Gillian Wearing  (British, 1963) 


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Gillian Wearing, Self Portrait at Twenty Seven Years Old


Gillian Wearing
Self Portrait at Twenty Seven Years Old

Maureen Paley
Gillian Wearing, Secrets and Lies


Gillian Wearing
Secrets and Lies

Tanya Bonakdar Gallery
Gillian Wearing, We as Warhol in Drag with Scar


Gillian Wearing
We as Warhol in Drag with Scar

Tanya Bonakdar Gallery
Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say (I've thought about being a gigolo but I'm worried about the health risk's!)


Gillian Wearing
Signs that say what you want them to say and not Signs that say what someone else wants you to say (I've thought about being a gigolo but I'm worried about the health risk's!)

Tanya Bonakdar Gallery
Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say (Work towards world peace)


Gillian Wearing
Signs that say what you want them to say and not Signs that say what someone else wants you to say (Work towards world peace)

Tanya Bonakdar Gallery
Gillian Wearing, Me As Arbus


Gillian Wearing
Me As Arbus

Tanya Bonakdar Gallery
Gillian Wearing, Kim


Gillian Wearing

Maureen Paley
Gillian Wearing, Family History


Gillian Wearing
Family History

Maureen Paley
Gillian Wearing, Snapshot


Gillian Wearing

Maureen Paley
Gillian Wearing, Self Portrait as My Grandmother Nancy Gregory and Self Portrait as My Grandfather George Gregory - Exhibition view Maureen Paley


Gillian Wearing
Self Portrait as My Grandmother Nancy Gregory and Self Portrait as My Grandfather George Gregory - Exhibition view Maureen Paley

