|
|
|
|
|
|
Biografie Ian Hamilton Finlay
|
|
|
|
|
|
|
|
|
|
|
|
1925
|
|
Born in Nassau, Bahamas. Moved to Glasgow, Scotland as a child
|
|
|
1961
|
|
Founded The Wild Hawthorn Press with Jessie McGuffie
|
|
|
1962
|
|
Founded the periodical ‘Poor. Old. Tired. Horse.’offset at the Wild Hawthorn Press.
|
|
|
1966
|
|
Moved to Stonypath in the Southern Uplands of Scotland, where he immediately set about creating the world-famous garden ‘Little Sparta’
|
|
|
1979 - 1984
|
|
Founded the Saint – Just Vigilantes and planned and took part in the First Battle of Little Sparta, February 4, 1983 (between Strathclyde Region and Little Sparta)
|
|
|
1985
|
|
Shortlisted for the Turner Prize, Tate Gallery, London
|
|
|
1987
|
|
Awarded Honorary Doctorate by the University of Aberdeen
|
|
|
1993
|
|
Awarded Honorary Doctorate from the Heriot-Watt University, Glasgow
|
|
|
1999
|
|
Awarded honorary professorship from the University of Dundee
|
|
|
2003
|
|
Awarded CBE in New Year’s Honors
|
|
|
2003
|
|
Awarded Scottish Horticultural Medal by the Royal Caledonian Horticultural Society
|
|
|
2003
|
|
Scottish Arts Council Creative Scotland Award
|
|
|
2006
|
|
Died, Lanark, Scotland
|
|
|
|
|
|
Ausgewählte Ausstellungen |
|
|
|
|
|
|
|
|
|
|
|
2008 |
|
Neoclassicism – A Noble Arrow, Nolan Judin Berlin (solo) |
|
|
2008 |
|
Conversations, Kettle’s Yard, Cambridge, UK |
|
|
2007 |
|
Ian Hamilton Finlay & Cerith Wyn Evans, Ingleby Gallery, Edinburgh |
|
|
2007 |
|
The Sonnet is a Sewing-Machine for the Monostich, Victoria Miro Gallery, London (solo) |
|
|
2006 |
|
Tate Triennial, Tate Britain, London |
|
|
2006 |
|
Certain Trees: The Constructed Book, Poem and Object 1964-2006, Centre des Livres D’Artistes, Saint-Yrieix-La-Perche |
|
|
2006 |
|
Word Power: Concrete Poetry and it’s Influences, Peacock Visual Arts, Aberdeen & the Changing Room, Stirling |
|
|
2006 |
|
How to Change the World: 60 Years of British Art, Arts Council Collection, Hayward Gallery, London |
|
|
2005 |
|
Down the Garden Path: The Artist's Garden After Modernism, Queens Museum of Art, New York |
|
|
2005 |
|
Edition, Ingleby Gallery, Edinburgh |
|
|
2005 |
|
Nolan/Eckman Gallery, New York (solo) |
|
|
2005 |
|
Sentences, Inverleith House, Royal Botanic Garden, Edinburgh (solo) |
|
|
2005 |
|
L’Idylle des Cerises, Ingleby Gallery, Edinburgh (solo) |
|
|
2005 |
|
Early Works from the Wild Hawthorne Press, 1964-1971, National Scottish Poetry Library, Edinburgh (solo) |
|
|
2005 |
|
Of Conceits and Collaborators, National Library of Scotland, Edinburgh (solo) |
|
|
2004 |
|
Nolan/Eckman Gallery, New York (solo) |
|
|
2004 |
|
Works on Paper, 1968-2000, UBS Gallery, New York (solo) |
|
|
2004 |
|
Vessels, The Arts Club of Chicago, Chicago (solo) |
|
|
2004 |
|
Art and the Garden, Tate Britain, London |
|
|
2004 |
|
