|
|
Biografie Emily Jacir
|
 |
 |
|
1970 |
|
Born in Riyadh, Saudi Arabia. Lives and works in Ramallah and New York
|
|
1992 |
|
BA in Fine Art, University of Dallas, Irving, Texas, USA
|
|
1994 |
|
MFA studies, Memphis College of Art, Memphis, USA
|
|
1998 - 1999 |
|
Whitney Independent Study Program, New York, USA
|
|
|
| Ausgewählte Ausstellungen |
|
|
|
2011
|
|
Inshallah: The Future of a Promise, Magazini del Sale, Venice (Biennale di Venezia official programme)
|
|
2011
|
|
Plot for a Biennial: Sharjah Biennial 10, Sharjah, UAE
|
|
2010
|
|
Emily Jacir: Stazione, Alberto Peola, Torino, Italia
|
|
2010
|
|
affiliations, Beirut Art Centre
|
|
2010
|
|
Krieg/Individuum, Ausstellungshalle zeitgenössische Kunst, Münster
|
|
2010
|
|
The Last Newspaper, The New Museum, New York
|
|
2010
|
|
21st Century: Art in the first decade, Queensland Art Gallery | Gallery of Modern Art
|
|
2010
|
|
Exposed: Voyeurism, Surveillance and the Camera, Tate Modern
|
|
2010
|
|
There is always a cup of sea to sail in, 29th Bienal de São Paulo, Brazil
|
|
2009
|
|
Emily Jacir: Hugo Boss Prize, Guggenheim Museum, New York (solo)
|
|
2009
|
|
Palestine c/o Venice, evento collaterale alla 53. Esposizione Internazionale d’Arte, Biennale di Venezia, Venezia (a cura di Salwa Mikdadi)
|
|
2009
|
|
Deutsche Börse Photography Prize 2009, The Photographers’ Gallery, London
|
|
2008
|
|
Passageworks; Contemporary Art from the Collection, San Francisco Museum of Modern Art, San Francisco
|
|
2008
|
|
The object quality of the problem (on the space of Palestine/Israel), The Henry Moore Institute, Leeds
|
|
2008
|
|
Mediterranee II, Carre d’Art, Nimes
|
|
2008
|
|
Collection Video & Films; Isabelle & Jean-Conrad Lemaitre, Kunsthalle zu Kiel, Germany
|
|
2008
|
|
Disputed Territories: Emily Jacir, A Space Gallery, Toronto (solo)
|
|
2007
|
|
Emily Jacir, Villa Merkel, Galerien Der Stadt Esslingen Am Neckar, Germany (solo)
|
|
2007
|
|
Emily Jacir, Kunstmuseum St. Gallen, Switzerland (solo)
|
|
2007
|
|
Emily Jacir, Alberto Peola, Torino (solo)
|
|
2007
|
|
Unbound, Contemporary Art Plaform, London
|
|
2007
|
|
La Biennale di Venezia, Italy
|
|
2007
|
|
Bound, Open Eye Gallery, Liverpool
|
|
2007
|
|
Recognise, Contemporary Art Platform, London
|
|
2007
|
|
Taipei Biennial, Taipei Fine Arts Museum, Taiwan
|
|
2006
|
|
Now, Here, Over There, Fonds regional d’art contemporain de Lorraine
|
|
2006
|
|
Re: location, Alexander and Bonin, New York
|
|
2006
|
|
Venice-Instanbul, Instanbul Modern, Instanbul, Turkey
|
|
2006
|
|
Sao Paulo Biennale, Sao Paulo
|
|
2006
|
|
Biennale of Sydney, Sydney
|
|
2006
|
|
Sincerity, Finesilver Gallery, San Antonio, TX
|
|
2006
|
|
When Artists Say We, Artists Space, New York
|
|
2006
|
|
Dark Places, Santa Monica Museum of Art, Santa Monica, CA
|
|
2006
|
|
Now Voyager, Islip Art Museum, East Islip, NY
|
|
2006
|
|
Made in Palestine, touring exhibition, Bridge Gallery, New York
|
|
2006
|
|
The Only Book, The Center for Book Arts, New York
|
|
2006
|
|
The Wall & the Check Points, The Khalid Shoman Foundation - Darat il Funun, Amman, Jordan
|
|
2006
|
|
Without Boundary: Seventeen Ways of Looking, The Museum of Modern Art, New York, NY
|
|
2006
|
|
Taking place…Charlottenborg Exhibition Hall, Copenhagen, DK
|
|
2006
|
|
Slow Revolution, The Rotunda Gallery, New York, NY
|
|
2006
|
|
Une vision du monde - la collection video d’Isabelle et Jean-Conrad Lemaitre, La Maison Rouge, Paris (cat.)