Maureen Paley
1963   Born Birmingham, United Kingdom.
1985 - 1987   Chelsea School of Art, B.TECH Art & Design
1987 - 1990   Goldsmiths' College, University of London, B.A. (Hons.) Fine Art
  Currently lives and works in London
  2007 Royal Academician
  2007 Grazia o2 X Award for Art
  2002 British Television Advertising Award, Public Service: Gold
  1998 For 2 into 1, Oberhausen Short Film Festival
  1998 Prize of the Ministry of Employment, Social Affairs and Urban Development, Culture and Sport
  1997 Turner Prize 1997
  1993 BT Young Contemporaries
2012   Whitechapel Art Gallery, London, touring to K20, Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany and Pinakothek der Moderne, Munich (solo)
2011   People, Tanya Bonakdar Gallery, New York (solo)
2008   Regen Projects, Los Angeles (solo)
2008   History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo
2008   EXISTENCIAS, MUSAC, León, Spain
2008   Irish Museum of Modern Art” Obras Fundamentales, Sala Kubo-Kutxa, San Sebastian
2008   La Collection d’art d’agnes b, JRP Ringier, Zürich
2008   Martian Museum of Terrestrial Art, Barbican Art Gallery, London
2008   Print the Legend: Contemporary Art and the Western, The Fruitmarket Gallery, Edinburgh
2008   Tarantula, Fondazione Nicola Trussardi, Milan, Italy
2008   You are my mirror 1: Je t'aime, moi non plus, Frac Lorraine, Metz, France
2008   Worlds on video, Centro di Cultura Contemporanea Palazzo Strozzi, Firenze, Italy
2007   Breaking step/Uraskoraku, Museum of Contemporary Art, Belgrade
2007   Family Monument, Galleria Civica di Arte Contemporanea, Trento (solo)
2007   Elsewhere?, Galleria Emi Fontana, Milan (solo)
2007   Held Together with Water, MAK, Vienna
2007   Passion Complex, 21st Century Museum of Contemporary Art, Kanazawa, Japan
2007   Role Exchange, Sean Kelly, New York
2007   Talking Pictures: Theatricality in Contemporary Film and Video Works, K21, Düsseldorf
2007   The Turner Prize: A Retrospective, Tate Britain, London
2007   Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum, New York
2007   ELSEWHERE?, Galleria Emi Fontana, Milan
2006   Eye On Europe: Prints, Books and Multiples / 1960 to Now, The Museum of Modern Art, New York
2006   Aftershock, Contemporary British Art 1990 – 2006, Guangdong Museum of Art, Guangzhou, China & Capital Museum, Beijing, China
2006   Before the Camera: Remaking Reality and the Make-believe, Norton Museum of Art, West Palm Beach, Florida
2006   Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne (solo)
2006   Family History, in conjunction with the Film and Video Umbrella, touring exhibition: The Forbury Hotel Apartments, Reading; Ikon, Birmingham (solo)
2006   Family History, Maureen Paley, London (solo)
2006   Local Stories, Modern Art Oxford, Oxford
2006   Live Screen, Lilian Baylis Theatre at Saddlers Wells, London
2006   Of Mice and Men, Fourth Berlin Biennial for Contemporary Art, Berlin
2006   Making History – Art and Documentary in Britain from 1929 to Now, Tate Liverpool, 2006
2006   Mouvement: Des Deux Côtés du Rhin, Museum Ludwig, Cologne
2006   People, Museo D’Arte Contemporanea Donnaregina, Naples
2006   Portrait of Artists, Luring Augustine
2006   Me, Myself and I, Contemporary Art Center of Virginia
2006   Shoot the Family, touring exhibition: Cranbrook Art Museum, and others
2006   The Monty Hall Problem, Blum & Poe, Los Angeles
2006   A Short History of Performance part IV, Whitechapel Art Gallery, London
2006   Raconte-moi/ Tell me, Casino Luxembourg, Luxembourg
2005   The Kyber Arts Center, Nova Scotia
2005   The Gesture, A visual library in progress, Macedonian Museum of contemporary Art, Thessaloniki, Greece, and Quarter, Centro Produzione Arte, Florence, 2005
2005   New Work/New Acquisitions, MOMA The Museum of Modern Art, New York
2005   Sculpture in the park, Durham Art Gallery & DLI Museum, England
2005   Body: New art from the UK, Vancouver art gallery (2005), The Ottawa art gallery (2006), Oakville galleries (2006), Edmonton art gallery (2006)
2005   Irreducible: Contemporary Short Form Video, CCAC Wattis Institute for Contemporary Arts, San Francisco, & The Bronx Museum of the Art, New York
2005   25. Twenty-five years of the Deutsche Bank Collection, Deutsche Guggenheim, Berlin
2005   raconte-moi, Musee national des beaux-arts du Quebec, Canada
2005   Snapshot, Bloomberg Space, London (solo)
2005   Outreach Award, Rencontres d’Arles Festival, Arles, France (solo)
2005   Family Pictures – Fotografia contemporanea e Video dalla Collezione del Guggenheim Museum, Galleria Gottardo, Switzerland
2004   Faces in the crowd – Picturing modern life from Manet to today, The Whitechapel art gallery, London, UK
2004   With all due intent, European Biennial of contemporary art, Spain
2004   Inaugural Show: MoMA reopening, Museum of Modern Art, New York
2004   Social Creatures: How body becomes art, Sprengel Museum Hannover
2004   ART NEWS: contemporary artists working with newspaper, Three Colts Gallery, London
2004   Revolving Doors, Fundación Telefónica, Madrid
2004   About Face, Hayward Gallery, London
2004   Busan Biennale 2004, Seoul
2004   Manifesta, San Sebastian
2004   Frans Hals Museum, Haarlem, The Netherlands (solo)
2004   Album, Regen Projects, Los Angeles (solo)
2004   Kiasma/Museum of Contemporary Art, Helsinki (solo)
2003   Album, Gorney Bravin+Lee, New York (solo)
2003   Album, Maureen Paley Interim Art, London (solo)
2003   Mass Observation, ICA Philapelphia (solo)
2003   Mass Observation, Musée d'Art Contemporain de Montréal (solo)
2003   A bigger s[lash – British art from Tate – 1960 – 2003, Pavihao lucas Nogueira Garcez – Oca Parque ibirapuera, Sao Paul & Instituto Tomie Ohtake
2003   Contemporary British Art from the Paragon Collection, Hakodate Museum of Art, Hokkkaido, Japan
2003   Fast Foreward, Sammlung Goetz
2003   Strange Days, Museum of Contemporary Art, Chicago
2003   Synopsis III - Fiction and Reality, National Museum of Contemporary Art, Athens
2003   Happiness: a survival guide for art & life, Mori Art Museum, Tokyo
2003   Outlook, International Art Exhibition 2003, Athens
2003   Inaugural Exhibition, Regen Projects, Los Angeles
2002   Face Off, Kettle's Yard, Cambridge and touring
2002   Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz, Staatliche Kunsthalle, Baden-Baden
2002   Mass Observation, Museum of Contemporary Art, Chicago (solo)
2002   A Trilogy, Vancouver Art Gallery, Vancouver (solo)
2002   Kunsthaus Glarus, Glarus, Switzerland (solo)
2002   Coming of Age, The New Art Gallery, Walsall
2002   To Whom it May Concern, California College of Arts and Crafts, San Francisco
2002   Just Love me/Die Wohltat der Kunst, Fries Museum Leeuwarden (2004), Bergen Museum of art (2003), Samnlung Goetz (2003), Staatliche Kunsthalle Baden-Baden (2002)
2002   I promise it's political, Museum Ludwig, Cologne
