvelle génération, FRAC des Pays de la Loire, Clisson; Musée des Beaux Arts / FRAC Franche Comté, Dole
|
|
1993
|
|
...Just to name a few, Barbara Weiss Gallery, Berlin
|
|
1993
|
|
At the Edge of Choas New Images of the World, Louisiana, Museum of Modern Art, Humlebaek, Danmark
|
|
1992
|
|
GENERIQUE 1: DESORDRES, Galerie nationale du Jeu de Paume, Paris
|
|
1992
|
|
Third International Istanbul Biennale, Istanbul
|
|
1992
|
|
Marian Goodman Gallery, New York
|
|
1992
|
|
Between the Sheets, P.P.O.W., New York
|
|
1992
|
|
Internationale Kunstlerplakate, Saarbrucken, Deutschland (projet de panneaux publicitaires organisé par: Hochschule der Bildenden Kunste Saar, Saarland Museum Saarbrucken et Stadtgalerie Saarbrucken)
|
|
1992
|
|
Power Play, The Betty Rymer Gallery, The School of the Art Institute of Chicago, Chicago
|
|
1992
|
|
Donald Young Gallery, Seattle
|
|
1992
|
|
Project Room, Museum of Modern Art, New York (solo)
|
|
1992
|
|
Galerie Crousel Robelin / BAMA, Paris (solo)
|
|
1991
|
|
The Wealth of Nations, Centre for Contemporary Art Ujazdowski Castle, Warsaw
|
|
1991
|
|
Un Natural Traces. Contemporary Art from Canada, Barbican Art Gallery, London
|
|
1991
|
|
Interiors, Galerie Crousel Robelin/BAMA, Paris
|
|
1991
|
|
Un archipel de désirs: les artistes du Québec et la scène internationale, Musée du Québec, Québec
|
|
1991
|
|
With this ring..., Ikon Gallery, Birmingham
|
|
1991
|
|
Donald Young Gallery, Chicago
|
|
1991
|
|
En hommage à un cadeau d'Eva Hesse à Sol Lewitt, Axe Néo 7, Hull
|
|
1991
|
|
The Embodied Viewer, Glenbow Museum, Calgary, Alberta
|
|
1991
|
|
Vanitas, Galerie Crousel Robelin/BAMA, Paris
|
|
1991
|
|
Jana Sterbak: Sisyphe, II, Galerie René Blouin, Montréal (solo)
|
|
1991
|
|
JANA STERBAK : States of Being / Corps à corps, Musée des beaux arts du Canada, Ottawa; List Visual Arts Centre, Cambridge; 1992: Contemporary Art Center, Cincinnati, Ohio; Nickle Arts Museum, Calgary, Alberta Alberta; San Diego Museum of Contemporary Art, San Diego (solo)
|
|
1990
|
|
Donald Young Gallery, Chicago (solo)
|
|
1990
|
|
The New Museum of Contemporary Art, New York (solo)
|
|
1990
|
|
Goya to Beijing, Centre international d'art contemporain, Montréal; Vancouver Art Gallery, Vancouver
|
|
1990
|
|
Donald Young Gallery, Chicago
|
|
1990
|
|
Four Cities Project, Newcastle
|
|
1990
|
|
Galerie René Blouin, Montréal
|
|
1990
|
|
Figuring the Body, Boston Museum of Fine Arts, Boston
|
|
1990
|
|
Aperto '90, Biennale de Venezia, Venezia
|
|
1990
|
|
Diagnosis, Art Gallery of York University, North York, Ontario
|
|
1989
|
|
Biennale canadienne d'art contemporain, Musée des beaux arts du Canada, Ottawa