Bang, Colgate University, Hamilton, New York |
|
|
2003 |
|
Idylls and Interventions, Victoria Miro Gallery, London (solo) |
|
|
2002 |
|
Maritime Works, Tate St. Ives, Cornwall, England; Nolan/Eckman Gallery, New York (solo) |
|
|
2002 |
|
Ian Hamilton Finlay, Ingleby Gallery, Edinburgh (solo) |
|
|
2001 |
|
Souvenirs & Postcards by Ian Hamilton Finlay, The Scottish National Gallery of Art, Edinburgh (solo) |
|
|
2001 |
|
Ian Hamilton Finlay, Stampa, Basel (solo) |
|
|
2000 |
|
Garden Works, Nolan/Eckman Gallery, New York (solo) |
|
|
2000 |
|
Souvenirs, Städtische Galerie Grevenbroich im Haus Hartmann, Grevenbroich, Germany (solo) |
|
|
2000 |
|
Ian Hamilton Finlay/Richard Tuttle, Stampa, Basel (solo) |
|
|
2000 |
|
Nature Over Again After Poussin, McMaster Museum of Art, Hamilton (solo) |
|
|
2000 |
|
Encounters, National Gallery, London |
|
|
1999 |
|
Heads Will Roll, Victoria Miro Gallery, London |
|
|
1999 |
|
Musee d’Art Contemporain de Montreal, Montreal |
|
|
1999 |
|
La Biennale de Montreal, Centre International d’Art, Montreal |
|
|
1999 |
|
Variation on Several Themes, Joan Miro Foundation, Barcelona (solo) |
|
|
1998 |
|
Modern Antiquities, Landesmuseum, Mainz, Germany (solo) |
|
|
1998 |
|
Les Capteurs de Rives, 1st Biennale de Montreal, commissaire; Claude Gosselin, Montreal |
|
|
1997 |
|
Material Culture, Hayward Gallery, London |
|
|
1997 |
|
Grenzgänger, Deutscher Sparkassen Verlag, Stuttgart |
|
|
1997 |
|
The Pleasure of Reading, John Gibson Gallery, New York |
|
|
1997 |
|
Wortwechsel, Künstlerwerkstatt Lothringer Str., Munich |
|
|
1997 |
|
Prints, 1963-1997 (traveling exhibition), Museum am Ostwall, Dortmund (solo) |
|
|
1997 |
|
Stadsgalerij, Heerlen, Netherlands (solo) |
|
|
1997 |
|
Galerie Stadtpark, Krems, Austria (solo) |
|
|
1997 |
|
Buro Sophia Ungers, Cologne (solo) |
|
|
1997 |
|
Wild Hawthorne Press, Academie Beelende Kunsten, Maastricht (solo) |
|
|
1996 |
|
Reef-Points, Nolan/Eckman Gallery, New York (solo) |
|
|
1996 |
|
Grains of Salt, Oriel Mostyn, Llandudno, Wales (solo) |
|
|
1996 |
|
Galerie Stampa, Zurich |
|
|
1996 |
|
Schwere-Los-Skulpturen, Landesmuseum Linz |
|
|
1996 |
|
Public Works, Peninsula & Van Abbemuseum, Eindhoven |
|
|
1995 |
|
Wege der Birke, Bern |
|
|
1995 |
|
Where is Abel, Thy Brother? The Zacheta Gallery, Warsaw |
|
|
1995 |
|
Lesen im Buch der Kunst, Library of Baden, Karlsruhe |
|
|
1995 |
|
The Green Room, Sydney Gardens, Bath |
|
|
1995 |
|
Paperworks, Stampa, Basel (solo) |
|
|
1995 |
|
Works: Pure and Political, Deichtorhalle, Hamburg (solo) |
|
|
1995 |
|
70th Birthday Show, Victoria Miro Gallery, London (solo) |
|
|
1995 |
|
Houghton Library, Harvard University, Cambridge (solo) |
|
|
1994 |
|
Streiflichter: Fragments from the French Revolution, Nolan/Eckman Gallery, New York (solo) |
|
|
1994 |
