Cory Arcangel  (American, 1978) 

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Biografie Cory Arcangel
1978   Born Buffalo, New York (USA)
2000   BA of Music, Oberlin Conservatory, Oberlin, USA
2000   Commission of New Radio and Performing Arts with funding from the Jerome Foundation, USA
2001   NYSCA New Media Grant sponsored by Harvestworks Digital Media, USA
2002   Artport Gate Page, Whitney Museum of American Art, USA
2005   Jury Prize San Simon, New York Underground Film Festival, USA
2006   Creative Capital Grant D.I.Y.W.I.K.I., USA
  Lives and works in New York, USA
  Collections in
  Fonds Regional d’Art Contemporain Provence-Alpes-Cote d’Azur, Marseille, France
  Migros Museum für Gegenwartskunst, Zürich, Switzerland
  Whitney Museum of American Art, New York
  Museum of Modern Art, New York
  Miami Museum of American Art, New York
  Albright Knox Gallery, Buffalo, New York
Ausgewählte Ausstellungen
2009   University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo)
2009   Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo)
2009   Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala)
2009   Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by DiedrichDiederischen)
2009   Younger than Jesus, New Museum, New York, USA (forthcoming April, curated by LaurenCornell, Massimiliano Gioni and Laura Hoptman)
2009   Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcomingMarch, curated by Bonnie Clearwater with Kevin Arrow)
2009   The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcomingMarch, curated by Tobias Berger)
2009   Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster)
2009   Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated byLaura Hoptman)
2008   The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA
2008   Close Encounters- Facing the Future, American University Museum, Washington D.C., USA(curated by Donald Russell and Niels Van Tomme)
2008   Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuthand collaborators, Cosmic Galerie, Paris, France
2008   Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera)
2008   Sound of Art, Museum der Moderne, Salzburg, Austria
2008   Cory Arcangel + Olia Lialina and Dragon Espenschied,, and/ or gallery, Dallas, TX, USA
2008   Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg
2008   Dennis Hopper and the New Hollywood, Cinématèque française (travelling)Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz,travelling to MOCA Cleveland)
2008   Adult Contemporary, Team Gallery, New York (solo)
2008   Galerie Thaddaeus Ropac, Salzburg, Austria (solo)
2008   Color Chart, MOMA, New York, USA
2008   Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands
2008   Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium
2007 - 2008   Northern Gallery for Contemporary Art, Sunderland, UK (forthcoming; touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.), (solo)
2007 - 2008   Max Wigram Gallery, London, UK, (solo)
2007   Brändström & Stene, Stockholm, Sweden, (solo)
2007   Galerie Guy Bartschi, Geneva, Switzerland, (solo)
2007   Galerie Thaddeus Ropac, Salzburg/Paris, (solo)
2007   Super Cinema, Solomon R. Guggenheim Museum, New York, USA (forthcoming)
2007   Automatic Update, MOMA, New York, USA
2007   Collection Part 1, Migros Museum, Zurich
2006   Time Frame, P.S.1, New York, USA
2006   Action, FRAC PACA, Marseille, France
2006   Outside the Box: New Cinematic Experiences, University of Akron, Akron, USA
2006   Experiments in Pop, Zentrum Paul Klee, Bern, Switzerland
2006   Interrupted, PMK Gallery, Beijing, China
2006   Bucolia, Galerie Thaddaeus Ropac, Salzburg, Austria
2006   Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan, Italy
2006   Virginia Commonwealth University, Richmond Virginia, USA, (solo)
2006   Galerie Thaddaeus Ropac, Paris, France, (solo)
2006   Team Gallery, New York, USA, (solo)
2006   Pioneering Video Artists, Orange County Museum Of Art, Santa Ana, USA
2005   New York Underground Film Festival, Anthology Film Archives, New York, USA
2005   International Film Festival, Rotterdam, The Netherlands
2005   disassembling 48k, Brändström & Stene, Stockholm, Sweden, (solo)