|
|
1989
|
|
Dark Rooms, Artists Space, New York
|
|
1989
|
|
The Western Front, Vancouver (solo)
|
|
1989
|
|
Mackenzie Art Gallery, Regina (solo)
|
|
1989
|
|
Galerie René Blouin, Montréal (solo)
|
|
1988
|
|
The Power Plant, Toronto (solo)
|
|
1988
|
|
Impossible Self, Winnipeg Art Gallery and The Vancouver Art Gallery
|
|
1988
|
|
Identity, Identities, Winnipeg Art Gallery
|
|
1988
|
|
Group Material, Dia Foundation, New York
|
|
1988
|
|
Disturbance, Enchantment, The Power Plant, Toronto
|
|
1987
|
|
Subject/Object, 56 Bleeker Gallery Limited, New York
|
|
1987
|
|
The Ydessa Gallery, Toronto (solo)
|
|
1987
|
|
Galerie René Blouin, Montréal (solo)
|
|
1986
|
|
Oeuvres Ex Centrées, Galerie René Blouin, Montréal
|
|
1986
|
|
Songs of Experience/Chants d'expérience, Musée des beaux arts du Canada, Ottawa
|
|
1986
|
|
Jana Sterbak, Krzysztof Wodiczko, 49th Parallel, New York; Nexus Gallery of Contemporary Art, Atlanta
|
|
1986
|
|
Sept sculpteurs canadiens, Musée d'art contemporain de Montréal, Montréal
|
|
1986
|
|
Postmarked New York, Southern Alberta Art Gallery, Lethbridge, Alberta
|
|
1985
|
|
The Ydessa Gallery, Toronto (solo)
|
|
1985
|
|
Anadromous, Michael Katz Gallery, New York
|
|
1985
|
|
Ida Applebroog and Jana Sterbak, Glendon Gallery, Toronto
|
|
1984
|
|
Works Selected by David Rabinowich, 49th Parallel, New York, Influencing Machines, YYZ, Toronto
|
|
1984
|
|
Canada / New York, 49th Parallel, New York
|
|
1983
|
|
Unaffiliated Artists, International Exposure, Toronto
|
|
1983
|
|
Small Works, Pomona University Gallery, California
|
|
1983
|
|
Small Works, San Diego University Gallery, California
|
|
1982
|
|
Photos by Artists, Galerie France Morin, Montréal, YYZ, Toronto
|
|
1982
|
|
Menues manoeuvres, Musée d'art contemporain de Montréal, Montréal
|
|
1982
|
|
Four Artists, S. L. Simpson Gallery, Toronto
|
|
1982
|
|
Golem Objects as Sensations, Mercer Union, Toronto (solo)
|
|
1981
|
|
How Things Stand Up, Main Exit, Vancouver (solo)
|
|
1981
|
|
The New YYZ, Toronto
|
|
1980
|
|
YYZ, Toronto (small works) (solo)
|
|
1980
|
|
Travaux récents, Galerie Optica, Montréal (solo)
|
|
1979
|
|
Bookworks, Powerhouse, Montréal, Jackie Apple (conservatrice)
|
|
1978
|
|
5 Artists, Galerie Optica, Montréal
|
|
1978
|
|
Pumps Art, Vancouver (solo)
|
|
|
|
|
|
|
| Literatur |
|
|
|
2004
|
|
Luisa Valeriani — Dentro la transfigurazione — il dispositivo dellèarte nelle cibnercultura— Roma, Italia : Meltemi editore 2004. — 288 p. (199-211)
|
|
2003
|
|
Tanguy, Sarah. — [Sans titre = Untitled]. — Sweet tooth. — Napa, Ca. : COPIA, The American Center for Wine, Food & the Arts, 2003. — [54-55] p.
