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1971
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Born in Seoul, South Korea
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1994
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B.F.A. Seoul National University, Fine Arts College in Seoul, Korea
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1997
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Exchange program grant, Cooper Union in New York, USA
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1999
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Meisterschüler title with Professor Georg Herold, Staatliche Hochschule für Bildende Künste –Städelschule, Frankfurt/M, Germany
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2005
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Cremer Prize, Stiftung Sammlung Cremer, Münster, Germany
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2008
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Baloise Prize, Kunsthalle, Hamburg, Germany
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Lives and works in Berlin, Germany and Seoul, Korea
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Ausgewählte Ausstellungen |
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2013 |
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Glasgow Sculpture Studios, Glasgow, Scotland (solo) |
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2013 |
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Family of Equivocations, Aubette / Musée d'art moderne et contemporain, Strasbourg, France (solo) |
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2013 |
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Ovals and circles, Galerie Chantal Crousel, Paris, France (solo) |
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2013 |
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Art Wall: Haegue Yang, ICA, Boston, USA (solo) |
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2012 - 2013 |
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Accomodating the Epic Dispersion - On Non-cathartic Volume of Dispersion, Haus der Kunst, Munich, Germany (solo) |
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2012 |
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Glasgow Sculpture Studio, Glasgow, Scotland |
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2012 |
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An Exhibition of the Study on Knowledge, Forum Stadtpark, Graz, Austria |
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2012 |
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Multi Faith Room, Greene Naftali, New York, USA |
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2012 |
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Haegue Yang, Rivane Neuenschwander, Overbeck-Gesellschaft, Lübeck, Germany |
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2012 |
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The Touch of Life, Galerie Anita Beckers, Frankfurt, Germany |
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2012 |
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Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm, Sweden |
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2012 |
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How Physical, The Yebisu International Festival for Art & Alternative Visions 2012, Tokyo Metropolitan Museum of Photography, Tokyo, Japan |
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2012 |
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DLA Was / For You, Muzeum Sztuki, Lodz, Poland |
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2012 |
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360°: Die Rückkehr der Sammlung, Kunstmuseum Stuttgart, Stuttgart, Germany |
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2012 |
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Inside Out and from the Ground Up, Museum of Contemporary Art Cleveland (MOCA), Cleveland, USA |
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2012 |
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No Borders, Bristol Museum & Art Gallery, Bristol, UK |
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2012 |
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15 Jahre Galerie der Gegenwart, Hamburger Kunsthalle, Hamburg, Germany |
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2012 |
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TBK, Dependance, Brussels, Belgium |
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2012 |
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Superbody, Galerie Chantal Crousel, Paris, France |
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2012 |
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Soundworks, Institute of Contemporary Arts, London, UK |
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2012 |
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dOCUMENTA (13), Kassel, Germany |
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2012 |
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Orchesterwechsel – 10 Jahre Sammlung Rheingold, Schloss Dyck, Jüchen, Germany |
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2012 |
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Ajar La Douane, Galerie Chantal Crousel, Paris, France |
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2012 |
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Oil Tanks, Tate Modern, London, UK |
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2012 |
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Troubling Space: The Summer Sessions, The Zabludowicz Collection, London, UK |
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2012 |
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Wide Open School, Hayward Gallery, London, UK |
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2012 |
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Kunsthalle Marcel Duchamp, Cully, Switzerland |
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2012 |
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Lieber Aby Warburg, Was tun mit den Bildern? Museum für Gegenwartskunst, Siegen, Germany |
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2012 |
