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1963
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Born Ha-Tien, Vietnam
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Fellowship in Photography National Endowment for the Arts
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Artist in Residence Asian-American Arts Centre, New York, NY
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Individual Photographer's Fellowship Aaron Siskind Foundation
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MFA, Photography School of Visual Arts, New York, NY
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BA, Fine Arts University of California, Santa Barbara, CA
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Ausgewählte Ausstellungen |
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2009 |
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A Tapestry of Memories: The Art of Dinh Q. Lê, Tufts University Art Gallery, Medford, MA |
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2009 |
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Signs and Signals From The Periphery, Elizabeth Leach Gallery, Portland, OR |
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2009 |
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Unreal Asia, International Short Film Festival Oberhausen, Germany |
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2009 |
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All That Is Solid Melts into Air, City Visions Festival, Mechelen, Belgium |
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2009 |
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The Lining of Forgetting: Internal & External Memory in Art, Austin Museum of Art, TX |
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2009 |
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World Selction of Contemporary Art, Biennale Cuvee, Linz, Austria |
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2009 |
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Nam Bang, Casula Powerhouse, Liverpool City, Australia |
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2009 |
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The Tropics: Views from the Middle of the Globe, Iziko South African National Gallery, Cape Town |
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2008 |
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The Penal ConlonyA Quagmire This Time, Shoshana Wayne Gallery, Santa Monica, CA |
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2008 |
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The Penal Conlony: The Mapping of the Mind, P.P.O.W Gallery, New York City |
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2008 |
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After the War, University Art Gallery, San Diego State University, CA |
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2008 |
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Perspectives: Lida Abdul and Dinh Q. Lê, Freer & Sackler Gallery, Smithsonian, Washington D.C. |
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2008 |
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Wonders, Singapore Biennale 2008, Singapore |
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2008 |
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The Tropics: Views from the Middle of the Globe, Martin-Groupius-Bau, Berlin |
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2008 |
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Strategies From Within, Ke Center for the Contemporary Arts, Shanghai, China |
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2008 |
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Asia, Postcolonial, and Contemporary Arts, Fusing International Biennale, Fusing, Taiwan |
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2008 |
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Re-Imagining Asia, House of World Culture, Berlin, Germany |
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2008 |
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The Lining of Forgetting: Internal & External Memory in Art, Weatherspoon Art Museum, Greensboro, North Carolina |
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2008 |
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The Third Space: Cultural Identity Today, Mead Art Museum, Amherst, MA |
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2008 |
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TransPOP:Korea Vietnam ReMix, ARKO Art Center, Seoul, Korea (traveling to Yerba Buena Center, San Francisco) |
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2007 |
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A Tapestry of Memories: The Art of Dinh Q. Lê, Bellevue Arts Museum, Bellevue, WA |
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2007 |
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From Father to Son: A Rite of Passage, Elizabeth Leach Gallery, Portland, OR |
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2007 |
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Thermocline of Art. New Asian Waves, ZKM Center for Art and Media, Karlsruhe, Germany |
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2007 |
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Witness to War: Revisiting Vietnam in Contemporary Art, San Francisco State University Fine Art Gallery, San Francisco, CA |
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2007 |
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Red Hot: Asian Art Today from the Chaney Family collection, Museum of Fine Arts, Houston, TX |
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2007 |
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Altered, Stitched and Gathered, P.S.1, Museum of Modern Art, Long Island City, New York |
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2007 |
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Post Dec: Beyond Pattern and Decoration, Joseloff Gallery, Hartford Art School, University of Hartford, Connecticut |
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2006 |
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The Imaginary Country, Shoshana Wayne Gallery, Santa Monica, CA |
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2006 |
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Offerings, P.P.O.W Gallery, New York City |
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2006 |
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The 5th Asia Pacific Triennial, Queensland Gallery of Modern Art, Brisbane, Australia |
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2005 - 2006 |
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A Higher Plane, Asia Society, New York, NY |
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2005 - 2006 |
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Museum of Contemporary Photography, Chicago, IL |
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2005 - 2006 |
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Drawing Centre, New York, NY |
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2004 |
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From Vietnam to Hollywood, Photology, Milan, Italy |
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2004 |
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Only Skin Deep, International Center for Photography, New York, NY |
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2004 |
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Identities Versus Globalization?, National Gallery, Bangkok, Thailand |
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2004 |
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From Vietnam to Hollywood, 10 Chancery Lane Gallery, Hong Kong |
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2004 |
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From Vietnam to Hollywood, P.P.O.W., New York, NY |
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2004 |
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Home Coming, University Art Museum, Santa Barbara, CA |
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2003 |
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From Vietnam to Hollywood, ShoshanaWayne Gallery, Santa Monica, CA |
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2003 |
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Waking Dreams, Elizabeth Leach Gallery, Portland, OR |
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2003 |
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Texture of Memory, Three River Art Festival, Pittsburg, PA |
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2003 |