|
3 Sailboats, Victoria Miro Gallery, London (solo) |
|
|
1994 |
|
Icons and Proposals, Laumeire Sculpture Park and Museum, St. Louis (solo) |
|
|
1994 |
|
Das Jahrhundert des Multiple, Deichtorhallen, Hamburg |
|
|
1994 |
|
East of Eden, Museum Schloss Mosigkau, Dessau-Mosigkau, Germany |
|
|
1994 |
|
Translokation, Haus der Architektur, Graz |
|
|
1993 |
|
CAYC, Buenos Aires (solo) |
|
|
1993 |
|
Tate Gallery, London (solo) |
|
|
1993 |
|
Wildwachsende Blumen, Lenbachhaus, Munich (solo) |
|
|
1993 |
|
The Sonnet is a Sewing Machine for the Monositch, Crawford Arts Centre, St. Andrews (solo) |
|
|
1993 |
|
12/1794, Galerie Busche, Berlin (solo) |
|
|
1993 |
|
Inscriptions, Massimo Minini Gallery, Brescia (solo) |
|
|
1993 |
|
A Proposal for the Leasowes and Other Works, MBC Dudley, England (solo) |
|
|
1993 |
|
Konfrontation, Museum Moderner Kunst, Vienna |
|
|
1993 |
|
Die Sprache der Kunst, Kunsthalle Wien, Frankfurter Kunstverein, Frankfurt |
|
|
1993 |
|
Skultur statt Denkmal, Galerie Fricke, Düsseldorf |
|
|
1993 |
|
Words, Galerie Sfeir-Semler at the Galerie Jergen Becker, Hamburg |
|
|
1992 |
|
Three British Book Artists', Mandeville Gallery, Univ. of California, San Diego |
|
|
1992 |
|
Force Sight, Schloss Presteneck, Neuenstadt, Stein am Kocher, Germany |
|
|
1992 |
|
Lux Eurpoae, Lux Europae Trust, Edinburgh |
|
|
1992 |
|
Verzmelde Werken, Centrum Beeldende Kunst, Groningen, Netherlands |
|
|
1992 |
|
Instruments of the Revolution and Other Works, Institute of Contemporary Art, London (solo) |
|
|
1992 |
|
City Art Gallery, Leeds (solo) |
|
|
1992 |
|
10 Maquettes for Neo-Classical Structures, Victoria Miro Gallery, London (solo) |
|
|
1991 |
|
Ideologische Äusserungen, Kunstverein Frankfurt, Frankfurt (solo) |
|
|
1991 |
|
Gallery Stadtpark, Krems, Austria (solo) |
|
|
1991 |
|
Tate Gallery, Liverpool (solo) |
|
|
1991 |
|
Wadsworth Atheneum, Hartford (solo) |
|
|
1991 |
|
Philadelphia Museum of Art, Philadelphia (solo) |
|
|
1991 |
|
Gulfs and Wars, Kunstverein Friedrichshafen (solo) |
|
|
1991 |
|
Malerisamling Lillehammer, Lillehammer (solo) |
|
|
1991 |
|
Pastorales, Overbeck-Gesellschaft, Lübeck, Germany (solo) |
|
|
1991 |
|
Definitions, Galerie Sfeir-Semler, Kiel, Germany (solo) |
|
|
1991 |
|
The Poor Fisherman, Talbot Rice Gallery, Edinburgh (solo) |
|
|
1991 |
|
Wadsworth Atheneum, Hartford (solo) |
|
|
1991 |
|
Ian Hamilton Finlay & The Wild Hawthorne Press, Fruitmarket Gallery, Edinburgh (solo) |
|
|
1991 |
|
A Wartime Garden, Galleria Victoria Miro, Florence (solo) |
|
|
1991 |
|
Rhetorical Image, The New Museum of Contemporary Art, New York Metropolis, Berlin |
|
|
1991 |
|
Night Lines, Centraalmuseum, Utrecht |
|
|
1991 |
|
Virtual Realities, Traveling Gallery Exhibition, Scotland |
|
|
1990 |
|
Von der Natur in der Kunst, Messepalast, Vienna |