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Sammlung Haubrok bei Falckenberg - No Desaster, Deichtorhallen Hamburg - Sammlung Falckenberg, Hamburg, Germany |
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2012 |
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Dream Walking in the Magical Reality, National Museum of Contemporary Art, Korea |
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2012 |
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Gertrude Contemporary Museum, Melbourne, Australia |
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2012 |
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Dislocation, Daegu Art Museum, Daegu, South Korea |
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2011 |
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City within the City, Artsonje Center, Seoul, South Korea |
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2011 |
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The Grand Domestic Revolution – User’s Manual, Casco Projects, Utrecht, Netherlands |
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2011 |
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Monument Valley (Jaegerspris revisited – a Hommage to Johannes Wiedewelt), UFO, Berlin, Germany |
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2011 |
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Berlin 2000-2011. Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan |
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2011 |
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D’un autre Monde, Le Printemps de Septembre, Toulouse, France |
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2011 |
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Kunst und Philosophie, n.b.k. – Neuer Berliner Kunstverein, Berlin, Germany |
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2011 |
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Tell Me Tell Me: Australian and Korean Art 1976-2011, National Art School Gallery, Sydney, Australia |
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2011 |
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The Spiral and the Square. Exercises on Translatability, Bonniers Konsthall, Stockholm, Sweden |
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2011 |
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Two Winters, presentation with Kukje Gallery at the M Building, Miami, USA (solo) |
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2011 |
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Escaping Things and Words, Haegue Yang, Rivane Neuenschwander, Kunsthalle Lingen, Lingen, Germany (solo) |
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2011 |
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The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, Colorado, USA (cat./ solo) |
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2011 |
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The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol, UK (solo) |
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2011 |
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Teacher of Dance, Modern Art Oxford, Oxford, UK (solo) |
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2011 |
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Arrivals, Kunsthaus Bregenz, Bregenz, Austria (cat./ solo) |
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2011 |
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Folding: The Art of Simplicity, KCDF Gallery, Seoul, South Korea (cat.) |
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2011 |
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Open Days, Le Consortium, Dijon, France |
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2011 |
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Nach Abschluss der Reise, Kunst-Werke, Berlin, Germany |
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2011 |
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A Wedding, Para/Site Art Space, Hong Kong, China |
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2011 |
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Human Nature: Contemporary Art from the Collection, LACMA – Los Angeles County Museum of Art, Los Angeles, USA |
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2011 |
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Air Hole: Another Conceptualism from Asia, The National Museum of Art, Osaka, Japan |
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2011 |
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Modern Art Oxford, Oxford, UK (solo) |
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2010 |
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Voice and Wind, New Museum, New York, USA (solo) |
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2010 |
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Urban Origami, PM Gallery, London, UK |
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2010 |
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SQUATTING: ERINNERN, VERGESSEN, BESETZEN, Temporäre Kunsthalle, Berlin, Germany |
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2010 |
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LIKE ESKIMO SPACE, 1857, Oslo, Norway |
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2010 |
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THE NEW DÉCOR, Hayward Gallery, London, UK |
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2010 |
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THE PURSUER, GREENE Naftali Gallery, New York, USA |
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2010 |
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WORKERS LEAVING THE WORKPLACE, Muzeum Sztuki, Lodz, Poland |
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2010 |
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10,000 LIVES, 8th Gwangju Biennale, Gwangju, Korea |
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2010 |
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Galerie Barbara Wien Wilma Lukatsch, Berlin, Germany (solo) |
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2010 |
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SELF AS DISAPPEARANCE, Centre d'art contemporain - La Synagogue de Delme, Delme, France |
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2010 |