2005   Nerdzone Version 1, Migros Museum, Zurich, Switzerland (cat), (solo)
2005   Video Cube, Galerie Thaddaeus Ropac, Salzburg, Austria, (solo)
2005   Team Gallery, New York, USA, (solo)
2005   Moving Pictures, Dallas Center for Contemporary Art, Dallas, USA
2005   Collaborations, The Embassy, Edinburgh, UK
2005   Space 1026, Philadelphia, Pennsylvania (collaboration as part of the Beige Programming Ensemble)
2005   The Early Show, White Columns, New York, USA
2005   Carnegie Museum of Art, Pittsburgh, USA
2005   Artbase, New Museum of Contemporary Art, New York, USA
2005   Vox, centre de l’image contemporaine, Montreal, Canada
2005   Start Kapital, Standard, Oslo, Norway
2005   Greater New York, P.S.1, New York, USA (cat.)
2005   Growing up absurd, Herbert Read Gallery, Kent Institute of Art and Design, Canterbury, UK
2005   Cory Arcangel/Paperrad Project, Deitch Projects, New York, USA
2005   Summer Party Jam, Wood Street Galleries, Pittsburgh, Pennsylvania, USA
2005   Low level All Stars (performance program co-curated with RSG), Deitch Projects, NY, USA
2004   The Infinite Fill Group Show, Foxy Productions, New York, USA
2004   Welcome to the infinite fill zone, FACT, Liverpool, UK, (solo)
2004   LISTE (under the auspices of Team Gallery), Basel, Switzerland (cat), (solo)
2004   Database Imaginary, The Banff Centre, Alberta, Canada
2004   Expander, Royal Academy of Art at 6 Burlington Gardens, London, UK
2004   The New York/Liverpool Project, The Liverpool Biennial, Liverpool, UK (cat.)
2004   Pattern Playback, The Moore Space, Miami, FL, Florida
2004   The Whitney Biennial, The Whitney Museum of American Art, New York, NY, USA (cat.)
2004   Seeing Double: Emulation in Theory and Practice, Solomon R. Guggenheim Museum, New York, USA
2004   New York Underground Film Festival, Anthology Film Archives, New York, USA
2004   Premieres, The Museum Of Modern Art, New York, USA
2004   International Film Festival, Rotterdam, The Netherlands
2004   Art Plus Dance, Whitechapel Gallery, London, UK
2004   Pics ‘n Clips, Arthouse, Austin, Texas, USA
2003   Killer Instinct, New Museum of Contemporary Art, New York, USA
2003   Throwback, Team Gallery, New York, USA
2003   Blinky, Foxy Productions, Brooklyn, USA
2003   New York Underground Film Festival, Anthology Film Archives, New York, USA
2003   Blinky, Tate Britain, London, UK
2003   Game Engine, New York Video Festival, New York, USA
2003   Art Basel Miami Beach, Miami, Florida, USA
2003   Another Bad Creation, Deitch Projects, NY, USA
2003   Psych-Out 2k3 (co-curated with Seth Price), Anthology Film Archives/NYUFF, NY, USA
2002   Digital Media, American Museum of the Moving Image, New York, USA
2002   Unknown Pleasures, Daniel Reich Gallery, New York, USA
2002   Rodney Graham Film Program, Whitechapel Gallery, London, UK
2002   New York Underground Film Festival, Anthology Film Archives, New York, USA
2001   Interface: Exploring Possibilities, Fassbender Gallery, Chicago, USA
Literatur
2009   Cory Arcangel / Shana Moulton / Jessica and Jacob Ciocci (Paper Rad) / Ryan Trecartin & Lizzie Fitch, Migros Museum, Zurich, Switzerland
2009   Tracking Traces, Kiasma, Helsinki, Finland (forthcoming August, curated by Leevi Haapala)
2009   Pop Music as Subject for Visual Art, Kunsthaus Graz, Austria, (forthcoming, curated by Diedrich Diederischen)
2009   Younger than Jesus, New Museum, New York, USA curated by Lauren Cornell, Massimiliano Gioni and Laura Hoptman
2009   Abstract Cinema and Technology, Museum of Contemporary Art, Miami, FL, USA (forthcoming March, curated by Bonnie Clearwater with Kevin Arrow)
2009   The First Stop on the Super Highway, Nam June Paik Art Center, GyeonGi, Korea (forthcoming March, curated by Tobias Berger)