2002   Remix: Contemporary Art and Pop, Tate Liverpool
2002   Bienal de São Paulo, Sao Paulo, Brazil
2002   The Video Show, Centraal Museum, Utrecht
2002   Acquisitions 2001 – Part 1: Photographs, Video Installations, Video, National Museum of Contemporary Art, Athens
2001   Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool
2001   ABBILD recent portraiture and depiction, Landesmuseum Joanneum, Graz
2001   Angel Row Gallery, Nottingham (solo)
2001   Centro Galego de Arte Contemporánea, Santiago, Spain (solo)
2001   Unspoken, Kunstverein München, Munich (solo)
2001   Museo do Chiado, Lisbon (solo)
2001   Sous Influence, Musée d’Art Moderne de la Ville de Paris, Paris (solo)
2001   “la Caixa”, Madrid (solo)
2001   Bluecoat Gallery, Liverpool (solo)
2001   No World Without You, Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv
2001   W, Centre d’Art Mobile, Besançon, France
2001   Birmingham, Ikon Gallery, Birmingham
2001   Inner State of Health: The Person in the Mirror of Contemporary Art, Kunstmuseum Liechtenstein
2001   Biennale de Lyon art contemporain 2001, Lyon
2001   Milano Europa 2001, Palazzo dellaTriannale, Milan
2001   Confidence pour confidence, Casino Luxembourg, Luxembourg
2001   Video Evidence, Southampton City Art Gallery, Southampton
2001   Film Festival Rotterdam, Museum Boijmans Van Beuningen Rotterdam, Rotterdam, The Netherlands
2001   Century City, Tate Modern, London
2000   Regen Projects, Los Angeles (solo)
2000   Serpentine Gallery, London, Curated by Lisa G. Corrin (solo)
2000   Gorney Bravin+Lee, New York (solo)
2000   Autowerke, Deichtorhallen, Hamburg
2000   Intelligence: New British Art 2000, Tate Britain, London
2000   Puerile ’69, The Living Art Museum, Reykjavík
2000   Tate Modern Collection, Tate Modern, London
2000   Contemporary Art Center, Cincinnati
2000   Sydney Biennale, Museum of Contemporary Art, Sydney
2000   docudrama, Bury St. Edmunds Art Gallery, Bury St. Edmunds
2000   Tate Britain Collection, Tate Gallery, London
2000   Let’s Entertain, Walker Art Center, Minneapolis and touring
2000   Quotidiana, Castello di Rivoli, Turin
2000   Makeshift, ArtPace, San Antonio, Texas
1999   A Woman Called Theresa, Ophiuchus Collection, The Hydra Workshop, Hydra, Greece (solo)
1999   Galerie Anne de Villepoix, Paris (solo)
1999   Drunk, De Vleeshal, Middelburg, The Netherlands (solo)
1999   Maureen Paley Interim Art, London (solo)
1999   Rewind to the Future, Bonner Kunstverein, Bonn and Neue Berliner Kunstverein, Berlin
1999   People, Le Spot, contemporary art centre, Le Harve
1999   Hundstage, Gesellschaft für Aktuelle Kunst, Bremen
1999   Ex-Change, La Criee-Centre d’Art Contemporain, Rennes
1999   The Viewing Room, Kansas City Art Institute, Kansas City
1999   This Other World of Ours, TV Gallery, Moscow
1999   Rattling the Frame: The Photographic Space 1974-1999, SF Camerawork, San Francisco
1999   La Coscienza Luccicante, Palazzo delle Esposizioni, Rome
1999   6th International Istanbul Biennial, Istanbul, Turkey
1999   Garden of Eros, Centre Cultural Tecla Sala, Barcelona
1999   Common People, Fondazione Sandretto re Rebaudengo per l’Arte, Turin
1999   Sweetie: Female Identity in British Video, The British School at Rome
1999   Searchlight: Consciousness at the Millennium, The California College of Arts and Crafts, Oakland
1999   Private Room / Public Space, Almeers Centrum Hedendaagse Kunst, Al Almere, The Netherlands
1998   Spacex Gallery, Exeter, UK (solo)
1998   Gallery Koyanagi, Tokyo, Japan (solo)
1998   Centre d’Art Contemporain, Geneva, Switzerland (solo)
1998   La Concienza Luccicante, Palazzo delle Esposizioni, Rome
1998   In Visible Light, Moderna Museet, Stockholm
1998   Fast Forward Body Check, Kunstverein, Hamburg
1998   Sensation - Young British Artists from the Saatchi Collection, Museum für Gegenwart, Berlin
1998   Contemporary British Art, The Museum of Contemporary Art, Seoul, Korea
1998   Galerija Dante Marino Cettina, Umag, Croatia
1998   UK Maximum Diversity, Galerie Krinzinger, Bregenz and Künste Wein, Vienna, Austria
1998   A Collection in the Making, The Irish Museum of Modern Art, Dublin
1998   Internationale Foto Triennale/Photography as Concept, Galerien der Stadt Esslingen, Esslingen, Germany
1998   Made in London, Musea de Electricidade, Lisbon
1998   La Sphere de L’Intime, Le Printemps de Cahors, Saint-Cloud, France
1998   Real/Life: New British Art, Japanese Museum Tour, Tochigi Prefectural
1998   Museum of Fine Arts, Fukuoka City Art Museum, Hiroshima Museum of Contemporary Art, Tokyo Museum of Contemporary Art
1998   Musée du Rochechouart, (with Valerie Jouve and Rineke Dijkstra), Rochechouart, France
1998   Videorama, Depot, Kunst und Diskussion, Vienna, Austria
1998   White Noise, Kunsthalle Berne, Switzerland
1998   ENGLISH ROSE in Japan (with Tracey Emin & Georgina Starr), The Ginza Artspace, Tokyo, Japan
1997   The Turner Prize 1997, Tate Gallery, London
1997   Private Face - Urban Space, co-organised by the Hellenic Art Galleries
1997   Association & The Rethymnon Centre for Contemporary Art, Athens & Rethymnon, Greece
1997   Strange days – British contemporary photography, Claudia gian ferrari arte contemporanea, Milan, Italy
1997   Tales from the City, Stills Gallery, Edinburgh
1997   Sensation, Saatchi Collection, Royal Academy of Art, London
1997   Pictura Britannica: Art from Britain, Museum of Contemporary Art, Sydney, Australia, travelling to Adelaide, Australia and Wellington, New Zealand
1997   Projects, The Irish Museum of Modern Art, Dublin
1997   Package Holiday - New British Art in the Ophiuchus Collection The Hydra Workshop, Hydra, Greece
1997   Splash, AAC Galerie Weimar, Germany
1997   I.D., Nouveau Musee, Villeurbanne, France
1997   Gillian Wearing/Barbara Visser, Bloom Gallery, Amsterdam, Holland
1997   Galerie Anne de Villepoix, Paris
1997   S.L. Simpson Gallery, Toronto, Canada
1997   In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford
1997   Galerie Drantmann, Brussels, Belgium (solo)
1997   Jay Gorney Modern Art, New York (solo)
1997   Wiener Secession, Vienna, Austria (solo)
1997   10 - 16, Chisenhale Gallery, London (solo)
1997   Kunsthaus Zürich, Switzerland (solo)
1997   Emi Fontana, Milan, Italy (solo)
1996 - 1997   Maureen Paley Interim Art, London (solo)
1996   Wish You Were Here (Video Evenings at De Appel), Amsterdam (solo)
1996   Le Consortium, Dijon, France (solo)
1996   Gillian Wearing, City Projects - Prague, Part II, The British Council, Prague (solo)
1996   Valentina Moncada, Rome (British Council) (solo)
1996   Maureen Paley Interim Art, London (solo)
1996   I.D., Van Abbe Museum, Eindhoven, The Netherlands
1996   Life / Live, co - curated by Laurence Bosse & Hans-Ulrich Obrist, ARC (Musée d'Art Moderne de la Ville de Paris), France
1996   Full House -Young British Art, Kunstmuseum Wolfsburg, Germany