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MONUMENT TO TRANSFORMATION, Montehermoso Cultural Center, Vitoria, Spain |
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2010 |
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INTRO MOTION DITCH, Art Sheffield, S1 Artspace, Sheffield, UK |
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2010 |
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OPEN LIGHT IN PRIVATE SPACES, Biennale for International Light Art, Ruhr, Germany |
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2010 |
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AFTER ARCHITECTS, Kunsthalle, Basel, Switzerland |
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2010 |
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SQUATTING: ERINNERN, VERGESSEN, BESETZEN, Temporäre Kunsthalle, Berlin, Germany |
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2010 |
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Watchmen, Liars, Dreamers, Le Plateau, Frac Île-de-France, Paris, France |
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2010 |
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Oh! Masterpieces, Gyeonggi Museum of Modern Art, Ansan, South Korea (cat.) |
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2010 |
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Like Eskimo Space, 1857, Oslo, Norway |
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2010 |
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Voice Over Three, Artsonje Center, Seoul (cat./ solo) |
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2010 |
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Closures, Galerie Wien Lukatsch, Berlin, Germany (solo) |
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2010 |
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Artsonje Center, Seoul, Korea (catalogue) |
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2009 |
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Integrity of the Insider, Walker Art Center, Minneapolis, USA (solo) |
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2009 |
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YOUR BRIGHT FUTURE: 12 KOREAN ARTISTS, Los Angeles, LACMA, Museum of Fine Arts, Houston, Freer Sackler in Washington, D.C., USA (catalogue) |
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2009 |
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Making Worlds, 53rd Venice Biennial, Venice, Italy (cat.) |
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2009 |
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Assume Nothing: New Social Practice, Art Gallery of Greater Victoria, Canada |
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2009 |
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Transparent Layers, Alte Fabrik, Rapperswil, Switzerland |
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2009 |
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pop up!/meta-pop, Ludwig Forum, Aachen, Germany |
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2009 |
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Condensation, Korean Pavilion, Korean Pavilion, 53rd Venice Biennale, Venice, Italy (cat. / solo) |
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2009 |
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NEW SOCIAL PRACTICE, Art Gallery of Greater Victoria, Canada |
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2009 |
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Monument to Transformation, City Gallery Prague, Czech Republic |
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2009 |
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Everything, then, passes between us, Kölnischer Kunstverein, Cologne, Germany |
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2009 |
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Sequelism. Episode 3: Possible, Probable or Preferable Futures, Arnolfini, Bristol, UK |
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2009 |
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Walker Art Center, Minneapolis, USA (catalogue) (solo) |
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2008 |
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WESSEN GESCHICHTE, Hamburger Kunstverein, Germany (group) |
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2008 |
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BRAVE NEW WORLDS, La Coleccion Jumex, Mexico City, Mexico (group) |
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2008 |
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EURASIA, Geographic cross-overs in art, Mart Rovereto, Rovereto (Trento), Italy (group) |
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2008 |
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50 MOONS OF SATURN, 2nd Turin Triennial, Turin, Italy (group) |
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2008 |
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IF WE CAN¹T GET IT TOGETHER, The Power Plant, Toronto, Canada (group) |
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2008 |
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LETHAL LOVE, Cubitt gallery, London, England (solo) |
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2008 |
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ASYMMETRIC EQUALITY, Redcat, Los Angeles, USA (solo) (catalogue) |
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2008 |
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SYMMMETRIC INEQUALITY, Sala Recalde, Bilbao, Spain (catalogue) |
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2008 |
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Siblings and twins, Portikus, Frankfurt/Main, Germany (solo) |
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2008 |
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Der grosse Wurf: Faltungen in der Gegenwartskunst (Falling right into Place: The Fold in Contemporary Art), Museum Haus Lange, Kaiser Wilhelm Museum, Krefeld, Germany |
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2008 |
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Global Eurasia, Art Cologne, Germany |
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2008 |
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Too Early For Vacation, e v+ a, Limerick, Ireland |
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2008 |