2009   Synthetic, Whitney Museum of American Art, New York, USA (curated by Carter Foster)
2009   Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA (curated by Laura Hoptman)
2009   University of Michigan Museum of Art, Ann Arbor, MI, USA (forthcoming December) (solo)
2009   Montevideo, Amsterdam, The Netherlands (forthcoming August) (solo)
2008   Galerie Thaddaeus Ropac, Salzburg, Austria(solo)
2008   Adult Contemporary, Team Gallery, New York\(solo)
2008   The Possibility of An Island, Museum of Contemporary Art, Miami, FL, USA
2008   Close Encounters- Facing the Future, American University Museum, Washington D.C., USA (curated by Donald Russell and Niels Van Tomme)
2008   Occupancy by more than 6’682’685’387 persons is Dangerius and Unlawful- Pierre Bismuth and collaborators, Cosmic Galerie, Paris, France
2008   Rock my Religion, Domus Artium O2, Salamanca, Spain (curated by Javier Panera)
2008   Sound of Art, Museum der Moderne, Salzburg, Austria
2008   Cory Arcangel + Olia Lialina and Dragon Espenschied,, and/ or gallery, Dallas, TX, USA
2008   Dennis Hopper and the New Hollywood, Cinématèque française (travelling)
2008   Superlight, San Jose Museum of Art, San Jose, CA, USA (curated by Steven Dietz, travelling to MOCA Cleveland)
2008   Color Chart, MOMA, New York, USA (curated by Ann Temkin, traveling to Tate Liverpool, with catalogue)
2008   Peer to Peer, Casino Luxembourg – Forum d’art Contemporain, Luxembourg
2008   Popshop, remixing icons of massculture, Mu Foundation, Eindhoven, Netherlands
2008   Holy Fire. Art of the Digital Age, iMAL Center for Digital Cultures and Technology, Bruxelles, Belgium
2007   Super Cinema, Solomon R. Guggenheim Museum, New York, USA
2007   Automatic Update, MOMA, New York, USA
2007   Collection Part 1, Migros Museum, Zurich
2007   Max Wigram Gallery, London, UK
2007   Northern Gallery for Contemporary Art, Sunderland, UK (touring to Spacex, Exeter, and Castlefield Gallery Manchester, cat.)
2007   Brändström & Stene, Stockholm, Sweden
2007   Galerie Guy Bartschi, Geneva, Switzerland
2007   Galerie Thaddeus Ropac, Salzburg/Paris
2006   Roberta Smith, Turning Games Into a New Kind of Art, The New York Times, January 21, p.B9.
2006   Barbara London, Best of 2006 Film (8 BIT), Artforum, Dec, p. 58
2006   Julia Cosgrove, Digital Underground, ReadyMade, June/July, pp. 62-65
2006   Susan Corrigan, Cory Arcangel: Fallen from Grace, i-D, June, p.36
2006   Mark Tribe, Cory Arcangel: An Interview, UOVO, Issue 11, pp.252-63
2006   Sophie, Fels, “Time Frame”, TimeOut NY, September, 7-13, p.147
2006   Marc Speigler, Game Art, Departures, May/June
2006   Emily Weiner, Motivational Speaker, TimeOut NY, May 18-24, p.80
2006   Nicolas Trembley, L’ange Techno, Numero, Spring, pp.38-40
2006   Anne Dugan, The air we breathe: Cory Arcangel, Code, Winter, pp.12-15
2006   Stephanie Murg, Walking the Green Carpet, ArtNews, February
2005   Gair Boase, Future Greats 2005, Art Review, London, December Issue, pp. 66-70
2005   Nick Stillman, Cory Arcangel Hack Man, Flash Art International, issue XXXVIII, May-June, pp. 116-117
2005   Brian Sholis, Cory Arcangel: Team Gallery/Cory Arcangel/Paper Rad: Deitch Projects, Artforum, April, p190-1
2005   Roberta Smith, Last Chance: Cory Arcangel, The New York Times, February 11, E28
2005   Roberta Smith, Cory Arcangel/Cory Arcangel and Paper Rad, The New York Times, February 4, E39
2005   Charlie Finch, The Museum Comes to Us: Art in 2050, Artnet.com, February 3 Martha Schwendener, Cory Arcangel & Beige, TimeOut, February 3-9, p 60
2005   Danielle Nussbaum, hacker's delight, Nylon, February, p 89
2005   Nick Stillman, Critics’ Picks: Cory Arcangel, Artforum.com, January 21
2005   Caitlin Jones, “My Art World Is Bigger Than Yours”, The Believer, December/January, P.3- 12
