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Biografie |
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1956 |
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Born in Cheshire, England |
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1974 - 1975 |
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Gloucestershire College of Art & Design |
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1975 - 1978 |
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Wolverhampton Polytechnic - B.A. with Honors |
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1980 - 1982 |
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Reading University - M.F.A. |
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Lives and works in London |
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Ausstellungen |
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2008 |
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Frith Street Galllery, London (solo) |
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2008 |
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Blown Away - The Artful Explosion, Krannert Art Museum, University of Illinois |
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2007 |
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Projektion, Lenos Kunstmuseum, Linz |
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2007 |
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Says the junk in the yard, Flowers East, London |
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2007 |
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Collective One, Galerie Guy Bartschi, Geneva |
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2007 |
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Living in the Material World, National Art Center,Tokyo |
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2007 |
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The Shadow,MAN Museo d'Arte Provincia di Nuoro |
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2007 |
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IKON, Birmingham (solo) |
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2006 - 2007 |
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The Shadow, Palazzo delle Papesse Centro Arte Contemporanea, Sienna |
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2006 |
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Resonance, Firth Street Gallery, London |
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2006 |
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Thread, Ingleby Gallery |
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2006 |
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Projektion, Museum of Art, Luzern |
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2006 |
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Brontean Abstracts, Bronte Parsonage Museum, Haworth, West Yorkshire (solo) |
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2005 |
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Focus: Cornelia Parker, The Modern Art Museum of Fort Worth, Fort Worth, Texas (solo) |
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2005 |
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New Work by Cornelia Parker, Yerba Buena Center for the Arts, San Francisco, California (solo) |
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2005 |
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Subconcious Terras, New York; Wurttembergischer Kunstverein Stuttgart, Germany (solo) |
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2005 |
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Water, Air, Earth, Ice. At the origins of life between Art and Science, Villa Croce Museum of Contemporary Art, Genova, Italy |
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2005 |
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The Real Ideal, Sheffield Galleries, Sheffield |
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2005 |
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Presence, Gimpel Fils, London |
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2005 |
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Bye-Bye blackboard..from Einstien and others, Museum of History of Science, Oxford |
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2005 |
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Think & Wonder, Wonder & Think, Museum of Childhood, London |
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2005 |
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In the Neighborhood of Infinity, Sixteen:one Gallery, Santa Monica, California |
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2004 - 2005 |
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Cornelia Parker: Installations from the Tate Collection, Norwich Castle Museum and Art Gallery, Norwich (solo) |
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2004 |
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Galeria Carles Tache, Barcelona, Spain (solo) |
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2004 |
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Finesilver Gallery, Project Space, San Antonio, Texas (solo) |
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2004 |
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The West Wing, St. Barts and The London Breast Cancer Centre, London |
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2004 |
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Speaking with Hands: Photographs from The Buhl Collection, Guggenheim Museum, New York |
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2004 |
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City Art Gallery, Prague |
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2004 |
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After Life, curated by Simon Morrissey, The Bowes Museum |
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2003 |
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D�Amelio Terras, New York (solo) |
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2003 |
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Guy Bartschi, Geneva (solo) |
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2003 |
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Dust Memories, Swiss Institute-Contemporary Art, NY |
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2003 |
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Days like These, Tate Triennial, Tate Britain |
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2003 |
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Stacked, D'Amelio Terras, New York |
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2003 |
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The Disembodied Spirit, Bowdoin College Museum of Art, Maine - On tour: Contemporary Art in Kansas City, and Austin Museum of Art |
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2003 |
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Independence, South London Gallery |
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2003 |
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Doublures, Musée Du Québec |
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2002 |
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To Eat or not to Eat, Centro de Arte de Salamanca |
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2002 |
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Continuitá: Arte in Toscana 1945-2000, Fattoria di Celle, Santomato di Pistoia, Italy |
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2002 |
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Summer Palace, A Garden for Artists, Duesseldorf |
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2002 |
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Life is Beautiful, Laing Art Gallery, Newcastle UK |
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2002 |
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Frith Street Gallery (solo) |
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2001 |
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GAM, Galleria Civica D�Arte Moderna, Turin, Italy (solo) |
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2001 |
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Summer Exhibition, Frith Street Gallery, London |
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2001 |
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Solid State: Reflections upon the Real, Kettle�s Yard, Cambridge |
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2001 |
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2000: the end of century. The seeds of the future Comune di Milano, Italy |
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2001 |
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The Silk Purse Procedure, Spike Island and Arnolfini Gallery, Bristol |
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2001 |
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Paper Assets British Museum |
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2000 |
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British Art (part 1), Diehl Vorderwuelbecke, Berlin |
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2000 |
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Studio Stefania Miscetti, Rome |
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2000 |
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Between Cinema and a Hard Place, Tate Modern, London |
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2000 |
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Interventions, Milwaukee Art Museum, Wisconsin, USA |
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2000 |
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Boston ICA, USA (solo) |
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2000 |
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Chicago Arts Club, USA (solo) |
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2000 |
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Aspen Museum of Art, USA (solo) |
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2000 |
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Philadelphia ICA, USA (solo) |
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1999 |
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Frith Street Gallery, London (solo) |
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1999 |
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Warburg Institute, London (solo) |