1996   Playpen & Corpus Delirium, Kunsthalle Zürich, Switzerland
1996   a/drift: Scenes From the Penetrable Culture, curated by Joshua Decter, Center for Curatorial Studies, Bard College, New York
1996   The Aggression of Beauty, Galerie Arndt & Partner, Berlin
1996   Electronic Undercurrents - Art & Video in Europe, The Royal Museum of Fine Arts, Copenhagen
1996   Private View, Contemporary Art in the Bowes Museum, Barnard Castle, County Durham, co - curated by Penelope Curtis and Veit Görner, organised by the Henry Moore Institute
1996   The Fifth New York Video Festival, The Film Society of Lincoln Center, New York
1996   Toyama Now '96, curated by Iwona Blazwick, The Museum of Modern Art, Toyama, Japan
1996   The Cauldron, Henry Moore Institute, Leeds
1996   NowHere, (Incandescent, curator Laura Cottingham), Louisiana Museum of Modern Art, Humlebaek, Denmark
1996   Auto-reverse 2, Centre National D'Art Contemporain Grenoble, France
1996   Traffic, CAPC Musée Contemporain Bordeaux, France
1996   Imagined Communities, Oldham Art Gallery; John Hansard Gallery, Southampton; Firstsite, Colchester; Walsall Museum & Art Gallery; Royal Festival Hall, London; Gallery of Modern Art, Glasgow
1996   Pandaemonium; London Festival of Moving Images, I.C.A, London
1995   The British Art Show, National Touring Exhibitions
1995   X/Y, Centre Georges Pompidou, Paris
1995   Campo, Venice Biennale, curated by Francesco Bonami
1995   Sage, Galerie Michel Rien, Tours, France
1995   It's not a picture, Galleria Emi Fontana, Milan
1995   Brilliant! New Art from London, Walker Art Center, Minneapolis
1995   Brill: Works on Paper by Brilliant Artists, Montgomerie Glasgoe Fine Art, Minneapolis
1995   British Art Show 4, touring Great Britain
1995   Mysterium Alltag, Kampnagel, Hamburg, (with Jane & Louise Wilson, Tacita Dean, Tracey Emin)
1995   Aperto '95, Nouveau Musée, Institut d'Art Contemporain, Villeurbanne, France
1995   Hotel Mama (Aperto '95), Kunstraum, Wein, Austria
1995   Make Believe, Royal College of Art, London
1995   Mobius Strip, Basilico Fine Arts, New York
1995   Hello! Andréhn - Schiptjenko, Stockholm
1995   Gone, Blum & Poe, Los Angeles, (with Bas Jan Ader, Sam Durant, Rainer Ganahl)
1995   Western Security, Hayward Gallery, London (solo)
1994   Maureen Paley Interim Art, London (solo)
1994   Le Shuttle, Künstlerhaus Bethanien, Berlin
1994   3.016.026, Theoretical Events, Naples
1994   Uncertain Identity, Galerie Analix B & L Polla, Geneva
1994   Fuori Fase, Via Farini, Milan
1994   Domestic Violence, curated by Alison Jacques, Gio Marconi's House, Milan
1994   R.A.S, curated by Gianni Romano, Galerie Analix B & L. Polla, Geneva
1994   Not Self-Portrait, Karsten Schubert, London
1993   BT Young Contemporaries; Cornerhouse, Manchester, Orchard Gallery, Derry, The Maplin Art Gallery, Sheffield, City Museum and Art Gallery, Stoke-on-Trent, Centre for Contemporary Art, Glasgow
1993   Okay Behaviour, 303 Gallery, New York
1993   Mandy Loves Declan 100%, Mark Boote Gallery, New York
1993   2 into 1, Centre 181 Gallery, London
1993   Vox Pop, Laure Genillard Gallery, London
1993   City Racing, London (solo)
1992   Instruction, Marconi Gallery, Milan
1992   British Art Group Show, Le Musee des Beaux Arts dans Le Havre, France
1991   Piece Talks, Diorama Art Centre, London
1991   Clove 1, The Clove Building, London
1991   Empty Gestures, Diorama Art Centre, London
  ARC, Paris
  Arts Council of Great Britain, London
  The British Council, London
  Contemporary Art Society, London
  The Government Art Collection, London
  The Henry Art Gallery, University of Washington, Seattle
  Irish Museum of Modern Art, Dublin
  Leeds City Art Gallery, Leeds
  Saatchi Gallery, London
  Tate Britain, London
2010    Corris, Michael, Hunt, John Dixon, & David Lomas, Art, Word and Image: 2,000 Years of Visual/Textual Interaction, London, Reaktion Books, 2010, pp. 279 & 282
2008    Velasco, David & Wearing, Gillian, Gillian Wearing,, 11 July 2008
2008    Art House: Gillian Wearing, Dazed & Confused, November 2008, pp.158-159
2008    Beech, Dave, Include me out!, Art Monthly, April 2008, pp.1-4
2008    Dambrot, Shana Nys, Gillian Wearing’s Pin Up’s at Regen Projects,, September 2008
2008    Dyer, Geoff, The Lure of the Street, Guardian: Review, 31 May 2008
2008    LA premiere for Wearing pin-ups, Art World, August 2008, p.26
2008    Lehrer-Graiwer, Sarah, Gillian Wearing, Artforum, October 2008, pp.392-393
2008    Myers, Holly, The reality behind dreams of glamour, Los Angeles Times, 15 August 2008
2008    Zellen, Jody, Gillian Wearing, Artillery, September?October 2008, p.53
2008    Schwabsky, Barry, Turner Prize: A Retrospective 1984-2006, Artforum, January 2008, p.277
2008    Stiles, Kristine and Selz, Peter, Theories and Documents of Contemporary Art, University of California Press, 2008
2007    Innovative Ikon gets tough, Art World, December 2007, p.17
2007    Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52-55
2007    Marinos, Christopher, Focus Greece: Dakis Joannou, Flash Art, October 2007, pp.100-101
2007    Meneghelli, Luigi, Italian Landscape: Gillian Wearing, Flash Art, July 2007, p 83
2007    Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum/ Merrell
2007    Breaking step/U raskoraku, Museum of Contemporary Art, Belgrade
2007    Cavallucci, Fabio & Natalicchio, Christina, Gillian Wearing: Family Monument, Work, Summer 2007, pp.39-49
2007    Bosco, Orian, Formato tv, Work, Summer 2007, pp.50-51
2007    Higgins, Charlotte, Who’s Shocking Now?, The Guardian Weekend, 8 September 2007, p.30
2007    Julia, Princess, Turner Prize: A Retrospective, I-D, December 2007, p.172
2007    Smolik, Noemi, Talking Pictures, Artforum, December 2007, p.367
2007    Wearing, Gillian, On The Record, Art Review, November 2007, p.214
2007    Family History, Film and Video Umbrella, Maureen Paley, London (solo publication)
2006    Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne (solo publication)
2006    Contemporary Subject, Routledge, 2006, pp 157-9
2006    Briers, David, Insignificance, Art Monthly, April 2006, p7-10
2006    Bock, John & Wearing, Gillian, directed by Cattelan, Maurizio, Tarzan & Jane: Madness, domus, 06 June 2006, p98&99
2006    C, R, Making History: Liverpool, The Guardian Guide, 06 February 2006
2006    Clark, Robert, Gillian Wearing: Family History, Guardian Guide, 9 September 2006, p.36
2006    Cousins, Mark, The aesthetics of documentary, Tate ETC, March 2006
2006    Cripps, Charlotte, Arts Previews: These are the days of our lives, The Independent, 17 January 2006
2006    Crompton, Sarah, When reality TV was the real world, The Daily Telegraph, 12 July 2006, p28
2006    Von Mäusen und Menschen / Of Mice and Men, 4th Berlin Biennial for contemporary art, Hatje Cantz, 2006
2006    Ewing, William A., FACE: The New Photographic Portrait, Thames & Hudson, 2006, p. 91