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Persistence of Memory, Shoshana Wayne Gallery, Santa Monica, CA |
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2003 |
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Delays and Revolutions, Venice Biennale, Italy |
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2003 |
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Commodification of Buddhism, The Bronx Museum, NY |
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2003 |
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The Body of Christ, The Israel Museum of Art, Israel |
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2003 |
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Corpus Christie, Patrimoine Photographique, Paris, France |
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2003 |
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Skin Deep, Numark Gallery, Washington D.C. |
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2003 |
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Un/Familiar Territory, San Jose Museum of Art, CA |
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2003 |
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Texture of Memory, PPOW, New York, NY |
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2002 |
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Crisis Response, RISD Museum, Providence, RI |
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2002 |
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Sugar & Cream, Triple Candie Gallery, NY |
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2002 |
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Global Address, Fisher Gallery, Los Angeles, CA |
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2002 |
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Collecting Contemporary Art, Ackland Art Museum, NC |
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2002 |
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Lysis: Profound Loss, Healing, and Identity, Pamela Auchincloss Gallery, NY |
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2002 |
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Eye In The Sky, Ackland Art Museum, NC |
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2002 |
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Rhythms & Rituals That Feed My Spirit, The Bronx Museum, NY |
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2001 |
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Floating Chimeras, Edsvik Konst Och Kultur, Stockholm, Sweden |
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2001 |
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Conceptual Color: In Alber's Afterimage, San Francisco State University, CA |
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2001 |
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Indochina: The Art of War, Luckman Fine Arts Gallery, Los Angeles, CA |
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2000 |
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Persistence of Memory, Elizabeth Leach Gallery, Portland, OR |
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2000 |
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True Voyage is Return, Montgomery Gallery, Pomona College, Claremont, CA |
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2000 |
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Cambodia: Splendour and Darkness, Houston Center for Photography, Houston |
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2000 |
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Cambodia: Splendour and Darkness, J. B. Speed Art Museum, Louisville, KY |
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1999 |
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Lotusland, Shoshana Wayne Gallery Santa Monica, CA |
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1999 |
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Slow Release, Organized by Pan, Bishopsgate Goodsyard London, England |
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1998 |
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Fabrications: U.S. Photography (Traveling Exhibition), Musée de l'Elysée Lausanne, Switzerland; Ashland, OR; Lyons, France |
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1998 |
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Damaged Gene, Ho Chi Minh City Vietnam |
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1998 |
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The Headless Buddha (Catalogue, Traveling Exhibition), Los Angeles Center for Photographic Studies Los Angeles, CA; Portland, OR; Cambridge, MA; Santa Cruz, CA |
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1998 |
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Splendor & Darkness, P.P.O.W. New York, NY |
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1997 |
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Points of Entry (Traveling Exhibition), The Smithsonian Institution Washington, DC; Atlanta, GA; New York, NY |
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1996 |
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A Labor of Love, The New Museum New York, NY |
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1996 |
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The Present (H)Our: Artists Utilizing Issues of Identity, Oakland Museum Oakland, CA |
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1995 |
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Tracing Cultures (Traveling Exhibition), The Friends of Photography, Ansel Adams Center San Francisco, CA; San Diego, CA; Tuscon, AZ |
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1994 |
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Beyond the Borders, Bronx Museum of the Arts Bronx, NY |
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1992 |
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Tyler School of Art Gallery Elkins Park, PA |
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1992 |
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International Textile Exhibition, Kyoto Museum of Art Kyoto, Japan |
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1991 |
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Portraying a White God, Los Angeles Contemporary Exhibitions (LACE) Los Angeles, CA |
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1990 |
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Midtown Y Photography Gallery New York, NY |
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1990 |
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Photo Metro #8, Vision Gallery San Francisco, CA |
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2003 |
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Boreath Ly, "Desvasted Visions", Art Journal, Spring. 2003 |
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2003 |
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Pham Thi Thu Thuy, "2 Hoa Si VN Than Gia Su Kien My Thuat Lon |
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2003 |
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The Goi" The Thao & Van Hoa, May, 5. p. 38-39 |
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2003 |
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Row, D.K., "Dinh Q. Le," The Oregonian, March 14. |
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2001 |
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Aletti, Vince, "Voice Choice Column," The Village Voice, June 5. |
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2001 |
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McGee, Celia, "Art Smart," Daily News (New York), June 2, p. 23. |
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2001 |
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Pham Thi Thu Thuy, "Dinh Q. Le: Toi La Mot Tieng Noi...", The Thao & Van Hoa, Dec. 24. p. 41-46 |
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2001 |
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Moira Roth, "Obdurate History", Art Journal, Sum. 2001, p. 38-53 |
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2000 |
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Olllman, Leah, "Dinh Q. Lêat Shoshana Wayne," Art in America, February, p.136. |
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1999 |
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Schwabsky, Barry, "Dinh Q. Lê at P.P.O.W.," Artforum, February, pp. 98-99. |
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1999 |
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Miller, Keith, "Dinh Q. Lê: Splendor and Darkness," Art Papers, Mar/Apr, p.52 |
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