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1999 |
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Science Museum, London (solo) |
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1999 |
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Porcupines, 291 Gallery, London |
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1999 |
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Porcupines, 291 Gallery, London |
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1999 |
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Disaster, Harris Museum, Preston |
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1999 |
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Documents and Lies, Optica, A Centre For Contemporary Art, Montreal, Canada |
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1999 |
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Dards D�art, Mouches, Moustiques...Modernite, Arles Museum, France |
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1999 |
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Melbourne 1st International Biennial, Melbourne, Australia |
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1998 |
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Yoko Ono�s Water Piece, Ormeau Bath Gallery, Belfast |
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1998 |
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New Art from Britain, Kunstraum Innsbruck, Austria |
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1998 |
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Drawing Itself, The London Institute |
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1998 |
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Serpentine Gallery, London (solo) |
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1998 |
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Deitch Projects, New York, USA (solo) |
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1997 |
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ArtPace, San Antonio, Texas, USA (solo) |
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1997 |
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Casa Masaccio, San Giovanni Valdarno, Italy (solo) |
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1997 |
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The Turner Prize, Tate Gallery, London |
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1997 |
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Material Culture, Hayward Gallery, London |
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1996 |
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Chapter Arts Centre, Cardiff (solo) |
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1996 |
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Matter of Facts, Hawerkamp, Munster |
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1996 |
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City Space, Tivoli Gardens, Copenhagen |
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1995 |
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Something The Matter: Helen Chadwick, Cathy de Monchaux, Cornelia Parker, Museo Municipal de Bellas Artes, Rosario, Argentina; and travelling to Centro Cultural Recoleta, Buenos Aires; Museo Nacional de Bellas Artes, Rio de Janeiro; Galeria Athos Bulcao, Brasilia |
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1995 |
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A House in Time, Moderna Galerija Ljubljana, Slovinia |
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1995 |
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The Maybe (Collaboration with Tilda Swinton), Serpentine Gallery, London (solo) |
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1995 |
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Gallery 102, Dusseldorf (solo) |
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1994 - 1995 |
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Art Unlimited, Royal Festival Hall, touring exhibition of multiples |
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1993 - 1995 |
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Recent British Sculpture, Arts Council touring exhibition |
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1994 |
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XXII Bienal de Sao Paulo, Brazil |
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1993 |
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Eigen+Art, New York |
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1993 |
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Ha-Ha, Killerton Park, Devon |
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1992 |
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Nigel Greenwood, London |
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1992 |
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Eigen+Art, Leipzig (solo) |
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1992 |
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Vitrine Hortense Stael, Paris (solo) |
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1991 |
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Chisenhale Gallery, London (solo) |
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1991 |
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Vitrine Hortense Stael, Paris(solo) |
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1991 |
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Spitalfields Heritage Centre, presented by the Whitechapel Gallery, London (solo) |
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1991 |
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Excavating the Present, Kettle�s Yard, Cambridge |
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1991 |
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Tous Azimuts, Vitrine Hortense Stael, Paris |
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1990 |
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The British Art Show, McLellan Galleries, Glasgow; Leeds City Art Gallery, Leeds; Hayward Gallery, London |
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1990 |
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Mostra, British School in Rome |
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1990 |
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Rome Scholars 1980-90, Royal College of Art, London |
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1990 |
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Whitechapel Open, Whitechapel Gallery, London |
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1989 |
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Cornerhouse, Manchester (solo) |
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1989 |
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Aspects Gallery, Portsmouth (solo) |
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1988 |
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Ikon Gallery, Birmingham (solo) |
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1987 |
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Actualities, London (solo) |
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1987 |
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Systems of Support, Kettle�s Yard, Cambridge |
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1986 |
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Surveying the Scene, South Hill Park, Bracknell, Aspects Gallery, Portsmouth |
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1986 |
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New British Sculpture, Air Gallery, London |
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1985 |
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Whitechapel Open, Whitechapel Gallery, London |
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1983 |
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Sculpture by Women, Ikon Gallery, Birmingham |
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1980 |
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Midland View, Stoke City Art Gallery & Museum, touring |
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1980 |
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Stoke City Art Gallery & Museum (solo) |
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Literatur |
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2003 |
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Williams, Eliza. 'Cornelia Parker,' Tema Celeste Issue No. 96, March-April, p. 95, illus. |
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2003 |
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Montreuil, Gregory. 'Cornelia Parker at D'Amelio Terras,' Flash Art July. |
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2003 |
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Reynolds, Nigel. 'A Kiss From Cornelia With Strings Attached,' Daily Telegraph February 26. |
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2003 |
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Campbell Johnston, Rachel. 'Rodin and the Art of Bondage,' The Times of London February 26. |
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2002 |
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Morrissey, Simon. 'In Pursuit of Freedom,' AN Magazine, March |
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2001 |
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Hubbard, Sue. 'Fur-lined Fetishism,' Art Review, September |
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2001 |
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Lawson, Susan. 'Irreconciliable Difference: Ode/Owed to Cornelia Parker,' n.paradoxa, Vol. 8, pp. 12-21 |
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2001 |
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Helguera, Pablo. 'Imaginary Landscape,' tema celeste, No. 83, pp. 46-51 |
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2001 |
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'Anarchy and Ecstasy,' The Economist, 9 June, p. 133. |
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2001 |
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Batchen, Geoffrey. 'Carnal Knowledge,' Art Journal, Spring, Vol. 60 No. 1, pp. 21-23 |
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2001 |
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Higgins, Ria. 'A Life in the Day of Cornelia Parker,' Sunday Times Magazine, 4 February, p. 62 |
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