2006    Gardiner, Juliet, Candid Culture, History Today, April 2006, p5&6
2006    Gray, Louise, Sex, Lies and videotape – Tea with Gillian Wearing, Blind Date, 2006, p94& 148-151 & 217
2006    Hruska, Libby, (editor), Eye On Europe: Prints, Books and Miltiples / 1960 to Now, The Museum of Modern Art, 2006, pp 225-6, 227, 259, 287
2006    Hubbard, Sue, Even artists are getting real, The Independent: extra, 2 November 2006
2006    James, Sarah, Documenting Documentary, Art Monthly, April 2006, p1-4
2006    Jefferies, Stuart, Get real, The Guardian, G2, 06 July 2006, p18-21
2006    Jones, Amelia, Self/ Image: Techinology, Representation and the Photographs: Kraus, Alex, Blind Date Seligenstadt, Deutsche Bank, May 2006
2006    Kuhn, Nicola, Zimmer mit Einsicht, Tagesspiegel, 24 March 2006
2006    Lack, Jessica, Gillian Wearing: Family History, Reading, Guardian Unlimited: The Guide, 03 July 2006
2006    Lee, David, An obsession with art, Ag, Spring 2006, p56-65
2006    Lippiatt, Matt, Keeping it in the family, The Times, 03 October 2006
2006    Lubbock, Tom, Here comes everybody…, The Independent, 06 February 2006, p44&45
2006    Martin, Sylvia, Video Art, Taschen, Germany
2006    Nairne, Andrew, Local Stories, Modern Art Oxford, 2006, pp 26-31
2006    Nairne, Sandy & Howgate, Sarah, The Portrait Now, National Portrait Gallery Publications, 2006
2006    Nairne, Osterberg, Catherine, The Portrait Now, Contemporary, May 2006, p79
2006    Roberts, Russell, Stranger than Fiction, Source, March 2006, p48&49
2006    Russell Taylor, John, The poetic truth in black and white, times2, 07 February 2006, p19
2006    Ruyters, Domeniek, Exposed and Worse, Metropolis M, October / November, 2006, p93-95
2006    Schneider, Arnd, Wright, Christopher, Contemporary Art and Anthropology, Berg, 2006
2006    Schwan, Gary, Remaking Reality and the Make-believe,, 22 October 2006
2006    Steeds, Lucy, Local Stories, Katerina Seda, Art Monthly, No. 295, April 2006, p22-23
2006    Walsh, Maria, Gillian Wearing, Art Monthly, No. 300, October 2006, p26&27
2006    Making History – Art and Documentary in Britain from 1929 to Now, Tate Publishing, 2006
2006    West, Esme, (editor), New Art on View, Scala, 2006, p 51
2006    A serious look at the world: Crossing the line between art and documentary, The Daily Post, 10 February 2006
2006    An Artistic Frame of Mind, liverpoolcitywise, April 2006, p22&23
2006    Gillian Wearing - Family History,, 20 June 2006
2006    Gillian Wearing, Phaidon 2006/2007, June 2006, p60
2006    Projects: Family History, Gillian Wearing,, 07 July 2006
2006    The glittering prizes, Art Newspaper, March 2006
2006    Time off: ‘Making History: Art and Documentary in Britain from 1929 to now’, Gazette, 04 February 2006
2006    News, Art Newspaper, March 2006
2006    A Short history of Performance Part IV, Whitechapel Gallery, 2006
2006    View from the streets, The Guardian, 14 January 2006
2005    Bright, Susan, Art Photography Now, Thames & Hudson, 2005, p18, 42-43
2005    Cotter, Holland, Art Review, Irreducible, Videos, Long and Short, That Can Really Move, The New York Times, 16 December 2005
2005    guardami, percezione del video, Palazzo Delle Papesse Centro Arte Contemporanea, 2005, p148-149
2005    Colour Photography – Fifty Postcards, The Museum of Modern Art, Nº50
2005    Irish museum of modern art – The Collection, The Irish Museum Of Modern Art, p180
2005    Burnett Craig, The Legacy of Diane Arbus, V&A MAGAZINE, Winter 2005 - 6, p43
2005    Cripps, Charlotte, From Gillian With Love, The Independent Magazine, 8 October 2005, pp 27 – 30
2005    Coleman, Sarah, Interview with Gillian Wearing, Photo Metro, Volume 16, Issue 31, March 2005, p28-31
2005    Dault, Julia, Body Slam, Vancovers mega-celebration of the human form holds nothing back, National Post, 07 July 2005
2005    De Salvo, Donna, (editor), press PLAY, contemporary artists in conversation, Phaidon Press Limited, 2005, p642 - 657
2005    Elwes, Catherine, Video Art, A Guided Tour, I.B. Tauris, 2005
2005    Field, Marcus, The Dark Art, The Sunday Review – The Independent on Sunday, 9 October, pp20 – 23
2005    Gessell, Paul, A body of art in your face, Ottawa Citizen, 28 November 2005, pD1-D2
2005    Herbert, Martin, Gillian Wearing, Bloomberg, Time Out London, Nº.1835, 16-26 October 2005, p42
2005    O’Reilly, Sally, Self-reflexivity, Art Monthly, Nº289, September, pp 7- 289
2005    O’Hagan, Sean, Put me off at the strawberry, The Observer, July 10, p10
2005    Malik, Amna, Faces in the crowd, Picturing Modern life from Manet to today, Art Monthly, February, Nº283, pp31-33
2005    Milroy, Sarah, They sing the body eclectic, National Post, 30 July 2005
2005    Rugoff, Ralph, Irreducible: Contemporary Short Form Video, CCA Wattis Institute for Contemporary Arts, San Francisco, p 11
2005    Cavalli, Roberto, Party Party Party, Tatler, September, p155-157 & 170
2005    Thatcher, Jennifer, Review, Gillian Wearing, Snapshot, Bloomberg SPACE, Pluk, Issue 27, November - December 2005, p34-35
2004    Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2004, p30, 196
2004    Kent, Sarah, Visage d’or, Time Out, 8-15 December
2004    Cornell, Frida, Stillsamma Samt, Konstperspektiv, p. 8 – 11, September
2004    Ouroussoff, Nicolai, Art Fuses With Urbanity in an Aesthetically Pure Redesign of the Modern, The New York Times, 15 November
2004    Bush, Kate, Young British Art: Kate Bush on the YBA sensation, Artforum, October
2004    Fox, Dan, Manifesta 5 European Biennial of Contemporary Art, Frieze , September
2004    Frigstad, Gard Olav, Manifesta med selvtillit, Aftenposten (Norway), August, p10
2004    Roos, Robbert, Een Wereld In Het Hoofd, Kunstbeeld, p. 6 – 13, September
2004    Velde, Paola van de , Jeugdtrauma’s en familieportretten, 20 June
2004    Cameron, Dan, I’m Deperate: Gillian Wearing’s Art of Transposed Identities, Parkett, No. 70, May 2004, p98-103
2004    Rabinowitz, Cay Sophie, Gillian Wearing on her Album Series (2003), Parkett, No. 70, May 2004, p124-127
2004    Burn, Gordon, The Encounter with Reality, Parkett, No. 70, May, p108-115
2004    Gilian Wearing, NRC, 20 May
2004    Wesseling, Janneke, Wearing kijkt achter het masker, NRC, 18 May
2004    Huygen, Frederike, Biechtstoel of peepshow, Museumtijdschrift, April May
2004    Wetering, Geert van de, De wanhoop van Gillian Wearing, De Volkskrant, 21 April
2004    Pagel, David, Fantasy, Reality: Wearing her Art, Los Angeles Times, 9 April
2004    Poppe, Ine, Kunstmatige families, Mr Motley – Familie Issues, Nº2, pp54-59
2004    Keijer, Kees, Biechten aan de videocamera, Het Parool, 7 April
2004    Hoore, Cees van, Het duistere innerleik van de mens, Haarlem Dagblad, 3 April
2004    Dunn, Melissa, Gillian Wearing, Gorney Bravin + Lee, Flash Art, March - April