|
|
1990 |
|
Allegorie, Galerie Sfeir-Demmle, Kiel |
|
|
1990 |
|
Glasgow’s Great British Art Exhibition, Messepalast Halle E, Vienna |
|
|
1990 |
|
Poesis, Graeme Murray Gallery, Edinburgh |
|
|
1990 |
|
British Art Now: A Subjective View, Stagaya Art Museum, Fukuoka Art Museum, Fukuoka, Japan |
|
|
1990 |
|
Kunsthalle Basel, Switzerland (solo) |
|
|
1990 |
|
Galerie Schedle & Arpagas, Zurich (solo) |
|
|
1990 |
|
ACTA & Galleria, Milano (solo) |
|
|
1990 |
|
Stampa, Basel (solo) |
|
|
1990 |
|
Christine Burgin, New York (solo) |
|
|
1990 |
|
Galerie Jule Kewenig, Frechen, Bachem (solo) |
|
|
1990 |
|
Idylls, Victoria Miro Gallery, London (solo) |
|
|
1990 |
|
The Ocean and the Revolution, Burnett Miller Gallery, Los Angeles (solo) |
|
|
1990 |
|
Ian Hamilton Finlay & the Wild Hawthorne Press 1958-1990, Firth Street Gallery, London (solo) |
|
|
1990 |
|
Holzwege, Neuer Aachener Kunstverein, Aachen (solo) |
|
|
1990 |
|
A Wartime Garden, Graeme Murray Gallery, Edinburgh (solo) |
|
|
1989 |
|
1789-1794, Kunsthalle Hamburg (solo) |
|
|
1989 |
|
Galerie Wernicke, Stuttgart (solo) |
|
|
1989 |
|
Städtische Galerie am Markt, Schwäbisch-Hall (solo) |
|
|
1989 |
|
Paperworks, Galerie Hubert Winter, Vienna (solo) |
|
|
1989 |
|
Works, Butler Gallery, Kilkenny Castle (solo) |
|
|
1989 |
|
Bicentenary Celebrations, Kellie Lodging Gallery, Pittenween (solo) |
|
|
1989 |
|
Prospect 89, Schirn Kunsthalle, Frankfurt |
|
|
1989 |
|
2000 Jahre-Die Gegenwart der Vergangenheit, Bonner Kunstverein, Bonn |
|
|
1989 |
|
Hier Wird Getanzt, XPO Galerie, Hamburg |
|
|
1989 |
|
British Sculpture 1960-1988, Museum van Hedendaagse Kunst, Antwerpt |
|
|
1989 |
|
Bühnen-Stücke, Kunstverein, Munich |
|
|
1989 |
|
Freiheit-Gleichheit-Brüderlichkeit, Germanisches Nationalmuseum, Nuremberg; Stampa, Basel |
|
|
1988 |
|
Musee d’Art Contemporain, Dunkerque, France (solo) |
|
|
1988 |
|
An Exhibition on Two Themes, Galerie Jule Kewenig, Frechen/Bachem, Germany (solo) |
|
|
1988 |
|
Michael Klein Gallery, New York (solo) |
|
|
1988 |
|
Starlit Waters: British Sculpture 1968-88, Tate Gallery, Liverpool |
|
|
1988 |
|
Saturne en Europe, Musee de la Ville de Strasbourg |
|
|
1988 |
|
Pyramiden, Galerie Jule Kewenig, Frechen/Bachem |
|
|
1988 |
|
Art in the Garden, Garden Festival, Glasgow |
|
|
1988 |
|
Camouflage, Curt Marcus Gallery, New York |
|
|
1988 |
|
Brittannica: 30 Ans de Sculpture, Le Havre |
|
|
1988 |
|
Skulpturen Republik, exhibition of the Vienna Festival, Vienna |
|
|
1987 |
|
The Unpainted Landscape, Scottish National Gallery of Modern Art, Edinburgh |
|
|
1987 |
|
Inter Artes et Naturam, Musee d'Art Moderne de la Ville de Paris (solo) |
|
|
1987 |
|
Foundation Cartier pour l'Art Contemporain, Jouy-en-Josas (solo) |
|
|
1987 |
|
Midway, Bibliotheque Nationale, Paris (solo) |
|
|
