Jan Fyt  (Flemish, 1611-1661) 

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Jan Fyt, A Cocker Spaniel with a Dead Partridge and a Woodcock in a Landscape Setting

 

Jan Fyt
A Cocker Spaniel with a Dead Partridge and a Woodcock in a Landscape Setting
Rafael Valls Limited
  
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Jan Fyt, Spaniels stalking rabbits in the dunes, a view of the sea beyond

 

Jan Fyt
Spaniels stalking rabbits in the dunes, a view of the sea beyond, 1658
Auktionstermin: May 10, 2005
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Jan Fyt, A STILL LIFE OF FRUIT AND VEGETABLES WITH A SULPHUR- CRESTED COCKATOO, WEASEL AND GUINEA PIG IN A LANDSCAPE

 

Jan Fyt
A STILL LIFE OF FRUIT AND VEGETABLES WITH A SULPHUR- CRESTED COCKATOO, WEASEL AND GUINEA PIG IN A LANDSCAPE
Auktionstermin: Apr 11, 1990
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Jan Fyt, Pink and white roses in a glass vase

 

Jan Fyt
Pink and white roses in a glass vase
Auktionstermin: Jan 12, 1996
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  A pupil of Frans Snyders in Antwerp, Jan Fyt continued to assist the master for a few years after he joined the Antwerp guild in 1629. He spent several years in Italy, a period which was to have a longlasting effect on his painting. Back in Antwerp by 1641, Fyt became a prolific and highly regarded painter of hunting scenes and still lifes of dead game. While indebted to the manner of Snyders, these gamepieces were filtered through Fyt’s own experiences in Italy, with more earthen tones and a bravura handling of the brush. His work tended to be smaller in scale and more intimate in mood than the often grandiose compositions of Snyders, while he also made popular the theme of a still life of game set in a landscape. Apart from a few years in Paris and Rome in the 1630’s Fyt seems to have worked for most of his entire career in his native city of Antwerp. He enjoyed considerable foreign patronage, however, with in particular a large number of Spanish clients. He was also an occasional etcher, and in 1642 published a series of eight etchings of dogs at rest and at play, which he dedicated to Carlo Guasco, the Marqués de Solerio.