2004    Kivirinta, Marja-Terttu, Tuskallisia tunnesiteitä, Helsingin Sanomat, 6 March
2004    Taylor, John Russell, Glad Hand for a Baltic Exchange, The Times, 3 March
2004    Schwabsky, Barry, The eyes have it: Gillian Wearing on Diane Arbus, Artforum, February
2004    Vincent, Martin, The British Art Show, Metro, 24 November 2004
2004    Art Newspaper, February 2004
2004    Losing Face / Saving Face, About Face, 24 June 2004
2003    Campony, David, Art and photography, Phaidon, p128
2003    Sumpter, Helen, Gilian Wearing, Art Review, December 2003/January 2004
2003    Johnson, Ken, Gillian Wearing, ‘Album’, The New York Times, 19 December
2003    Tebbs, Paul, Album, Gillian Wearing, Source, Winter 2003
2003    Mcafee, Dionne, Gillian Wearing, Canadian Art, Fall 2003
2003    Aletti, Vince; Blank, Gil; Neri, Louise; Traub, Charles, How have some of the questions that Meatyard was asking been approached by successive generations? Influence, Issue 1, p36-41
2003    O’Reilly, Sally, Gillian Wearing, Time Out, 5 – 12 November, No. 1733
2003    Slyce, John, That Essence Rare: Gillian Wearing’s Family Album, contemporary, 2003, p26-30
2003    Smee, Sebastian, The art of the matter, The Independent Magazine, 18 October
2003    Princenthal, Nancy, Gillian Wearing, Private I, Art in America, Nº3, March
2002    City Racing – The life and times of an artist run gallery, 1988 - 1998, Black Dog Publishing
2002    New title – Gillian Wearing, Mass Observation, Merrell, Autumn, p13
2002    Gravagnuolo, Emma, Piú forte dello scandalo, Arte, November
2002    Morton, Tom, Everyone’s a Winner, Tate, November/December 2002, p70-75
2002    Smith, Roberta, How Masks can Amplify as Well as Conceal, The New York Times, 3 December
2002    Craddock, Sacha, gillian wearing, tema celeste, No. 93, September/October
2002    Coomer, Martin. Vogue's galleries, Time Out, Nº1675 25 Sept - 02 Oct
2002    Frankel, David, Gillian Wearing, Artforum, XLI, No.1, September
2002    Christophe Kihm, Les DJ Sont-Ils Modernes? briseglace, June
2002    Calhoun, Dave. ‘Another Thing I Wanted to Tell You’ by Gillian Wearing, Another Magazine, Spring Summer
2002    Mass Observation, Museum of Contemporary Art, Chicago (solo publication)
2001    Broad Street, Gillian Wearing, Museu do Chiado, Lisbon (solo publication)
2001    Gillian Wearing ‘Sous influence’, Musée d’Art Moderne de la Ville de Paris (solo publication)
2001    Gillian Wearing, Fundacio “la Caixa”, Madrid (solo publication)
2001    Berrebi, Sophie. Génération Sensation, Connaissance des Arts, Nº589, December
2001    Grosenick, Uta & Burkhard Riemschneider, Icons - Art Now, Taschen, pp 170–171
2001    Strange, Raimer. The Public is Private, Women Artists in the 20th & 21st Century, publ. Taschen, pp536-541
2001    Wainwright, Jean. Can we talk about contemporary video and film art in terms of genres, PLUK, Issue 2, September October
2001    Long, Declan. Edge of Anxiety: Artists at the City Limits, ssi newsletter, September October
2001    Rodney, Lee. Nostalgia and Nationalism/Two London Surveys, C International Contemporary Art, Issue #70 Summer
2001    Gualdi, Stefano. Gillian Wearing, Fundacio “la Caixa”, Madrid, tema celeste, 85, May June
2001    Newman, Michael. The Demotic Art of Gillian Wearing, Parachute, 102
2001    Shreef, Zaria. Semi-detached, The Big Issue in the North, 05-11 March
2001    Howarth, Sophie. Pretty fascinating boredom, tate, Issue 24/Spring
2001    San Martin, Francisco Javier, Freedom under vigil. Artistic creation and criminal identity in 20th Century Art, Exit, January 2001
2000    Myers, Holly. Beginnings and Endings, The Los Angeles Times, 29 December
2000    Ramos, Steve. A Cinema of Loneliness , City Beat (Cincinnati,, 16-22 November
2000    Shone, Richard, London, Gillian Wearing, Burlington Magazine, November
2000    Gleeson, David, True confessions,, November
2000    Bishop, Claire. Uncomfortable Observations, Untitled, Nº 23
2000    Vogel, Carol. Inside Art: Beemer Shots, The New York Times, 13 October
2000    Gleeson, David. True Confessions,, October
2000    Buck, Louisa, Moving targets 2 – A user’s guide to British art now, Tate, pp 103-105
2000    Kent, Sarah. Drunken exploits, (Critics Choice), Time Out, Nº1572, 04-11 October
2000    Brown, Neal. My name is Gillian. I can turn your sad life into art, The Independent on Sunday, 01 October
2000    Molon, Dominic. Framed: Gillian Wearing, Tate: The Art Magazine, August Cork, Richard. Unmasking mystery in the mundane, The Times, Times 2, 27 September
2000    Bishop, Claire. The pleasure in pain, The Evening Standard, 27 September
2000    Riding, Alan. Another Opening, Another Sensation, The New York Times, 25 September
2000    Cumming, Laura. A staggering work…, The Observer Review, 17 September
2000    Jones, Jonathan. Down and out, The Guardian Saturday Review, 16 September
2000    Sawyer, Miranda. Daring Wearing, Observer Life, 03 September, p10-15
2000    Sex & Porno, frame, 04 September/October
2000    Schwabsky, Barry. Gillian Wearing, Gorney Bravin + Lee, Artforum, XXXIX, Nº1, September
2000    Graham-Dixon, Andrew. Wearing Masks, Vogue, September
2000    Wearing, Gillian, How I want my clothes to be seen, Dazed & Confused, September 2000
2000    Kent, Sarah. Brains of Britain, Time Out, Nº1560, 12-19 July
2000    Slyce, John & Collings, Matthew. Video Art A Top Twenty, Modern Painters, Summer
2000    K. Scott, Andrea. What They’re Wearing in Chelsea,, 03 May
2000    Viveros-Faune, Christian. Fall Down, Get Up, No Problem, New York Press (, Vol 13, Nº 19
2000    Basilico, Stefano. Gillian Wearing, Drunk and A Woman Called Theresa, Time Out, 11-18 May
2000    Levin, Kim. Village Choice: Gillian Wearing, The Village Voice, 16 May
2000    Townsend, Chris. Gillian Wearing, Hotshoe International, March April
2000    I’OR, The new Brits on the block, Tate, March 2000
2000    Bishop, Claire. being boring, Untitled, Nº 21
2000    Müller, Katrin Bettina. Die Lust der Maschinen, taz, 26 January
2000    Pilz, Michael. Frau Hase und der schreckliche Voyeur, Die Welt, 19 January
2000    Lützow, Gunnar. Zugriff von allen Seiten, Berliner Morgenpost, 15 January
2000    Mercer, Kobena. Ethnicity and Internationality, Third Text, Nº49
2000    Gorucheva, Tania. This Other World of Ours, Flash Art, January February
2000    Gillian Wearing, Serpentine Gallery, London (solo publication)
1999    Gillian Wearing Phaidon Press, London (solo publication)
1999    A Woman Called Theresa, The Hydra Workshop (solo publication)
1999    Dreams, Foundazione Sandretto Re Rebaudengo, Realised on the occasion of the 48º Esposizione Internationale d’Arte – The Venice Biennial of Visual Arts
1999    The British Unveil Another World, The Russia Journal, 6-12 December
1999    Rushton, Steve and Tozer, John. Gillian Wearing, Camera Austria International, Nº 68