1987 |
|
Pastorales, Galerie Claire Burrus, Paris (solo) |
|
|
1987 |
|
Poursuites Revolutionnaires, Foundation Cartier pour l’Art, Jouy-en-Josas (solo) |
|
|
1987 |
|
Homage to Ian Hamilton Finlay, Victoria Miro Gallery, London (solo) |
|
|
1987 |
|
Monument to Feuerbach, Summer Exhibition, Antwerp |
|
|
1987 |
|
Aphrodite of Terror, Edinburgh International Exhibition |
|
|
1986 |
|
L’Art et le Sacre Aujourd’hui, Cistercian Abbey, L’Epau |
|
|
1986 |
|
Between Object and Image, Madrid and Barcelona |
|
|
1986 |
|
Ian Hamilton Finlay, Aberdeen Art Gallery, Aberdeen, Scotland (solo) |
|
|
1986 |
|
Marat Assasine and Other Works, Victoria Miro Gallery, London (solo) |
|
|
1985 |
|
Bluecoat Gallery, Liverpool (solo) |
|
|
1985 |
|
Eric Fabre Galerie, Paris (solo) |
|
|
1985 |
|
Little Sparta and Kriegsschatz, Espace Romeau-Chapelle Sainte-Marie, Nevers (solo) |
|
|
1985 |
|
Promenades, Parc Lullin, Geneva |
|
|
1985 |
|
British Council Exhibition, Sydney, Australia |
|
|
1984 |
|
Talismans and Signifiers, Graeme Murray Gallery, Edinburgh (solo) |
|
|
1984 |
|
Liberty, Terror and Virtue, City Art Gallery, Southampton (solo) |
|
|
1984 |
|
Print Gallery, Peter Brattinga, Amsterdam (solo) |
|
|
1983 |
|
Hayward Gallery, London |
|
|
1981 |
|
Unnatural Pebbles, Graeme Murray Gallery, Edinburgh (solo) |
|
|
1980 |
|
Rijksmuseum Kroller-Muller, Otterlo (solo) |
|
|
1980 |
|
Nature Over Again After Poussin, Collins Exhibition Hall, University of Strathclyde, Glasgow (solo) |
|
|
1980 |
|
Graeme Murray Gallery, Edinburgh (solo) |
|
|
1977 |
|
Graeme Murray Gallery, Edinburgh (solo) |
|
|
1977 |
|
Serpentine Gallery, London (solo) |
|
|
1977 |
|
Kettle’s Yard, Cambridge (solo) |
|
|
1977 |
|
Exhibition of Contemporary Sculpture, Battersea Park, London |
|
|
1976 |
|
Coracle Press, London (solo) |
|
|
1976 |
|
Homage to Watteau, Graeme Murray Gallery, Edinburgh (solo) |
|
|
1976 |
|
City Art Gallery, Southampton (solo) |
|
|
1974 |
|
National Maritime Museum, London (solo) |
|
|
1972 |
|
Scottish National Gallery of Modern Art, Edinburgh (solo) |
|
|
1971 |
|
Winchester College of Art (solo) |
|
|
1970 |
|
Ceolfrith Bookshop Gallery, Sunderland (solo) |
|
|
1969 |
|
Pittencreiff House, Dunfermline (solo) |
|
|
1969 |
|
Demarco Gallery, Edinburgh (solo) |
|
|
1968 |
|
Axiom Gallery, London (solo) |
|
|
|
|
1980 Kroller-Muller Sculpture Garden, Otterlo |
|
|
|
|
1979 British Embassy, Bonn |
|
|
|
|
1978 Bell’s Garden, Perth |
|
|
|
|
1976 University of Liege, Liege |
|
|
|
|
1975 Garden of the Max Planck Institut, Stuttgart |
|
|
|
|
1975 Royal Botanic Garden, Edinburgh |
|
|
|
|
Selected Permanent Installations |
|
|
|
|
2004 St. Mary Axe, City of London |
|
|
|
|
2004 Fleur de l’Air, garden in Provence, France |
|
|
|
|
2001 Scottish National Gallery of Modern Art, The Dean Gallery, Edinburgh |