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Run Run, Collins Gallery, commissioned by Glasgow International, Glasgow, Scotland |
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2008 |
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On That Which Remains, Nassauischer Kunstverein, Wiesbaden, Germany |
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2008 |
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Interfacing Practices, Galerie Magnus Mueller, Berlin, Germany |
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2008 |
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Freunde und Bekannte (Friends and Acquaintances), Sparwasser HQ, Berlin, Germany |
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2008 |
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Less, Haubrokshows, Berlin, Germany |
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2008 |
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Life On Mars, the 55th Carnegie International, Pittsburgh, USA |
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2008 |
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The Krautcho Club / In and Out of place, Forgotten Bar Project, Berlin, Germany; Project Space 176, London, England |
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2008 |
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Art 39 Basel, Haegue Yang and Jimmie Durham with Gallery Barbara Wien, Basel, Switzerland |
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2008 |
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The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China |
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2008 |
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The Twentyfirst, Silvershed, New York, USA |
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2008 |
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Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, MG, Brasil |
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2008 |
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Gallery at REDCAT, Los Angeles, USA (solo, catalogue) |
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2008 |
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Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, MG, Brazil |
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2008 |
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Akademie Schloss Solitude, Stuttgart, Germany |
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2008 |
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Farewell to Post-Colonialism, The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China |
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2008 |
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Eurasia. Geographic cross-overs in Art, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy |
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2008 |
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Open / Invited e v+ a 2008 – too early for vacation, e v+ a – exhibition of visual art, Limerick, Ireland |
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2008 |
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Von dem was dann noch bleibt, Nassauischer Kunstverein, Wiesbaden, Germany |
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2008 |
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Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg, Germany (solo) |
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2008 |
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27 november – 21 january, 2009, Dépendance, Brussels, Belgium |
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2008 |
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Zeitblick. Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland 1998-2008, Martin-Gropius-Bau, Berlin, Germany (cat.) |
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2007 |
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Basel Statement with Gallery Barbara Wien, Basel, Switzerland (solo) |
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2007 |
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Foxed in the Forest, Gallery Dépendance, Brussels, Belgium |
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2007 |
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MADE IN GERMANY, Sprengel Museum, Kestnergesellschaft, Kunstverein, Hannover, Germany |
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2007 |
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IMAGINE ACTION, Lisson Gallery, London, England |
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2007 |
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BRAVE NEW WORLDS, Walker Art Center, Minneapolis, USA (catalogue) |
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2007 |
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APAP; Anyang Public Art Project, Anyang, Korea (catalogue) |
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2007 |
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FLASH CUBE, Leeum, Seoul, Korea (catalogue) |
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2007 |
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PRAGUE BIENNALE, Prague, Czech (catalogue) |
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2007 |
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SOMETHING Mr. C CAN”T HAVE, KIAF 2007, COEX hall, Seoul, Korea |
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2007 |
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BRENNSCHLUSS, Galerie Andreas Huber, Vienna, Austria |
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2007 |
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HAUBROKSHOWS-STORAGE PIECE, Sammlung Haubrok, Berlin, Germany (solo) |
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2007 |
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REMOTE ROOM, Gallery Barbara Wien, Berlin, Germany (solo) |
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2007 |
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MODELS FOR TOMORROW: COLOGNE, Europäische Kunsthalle, Cologne, Germany |
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2007 |
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KUNSTPREIS BOETTCHERSTRASSE 2007, Kunsthalle, Bremen, Germany (catalogue) |