|
|
2005
|
|
Emily Jacir, Anthony Reynolds Gallery, London. (solo)
|
|
2005
|
|
Where We Come From, The Jerusalem Fund Gallery, Washington D.C. (solo)
|
|
2005
|
|
accumulations, Alexander and Bonin, New York, NY (solo)
|
|
2005
|
|
This May Be What Parallel Looks Like, video screening, Sculpture Center, Long Island City, NY
|
|
2005
|
|
Episode 2 [To Lose without Being a Loser] and Episode 3 [Democracies], Tirana Biennale, Tirana, Albania
|
|
2005
|
|
General Ideas: Rethinking Conceptual Art 1987-2005, CCA Wattis Institute for Contemporary Arts, S. Francisco, California
|
|
2005
|
|
Classified Materials: Accumulations, Archives, Artists, Vancouver Art Gallery, Vancouver
|
|
2005
|
|
EindhovenIstanbul, Van Abbe Museum, Eindhoven, The Netherlands (cat.)
|
|
2005
|
|
In the Poem about Love you don't write the word Love, CCA, Glasgow
|
|
2005
|
|
In absentia: Collective Contemporary Art Exhibition, Centre d’art Passerelle, Brest
|
|
2005
|
|
Made in Palestine, touring exhibition, T.W. Wood Gallery and Arts Center, Montpellier
|
|
2005
|
|
Made in Palestine, touring exhibition, SomArts Cultural Center, San Francisco
|
|
2005
|
|
Mirage, Alexander and Bonin, New York
|
|
2005
|
|
Getting Emotional, ICA, The Institute of Contemporary Art, Boston
|
|
2005
|
|
Always a little further, Arsenale , 51 Biennale Internazionale d’Arte, Venice, Italy
|
|
2005
|
|
Mediterranean Encounters, Parco Orcynus Orca, Messina; Castle of Scilla, Reggio Calabria
|
|
2005
|
|
7th Sharjah International Biennial, Sharjah, United Arab Emirates.
|
|
2005
|
|
Flight 405, Galerie Sfeir-Semler, Beirut, Lebanon.
|
|
2005
|
|
Do Not Interrupt Your Activities, Royal College of Art, London (cat.)
|
|
2005
|
|
Desenhos: A-Z, [Drawings: A-Z], Porta 33, Funchal, Ilha da Madeira
|
|
2005
|
|
The Art of Aggression: Iraqi Stories and Other Tales, Reynolds Gallery, Inc., Richmond, VA
|
|
2005
|
|
Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas, USA
|
|
2004
|
|
'Wherever I Am', Modern Art Oxford, Oxford, UK
|
|
2004
|
|
---, Künstlerhaus Bremen, Bremen, Germany
|
|
2004
|
|
Museum of Modern Art, Arnhem, Netherlands
|
|
2004
|
|
The Khalil Sakakini Cultural Centre, Ramallah, Palestine
|
|
2004
|
|
Kunstraum Innsbruck, Innsbruck, Austria
|
|
2004
|
|
'Cover Girl: The Female Body and Islam in Contemporary Art', ISE Cultural Foundation, New York, USA
|
|
2004
|
|
'Neither Here Nor There: Video Artists Navigate Cultural Displacement', Cheekwood Museum of Art, Nashville, Tennessee, USA
|
|
2004
|
|
'5th Gwangju Bienniale', Joongoe Park, Gwangju, Republic of Korea
|
|
2004
|
|
'PhotoEspaña 2004', Madrid, Spain
|
|
2003 - 2004
|
|
'Where We Come From', Nuova Icona, Venezia, Italy and Debs & Co., New York, USA
|
|
2003
|
|