|
|
2001
|
|
N[emiroff], D[iana]. — «Jana Sterbak». — Paradis insaisissables : le prix du millénaire. — Ottawa : Musée des beaux-arts du Canada, 2001. — Publ. aussi en anglais dans Elusive paradise: the millenium prize. — P. 101
|
|
2001
|
|
Ardenne, Paul. — «L'ère des monstres». — L'image corps : figures de l'humain dans l'art du XXe siècle. — Paris : Éditions du Regard, 2001. — Jana Sterbak : p. 417, 437. — P. 380-440
|
|
2001
|
|
Lamoureux, Johanne. — «Felix Holtmann contre Jana Sterbak : une guerre d'expertise». — Penser l'indiscipline : recherches interdisciplinaires en art contemporain = Creative con/fusions : interdisciplinary practices in contemporary art. — Sous la dir. de Lynn Hughes et Marie-Josée Lafortune. — Montréal : Optica, 2001. — P. 165-177
|
|
2001
|
|
Pearl, Lydie. — «Des chairs marquées et anonymes : Jana Sterbak Daniele Buetti». — Corps, sexe et art: dimension symbolique. — Paris : L'Harmattan, 2001. — (Nouvelles études anthropologiques). — P. 149-157
|
|
1999
|
|
McEvilley, Thomas. — «Jana Sterbak : materials and their truth». — Sculpture in the age of doubt. — New York : School of Visual Arts : Allworth Press, 1999. — (Aesthetics today). — P. 294-299
|
|
1998
|
|
Pearl, Lydie. — «Chairs sans frontière». — Arts de chair. — Bruxelles : La Lettre volée, 1998. — (Collection Essais). — P. 13-27
|
|
1998
|
|
Seline, Janice. — «Installations». — Installations : œuvres de la collection permanente = Installations : selected works from the permanent collection. — Ottawa : Musée des beaux-arts du Canada, 1998. — P. [4]
|
|
1997
|
|
«Jana Sterbak : déclaration». — Heart of darkness. — Otterlo : Kröller-Müller Museum, 1997. — P. 154-157
Martin, Elizabeth ; Meyer, Vivian. — «Jana Sterbak [Remote Control, 1, 1989]». — Female gazes : seventy-five women artists. — Toronto : Second Story Press, 1997. — P. 146-147
|
|
1996
|
|
Barber, Bruce. — «Thalia meets Melpomene : the higher meaning of the Voice of Fire and Flesh Dress controversies». — Voices of fire : art, rage, power, and the state. — Sous la dir. de Bruce Barber, Serge Guilbaut, et John O'Brian ; introd. de John O'Brian. — Toronto ; Buffalo ; London : University of Toronto Press, 1996. — (Theory/culture). — P. 96-120
|
|
1996
|
|
Kandel, Susan. — «Beneath the green veil : the body in/of new feminist art». — Sexual politics : Judy Chicago's Dinner party in the feminist art history. — Sous la dir. de Amelia Jones. — Los Angeles : UCLA at the Armand Hammer Museum of Art and Cultural Center ; Berkeley : University of California Press, 1996. — P. 177-200
|
|
1996
|
|
Philippi, Desa. — «Scenes of seduction : reflections on the work of Jana Sterbak». — Inside the visible : an elliptical traverse of 20th Century art, in, of and from the feminine. — Ed. by M. Catherine de Zegher. — Cambridge : MIT Press, 1996. — P. 184-192
|
|
1996
|
|
Vergne, Philippe. — «En corps !». — L'art au corps : le corps exposé de Man Ray à nos jours : Mac, galeries contemporaines des Musées de Marseille, 6 juillet-15 octobre 1996. — [Marseille] : Musées de Marseille ; [Paris] : Réunion des musées nationaux, 1996. — Jana Sterbak: p. 27, 29, 30. — P. 12-37
|
|
1996
|
|
Macri, Teresa. — «Jana Sterbak». — Il corpo postorganico : sconfinamenti della performance. — Genève : Costa & Nolan, 1996. — P. 93-113
|
|
1995
|
|
Morris, Frances. — «Jana Sterbak». — Rites of passage : art for the end of the century. — London : Tate Gallery Publications, 1995. — P. 122-131
|
|
1993
|
|
Antelo-Suarez, Sandra. — «Within the cleavage = En la fisura». — Space of time : contemporary art from the Americas = Espacio del tiempo : arte contemporáneo de las Américas. — Trad. Cristina Portell. — New York : Americas Society, 1993. — En anglais et en espagnol. — Jana Sterbak : p. 58-60. — P. 54-64
|
|
1993
|
|
Curtis, Penelope. — «Introduction». — Elective affinities. — Liverpool : Tate Gallery Liverpool, 1993. — Jana Sterbak : p. 9-10. — P. 6-12
|
|
1992
|
|
ngraham, Catherine. — «Initial properties : architecture and the space of the line». — Sexuality & space. — Sous la dir. de Beatriz Colomina ; Jennifer Bloomer ... [et al.]. — New York : Princeton Architectural Press, 1992. — (Princeton papers on architecture : 1). — Jana Sterbak : p. 269. — P. 255-271
|
|
1992
|
|
Roumanes, Jacques-Bernard. — «Jana Sterbak : l'incarnation de la violence = The incarnation of violence». — Violence : Pièges du regard = Violence : the deadly seduction. — Sous la dir. de Louise Poissant; [trad. : Eric B. Litwack]. — Montréal : Société d'esthétique du Québec, 1992. — P. 94-101
|
|
|
|