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2007 |
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dépendance at Galerie Neu, Galerie Neu, Germany |
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2007 |
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StadtanSichten: Seoul, IFA Gallery, Stuttgart, Germany (catalogue) |
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2007 |
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UNPACKING STORAGE PIECE, Haubrokshows, Berlin, Germany (catalogue) (solo) |
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2007 |
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re-dis-play | Nicht-Kunst-Sammlungen von Künstlern und Kuratoren, Kunstverein, Heidelberg, Germany |
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2007 |
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Mandla Reuter, Haegue Yang, Flaca, London, Great Britain |
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2007 |
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Tomorrow, Artsonje Center & Kumho Museum, Seoul, Korea |
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2007 |
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Micro-Narratives, 48th October Salon, Belgrade, Serbia |
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2007 |
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Virtuoso Interpretor – Formalismus als Formalismuskritik, Cluster, Berlin, Germany |
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2007 |
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If I can’t dance, I don’t want to be part of your Revolution, Episode IV: Feminist Legacies and Potentials in Contemporary Practice, Museum van Hedendaagse Kunst Antwerpen (MuHKA), Belgium |
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2007 |
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Dépendance at Galerie Neu, Galerie Neu, Berlin, Germany |
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2007 |
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Seven Basel Lights, Basel Statement with Galerie Barbara Wien, Basel, Switzerland (solo) |
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2006 |
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BAK, Unevenly, basis voor actuele kunst, Utrecht, Holland (solo) |
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2006 |
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Personal Affairs – New Forms of Intimacy, Museum Morsbroich, Leverkusen, Germany |
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2006 |
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If I can’t dance, I don’t want to be part of your Revolution, Episode II: Feminist Legacies and Potentials in Contemporary Practice, de Appel, Amsterdam, Netherlands |
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2006 |
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Como Viver Junto (How to Live Together), São Paulo Biennale, Brazil |
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2006 |
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Pigment Piano Marble, Maipú, Buenos Aires, Argentina |
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2006 |
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Political Design, Design of Politics, Zero One Design Centre, Seoul, Korea |
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2006 |
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SADONG 30, Incheon, Korea (catalogue) (solo) |
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2006 |
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Unevenly, BAK, basis voor actuele kunst, Utrecht, Netherlands (solo) |
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2005 |
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Cremer-Preis, LWL – Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (solo) |
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2005 |
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Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Germany |
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2005 |
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PUNKT UND LINIE, FLÄCHE UND RAUM, ZEICHNUNG HEUTE, Overbeck-Gesellschaft, Lübeck, Germany |
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2005 |
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WESTFÄLISCHES LANDESMUSEUM, Münster, Germany (solo) |
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2005 |
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Schnur im Nebel, Doppelzimmer, Giessen, Germany |
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2004 |
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A Grain of Dust a Drop of water, 5th Gwangju Biennale, Gwangju, Korea |
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2004 |
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This is not a Love Letter, Maronnier Museum, Seoul, Korea |
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2004 |
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Black friday: Exercises in Hermetics, Galerie Kamm, Berlin, Germany |
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2004 |
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Document, Seoul Metropolitan Museum of Arts, Seoul, Korea |
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2004 |
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Steaming away from the Places, Sangmyung University Museum, Seoul, Korea |
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2004 |
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KASSE, SHOP, KINO UND WEITERES, Hessisches Landesmuseum, Darmstadt, Germany (solo) |
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2004 |
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UNFOLDING, Dépendance, Bruxelles, Belgium (solo) |
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2004 |
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STORAGE PIECE, Gallery Lawrence O’Hana, London, England (solo) |
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2004 |
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Chasm, 3rd BUSAN BIENNALE, Busan, Korea |
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2004 |
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XS, Fa Projects, London, England |
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2004 |
