|
|
|
|
|
|
Biografie Barton Lidice Benes
|
|
|
|
|
|
|
|
|
|
|
|
1942
|
|
Born in Westwood, NJ
|
|
|
1942
|
|
Born in Westwood, New Jersey
|
|
|
1960 - 1961
|
|
Pratt Institute, Brooklyn, NY
|
|
|
1988
|
|
Pollock-Krasner Foundation Grant
|
|
|
|
|
Resides and works in New York City
|
|
|
|
|
|
Ausgewählte Ausstellungen |
|
|
|
|
|
|
|
|
|
|
|
2006 - 2007 |
|
Lennon, Weinberg, Inc., New York (solo) |
|
|
2004 |
|
New Works by Barton Lidice Benes, North Dakota Museum of Art, Grand Forks, ND. (solo) |
|
|
2004 |
|
Corporal Identity–Body Language, Museum of Arts and Design, New York |
|
|
2003 |
|
Food Matters: Explorations in Contemporary Art, The Katonah Museum of Art, Katonah, NY |
|
|
2003 |
|
Triennial 9 Form and Contents: Corporal Identity, The American Craft Museum, |
|
|
2003 |
|
Barton Benes: Curiosa, Galerie Gisele Linder, Basel, Switzerland (solo) |
|
|
2002 - 2003 |
|
Show Me the Money, the Dollar as Art, Naples Museum of Art, Naples, Florida. Traveled to Palm Springs Desert Museum, American Numismatic Association, Blanden Memorial Art Museum, Fresno Metropolitan Museum, Boston Federal Reserve. |
|
|
2002 |
|
Barton Lidice Benes: Curiosa, Lennon Weinberg, Inc., New York (solo) |
|
|
2002 |
|
Barton Lidice Benes: Souvenirs, Galleri Stefan Anderson, Umeå, Sweden (solo) |
|
|
2001 |
|
Art at the Edge of the Law, Aldrich Museum of Contemporary Art, Ridgefield, CT |
|
|
2001 |
|
Extra Art: A Survey of Arists’ Ephemera, 1960-1999, California College of Arts and Crafts, San Francisco, CA |
|
|
2000 - 2001 |
|
Reliquaries, Borås, Sweden, Borås Konstmuseum. Traveled to Uppsala Konstmuseum, Uppsala, Sweden; and Museokeskus Vapriikki, Tampere, Finland (solo) |
|
|
July 3, 2003 - 2000 |
|
Galeria 111, Lisboa, Portugal (solo) |
|
|
July 3, 2003 - 2000 |
|
Galeria 111, Porto, Potugal (solo) |
|
|
1999 - 2000 |
|
Reliquarium, Galeria 111, Porto, Portugal. Traveled to Galeria 111, Lisbon, Portugal (solo) |
|
|
July 3, 2003 - 1999 |
|
Barton Benes: Reliquaries, Lennon, Weinberg, Inc., Nova Iorque, E.U.A. (solo) |
|
|
1999 |
|
Barton Benes: Reliquaries, Lennon, Weinberg, Inc., New York (solo) |
|
|
July 3, 2003 - 1998 |
|
Spirited Away, A Space, Toronto, Canadá (solo) |
|
|
July 3, 2003 - 1998 |
|
Galeria Stefan Anderson, Umea, Suécia (solo) |
|
|
July 3, 2003 - 1998 |
|
State Project – Artists who live with HIV/SIDA, Virtual Collection, HIV International Day, site presented in the Modern Art Musseum, New York, E.U.A. |
|
|
July 3, 2003 - 1998 |
|
Searching for the Spiritual, Hope College, Galeria De Pree, Holland, Michigan, E.U.A. |
|
|
1998 |
|
Spirited Away, A Space, Toronto, Canada (solo) |
|
|
1998 |
|
The Estate Project, Artists Living with HIV/AIDS web site presented at the Museum of Modern Art, World AIDS Day, The Virtual Collection |
|
|
July 3, 2003 - 1997 |
|
Not Sacred, The Nathan Cummings Foundation, Nova Iorque, E.U.A. |
|
|
July 3, 2003 - 1997 |
|
Lethal Weapons, Coke Gallery, University of New Mexico Art Museum, Albuquerque Novo México, E.U.A. (solo) |
|
|
1997 |
|
Lethal Weapons, Coke Gallery, University of New Mexico Art Museum, Albuquerque, New Mexico (solo) |
|
|
July 3, 2003 - 1996 |
|
Novomestska Radnice, Praga, Cheqz Republic (solo) |
|
|
July 3, 2003 - 1996 |
|
Politics American Style: Issues and Images, Beacon Hill Fine Art, Nova Iorque, E.U.A. |
|
|
July 3, 2003 - 1996 |
|
Umedalen Skulptur' 96, Umea, Suécia |
|
|
July 3, 2003 - 1996 |
|
Brenda and Other Stories, Museu de Walsall, Reino Unido |
|
|
July 3, 2003 - 1995 |
|
Galeria 111, Lisboa, Portugal (solo) |
|
|
July 3, 2003 - 1995 |
|
USA Within Limits, Galeria Millan, São Paulo, Brasil |
|
|
July 3, 2003 - 1995 |
|
Common Ground 1995, Museu de Arte de Albuquerque, Novo México, E.U.A. |
|
|
July 3, 2003 - 1995 |
|
Anders Tornberg Collection, Galeria Anhava, Helsínquia, Finland |
|
|
July 3, 2003 - 1995 |
|
Galeria 111, Lisboa, Portugal (solo) |
|
|
1994 |
|
Money Madness, North Dakota Museum of Art, Grand Forks, ND (solo) |
|
|
2002 |
|
Abrams, Curiosa: Celebrity Relics, Historical Fossils, and Other Metamorphic Rubbish, Barton Lidice Benes, introduction by John Berendt |
|
|
1999 |
|
POZ Magazine, The Passion of Barton Benes, David Groff |
|
|
|