|
|
|
|
2000 Wallraff- Richartz Museum, Cologne |
|
|
|
|
2000 Schonthal Monestry, Switzerland |
|
|
|
|
2000 Patumbah Park, Switzerland |
|
|
|
|
1999 Bundesarbeitsgericht, Erfurt, Germany |
|
|
|
|
1999 Private garden, Zurich, Lauffen, Basel, Switzerland |
|
|
|
|
1999 BUGA, Magdeberg, Germany |
|
|
|
|
1999 Park am Goetheturm im GruGurtel, Frankfurt, Germany |
|
|
|
|
1999 Dienstgebaude fur den Generalbundesanwalt beim |
|
|
|
|
1999 Bundesgerichtshof, Karlsruhe, Germany |
|
|
|
|
1999 Shell Research, Thorton Research Centre, England |
|
|
|
|
1998 Serpentine Gallery, London |
|
|
|
|
1998 Den Haag, the Netherlands |
|
|
|
|
1997 Hunter Square, Edinburgh |
|
|
|
|
1997 Kunsthalle, Hambourg |
|
|
|
|
1996 Botanic Garden University of Durham |
|
|
|
|
1995 Landesgartenschau, Grevenbroich |
|
|
|
|
1994 The Gyle, Shopping Centre, Edinburgh |
|
|
|
|
1994 Schröder Münchmeyer Hengst & Co. Bank, Frankfurt/Main |
|
|
|
|
1994 Laumeier Sculpture Park, St. Louis |
|
|
|
|
1993 Beelden op de Berg, Belmonte Arboretum, Wageningen, Netherlands |
|
|
|
|
1992 Shenstone’s Leasowes, Dudley, England |
|
|
|
|
1992 Floiadepark, Zoetermeer, Netherlands |
|
|
|
|
1991 Stockwood Park Nurseries in the Borough of Luton, England |
|
|
|
|
1991 Library of Baden, Karlsruhe, Germany |
|
|
|
|
1991 Overbeck-Gesellschaft, Lubeck |
|
|
|
|
1990 Private Library of the German architect Ungers, Cologne |
|
|
|
|
1990 12th & K Office Tower, Sacramento, California |
|
|
|
|
1990 Railway Bridge, Glasgow, Scotland |
|
|
|
|
1989 Harris Museum and Art Gallery, Preston, England |
|
|
|
|
1989 Forest of Dean, England |
|
|
|
|
1988 Museum of Modern Art, Strasbourg |
|
|
|
|
1987 Skulptur Projekt, Munster |
|
|
|
|
1987 Campus of the University of California, San Diego |
|
|
|
|
1987 Furka Pass, Switzerland |
|
|
|
|
1987 West Princes Street Gardens, Edinburgh |
|
|
|
|
1986 Domaine de Kerguehennec, Brittany |
|
|
|
|
1986 Schweizergarten, Vienna |
|
|
|
|
1986 Van Abbemuseum, Eindhoven |
|
|
|
|
1984 Celle, Garden of Giuliano Gori (Near Florence) |
|
|
2007 |
|
Ian Hamilton Finlay: Remembrance, Professor Stephen Bann, Wild Hawthorn Press, Little Sparta, Victoria Miro Gallery |
|
|
2004 |
|
Fleur de l’Air – A Garden in Provence, Ian Hamilton Finlay and Pia Simig, Wild Hawthorn Press |
|
|
2004 |
|
Art of the Garden – The Garden in British Art 1800 to the Present Day, Tate Publishing |
|
|
2003 |
|
Little Sparta – The Garden of Ian Hamilton Finlay, Jessie Sheeler, photographs by Andrew Lawson, Frances Lincoln Ltd |
|
|
2002 |
|
Ian Hamilton Finlay – Maritime Works, Tate St.Ives, Cornwall |
|
|
2000 |
|
Ian Hamilton Finlay, Concrete Poetry, Galeria Bielska BWA, Bielsko-Biala, Poland |
|
|
1998 |
|
Ian Hamilton Finlay: A Proposal for the Grounds of the Serpentine Gallery, Little Sparta, Wild Hawthorn Press |