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MIX MAX, Artsonje Center, Seoul, Korea |
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2004 |
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UNFOLDING PLACES, Gallery Barbara Wien, Berlin, Germany (solo) |
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2003 |
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UNREALISTIC TO GENERALIZE, Public, Paris, France (solo) |
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2003 |
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Hermès Korea Missulsang for Contemporary Korean Art, Artsonje Center, Seoul, Korea |
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2003 |
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DEMIRRORED ZONE, De Appel Foundation, Amsterdam, Netherlands |
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2003 |
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Facing: Korean Contemporary Art 2003, de Appel, Amsterdam, Netherlands |
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2003 |
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From Dusk to Dusk: International Exhibition of Contemporary Art, Kunsthal Charlottenborg, Copenhagen, Denmark |
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2003 |
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Tower of Babylon, Landesmuseum Mainz, Germany |
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2002 |
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The Fall, Galleri Christina Wilson, Copenhagen |
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2002 |
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We ‘re not going to give you pleasure, G29, Cardiff, England |
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2002 |
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Kunst und Technik, Kunstverein, Mannheim, Germany |
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2002 |
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Cité des Ondes, Cienquième Manifestation internationale vidéo et art èlectronique, Champ Libre, Montreal, Canada |
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2002 |
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P_A_U_S_E, 4th Gwangju Biennale, Korea* |
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2002 |
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Blink, Artsonje Center, Seoul, Korea |
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2002 |
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New tendencies in korean Art: Paradise Among Us, Arts Council Korea ( formerly: Korean Culture & Arts Foundation), Seoul, Korea |
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2002 |
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Subtiles elegances, La Galerie, Centre d’art contemporain, Noisy-le-Sec, France |
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2002 |
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Ssamzie Studio 3, Ssamzie Space, Seoul, Korea |
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2002 |
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THE FALL, Galleri Christina Wilson, Copenhagen, Denmark |
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2002 |
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40 YEARS: FLUXUS AND THE CONSEQUENCES, Wiesbaden, Germany |
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2002 |
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MANIFESTA 4, European Biennial of Contemporary Art, Frankfurt am Main, Germany |
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2002 |
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AIR AND WATER, Dresdener Bank, Frankfurt/M, Germany (solo) |
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2001 |
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SONDERFARBEN, Komunale Galerie, Darmstadt, Germany (solo) |
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2001 |
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Richard-Meier-Avenue, KunstPraxis, Siemens Arts Program, Munich, Germany |
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2001 |
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We ‘re not going to give you pleasure, rraum 02, Frankfurt/M., Germany; Galerie Art & Essai, Rennes, France; Protoacademy, Edinburgh, Scotland |
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2001 |
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VIP Union, VIP Lounge, 6th Art Forum Berlin, Germany |
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2001 |
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Tirana Biennale 1: Escape, Tirana, Albania |
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2001 |
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1 Site - 2 Places, project room, Galerie der Stadt Sindelfingen, Germany |
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2001 |
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Zu Gast (Being A Guest), Bellevue Saal, Wiesbaden, Germany |
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2001 |
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Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt/M., Germany |
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2001 |
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Invisible Touch, Artsonje Center, Seoul, Korea |
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2001 |
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Lunchtime of necktie Force, Posco Museum, Seoul, Korea |
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2000 |
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Blue Meadow – Colourful Language, Künstlerhaus Mousonturm, Frankfurt/M., Germany (solo) |
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2000 |
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Bejahung und Verneinung (Affirmation and Negation), Galerie Kolster, Frankfurt/M., Germany |
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2000 |
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Frankfurter Schule 2000, Glasgow, Scotland |
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2000 |
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Anno Zero, Cittadellarte – Fondazione Pistoletto, Biella, Italy |
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2000 |
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Kunstraum München, Munich, Germany |