1999    Gallez, Florence. Nukes, Lovers Get Their 15 Minutes, The Moscow Times, 19 November
1999    Müller, Donka. Rewind to the Future, Bonner, November
1999    Previews: Rewind to the Future, Contemporary Visual Arts, Issue 26
1999    Thrift, Julia. Gillian Wearing, Interim Art, Time Out, Nº1525 November 10-17
1999    Cumming, Laura. Gillian Wearing, Interim Art, The Observer, 07 November
1999    Grant, Simon. All about love, The Guardian Guide, 16-22 October
1999    Jones, Jonathan. What a scream, The Guardian Guide, Saturday Review, 23 October
1999    Collings, Matthew. rabble rousing, Vogue, October
1999    Titz, Susanne. Gillian Wearing, Art at the End of the Millennium, publ. by Taschen, Cologne
1999    Gladstone, Neil. Book Marks: Gillian Wearing, Nylon, Premier Issue
1999    Tone, Lillian. Gillian Wearing, The Museum as Muse: Artists Reflect publ. Museum of Modern Art, New York 1999, p. 168
1999    Polaroid Diary, The Observer Magazine, 02 May
1999    Bennett, Oliver. Exhibitionist, The Independent Magazine, 01 May wears well, i-D, Nº 186, May
1999    Greenberg, Sarah. Gillian Wearing v. Saatchi, The artist claims the ad man stole her idea, The Art Newspaper, Nº 91, April
1999    Takano, Yuko.‘99 What’s New?, Figaro, Japan, Nº 150
1998    Lillington, David, Voyeuristiche Pleziertjes – Interview Gillian Wearing, Metropolis M, Nº6, December/January 1997/1998, pp51-57
1998    Sanger, Daniel. Declaration of Independents: Seven People who choose to be Different, Shift, December /January 1999 (cover portrait)
1998    Allen, Vaughn. Hide and seek, The Big Issue in the North, Nº 241, 28 December 1998 - January 3 1999
1998    DiPietro, Monty. Artist asks, ‘What’s your sign?’, The Japan Times, 24 October
1998    Kino, Carol. Cutting Edge, but comfy, The Atlantic Monthly, November
1998    Stern, Edward. Translating the Big Idea into Japanese, Asashi Evening News, 22 October
1998    Neumaier, Otto. Alles bekennen... Gespräch mit Gillian Wearing, noëma art journal, Nº 49, October/November
1998    Gillian Wearing, Habitat Art Broadsheet, October 1998
1998    Picture, Frieze, Issue 42, September October
1998    Williams, Gilda. Wah-Wah: The Sound of Crying or the Sound of an Electric Guitar, Parkett, Nº 52, p146-149
1998    Buck, Louisa, VW bugs Wearing, The Art Newspaper, July - August
1998    Miles, Anna. Pictura Brittanica, Te Papa Museum, Tongewara, Artforum XXXVI Nº 10 Summer
1998    McGann, Paul. VW ad firm stole my ideas, claims artist, The Independent, 12 June
1998    Carol Midgley. VW ad rips of my work, says artist, The Times, 12 June
1998    Turner Prize Winner issues legal threat to BMP over VW ads, Campaign, 12 June
1998    Coleman, Sarah. Interview with Gillian Wearing, photo metro, volume 16, issue 149
1998    T. Turner, Grady. Gillian Wearing, BOMB, Spring
1998    Del Re, Gianmarco. Why would a businessman say “I’m deperate”? A-Z of Gillian Wearing, Flash Art, Vol. XXXI Nº 199, March - April
1998    Slyce, John. Wearing a Mask, Flash Art, Vol. XXXI Nº 199, March - April
1998    Smith, Roberta. Art of the Moment, Here to Stay, The New York Times, Arts and Leisure, 15 February
1998    Cork, Richard. Wearing her heart on the sleeve, The Times, 13 January
1998    Israel, Nico. Gillian Wearing, Artforum, January
1998    Princenthal, Nancy. Gillian Wearing, Art in America, January
1998    Campbell-Johnston, Rachel. Wearing: her heart on her sleeve, The Times/metro, Jan. 3 - Jan. 9
1998    Emin, Tracey, Freedman, Carl, Starr, Georgina, Wearing, Gillian, English Rose, Le Millenium, No 23 1998
1997    Coleman, Sarah, London Rundown, Photo Metro, Vol15, Issue 143, 1997, p32-33
1997    Shand Kydd, Johnnie, Spit Fire – Photographs from the art world London 1996/97, Thames & Hudson, p68, 74, 84, 91, 187
1997    Riding, Alan. No Sexism, Please; They’re British, New York Times/The Arts, December 29
1997    Johnson, Boris. Portrait of the artist of silent nuances, The Daily Telegraph, December 8
1997    Fuller, Wendy. Modern art? This is worthy of Constable, The Express, December 3
1997    Thorncroft, Anthony. Artist brushes paint aside to win Turner Prize, The Financial Times, December 3
1997    Ginn, Kate. & Judd, Terri. Constable picture wins the Turner (no, not that Constable), Daily Mail, December 3
1997    Alberge, Dalya. Moving pictures take Turner Prize, The Times, December 3
1997    Lister, David. Uproar as video entry snaps up the Turner, The Independent, December 3
1997    Reynolds, Nigel. ‘Frozen Policemen’ video wins Turner Prize, The Telegraph, December 3
1997    Searle, Adrian and Serota, Nicholas, Turner Prize winner: Gillian Wearing’s arresting image, The Guardian, December 3
1997    Glaister, Dan. Silence is Golden for Turner winner, The Guardian, December 3
1997    Wearing, Gillian, Kelly and Melanie, Elle, December 1997, p84-89
1997    Lewis-Smith, Victor. Kylie at arm’s length as she hits topless C, The Evening Standard, 14 November
1997    Goldberg, Vicki. The Artist Becomes a Storyteller Again, The New York Times, 9 November
1997    Buck, Louisa. Life, Art and the Turner Women, The Evening Standard, 28 October
1997    Buck, Louisa, Moving targets: A users guide to Brittish art now, Tate, pp93-95
1997    Kimmelman. Gillian Wearing, The New York Times, Art Guide, October 24
1997    Greene, David A. Kids, Village Voice, October 21
1997    Slyce, John. The Odds on the Turner Prize, Flash Art, October
1997    Jobey, Liz. A rat race?, The Guardian Weekend, 4 October
1997    Collings, Mathew, Blimey, 21, p126
1997    Collings, Matthew. The New Establishment, The Independant Sunday Review, 31 August
1997    Murphy, Fiona. A shopping sensation, The Guardian Weekend, 27 September
1997    Wiener Secession 1997, Gillian Wearing , (catalogue)
1997    Kimmelman, Michael, Gillian Wearing at Jay Gorney, The New York Times, 26 September 1997
1997    MacMillan, Ian, Signs of the Times, Modern Painters. Autumn 1997
1997    Hoge, William, Arriving in New York After Taking Off in London / Video Maker with a Taste for Secrets. The New York Times, 14 Sept. 1997
1997    Ronson, Jon, ORDINARILY SO. Jon Ronson on documentary film-making and Gillian Wearing, frieze, Issue 36 September-October 1997
1997    Feldman, Melissa E., Gillian Wearing at Interim Art, Art in America, July 1997. p. 102
1997    Fiedler, Peter- Alexander. Diesen Sommer baden wir in der virtuellen welt, TLZ Treffpunkt, Nº 672, 26 July
1997    Schierz, Kai Uwe, Verführung der Kirschtorte, Thüringen, Nº 30 26 July
1997    Laws, Roz, The art of making a £10,000 video
1997    The ‘failure’ from Brum who made it to the top. Sunday Mercury, Birmingham, July 13 1997 p. 13
1997    Dahan, Eric & Lefort, Gerard, Par dela le corps gay et lesbien, Liberation, 28-29 Juin Cahier Europride
1997    Buck, Louisa, Three cheers for art that shatters complacency. The Express, June 19 1997