|
|
1997 |
|
Ian Hamilton Finlay: Prints 1963 – 1997, PAHLKE, Rosemarie E., SIMIG, Pia, ed. Museum am Ostwall Dortmund, Statsgalerij Heerlen and Galerie Stadtpark Krems, Cantz Verlag |
|
|
1995 |
|
Ian Hamilton Finlay: Works in Europe 1972-1995 Werke in Europa, , HUNT, John Dixon, GILONIS, Harry, -SIMIG, Pia, ed, Ostfildern, Cantz Verlag |
|
|
1995 |
|
Wood Notes Wild - Essays on the Poetry and Art of Ian Hamilton Finlay, edited by Alec Finlay , Paragon, Edinburgh |
|
|
1994 |
|
A Posse of Two: Lorine Niedecker and Ian Hamilton Finlay, Chapman |
|
|
1993 |
|
Niedecker and the Correspondence with Zukofsky, 1931-1970. Penberthy, Jenny, Cambridge: Cambridge University Press |
|
|
1993 |
|
The Visible Language of Modernism, McGann, Jerome J., Black Riders Princeton, Princeton University Press |
|
|
1992 |
|
Ian Hamilton Finlay: A Visual Primer. Yves Abrioux, introduction and commentaries, Stephen Bann. Cambridge, MA: MIT Press |
|
|
1992 |
|
POIESIS: Aspects of Contemporary Poetic Activity, Graeme Murray, Ed, The Fruit Market Gallery, Edinburgh |
|
|
1991 |
|
EVENING WILL COME THEY WILL SEW THE BLUE SAIL, Ian Hamilton Finlay & the Wild Hawthorn Press 1958-1991, Edwin Morgan and Graeme Murray Ed, The Fruitmarket Gallery, Edinburgh |
|
|
1991 |
|
Ian Hamilton Finlay: Poet of the Woodland, Krem, Galerie Stadtpark und Autoren |
|
|
1991 |
|
Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos. Lawrence S., Chicago: University of Chicago Press |
|
|
1991 |
|
Philosophical Fragments Schlegel, Friedrich, Trans. Peter Firchow. Minneapolis: University of Minnesota Press |
|
|
1989 |
|
Nelson, Cary, Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory 1910-1945. Madison: University of Wisconsin Press |
|
|
1988 |
|
The Theory of Literature in German Romanticism. Lacoue-Labarthe, Philippe, and Nancy, Jean-Luc, Trans. Philip Barnard and Cheryl Lester. Albany: State University of New York Press |
|
|
1987 |
|
Inter Artes et Naturam, Finlay, Ian Hamilton, Paris: ARC |
|
|
1984 |
|
Letters, MacDiarmid, Hugh. Ed. Alan Bold. Athens: University of Georgia Press |
|
|
1982 |
|
1789: The Emblems of Reason Starobinski, Jean,. Trans. Barbara Bray. Charlottesville: University of Virginia Press |
|
|
1981 |
|
Romanticism and the Forms of Ruin: Wordsworth, Coleridge, and Modalities of Fragmentation,Thomas Princeton: Princeton University Press |
|
|
1980 |
|
Davenport, Guy, trans., Archilochus, Sappho, Alkman: Three Lyric Poets of the Seventh Century B.C., Berkeley: University of California Press |
|
|
1971 |
|
The Pound Era, Kenner, Hugh. Berkeley: University of California Press |
|
|
1967 |
|
Transformations in Late Eighteenth Century Art. Rosenblum, Robert, Princeton: Princeton, University Press |
|
|
1963 |
|
Rapel, Finlay’s first selection of concrete poems |
|
|
|