2005   Mark Stevens, “Best Emerging Artist: Cory Arcangel”, New York, December 19, p.59- 60
2005   Roberta Fallon, “Screen Play”, Philadelphia Weekly, December 17
2005   Arne Ehmann, “Cory Arcangel: Historische Compuiertechnologie”, PARNASS, September – October, p. 140 - 1
2005   Sarah Valdez, “Open Source Art”, Art in America, September, p. 146, 175
2005   Sarah Boxer, “Web Works That Insist on Your Full Attention,” The New York Times, June 28, p E1, E7
2005   Kimberly Chun, “Fault-line Transmissions,” San Francisco Bay Guardian, May 11-17
2005   Daniel Perlin, “Technarchy,” XLR8R, May, p.60 - 5
2005   Eli Sudbrack, “Assume Vivid Astro Focus and Cory Arcangel,” Tokion, March/April, p. 56- 7
2005   Paul Underwood, “Joysticking it to the Man”, Spin, March, p.39
2004   Ed Halter, Midtown Rushes: Premieres, Village Voice, November 17-23, p 60
2004   Sarah Valdez, Last Night, An Artist Saved My Life, Paper, November, p 62-4
2004   Sarah Douglas, London Letter, Artnet.com, October 27
2004   Karen Rosenberg, Last Shot: The Matrix Reloaded, New York, August, p 75-77
2004   Kim Levin, The Infinite Fill Group Show, Village Voice, August 18-24, p c46
2004   Merrily Kerr, The Infinite Fill Show, TimeOut, August 12-19, p 53 Smith, Roberta, The Infinite Fill Group Show, The New York Times, August 6, E32
2004   Roberta Smith, “The Infinite Fill Show”, The New York Times, August 6, p. E32
2004   Walter Robinson, Weekend Update, Artnet.com, August 2
2004   Lisa Delgado, Cory Arcangel's Pizza Party, Res, July/August
2004   Clive Thompson, Pac is Back, New York, July 19, p 48-9.
2004   Dominique Moloun, Une Instantane des arts numerique a New York, Images, Issue #5, pp. 88-93
2004   Simon Houpt, “FranckenArt: The mix and mash future,” The Globe and Mail, May 14
2004   CBS, “What’s Bizarre at the Whitney?”, CBS News Sunday Morning, May2
2004   Nick Stillman, 2004 Whitney Biennial, The Brooklyn Rail, April, p16
2004   Ben Sisario, Internet Art Survives, but the Boom is Over, The New York Times, March 31, p. 13
2004   Ed Halter, Mind the Gap, The Village Voice, March 17-23, p 62
2004   Jerry Saltz, The OK Corral, The Village Voice, March 17-23, p 80
2004   Michael Kimmelman, Touching All Bases At The Biennial, The New York Times, March 12, p. 38
2004   Peter Plagens, Art's 'Star Search, Newsweek, March 22, p 61
2004   Matt Wolf, Killer Instinct, Flash Art, March-April, p. 62
2003   James Gardner, Art of the game, New York Post, December 22, p 42
2003   Deborah Solomon, The 3rd Annual Year in Ideas: Video-Game Art, The New York Times Magazine, December 14, p 105
2003   A.O. Scott, Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds, The New York Times, July 23, E3
2003   Marisa S. Olson, Hacktivist: Cory Arcangel, Planet, Spring, p 13
2003   Misha Davenport, “Old Chips, but new music”, Cicago Sun-Times, March 23
2003   Holland Cotter, “Doing Their Own Thing, Making Art Together,” The New York Times, January 19, p. E1, 36
2003   Angela Gunn, “The personal Touch,” Time Out, January 9 – 16, p.44
2003   Misha Davenport, Old Chips, but new music, Chicago Sun-Times, March 23
2003   Holland Cotter, Doing Their Own Thing, Making Art Together, The New York Times, January 19, p E1, 36
2003   Angela Gunn, The Personal Touch, Time Out, January 9-16, p 44
2002   Holland Cotter, THE CRITICS/10 MOMENTS, The New York Times, December 29
2002   Holland Cotter, A Document made by Paul Thek and Edwin Klein, New York Times, December 20
2002   Holland Cotter, Art In Review: 'Unknown Pleasures ‘, The New York Times, May 17
2002   Reena Jana, KOPy Cats, Artforum, March
2002   3Kyle Gann, Pop Goes the Composer, Village Voice, April 10
2001   Vinyl Richie, Make The Music With Your Mouse, Life Sucks Die, Winter, pp. 28-29