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2000 |
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Art or Design, Seoul Arts Center, Korea |
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2000 |
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Lacquer Paintings 2000, Gallery Barbara Wien, Berlin, Germany (solo) |
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1999 |
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Support on Paper, Galerie Kolster, Frankfurt/M., Germany |
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1999 |
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Hamburgefonstiv, 1822 Forum der Frankfurter Sparkasse, Frankfurt/M., Germany (solo) |
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1999 |
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rraum, Frankfurt/M., Germany (solo) |
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1998 |
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Seoul in Media: Food, Clothing, Shelter, Seoul Metropolitan Museum of Arts, Seoul, Korea * |
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1998 |
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Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt/M., Germany |
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1998 |
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Where I Am, Lisbon World Exposition, Galeria Municipal da Mitra, Lisbon, Portugal |
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1995 |
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RRAUM, Frankfurt/M., Germany (solo) |
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Selected Public Collections |
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BSI Art Collection, Switzerland
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National Museum of Contemporary Art, Korea
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Sammlung Haubrok, Berlin, Germany
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Solomon R. Guggenheim Museum, New York, USA
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The Museum of Fine Arts, Houston, Texas, USA
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Walker Art Center, Minneapolis, Minnesota, USA
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Westfälisches Landesmuseum, Münster, Germany
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Bristol's Museums, Galleries & Archives, Bristol, UK
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Carnegie Museum of Art, Pittsburgh, USA
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Galerie für Zeitgenössische Kunst, Leipzig, Germany
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Kulturstiftung des Bundes, Halle an der Saale, Germany
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Kunsthalle Hamburg, Germany
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Leeum, Samsung Museum of Art, Seoul, Korea
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Los Angeles County Museum of Art, Los Angeles, USA
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Museum of Modern Art, New York, USA
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Muzeum Sztuki, Lodz, Poland
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Haegue Yang: Arrivals, Catalogue raisonné 1994 - 2011, ed. by Yilmaz Dziewior, exh. cat. Kunsthaus Bregenz, Berlin 2011 |
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Haegue Yang: Melancholy is a longing for the absoluteness, ed. by Samuso and Hyunsilmunwha, exh. cat. Artsonje Center, Seoul 2010 (Kor.) |
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Haegue Yang: Siblings and Twins, ed. by Melanie Ohnemus, exh. cat. Portikus, Frankfurt am Main 2010 |
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Haegue Yang: Symmetric Inequality, ed. by Leire Vergara, exh. cat. Sala Rekalde, Bilbao 2009 |
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Haegue Yang: Condensation. Kat. (Engl./Koreanisch) zur 53. Biennale Venedig, Hrsg. von Eungie Joo, 320 S., 170 farb. & 35 s/w Abb., 17,5x24,5, brosch, Seoul, Berlin 2009 |
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Haegue Yang: Asymmetric Equality. Kat. (Dt./Engl.). Anläßlich der Ausstellung in REDCAT, Los Angeles & Sala Rekalde, Bilbao, 216 S., ca. 250 teils farb.Abb., 25x20, brosch.. Los Angeles, Bilbao 2008 |
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Unpacking Storage Piece. Kat. (Dt./Engl.). Interview mit Axel Haubrok und Haegue Yang, Text von Raimar Stange, Buchdesign: Manuel Raeder. 48 S.,A 5, schräg gefaltet, Drahtheftg., 38 Abb., Aufl. 800 Exx.. Berlin 2007 |
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Yang, Haegue. Community of Absence. Kat. (Engl.). Hrsg. v. BAK, Basis voor actuele kunst, Utrecht. Texte v. Maria Hlavajova, Lars Bang Larsen, Binna Choi u.a.. 92 S., zahlr. farb. & s/w Abb., 29,5x21, Fadenheftg.. Frankfurt/Main 2007 |
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Community of Absence. Limited Edition Posters. Hrsg. v. BAK, Basis voor actuele kunst, Utrecht. Aufl. 100 Exx.. 92 S., 6 Plakate (à 59x42), 29,5x21, gefaltet & starker Pappe stabilisiert. Frankfurt/Main 2007 |
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Sa-dong 30. Kat. (Koreanisch/Engl.). Texte by Hyunjin Kim. Berlin / Seoul |
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Industrie und Technik, Dielmann Verlag, Frankfurt, 2002, Text by Anja Casser, Design: Ade Hauser Lacour, Frankfurt am Main, German and English, 48 pages |
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Luft und Wasser, Dresdner Bank, Frankfurt am Main, 2002, Text by Isabel Podeschwa, Design: Wolfgang Breuer and Achim Reichert, 16 pages, German and English |
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Sonderfarben, Katalog 1998-2001, Wiens Verlag, Berlin 2001, Text by Meike Behm, Martin Pesch, Jochen Volz and Peter Lütje, Design: Ade Hauser Lacour, Frankfurt am Main, German and English, 72 pages, ISBN 3-9806837-2-9 |
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Blink, Artsonje Center, Seoul, 2002, Text by Sungwon Kim, Design: Hyunjin Paik, Korean and English, 44 pages |
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Grid Block, cover design: Achim Reichert, 13 pages, offset, 500 copies, DIN A 4, 2000 |
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