Emile Jean Horace Vernet  (French, 1789-1863) 

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Emile Jean Horace Vernet, Portrait of the Young Baron Le Selliers, beyond the remains of the Roman aqueduct at Marlay

 

Emile Jean Horace Vernet
Portrait of the Young Baron Le Selliers, beyond the remains of the Roman aqueduct at Marlay
1811

Derek Johns Ltd
Emile Jean Horace Vernet, "le Marchand d'esclaves" The Slave Merchant

 

Emile Jean Horace Vernet
"le Marchand d'esclaves" The Slave Merchant
Jennmaur Gallery
Emile Jean Horace Vernet, The Duke of Chartres Saves the Engineer Siret from Drowning in August of 1791 in Vendôme

 

Emile Jean Horace Vernet
The Duke of Chartres Saves the Engineer Siret from Drowning in August of 1791 in Vendôme
1847

Shepherd & Derom Galleries
Emile Jean Horace Vernet, Study of a Horse

 

Emile Jean Horace Vernet
Study of a Horse
Jean-Luc Baroni Ltd
  
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Emile Jean Horace Vernet, La course des chevaux libres à Rome

 

Emile Jean Horace Vernet
La course des chevaux libres à Rome
Auktionstermin: Oct 23, 1997
Losdetails
Emile Jean Horace Vernet, The boar hunt

 

Emile Jean Horace Vernet
The boar hunt, 1835
Auktionstermin: Nov 11, 1992
Losdetails
Emile Jean Horace Vernet, At the Tomb of Colonel Mouginot

 

Emile Jean Horace Vernet
At the Tomb of Colonel Mouginot, 1817
Auktionstermin: Nov 19, 1993
Losdetails
  The grandson of the landscape and marine painter Claude-Joseph Vernet, Horace Vernet studied with his father Carle, from whom he was to inherit a lifelong interest in equestrian subjects. Horace assisted his father on the latter’s battle paintings before making his Salon debut in 1812 with a military painting of his own, commissioned by King Jerome of Westphalia, the brother of Napoleon. A committed Bonapartist, Vernet was to paint numerous scenes of the military victories of the Empire, many commissioned by the Duc d’Orléans, later King Louis-Philippe. Such was his close association with the Empire that in 1822 two of his Napoleonic paintings were rejected by the Salon, on the grounds that they depicted subjects associated with the previous regime. He was, however, later able to enjoy the patronage of Charles X, who in 1828 appointed Vernet director of the Académie Française in Rome, where he remained until 1834. Competent at a variety of styles, Vernet is best known today for his many large-scale, grandiose battle scenes and military subjects, although he also produced genre, Biblical and historical scenes.