Belongings, O-K Center for Contemporary Art, Linz, Upper Austria
|
|
2003
|
|
'Los Angeles International Art Biennial Invitational', Frumkin Duval Gallery, Santa Monica, USA and Al Ma’Mal Foundation, Jerusalem,
|
|
2003
|
|
'8th Istanbul Biennale', Istanbul, Turkey
|
|
2003
|
|
'Cynical Culture', Galerie Schüppenhauer, Cologne, Germany
|
|
2003
|
|
'VEIL', Institute of International Visual Arts (inIVA), Touring Exhibition; Liverpool, Walsall, Oxford and Stockholm
|
|
2000
|
|
'From Paris to Riyadh (Drawings for my mother)', University Gallery, University of the South, Sewanee, Tennessee, USA
|
|
|
|
|
|
|
| Literatur |
|
|
|
2011
|
|
Rachel Spence, ‘A Spring In Their Step’, FT.com, 3 June
|
|
2011
|
|
Nazanin Lankarani, ‘Echoes of Political Unrest at Venice Biennale’, International Herald Tribune, 26 May
|
|
2010
|
|
21st Century Art in the First Decade, (catalogue) Queensland Art, Gallery of Modern Art
|
|
2010
|
|
Joshua Decter, ‘Emily Jacir, Alexander and Bonin’, ArtForum, January
|
|
2010
|
|
Christophe Leclercq, ‘Histoire(s) de Deception’, Art 21, Autumn 2010
|
|
2009
|
|
Morgan Falconer, ‘Emily Jacir’, Art Monthly, April
|
|
2009
|
|
Doris Bittar, ‘Crossing Boundaries’, Canvas, March/April
|
|
2009
|
|
T.J. Demos, ‘Emily Jacir’, Flash Art, March
|
|
2009
|
|
Kurt Mueller, Caitlin Haskell, ‘The Activist Impulse, Austin’, Art Papers, Jan/ Feb
|
|
2009
|
|
Michael Z. Wise, ‘Borders Crossing Between Art and Life’, www.nytimes.com, 30 January
|
|
2009
|
|
Jackie Wullschlager, ‘Saatchi and the Middle East’, www.ft.com (Financial Times), 30 January
|
|
2008
|
|
Penelope Curtis, ‘The object quality of the problem’, The Henry Moore Institute (cat.)
|
|
2008
|
|
Kirsty Bell, ‘Another Country’, Frieze, April (ill.)
|
|
2008
|
|
Portfolio; Reinvent the wheel, March
|
|
2008
|
|
Daniela Mett, ‘Stimmen im Schrank’, Weltkunst online, 22 February
|
|
2008
|
|
Nicole Busing and Heiko Klaas, ‘Poesie und Irritationen im Alltag’, Nordsee Zeitung, 30 January
|
|
2008
|
|
Jens Ronnau, ’Audiovisuelle Kost zwischen Dreiecksbeziehung und Wiedergeburt’, Schleswig-Holsteinische Landeszeitung, 19 January
|
|
2007
|
|
Ossian Ward, ‘Critics Choice’, Time Out, August 29th – 4th September
|
|
2007
|
|
http://universes-in-universe.org, October
|
|
2007
|
|
www.kunstmuseumsg.ch, September
|
|
2007
|
|
Carola Serminato, ‘Emily Jacir’, Espoarte, no. 46, 4th May
|
|
2007
|
|
Alberto Peola, ‘Emily Jacir’, Flash Art, no 263, 4th May
|
|
2007
|
|
‘Emily Jacir’, Futuro Contemporary Art, 3rd April
|
|
2007
|
|
Barbara Reale, ‘Emily Jacir’, Exibart.com
|
|
2007
|
|
Lisa Parola, ‘Quel concerto negato per Emily e un simbolo’, La Stampa, TorinoSette, 9th February
|
|
2006
|
|
Rasha Salti, 'Emily Jacir', Zones of Contact - 2006 Biennale of Sydney (cat.) (ill.)