1997    Alberge, Dalya, All-women shortlist takes Turner by suprise. The Times, June 18 1997
1997    Reynolds, Nigel, The Turner shortlist is for women only. Daily Telegraph, 18 June 1997
1997    Glaister, Dan, A woman’s place - in the gallery. The Guardian, 18 June 1996
1997    Stringer, Robin, The all woman Turner Prize and not a painting in sight. The Evening Standard, 17 June 1997
1997    Blazwick, Iwona, City nature, Art Monthly, No. 207, June 1997, P. 10
1997    Dorment, Richard, Out of the mouths of babes, The Daily Telegraph, May 21 1997
1997    Coomer, Martin, Gillian Wearing, Time Out, Nº 1396, May 21-28 1997
1997    Wearing their heart on her sleeve, The Art Newspaper, Nº 70 May 1997
1997    Searle, Adrian, Bring on the naked dwarf, The Guardian, May 6, 1997, G2 P. 14
1997    Lyttelton, Celia, Indecent Exposures, Esquire, May 1997, P. 34
1997    Higgie, Jennifer, Gillian Wearing, Frieze, Issue 33, March - April 1997, P. 80
1997    Ebner, Jorn, Tramdeutung und Befragen, neue bildende kunst Februar - Marz 1997, P. 80
1997    Williams, Gilda, New Work, Art Monthly No. 203, Feb. 1997 P. 26 - 27; Gibbs, Michael, ID - An International Survey on the notion of Identity in Contemporary Art, Art Monthly No. 203, Feb. 1997 P. 34 - 36
1997    Judd, Ben, Interview with Gillian Wearing, Untitled No. 12, Winter 1996/7, p4-5
1997    Signs that say what you want them to say and not Signs that say what someone else wants you to say Maureen Paley Interim Art (solo publication)
1996    Lyttleton, Celia, The now art book, Korinsha Press, pp168-169
1996    Wearing, Gillian, guest: Gillian Wearing, Documents sur l’art, Nº9, pp41-66
1996    Muir, Gregor, Sign Language, Dazed & Confused Issue 25, P. 52 - 55
1996    Kent, Sarah, New Work, Interim Art, Time Out, Dec 11-18
1996    ID, 125 page catalogue with text on Gillian Wearing by Gregor Muir, published by Stedelijk Van Abbemuseum, Eindhoven, P. 95 - 97
1996    Muir, Gregor, Sign Language , Dazed and Confused, No. 25, P. 52 - 55
1996    Artisti britannici a Roma, 82 page catalogue, published by Umberto Allemandi & C, Torino , Italy
1996    The Henry Moore Institute, Leeds. The Cauldron (catalogue) published by The Henry Moore Institute, Leeds
1996    Private View - Contemporary Art at the Bowes Museum, (catalogue)
1996    Simmons & Simmons, London, Made in London, (catalogue)
1996    NowHere, 3-volume catalogue, Louisiana Museum of Modern Art, Denmark
1996    Garner, Lesley, Cops on top in Cauldron, Daily Express, August 2, P. 40
1996    Usherwood, Paul, The Cauldron, Art Monthly, July / Aug, Nº 198, P. 30 - 31
1996    Hall, James, Letter From London - Towers of London, Artforum, Summer issue, P. 31 - 33
1996    Buck, Louisa, Silver Scene, Artforum, Summer issue, P. 34 - 36
1996    Bang Larsen, Lars, Traffic, Flash Art, Summer issue, Nº 189, P. 126 -127
1996    Walters, Guy, State of the Art, The Times Magazine on Saturday, 20 July
1996    Bickers, Patricia, The Young Devils, Art Press, June, Nº 214, P. 34 - 35
1996    Traffic, catalogue by CAPC Musée D'Art Contemporain Bordeaux
1996    Le Shuttle, 150 page catalogue, published by Künstlerhaus Bethanien
1996    Imagined Communities (catalogue) National Touring Exhibitions, Hayward Gallery and Arts Council Collection
1996    Photography and styling: Tillmans, Wolfgang, Traffic, Switch, Vol 14, No. 3, April 1996
1996    Imagined Communities, Blueprint
1996    Masterson, Piers, Imagined Communities, Art Monthly, March, Nº 194
1995    Januzczak, Waldemar, Cool Britannia, The Sunday Times-Culture Section, 3 Dec
1995    These are the Rising Stars of 96', Independent-Weekend Section, 30 Dec
1995    Cork, Richard, Forthcoming Attractions, The Times Magazine, 18 Nov
1995    Corrigan, Susan, Get the Picture, British Art's Next Superstars, I-D Magazine, December
1995    Kastner, Jeffrey, Brilliant, Art Monthly, Dec / Jan 1996
1995    Garnett, Robert, The British Art Show, Art Monthly, Dec / Jan 1996
1995    Tomkins, Calvin, London Calling, The New Yorker, 11 December
1995    Smith , Roberta, Some British Moderns Seeking to Shock, New York Times, December
1995    MacRitchie, Lynn, Shock Artists, Financial Times,17 Nov
1995    Patrizio, Andrew, Hayward Shoot Out, Galleries Guide, September Hall, James, Butterfly Ball, Guardian, 14 Nov
1995    Searle, Adrian, British Art with Attitude, Independent, 14 Nov
1995    Feaver, William, Where Theres a Wilt…, Observer Review, 19 Nov
1995    Barratt, David, Hayward Gallery, Art Monthly, Nov
1995    Gayford, Martin, Youth, formaldehyde and the spirit of the age, The Telegraph Magazine, 11 Nov
1995    Currah, Mark, Group Show; Interim Art, Time Out, 11 Oct
1995    Morrish, John, Wildlife, Martyrs to their art, Telegraph Magazine, 7 Oct
1995    Searle, Adrian, Faces to Watch In The Art World, Independent, 26 Sept
1995    Hall, James, Western Security, Guardian, Sept
1995    Currah, Mark, Action Replayed, Time Out, 20 Sept
1995    Harvey, Will, Bodies of Work, Observer Life Magazine, 9 Sept
1995    Cavendish, Dominic, Gallery Gunslingers on a Shoot to Thrill, Independent,11 September, P. 6
1995    Wearing, Gillian, Homage to the Woman with the Bandaged Face who I saw Yesterday Down Walworth Road, Blocnotes, Numero 9, P. 18 - 19
1995    A Short Love Story by Gillian Wearing, Nummer 3, Sept, P. 81
1995    Bonaventura, Paul, Profile: Wearing Well, Art Monthly, March, Nº 184
1995    Faure Walker, Caryn, Signs of the Times, Creative Camera, Feb. / March
1995    Cosmo Landesman & Simon Rogers, Talking Pictures, The Big Issue, 6 - 12 Feb, Nº 116, P. 12 - 14
1995    Kent, Sarah, Make Believe, Time Out, 22 Feb - March, P. 46
1995    British Art: Don't Knock It, Independent Weekend, 24 June, P. 1 & 4
1994    Lillington, David, Real Life in London, Paletten, April, Nº 219, P. 12
1994    Searle, Adrian, Frieze Magazine, Sept / Oct, issue 18, P. 61 - 62
1994    Muir, Gregor, World Art Magazine, Inaugural U.S Edition, November, P. 117
1994    Jaio, Miren, Cinco Artistas Inglesas: Voces En El Espacio, Lapiz, Oct / Nov, Nº 106, P. 12 - 19
1994    Currah, Mark, Time Out, Nº 1245, 29 June - 6 July, P. 50
1994    Craddock, Sacha, The Times, 14 June
1994    Savage, Jon,Vital Signs, Artforum, March issue, P. 60 - 63, Bush, Kate, Vox Pop, Untitled, London
1994    Harpers Magazine, Vol. 288, Nº. 1728, P. 21
1994    Searle, Adrian,Vox Pop, Time Out, January 5 - 12, P. 42
1993    Feaver, William.Treasures in the Wendy House of the Lost Boys, The Observer, 4 July, Arts 4 / P. 59
1993    Guha,Tania.Time Out
1993    Archer, Michael. O Camera O Mores, Art Monthly
1993    Stallabass, Julian. Power to the People, Art Monthly
1993    Graham-Dixon, Andrew. That Way Madness Lies, The Independent Flash Art, Italy
1993    Milner, Catherine. Positive Exposure for New Talent, The Saturday Times
1992    Hype, The Face, No. 51, December
1992    The Independent on Sunday, 27 December