|
|
2006
|
|
Demos, T.J. "Life Full of Holes." Grey Room 24, Summer
|
|
2006
|
|
Kaelen Wilson-Goldie, New Art For A New Middle East, Art and Auction, March
|
|
2006
|
|
Cotter, Holland. "Made in Palestine." The New York Times, March
|
|
2006
|
|
Emily Jacir’, Une Vision du Monde la Collection Video d’Isabelle et Jean-Conrad Lemaitre, February (cat.) (ill.)
|
|
2006
|
|
Neit Mulholland, ‘In the Poem About Love You Don’t Write the Word Love’, ArtReview, February
|
|
2005
|
|
Emily Jacir, Where We Come From, Ulrich Museum of Art, Wichita, Kansas
|
|
2005
|
|
Martin Coomer, Emily Jacir – Anthony Reynolds Gallery, June 29, 2005
|
|
2005
|
|
Kerryn Greenberg, Eva Meyer Hermann, Istanbul-Eindhoven, Vanabbemuseum
|
|
2005
|
|
Frances Richard, “Emily Jacir”, ArtForum, May
|
|
2005
|
|
Lori Waxman, “Emily Jacir”, www.artforum.com
|
|
2005
|
|
Alejandra Aguado, “Do Not Interrupt Your Activities”, Royal College of Art Galleries
|
|
2004
|
|
Gilane Tawadros, “Changing States: Contemporary Art and Ideas in an Era of Globalisation”, InIva, London
|
|
2004
|
|
Anna Kafetsi, “Transcultures” The National Museum of Contemporary Art, Athens
|
|
2004
|
|
Francesco Bonami, “Non Toccare La Donna Bianca”, Fondazione Sandretto Re Rebaudendo, Turin
|
|
2004
|
|
Andrew Nairne and Suzanne Cotter, “Wherever I Am”, Museum of Modern Art, Oxford
|
|
2004
|
|
Stella Rollig; John Menick; Edward Said; Christian Kravagna, “Emily Jacir: belongings”, Folio Verlag Wien
|
|
2004
|
|
Caroline Lagnado, “Whitney Biennial well worth the visit”, Tufts Daily, April 8
|
|
2004
|
|
Editors, “Emily Jacir”, This Much is Certain , Catalogue from the Royal College of Art, March to April
|
|
2004
|
|
Tyler Green, “Hit the Road, Whitney”, Wall Street Journal-Editorial page, March 30
|
|
2004
|
|
Jerry Saltz, “The O.K. Corral”, The Village Voice, March 15, 2004.
|
|
2004
|
|
Michael Kimmelman, “Touching all bases at the Biennial”, New York Times, March 12
|
|
2004
|
|
Celia McGee, “Whitney Sticks its Thumb Out”, New York Daily News, March 11, 2004.
|
|
2004
|
|
Holland Cotter, “Duck! It’s Whitney Biennial Season Again”, New York Times, March 7
|
|
2004
|
|
Kate Ledogar, “Screaming from the Gallery: Road Trip!”, Boston Weekly Dig, March
|
|
2004
|
|
Karen Rosenberg, “Biennial Favorites,” New York Magazine, p. 38, March 1
|
|
2004
|
|
Tom Vanderbilt, “Emily Jacir,” Artforum, p.140 –141, February
|
|
2004
|
|
Martin Sturm, et al., Emily Jacir: belongings Exhibition Catalog, January
|
|
2003
|
|
Emily Jacir: belongings. Arbeiten/Works 1998-2003, O-K Center for Contemporary Art, Linz, Austria
|
|
2003
|
|
Emily Jacir (im)mobility, Al-Ma’mal Foundation for Contemporary Art, Jerusalem
|
|
2003
|
|
T.J. Demos, “Desire in Diaspora: Emily Jacir,” Art Journal, vol. 62, no. 4 (Winter 2003), pp.68-80
|
|
2003
|
|
Tory Dent, “Emily Jacir”, PARACHUTE, 012, Fall
|
|
2003
|
|
Washington Report on Middle East Affairs, p. 32-33, November, Vol. XXII, No.9.
|
|
2003
|
|
Contemporary Art from the Islamic World, Online Magazine, 4th Issue, October, 22
|
|
2003
|
|
Eleanor Heartney, “Emily Jacir at Debs & Co.,” Art in America, October
|
|
2003
|
|
Kelly Klaasmeyer, “Peace Through Art, ‘Made in Palestine,” Humanizes the Middle East Conflict,” The Houston Press, July and August
|
|
2003
|
|
Editors, “So Much in a Simple Request,” The Los Angeles Times, July 18
|
|
2003
|
|
Tom Breidenbach, “Emily Jacir- Debs & Co,” Artforum, Summer
|
|
2003
|
|
Editors, “Emily Jacir Where We Come from Installation at the 8th Istanbul Biennial
|
|
2003
|
|
Kirsten Butler, “Enter the Ghost, Exit the Ghost, Re-enter the Ghost,” Empire/State Catalog
|
|
2003
|
|
Edward Said, “Emily Jacir”, Grand Street, Issue 72, Fall
|
|
2003
|
|
Holly Myers, “So Much in a Simple Request,” L.A. Times, July 18
|
|
2003
|
|
Louise Roug, “The Talking Pictures,” The Los Angeles Times (Calendar Weekend), July 10
|
|
2003
|
|
Holland Cotter, “Empire/State-Artists Engaging Globalization,” The New York Times, July 5
|
|
2003
|
|
Laura Auricchio, “Homeland,” Time Out New York, June 19-26
|
|
2003
|
|
Paul Bass,“Where We’re Going”, The New Haven Advocate, June 19
|
|
2003
|
|
Eugenie Tsai, “Emily Jacir, ‘Where We Come From’,” Time Out New York, May 8-15
|
|
2003
|
|
Editors, “Emily Jacir”, The New Yorker, May 12
|
|
2003
|
|
Holland Cotter, “Emily Jacir,” The New York Times, May 9th
|
|
2003
|
|
Kim Levin, “Emily Jacir,” The Village Voice, Shortlist, April 23-29
|
|
2003
|
|
Kyle MacMillan, “Timely exhibit of Arab works offers new view of raging political debate,” The Denver Post, February 28
|
|
2002
|
|
Rebecca Faulkner, “Marked Space,” 5, Rebirth
|
|
2002
|
|
Benjamin Young, “In Translation,” Social Sectors Catalog, Vienna
|
|
2002
|
|
Regina Urban, “New York im Untergrund,” Nurnberger, April 11
|
|
2002
|
|
Uma, “Vom Kunstbunker zu den Konfliktherden der Welt,” Abendzeitung, April 11
|
|
2002
|
|
Matthew McAllester, “Seeking Art Amid the Chaos,” Newsday, April 4, 2002
|
|
2002
|
|
Linda Yablonsky, “Unjustified,” Time Out New York, February 14-21
|
|
2001
|
|
Editors, “Emily Jacir”, Fisuras de la Cultura Contemporanea, Summer
|
|
2001
|
|
Editors, “My America (I am still here),” Economies/Exchanges, n.paradoxa, vol.8, July
|
|
2001
|
|
Oz Shelach, "Ohel Yizkor for the Nakba," Ha'aretz, May 18
|
|
2001
|
|
Jacqueline S. Stoeckler, "Exiles and Cosmopolitans," Afterimage, vol. 28, Jan./Feb
|
|
2000 - 2001
|
|
Herkenhoff, “Emily Jacir,” P.S.1 Studio Program Catalog
|
|
2000
|
|
Carlos Basualdo, “A Worthless Question, Many Invaluable Answers,” Moderna Galerija
|
|
2000
|
|
Carrie Lambert, “Pointing at P.S.1,” Greater New York Writer’s ProjectBrian Holmes, "Carnival in the Eye of the Storm:Kosov@,” Afterimage, September/October
|
|
2000
|
|
Susan Canning, "Greater New York Bucks the Biennial," Art Papers, July/August
|
|
2000
|
|
Colwell Carol, DWCA 1995 National Juried Exhibition Catalog, Irving Art Center, Irving, TX.
|
|
2000
|
|
Rebecca Faulkner, "Traveling Towards (Dis)appearance: A Response to Emily Jacir's Drawings," Barnard Feminist Art Conference and Greater New York Catalog
|
|
2000
|
|
Delinda C. Hanley, “Made in Palestine: A Stirring Exhibit Rocks Houston and Hits the Road”
|
|
|
|
